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THE SHRINE OF OUR LADY OF THE HOCKS I THE 17 TH AND 18TH CENTURY
No full textOvaj završni rad se bavi umjetničkom vrijednošću Svetišta Gospe od Škrpjela, ponajviše iz doba baroka. Svetište se nalazi na umjetno sagrađenom otočiću pored grada Perasta u Boki kotorskoj. Iako se otočić počeo graditi nasipanjem kamenja na hridi sredinom 15. stoljeća, jer je po legendi na tom mjestu pronađena slika Gospe s malim Isusom, istaknuto razdoblje je 17. i 18. stoljeće jer je tada grad Perast u kontekstu Mletačke republike doživio svoj gospodarski i kulturni procvat. S obzirom da čitava simbolika Svetišta doslovce izranja iz vjerske snage mještana Perasta kroz stoljeća, a isprepletena je s društveno političkim životom zajednice i okruženja, upravo se u radu pokušava dočarati i taj kontekst. Političko- teritorijalna, gospodarska, te kulturno umjetnička povezanost jadranskih gradova pod vlašću Mletačke republike, od Istre do Boke, oslikava na mikroplanu Svetište Gospe od Škrpjela pod vlašću i skrbi Peraštana, a posebice dvojice; mecene Andrije Zmajevića i slikara Tripa Kokolje.This final thesis deals with the artistic value of the Shrine of Our Lady of the Rocs, mostly from the baroque time. The sanctuary is located on an artificial islet near the town of Perast in Boka Kotorska. Although the islet began to be built by filling with stones on the cliff in the middle of the 15th century because according to legend a picture of Our Lady with the baby Jesus was found there, the prominent period is the 17th and 18th centuries because the city of Perast then experienced its economic and cultural flourishing in the context of the Venetian Republic. Since the whole symbolism of the Sanctuary literally emerges from the religious power of the locals through the centuries, and is intertwined with the social political life of the community and the environment, this work also tries to evoke that context Political -territorial, economic and culturally-artistic connection between Adriatic cities under the rule of the Venetian Republic, from Istria to Boka, is depicted on the microplane by the Shrine of Our Lady of the Rocks under the rule and care of Perastans, and especially two: the patron Andrija Zmajević and the painter Tripo Kokolja
BLEIBURG I KRIŽNI PUT KAO TEMA HRVATSKE HISTORIOGRAFIJE
No full textBleiburg i križni put jedne su od najkontroverznijih tema u cjelovitoj hrvatskoj povijesti. Istina nikada nije relevantna, a ono što je utkano u tematiku Bleiburga je da su povijest pisali pobjednici. Zbog takvog načina zapisivanja povijesti, hrvatska historiografija stavljena je pred ogroman izazov. Hrvatska je za vrijeme Drugog svjetskog rata bila u situaciji o kojoj im se sudilo i sudi do današnjih dana. Ratni poraz, bijeg prema 'pomoći' bile su uvertira bleiburškoj katastrofi o kojoj se spori mnogo toga. Puno je suprotnosti i različitih mišljenja te međusobnog optuživanja. Manipuliralo se brojkama. Brojke stradalih su uvećane i umanjivane do krajnjih granica. Povjesničari često negiraju jedni druge, zamjeraju si načine istraživanja i dokaz su različitosti u pogledima na Bleiburg. Do današnjih dana ostale su snažne emocije uz ovu temu zbog koje je pitanje Bleiburga i križnog puta i 78 godina kasnije, otvoreno i aktualno. Emocije su prisutne u raspravama o krivcu bleiburške tragedije. Dok jedni zdušno okrivljuju Britance i Tita, drugi pronalaze mane poglavniku Paveliću i njegovoj hrvatskoj državi. Komunističke vlasti bile su u obračunu sa narodnim neprijateljem tj. revizionizmom, fašizmom i ustašstvom. Danas historiografija raspolaže čvrstim dokazima o holokaustu vojnika i civila predanih JA na čelu s Titom. U emigraciji, Bleiburg je bio dio identiteta te je ostao ključan u očuvanju istoga. Jedno je uvijek sigurno: bleiburška tragedija bila je obračun između velikosrpskog jugoslavenstva i hrvatstva. A Bleiburg je dobio simboličko značenje kao mjesto zarobljenja, mučenja, patnji i smrti hrvatskoga naroda – vojske i civila.Bleiburg and „Križni put“ are one of the most controversial topics in Croatian history. The truth is never relevant, and what is woven into the theme of Bleiburg is, that history is written by the victors. Because of this way of recording history, Croatian historiography is faced with a huge challenge. During the Second World War, Croatia was in a situation where they were judged and are being judged to this day. Defeat in the war, the flight to "help" were