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Moje tijelo je moja kuća - Tijelo kao subjekt, objekt i trag
No full textDiplomski rad „Moje tijelo je moja kuća - Tijelo kao subjekt, objekt i trag“ nastajao je unutar vremenskog intervala od dvije godine studija Kiparstva na Nastavničkom odsijeku ALU, tijekom kojeg sam upisala i obrazovni program Centra za ženske studije, čija sam danas članica. Rad je osmišljen ko ambijentalana video instalacija, autoreferencijalan je i autoterapijski mehanizam kojim nastojim ukazati na sustavnu društvenu represiju u poimanju ženskog identiteta. Izlagački prostor gotovo je u cijelosti ispunjen starim, odbačenim prozorima različitih dimenzija. Na nekima od njih prikazuju se video projekcije performansa koje sam prethodno izvela i snimila u ruševnom okruženju nikada dovršene Nove sveučilišne bolnice na rubu Zagreba. Kroz autoreferencijalne video performanse i prostornu instalaciju sačinjenu od prozora nastojim što dublje prodrijeti u srž navedene problematike ukazujući na bitnost samoprihvaćanja te odbacivanja uvriježenih i nametnutih patrijarhalno orjeniranih društvenih normi. Radom afirmiram ženskost u širem planu; u kontekstu feminizma te borbe za rodnu i spolnu ravnopravnost.The thesis "My body is my house - Body as a subject, object and trace" was created within a time interval of two years at the Graduate Study of Sculpture at the Teachers' Department of the Academy of Fine Arts during which I enrolled in the educational program of the Center for Women's Studies, of which I am a member today. The paper is a self-referential and autotherapeutic tool, also used as a mechanism by which I try to point out the systematic social repression in the understanding of women's identity. In my thesis "My body is my house - Body as a subject, object and trace" I point out the position of women within the patriarchal society in the form of an ambient video installation. The exibition space is almost completely filled with old, discarded windows of various dimensions. On some of them video projections of performances that I previously reported and recorded in the ruined environment of the never completed 'New University Hospital' on the outskirts of Zagreb are shown. Through video performances and a spatial installation made of windows, I try to penetrate as deeply as possible into the core of this issue, pointing out the importance of self-acceptance and rejection of established and imposed social norms. Through my work, I affirm femininity in a broader sense; in the context of feminism and the struggle for gender and sex equality