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Selected examples of architectural decoration from the 15th to the 17th century in Kaštela
No full textRad ne sadrži sažetak
Music education in preschool institutions
No full textOvaj rad bavi se pregledom aktivnosti i materijala glazbenog odgoja djece predškolske dobi. Cilj rada je prikazati važnost glazbenog odgoja u životima djece kao i u predškolskim ustanovama, naglašavajući pritom njegov doprinos cjelokupnom razvoju djeteta.This work deals with the review of activities and materials od musical education od preschool children. The aim od the work is to show the importance od musical education in the lives od childrenas well as in preschool institutions, emphasizing the contribution to overall development od children
Mendelssohn Violin Concerto in E-minor and the 19th century performance practice
No full textOva teza istražuje izvedbenu praksu violinskog sviranja 19. stoljeća, kako je prikazano u Koncertu za violinu i orkestar u e-molu F. Mendelssohna. Prvi dio pruža biografske uvide u živote Felixa Mendelssohna te njegovog dobrog prijatelja i kolegu Ferdinanda Davida. Drugi dio istražuje izvedbenu praksu 19. stoljeća kroz analizu podrijetla i razvoja njemačke violinističke škole te tri ekspresivna alata tog razdoblja: vibrato, portamento i vrste gudala te njihov utjecaj na izvedbu spiccata i sautillea. Treći dio primjenjuje ove ekspresivne alate na Violinski koncert Mendelssohna.This thesis investigates the 19th century performance practice of violin playing exemplified in the Concerto for Violin & Orchestra in E-minor by F. Mendelssohn. The first section provides biographical insights into both Felix Mendelssohn and his good friend and colleague Ferdinand David. The second section explores 19th century performance practices through an examination of the origins and evolution of the German violin school and three expressive tools of the era: vibrato, portamento and the type of bows used and its influence on the articulation of spiccato and sautillé. The third section applies these expressive tools to the Violin Concerto by Mendelssohn
CONSERVATION - RESTORATION TREATMENT OF BALLOT VOTING URN FROM THE MUSEUM OF SACRED ART OF THE CATHEDRAL OF ST. LAWRENCE
No full textSAŽETAK: U radu je opisan konzervatorsko-restauratorski postupak proveden na drvenoj polikromiranoj glasačkoj urni (17. st.) iz trogirskog Muzeja sakralne umjetnosti katedrale svetog Lovre. Prikazani su rezultati provedenih analiza vrste drva, bojanih slojeva te uzročnika bioloških oštećenja. Provedeni konzervatorsko-restauratorski radovi obuhvaćali su postupke uklanjanja površinske nečistoće te konsolidaciju drva i bojanog sloja nakon kojih su izvedene rekonstrukcije oštećenja nosioca, preparacije i bojanog sloja.ABSTRACT: The paper describes the conservation-restoration procedure carried out on a wooden polychrome ballot voting urn (17th century) from the Museum of Sacred Art of the Cathedral of St. Lawrence in Trogir. It presents the results of the analyses conducted on the type of wood, paint layers, and the causes of biological damage. The conservation-restoration works included the removal of surface dirt, consolidation of the wood and paint layer, followed by reconstructions of the damaged support, priming, and paint layer
The architecture of man
No full textZavršni rad je proizašao iz četiri crteža u olovci koji su vizualno prikazivali više tijela spojenih u potpuno nove strukture. Autorica je time vizualno istraživala ideje o čovjekovoj promjenjivoj svijesti, te o njegovim odnosima s vlastitim tijelom. Autorica nadalje razvija koncept spajajući više tijela u apstraktne strukture, koncentrirajući se na samu tvarnost tijela i vlastitu slikarsku gestu. Fokusira se na pitanja kako fizička prisutnost oblikuje naše emocionalno stanje, te kako mentalne promjene utječu na naše tijelo, ističući intimnu povezanost između fizičkog i mentalnog rasta i razvoja. Apstraktnim i ekspresionističkim izričajem autorica istražuje razne atribute vlastite psihe i tijela, čime koncept rada postaje osoban. Poseban naglasak autorica stavlja na tvarnost tijela i vlastitu slikarsku gestu kao ključne komponente rada.The work devolopt from four pencil drawings that visually depicted multiple bodies joined together to become completely new structures. With that, the author visually explored ideas about the changing human consciousness, and the individuals relationship with their own body. The author further develops this concept, now combining multiple bodies into abstract structures, concentrating on the very materiality of the body and her own artistic gesture. She focuses on how physical presence shapes our emotional state, and how mental changes affect our physical body, emphasizing the intimate connection between physical and mental growth and development. Abstractly and expressionistically, she explores various attributes of her own psyche and body, thus the concept of the work becomes personal. She places special emphasis on the materiality of the body and her own painting gesture as key components of the work