the preludes to the Bleiburg disaster, about which many things are disputed. There are many contradictions and different opinions and mutual accusations. Numbers were manipulated. The numbers of the victims were increased and decreased to the extreme limits. Historians often deny each other, resent each other's methods of research and are proof of the diversity of views on Bleiburg. To this day, strong emotions remain with this topic, which is why the question of Bleiburg and „Križni put“ are still open and relevant 78 years later. Emotions are present in discussions about the culprit of the Bleiburg tragedy. While some wholeheartedly blame the Britons and Tito, others find fault with Major Pavelić and his Croatian state. The communist authorities were dealing with the enemy of the people, i.e. revisionism, fascism and 'ustašstvo'. Today, historiography has solid evidence of the holocaust of soldiers and civilians committed to JA led by Tito. In emigration, Bleiburg was part of the identity and remained crucial in preserving it. One thing is always certain: the Bleiburg tragedy was a showdown between Greater Serbian Yugoslavia and Croatia. And Bleiburg acquired a symbolic meaning as a place of capture, torture, suffering and death of the Croatian people – army and civilians
EMOCIJE U LIKOVNOM IZRAŽAVANJU DJETETA
No full textCilj ovog rada je bio istražiti u kojoj mjeri djeca ranog i predškolskog uzrasta izražavaju emocije kroz likovne radove. Istraživanje se provelo u Dječjem vrtiću „Bili cvitak“ u Sinju. Uzet je uzorak od 146 likovnih radova djece u dobi od četiri do sedam godina, a prikupljeni su u vremenskom razdoblju od početka mjeseca rujna 2022. godine do kraja lipnja 2023.godine. Podatci za istraživanje su prikupljeni uz pomoć dokumentiranja i promatranja dječjih likovnih radova te su prema principu egzemplarnosti izdvojeni radovi nastali kroz različite aktivnosti likovnog izražavanja i stvaranja bojama. Svi prikupljeni likovni radovi podijeljeni su u tri skupine te su kodirani prema stupnju emocionalne obojenosti. Dobiveni rezultati pokazali su prisutnost elemenata emocija u svim likovnim radovima djece među kojima najviše prevladava stupanj izrazite emocionalne obojanosti. Međutim, u nešto manjem postotku uočena je veća emocionalna obojanost i manja obojanost u likovnim radovima djece rane i predškolske dobi. Takav rezultat pokazuje da su razvijene emocije i njihovo izražavanje kroz boje razvijaju u kontinuitetu s likovnim razvojem djeteta.The aim of this work was to investigate the extent to which children of early and preschool age express their emotions through art works. The research was conducted in the kindergarten "Bili cvitak" in Sinj. A sample of 146 artworks by children aged four to seven was taken, and they were collected in the period from the beginning of September 2022 to the end of June 2023. The data for the research was collected with the help of documentation and observation of children's art works, and according to the principle of exemplarity, the works created through different activities of artistic expression and creation with colors were selected. All collected works of art are divided into three groups and coded according to the degree of emotional coloring. The obtained results showed the presence of elements of emotions in all children's art works, among which the degree of strong emotional coloring is most prevalent, which is most visible at an older age. However, in a slightly smaller percentage, emotional coloring and mild coloring were observed in the art works of children of early and preschool age. Such a result shows that developed emotions and their expression through colors develop in continuity with the artistic development of the child
Sociological Aspects of the Yachting Industry During the COVID-19 Pandemic
No full textPandemija COVID–19 koja je nastupila početkom 2020. godine odrazila se na svaki dio
čovjekovog života, a uz restrikcije u svakodnevici i globalno gospodarstvo zahtijevalo je
strategiju suočavanja. Temeljni cilj istraživanja je bolje razumijevanje yachting industrije kao
grane nautičkog turizma uz prikaz specifičnosti rada iz perspektive članova posade i njihovog
iskustva utjecaja pandemije na dodatne radne uvijete. Upotrijebljena mješovita metodologija
kombinira kvalitativnu metodu intervjua i kvantitativnu metodu sekundarne obrade podataka
službenih statističkih izvora: Statista, Državni zavod za statistiku i Svjetski ekonomski forum.
