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Boats in period of Vikings
No full textVikinzi odnosno Normani su nešto više od 250 godina ostali zapamćeni kao pljačkaši, trgovci, osvajači i vrsni moreplovci. U potpunosti su promijenili povijest Europe i iza sebe ostavili brojna postignuća kojima se i danas služimo. Bili su mnogobošci, vjerovali u prirodne sile i zazivali svoje bogove u pomoć. Njihovi su bogovi štitili obitelji, usjeve i ratne napade. Bili su i ostali vrsni brodograditelji i moreplovci. Njihove lađe se mogu svrstati u umjetnička remek djela, pazili su na svaki detalj u samim izradama i brizi o njima. Lađe su im to „vraćale“ te ih odvele na mjesta do tada još netaknuta čovjekom, u ratove i osvajanja koja su oduvijek sanjali, pa čak i na neotkrivene kontinente. Lađe su bile početak i kraj života većine Vikinga. Ulijevali su stah u kosti narodima zapadne Europe kada bi dolazili s mora, svi su molili Bogove da ih oslobodi „bijesa Normana“. Kroz stoljeća, vikinške lađe su zamijenile neke nove, te su se kao narod kroz 11. stoljeće potpuno asimilirali s narodima zapadne Europe.Vikings or Normans are, for more than 250 years, remembered as robbers, merchants, conquerors and excellent sailors. They have completely changed the history of Europe and left behind vary of achievement that are to this day in use. They were polytheists, or more known as pagans, that believed in natural forces and many different gods, who helped them in need. Their gods protected them from different attacks, but also protecting families, fields and crops. It is important to mention that they were excellent shipbuilders and sailors. Their ships can be classified as masterpieces, because they paid attention to details and took care of them. Since they were building strong and resistant ships, which took them to places still untouched by man, they managed to conquer many different places, some still untouched by man. Ships were the beginning and the end of the Viking era. They spread fear in Western Europe. When people saw them coming from the see they started praying to God to free them from the ‘rage of the Normans’. Over the centuries, some new boats came, Vikings became weaker and lots of them assimilated with Western Europeans
Picasso
No full textPicasso je jedan od najvećih genija 20. stoljeća koji je imao velik utjecaj na druge slikare toga doba, a i danas predstavlja inspiraciju mladim slikarima. Picassova djela su imala dozu njegovog osobnog pristupa viđenju onoga što slika, a njegova djela su asocirala ovisno o njegovom privatnom životu. Postoji nekoliko faza Picassova stvaranja, a u ovome radu se obrađuje modra i ružičasta faza, kubistička faza, nadrealistička faza i klasična faza. Svakoj fazi svojstven je određeni umjetnički izražaj koji je ujedno povezan s emotivnim stanjem slikara.Picasso is one of the greatest genius of the 20th century who had a great influence on other painters of the time, and even today he is an inspiration for young painters. Picasso’s works had a dose of his personal approach to seeing what he painted, and his works oscillated depending on his private life. There are several phases of Picasso's creations,and this thesis processing the blue and pink phase, the cubist phase, the surrealist phase and the classical phase. Each stage is characterized by a certain artistic expression that is also associated with the emotional state of the painter
Johannes Brahms - Fantazije op. 116 : detaljna formalno-harmonijska, tehnička i interpretativna analiza
No full textRad ne sadrži sažetak
Contribution to the Knowledge of Sculptural Works Created Within the Sisak Steelworks Artists Colony
No full textU ovom dijelu magistarskog stručnog rada predstavljeni su rezultati istraživanja kiparskih djela nastalih u okviru Kolonije likovnih umjetnika Željezara Sisak koja je bila aktivna od 1971. do 1990. godine. Ukratko je opisana povijest Kolonije, kao i povijest umjetničkih djela koja su u njoj nastala, s naglaskom na kiparska djela. Opisana je metodologija izrade bibliografije novinskih članaka o Koloniji te prvog cjelovitog popisa kiparskih djela realiziranih u okviru te manifestacije. Dok bibliografija predstavlja izvanrednu podlogu za buduća istraživanja, popis kiparskih djela nastalih u Koloniji pomaže stvoriti precizniju sliku o opsegu kiparske produkcije, ali i razmjerima gubitaka do kojih je došlo nakon okončanja Kolonije. U tekstu se također izlažu rezultati istraživanja većeg broja nestalih kiparskih radova; cilj je bio pronaći slikovne materijale koji će olakšati buduću potragu.This part of the master's thesis presents the results of a study of sculptural works created within the framework of Sisak Steelworks Colony of Fine Artists, which was active from 1971 to 1990. It contains a brief history of the Colony, as well as the history of the works created by the participating artists, with an emphasis on the sculptures. The methodology used in compiling the newspaper articles that reported on the Colony’s activities as a working bibliography, as well as that used in the making of the first complete list of the sculptures are also described. While the bibliography provides an excellent basis for further research, the list of the sculptures created during the Colony activities helps towards the achievement of a more accurate picture of the extent of the Colony’s sculptural production and the scale of the losses that occurred after the Colony had ended. The text also presents the research results regarding the numerous missing sculptures; the goal was to find a photo documentation that would facilitate the search, and maybe even the recovery of missing artefacts
Ženska grafička scena u Hrvatskoj od druge polovice 20.st.
No full textOvaj diplomski rad istražuje temu ženske grafičke scene u Hrvatskoj od druge polovine 20.st. Polazeći od općenito grafike kao medija i pojma grafike u likovnoj umjetnosti. Istražuje razdoblje pojave žene u povijesti koje se izražavaju ovim medijem. Razmatranje ovog rada prati istraživanje umjetničkog i grafičkog izražaja Hrvatskih umjetnica od druge polovice 20. st. do danas koje djeluju na Zagrebačkom, Riječkom i Splitskom području. Rad predstavlja sažeti kronološki opus izdvojenih Hrvatskih umjetnica kojima je zajednička poveznica grafika. Istražuje područje likovnog izražavanja od tradicionalnih grafičkih tehnika do kombiniranja suvremenih medija, performansa, svjetlosnih objekata i sklonosti eksperimentiranja suvremenih umjetnica.This thesis researches female printmaking scene during second half of 20th century in Croatia assuming printmaking as media or as a term in visual arts. It explores the period of time in which women express themselves. The review of this thesis is followed by artistic and printmaking expressions with exploration of Croatian artists active from second half 20th century to this day and from Zagreb, Rijeka and Split area. Thesis presents extracted chronological opus of Croatian female artist who have printmaking as a common link. It researches different fields of artistic expression such as traditional printamking techniques or modern combination of media, performance, light objects and preference towards experiments