Alienation as a theme and as a method of the animated film "Worm exit hole"
No full textThis thesis explores the concept of alienation as a central theme and methodological approach in the animated film Worm Exit Hole. The author analyzes how alienation, as a philosophical and existential concept, is reflected through the film’s visual and sound elements, and how this theme is connected to the processes of maturation, separation, and the inner transformation of the main character. Special attention is given to symbolism, metaphors, and the use of defamiliarization to create emotional engagement with the audience and provoke deeper philosophical reflection
Ludwig van Beethoven: Sonate op.78 no. 24 in F sharp minor / A formal, technical and interpretative analysis
No full textU ovoj sonati ĉija struktura, liriĉnost i pjevnost izlaze iz okvira tradicije, oĉituje se Beethovenov drugaĉiji i pomalo neobiĉan karakter. U ţelji da svakom budućem izvoĊaĉu pribliţim ljepotu ovog jedinstvenog opusa, koji sam i sama studirala i svirala, odluĉila sam predstaviti detaljnu formalno-harmonijsku analizu oba stavka – Adagio cantabile, Allegro vivace, iznijeti sve tehniĉke poteškoće i naĉine vjeţbanja istih te razraditi interpretativnu analizu kako bi izvoĊenje bilo jasnije. Na samom poĉetku rada osvrnut ću se na ţivot i stvaralaštvo Ludwiga van Beethovena.In this sonata whose structure, lyricism and musicality step out of the traditional frame, Beethoven's different and a bit unusual character is manifested. In the desire to bring closer the beauty of this unique opus to every future performer, which I studied and performed myself, I decided to present a detailed formal and harmonic analysis of both movements – Adagio cantabile and Allegro vivace, to lay out all the technical difficulties and ways of practicing the same and to elaborate an interpretative analysis to make its performance clearer. At the very beginning of this thesis I will reflect on life and creativity of Ludwig van Beethoven
The Depiction of the Human-Nature Relationship in Film Art
No full textRad pod nazivom Odnos čovjeka i prirode u filmskoj umjetnosti istražuje duboku povezanost između ljudi i prirode kroz analizu četiri filma. Kroz vlastita iskustva i osobno promišljanje, filmovi prikazuju prirodu ne samo kao fizički prostor, već i kao ključnog sudionika u procesu ljudskog rasta, ozdravljenja i transformacije. Poseban naglasak stavljen je na korištenje simbolike i haptičke slike kako bi se prenijele emocije i značenja. Filmovi istražuju teme poput procesa zacjeljivanja, simbolike prirode i taktilnih elemenata, s ciljem da gledatelj doživi prirodu na dublji, osjetilni način. U radu se priroda promatra kao aktivan sudionik koji utječe na ljudsko iskustvo, kroz vizualne, auditivne i taktilne elemente filmske umjetnosti
Trace
No full textNaslovljeni završni rad proizašao je iz prethodne teme „Trag“, gdje je autorica istraživala povezanost neurona u ljudskom mozgu želeći prikazati fizičko stanje mozga nakon konzumacije opojnih sredstava. Rad ima dimenzije 50 x 50 cm, u tehnici akrila i mat spreja. Autorica je na platno polegla debele konce jedne preko drugih, kreirajući svoju predodžbu efekta i povezanosti mreže neurona. Nakon prelaženja površine platna sa sprejem, platno se uspravlja. Ovako započetu zamisao, postupak i gestu autorica je nastavila istraživati u završnom radu koristeći automatski crtež na papiru.The title of the final thesis arose from the previous topic "Trace", where she investigated the connection of neurons in the human brain, wanting to show the physical state of the brain after the consumption of intoxicants. The work has dimensions of 50 x 50 cm, in acrylic and matte spray technique. She laid thick threads on the canvas one over the other, creating her idea of the effect and connection of a network of neurons. After coating the surface of the canvas with the spray, the canvas straightens. The author continued to explore her idea, procedure and gesture that began in this way in the final work using automatic drawing on paper