Analizirano je 20 polustrukturiranih intervjua provedenih u proljeće 2022. godine sa skiperima
i brodskim stjuardesama koji su tijekom ključnog pandemijskog perioda radili u yachting
industriji. Rezultati analize intervjua ukazuju na prepoznatost jedinstvenosti hrvatske obale za
turizam. Tako su svi sudionici naveli prirodne značajke, većina i turističku ponudu, potom
infrastrukturu i pogodne zakone.
Ako se sagledaju opće odrednice rada u yachting industriji, kvalitetna posada prema mišljenju
sudionika posjeduje iznimne socijalne vještine, disciplinu, izdržljivost i profesionalan pristup
poslu. Sudionici preferiraju freelance rad od vezanja ugovorom, dok je jedna sudionica
neodlučna zbog jako izraženih pozitivnih i negativnih značajki mogućnosti poslovnog
angažmana poput zaštite radnika od neizvjesnosti, samostalnog planiranja rasporeda i zarade te
različitih stupnjeva odgovornosti prema jahti ili charter agenciji. Kao prednosti rada sudionici
su u pravilu naveli novac, zatim upoznavanje i nova iskustva, putovanja i prilike za napredak,
a izazovima smatraju odsustvo od kuće i intenzivno iscrpljivanje, općenitu nesistematiziranost
rada u industriji ili odnose s drugim članovima posade.
Svi sudionici i sudionice teže karijernom napredovanju. Većina ne smatra ženu
diskriminiranom u industriji, iako nekoliko sudionika spominje manji interes za napredak kod
žena zbog kojega su primijećene teškoće ostvarivanja obiteljskog života. Tek petina sudionika
ne razmišlja o alternativnoj karijeri na kopnu.
Što se tiče početnog pandemijskog razdoblja, četvrtina sudionika nije izrazila zabrinutost za
svoje zaposlenje. Nadalje, regulacije su doživjeli manje rigoroznima u odnosu na ostale
turističke destinacije, iako su ponekad nejasne i u rijetkim slučajevima nepoštovane. Čak 18
sudionika vjeruje da je cjepivo doprinijelo u ostvarivanju turističke sezone 2021., iako samo
njih četiri opravdava uvjetovanje cijepljenja za zaposlenje, dok većina duboko vjeruje u na vlastiti izbor. Prema dojmu sudionika, oporavak yachting industrije osjetno je uspješno
realiziran već u 2021. godini, što se slaže sa statističkim podatcima o prihodima luka, odnosno
broju plovila na stalnom vezu i u tranzitu. Isto ne vrijedi za globalna turistička kretanja ni
segment kruzera hrvatskog nautičkog turizma.The COVID-19 pandemic that occurred at the beginning of 2020 affected every part of human
life, and in addition to restrictions in everyday life, the global economy also required a coping
strategy. The fundamental goal of this research is a better understanding of the yachting industry
as a branch of nautical tourism, with a presentation of the specifics of work from the perspective
of crew members and their experience of the impact of the pandemic on additional working
conditions. Mixed methodology used in this research combines the qualitative method of
interviews and the quantitative method of secondary processing of data from official statistical
sources: Statista, Croatian Bureau of Statistics and World Economic Forum. Thematic analysis
was applied to 20 semi-structured interviews conducted in the spring of 2022 with skippers and
ship stewardesses who worked in the yachting industry during the key period of the pandemic.
The results indicate recognition of the uniqueness of the Croatian coast for tourism. Thus, all
participants mentioned natural features, the majority also mentioned the tourist offer, followed
by infrastructure and favorable laws. In respect of the general determinants of work in the
yachting industry, according to the participants, a quality crew possesses exceptional social
skills, discipline, endurance and a professional work approach. The participants prefer freelance
work to being bound by a contract, while one participant is undecided due to strongly expressed
positive and negative features of the possibility of business engagement, such as protecting
workers from uncertainty, independent planning of schedules and earnings and different
degrees of responsibility towards the yacht or charter agency. As a rule, the participants cited
the salary as an advantage of work, followed by acquaintances and new experiences, travel and
opportunities for advancement, while they consider absence from home and intense exhaustion,
general lack of systematization of work in the industry or relationships with other crew
members as challenges. All participants strive for career advancement. As many as 17 of them
do not consider women discriminated against in the industry, although several participants
mention less interest in women's progress, due to which difficulties in achieving family life
have been noticed. Only a fifth of the participants do not consider an alternative career on land.
Regarding the initial pandemic period, a quarter of the participants did not express concern
about their employment. Furthermore, they perceived the regulations to be less rigorous
compared to other tourist destinations, although the regulations are sometimes unclear and in
rare cases disregarded. As many as 18 participants believe that the vaccine contributed to the
realization of the 2021 tourist season, although only four of them justify making vaccination a
condition for employment, while the majority deeply believe in the right to make one's own
choice. According to the participants' impression, the recovery of the yachting industry was
significantly successfully already realized in 2021, which is in accordance with the statistical
data on the ports' income, i.e., the number of vessels on permanent berth and in transit. This
does not apply to global tourism trends nor the cruise ship segment of Croatian nautical tourism
Odnos prema tjelesnom izgledu i fizičkom zdravlju: sociološko istraživanje mladih Splićana i Splićanki
No full textIako postoji velik niz istraživanja koji se bave temama tjelesnog izgleda i fizičkog zdravlja mladih, ovim istraživanjem nastojala sam doprinijeti razumijevanju ove teme u gradu Splitu kroz njegove građane. Istraživanje se sastojalo od dva dijela. Prvi provedeni dio bio je kvantitativno istraživanje koji je za cilj imao ispitati zdravstveno ponašanje mladih kroz aktivnosti i zdravlje, a to se obavilo kroz glavne teme tjelesnog izgleda (učestalost treniranja, razlozi treniranja, problemi pri bavljenju aktivnosti, društvene mreže, zdravstvene i prehrambene navike i utjecaj pandemije) i fizičkog zdravlja (prehrana, održavanje zdravlja i kondicije, prevencija bolesti, pandemija). U istraživanju je sudjelovalo 385 (N=385) punoljetnih mladih Splićana i Splićanki, a podaci su prikupljeni online anketom i obrađeni u SPSS računalnom programu. Drugi dio istraživanja bio je kvalitativan gdje smo pokušavali odgovoriti na pitanje koju ulogu mladi daju vlastitom tjelesnom izgledu i fizičkom zdravlju? Ovdje su se kao metoda prikupljanja podataka koristili face-to-face intervjui s mladim muškarcima i ženama grada Splita, gdje su se ispitivale teme tjelesnog izgleda i fizičkog zdravlja, a prikupljeno je ukupno 10 (N=10) intervjua.Although there is a large number of researches dealing with the topics of physical appearance and physical health of young people, with this research I tried to contribute to the understanding of this topic in the city of Split through its citizens. The research consisted of two parts. The first part carried out was a quantitative research aimed at examining the health behavior of young people through activities and health, and this was done through the main topics of physical appearance (frequency of training, reasons for training, problems when engaging in activities, social networks, health and eating habits and impact of the pandemic) and physical health (nutrition, maintenance of health and fitness, disease prevention, pandemic). 385 (N=385) young men and women from Split participated in the research, and the data were collected by an online survey and processed in the SPSS computer program. The second part of the research was qualitative, where we tried to answer the question, what role do young people give to their physical appearance and physical health? Here, face-to-face interviews with young men and women of the city of Split were used as a data collection method, where the topics of physical appearance and physical health were examined, and a total of 10 (N=10) interviews were collected
LINGUISTIC OPINIONS OF DALMATION POLITICANS IN THE SECOND HALF OF THE 19. CENTURY
No full textS obzirom na to da je borba za hrvatski jezik bila dugotrajan proces, važno je osvrnuti se na sve
elemente i stavke njegova razvoja. Povijesni i jezični korpus te teritorijalna kompozicija, čitavog
19. stoljeća s naglaskom na drugu polovicu, daju bolji uvid i širu sliku preko koje promatramo
sami jezični razvoj te stavove i djelovanja pojedinaca. Do druge polovice 19. stoljeća ilirska je
koncepcija prevladavala te osnažila preporodne ideje i napredovanje. Gajeva grafija, Novine s
Danicom, Kukuljevićev govor u Saboru 1843., odluka o uvođenju hrvatskog kao službenog 1847.,
događaji su koji su obilježili prvi dio preporoda i razvitka nacionalnog jezika. Točno na polovici
stoljeća dolazi do prijelomnice, što povijesno-političke, što jezične, i dotadašnju ilirsku koncepciju
zamjenjuju filološke škole. Pojedinci koji se izdvajaju su svakako Nodilo, Kuzmanić, Pavlinović,
Tommaseo, Klaić te pripadnici ostalih škola; Tkalčević, Šulek, Kurelac, Maretić, Budmani i drugi.
Iako ni među njima nije bilo slaganja, različitim su konceptima dijelili isti cilj, brisanje nacionalnog
pitanja te uvođenje nacionalne svijesti oblikovanim hrvatskim jezikom u hrvatsku naciju. Tisak je
bio sredstvo širenja ideja, pravila i mogućnosti, a koji je zasigurno ostavio materijalan trag borbe
za samostalni hrvatski jezik.In a view of engagement for Croatian language was a lasting process, it is important to glance on
all its elements and items. Historical and linguistic corps and territorial composition of the whole
19th century, with a focus on the second half, are giving better view and bigger picture that help us
to observe language development and opinions od certain individual. Until the second half of the
19th century, Illyrian conception has empowered and prevailed restauritional ideas and
advancement. Graphy of Gaj, Novine Horvatske with Danica, speech of Kukuljević at the
Parliament in 1843, decision about initiation of Croatian language as official 1847, have marked
the first part of the Croatian national restauration and national language development. Exactly on
the behalf of the 19th century comes turning point, historical-political, and linguistic one. They are
taking over Illyrian conception alongside with new philological schools. Some of the individuals
are: Nodilo, Mihovilović, Kuzmanić, Klaić, and the rest of the shool participians; Tkalčević, Šulek,
Kurelac, Mareti, Budmani and others. Even though all of them had some disagreements sometimes,
using different concepts, they shared the same goal, removing the national question and
introducing national consciousness with completed Croatian language into the Croatian nation.
The print was instrument of expanding ideas, rules and possibilities, and for certain has left a mark
of engaging independent Croatian language
PRIKAZI I ESTETSKI UČINCI SABLASNOG U HOFFMANNOVOJ NOVELI DER SANDMANN (PJEŠČULJAK) I FILMOVIMA NOSFERATU OD MURNAUA I HERZOGA
No full textDie E.T.A. Hoffmann Novelle Der Sandmann hat nach der Veröffentlichung von Sigmund Freuds Artikel „Das Unheimliche“ im Jahr 1919 stark an Bekanntheit gewonnen. Die Art wie Freud das Unheimliche wahrnimmt und es durch Beispiele aus der Novelle, aber auch aus der psychologischen Erfahrung begründet, hat indirekt für die folgende Masterarbeit Motivation geliefert. Nämlich wird in der vorliegenden Arbeit das Unheimliche als ein selbständiges Konzept verstanden, in den Nosferatu-Filmen aus den Jahren 1922 und 1979 untersucht sowie in Verbindung mit der Novelle gesetzt. Ziel dieser Arbeit ist es somit, den Begriff des Unheimlichen zu ergründen und seine Darstellungen und seine ästhetischen Wirkungen in der Erzählung und besonders in den beiden Verfilmungen durchzuleuchten. Wegen einer deutlichen Affinität zwischen der Epoche der schwarzen Romantik, dessen Vorbilder Der Sandmann und Dracula sind, und den beiden Filmen, die hundert und mehr Jahre später entstanden sind, ist zu erwarten, dass die Figuren und die Handlungen in den Filmen den Anforderungen von Freuds Definition nicht mehr ganz entsprechen. In dieser Arbeit wird somit ausgehend von Freud und in einem Vergleich der Novelle mit den beiden Filmen versucht, das Unheimliche zu finden und es zu begründen. Die Motive, die dabei besonders stark in den Fokus geraten, sind die Augen, das Paranormale, der Tod und der Doppelgänger.E.T.A. Hoffmannova novela “Der Sandmann” (Pješčuljak) postala je poznata nakon publikacije Sigmund Freudova članka “Das Unheimliche“ (Sablasno) 1919. Način na koji Freud uočava sablasno i opravdava ga primjerima iz novele, ali i iz psihološkog rada, posredno je bila i motivacija za ovaj diplomski rad. Naime, sablasno je shvaćeno kao pojam za sebe, istražuje se u filmovima Nosferatu iz 1922. i 1979. te se povezuje s novelom. Stoga je cilj ovog rada proniknuti u koncept sablasnog i ispitati njegove prikaze i estetske učinke u noveli, a posebno u dvjema filmskim adaptacijama. Zbog jasne srodnosti između epohe crne romantike kojoj pripadaju “Der Sandmann” i Dracula te filmovima koji su snimljeni stotinu i više godina kasnije za očekivati je kako likovi i radnja u filmovima neće u potpunosti odgovarati prvotnim Freudovim interpretacijama. Krećući od Freuda u usporedbu novele i filmova ovo djelo pokušava pronaći sablasno i opravdati ga. Motivi koji su posebno u fokusu su oči, paranormalno, smrt i dvojni
READING TO PRESCHOOL CHILDREN AS A PRECONDITION OF THE DEVELOPMENT OF COMMUNICATION SKILLS
No full textKomunikacija je složen proces koji se postepeno razvija u čovjekovom životu. Dijete uči komunicirati opažajući i primajući sadržaj iz okoline. Komunikacija u vrtiću je od iznimne važnosti i odvija se svakodnevno među djecom i odraslima. Dijete će u interakciji s okolinom postepeno stjecati komunikacijske vještine, a odgojitelj kao stručnjak znati će prepoznati kojim aktivnostima će njihov razvitak poticati. Vrtić je prva sredina osim obitelji u kojoj dijete ima mogućnost stupati u socijalne interakcije, rasprave, dogovore, rješavanje problema i sl.
Odgojitelj potiče stvaranje zajedništva među djecom, a jedan od načina za to je okupljanje za vrijeme slušanja priče. Čitanje naglas ima mnoge benefite za dječji razvoj od stvaranja novih spoznaja do regulacije emocija. Za vrijeme čitanja dijete se osjeća sigurno, voljeno i ugodno s čime ga potičemo da razvija ljubav prema knjizi. Odgojitelji bi trebali osigurati posebno mjesto za odlaganje knjiga gdje će djeci biti dostupne za korištenje te omogućiti raznovrsnost prilikom izbora istih. Tako ćemo razvijati književni ukus kod djeteta te želju za stjecanjem novih znanja.
Rezultati ankete provedene za potrebe ovog rada ističu kako je stav odgojitelja o razvoju komunikacijskih vještina djece za vrijeme čitanja neosporiv. Također, primjetno je da će nezadovoljstvo količinom materijala kojom odgojitelj raspolaže utjecati na interes djece za slušanjem priča.Communication is a complex process that gradually develops in a person's life. The child learns to communicate by perceiving and receiving content from the environment.
Communication in kindergarten is extremely important and takes place every day between children and adults. In interaction with the environment, the child will gradually acquire communication skills, and the educator as an expert will know which activities will stimulate their development. Kindergarten is the first environment apart from the family where the child has the opportunity to engage in social interactions, discussions, agreements, problem solving, etc. The educator encourages the creation of community among children, and one of the ways to do this is to gather while listening to a story. Reading aloud has many benefits for children's development, from the creation of new knowledge to the regulation of emotions. While reading, the child feels safe, loved and comfortable, with which we encourage him to develop a love for books. Educators should provide a special place for storing books where they will be available for children to use and allow variety when choosing them. In this way, we will develop the child's literary taste and the desire to acquire new knowledge. The results of the survey conducted for the purposes of this work point out that the attitude of educators regarding the development of children's communication skills during reading is indisputable. Also, it is noticeable that dissatisfaction with the amount of material available to the educator will affect children's interest in listening to stories
Affirmation of the female voice: Zagorka and the trivial genre
No full textCilj je diplomskog rada naslovljenog Afirmacija ženskog glasa: Zagorka i trivijalni žanr prikazati vapaj ženskih glasova u njezinim djelima, krik koji je inspiriran Zagorkinim vlastitim događajima. Sintezom povijesnog i ljubavnog romana stvorena su djela koja je publika prihvatila, a Marija Jurić Zagorka prepoznata je kao vrsni fenomen u okviru trivijalne književnosti. Junakinje njezinih romana nisu samo lijepe princeze koje čekaju svog princa, one su heroine koje se bore za svoja načela te prolaze kroz buntove i pobune. Zagorkina su djela dosad proučavana u kontekstu trivijalne književnosti, a u ovome će radu biti razmatrana i afirmacija ženskog glasa kroz njezina djela. U radu će se analizirati vapaj ženskih glasova u devet Zagorkinih romana, a naglasak će biti stavljen na Zagorkino pionirsko djelo – Kneginju iz Petrinjske ulice. Ispreplećući kriminalističku fantastiku s povijesnim i društvenim kontekstom, Zagorka je, osim afirmacije ženskog glasa, učinkovito podigla položaj žanra u hrvatskoj književnosti. U vremenu kada su uloge žena bile strogo definirane, njezini su likovi razbili stereotipe. Nema dvojbe kako je Marija Jurić Zagorka žena ispred svog vremena. Iako su se vremena značajno promijenila, to se nikada ne bi dogodilo kada ne bi bilo ljudi poput nje koji su bili ispred svog vremena.The goal of master's thesis entitled Affirmation of the female voice: Zagorka and the trivial genre is to show the cry of female voices in her works, a cry that was inspired by Zagorka's own events. The synthesis of historical and romance novels created works that were accepted by the audience, and Marija Jurić Zagorka was recognized as an outstanding phenomenon in the field of trivial literature. The heroines of her novels are not just beautiful princesses waiting for their prince, they are heroines who fight for their principles and go through rebellions and revolts. So far, Zagorka's works have been studied in the context of trivial literature, and this paper will also consider the affirmation of the female voice through her works. The paper will analyze the cry of female voices in nine of Zagorka's novels, and the emphasis will be placed on Zagorka's pioneering work - The ranee from Petrinjska street. Interweaving crime fiction with historical and social context, Zagorka, in addition to affirming the female voice, effectively raised the position of the genre in Croatian literature. At a time when women's roles were strictly defined, her characters broke stereotypes. There is no doubt that Marija Jurić Zagorka is a woman ahead of her time. Although times have changed significantly, it would never have happened if it weren't for people like her who were ahead of their time
Attitudes of preschool educators towards music activities in kindergarten and self-assessment of their musical competencies
No full textGlazbene aktivnosti imaju iznimno važnu ulogu u cjelovitom razvoju djece. Stoga je cilj ovog
istraživanja ispitati stavove odgajatelja predškolske djece prema glazbenim aktivnostima u
vrtiću i njihovu samoprocjenu kompetentnosti za provođenje takvih aktivnosti s obzirom na
stručnu spremu i godine radnog iskustva. Ispitivanje je provedeno putem online ankete na
uzorku od 329 sudionika, odgajatelja predškolske djece iz svih hrvatskih županija. Za potrebe
istraživanja konstruiran je upitnik koji se sastoji od tri dijela: Upitnik općih podataka, Stavovi
prema glazbenim aktivnostima u vrtiću i Samoprocjena kompetentnosti odgajatelja za
provođenje glazbenih aktivnosti.
Rezultatima istraživanja potvrđeno je da odgajatelji predškolske djece koji imaju više godina
radog iskustva, u odnosu na odgajatelje s manje godina radnog iskustva, imaju pozitivnije
stavove prema glazbenim aktivnostima u vrtiću. Nadalje, odgajatelji predškolske djece koji
imaju višu razinu obrazovanja, u odnosu na odgajatelje s nižom razinom obrazovanja, imaju
pozitivnije stavove prema glazbenim aktivnostima u vrtiću.
Godine radnog iskustva nisu se pokazale značajnim prediktorom samoprocjene odgajateljskih
kompetencija odgajatelja za provođenje glazbenih aktivnosti u vrtiću. Rezultatima istraživanja
potvrđeno je da se samoprocjene kompetencija odgajatelja za provođenje glazbenih aktivnosti
razlikuju s obzirom na razinu obrazovanja odgajatelja.Musical activities play an extremely important role in the overall development of children.
Therefore, the goal of this research is to examine the attitudes of preschool teachers towards
musical activities in kindergarten and their self-assessment of competence for conducting such
activities with regard to professional qualifications and years of work experience. The survey
was conducted via an online survey on a sample of 329 participants, preschool teachers from
all Croatian counties. For the purposes of the research, a questionnaire consisting of three parts
was constructed: Questionnaire of general information, Attitudes towards musical activities in
kindergarten and Self-assessment of the competence of educators for conducting musical
activities.
The results of the research confirmed that educators of preschool children who have more years
of work experience, compared to educators with fewer years of work experience, have more
positive attitudes towards musical activities in kindergarten. Furthermore, educators of
preschool children who have a higher level of education, compared to educators with a lower
level of education, have more positive attitudes towards musical activities in kindergarten.
Years of work experience did not prove to be a significant predictor of teachers' self-assessment
of educational competencies for conducting musical activities in kindergarten. The results of
the research confirmed that self-assessments of educators' competences for conducting musical
activities differ depending on the level of education of the educators