Versants. Revista suiza de literaturas románicas
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Full text linkQuesto fascicolo monografico, il primo dedicato all’opera di Anna Felder, esplora i nodi centrali della sua scrittura attraverso una pluralità di approcci critici. Al centro dell’indagine vi è la dialettica tra vero e falso, realtà e finzione, prosa e poesia, unità e molteplicità. I contributi analizzano la produzione narrativa dell’autrice con strumenti stilistici, metaletterari e linguistici, mettendo in luce l’indefinitezza dei confini tra i generi e la dimensione poetica del suo linguaggio. Seguendo i «passi di lato» della scrittura felderiana, il fascicolo non intende sciogliere i nodi della complessità, ma farne emergere le ricchezze interpretative.This monographic issue, the first dedicated to Anna Felder’s work, explores the central themes of her writing through a plurality of critical approaches. At the core of the investigation lies the dialectic between truth and falsehood, reality and fiction, prose and poetry, unity and multiplicity. The contributions analyze Felder’s narrative production using stylistic, metanarrative, and linguistic tools, highlighting the fluidity of genre boundaries and the poetic dimension of her language. By following the «lateral steps» of Felder’s writing, this volume does not seek to untangle its complexity but rather to reveal its interpretative richness
La transición de Juan Carlos Rodríguez: Marxismo, literatura y la transición que no fue
Full text linkEste ensayo explora el pensamiento de Juan Carlos Rodríguez (JCR), un teórico literario español cuya obra redefinió el estudio de la literatura y la subjetividad como articulaciones históricas de las contradicciones ideológicas. A partir de un contexto histórico y político muy específico, durante los últimos años de la dictadura franquista, Rodríguez insistió en trabajar la literatura no como una entidad autónoma, sino como la objetivación de conflictos ideológicos que rebasan la individualidad de un autor. A través de su lectura de la Transición española, diagnosticó una transformación más amplia del campo cultural en España desde los años setenta hasta la crisis de 2008. Para Rodríguez, la Transición no fue solo un episodio histórico o un capítulo en una narrativa nacional, sino la culminación de un proceso secular de transformación social que sigue configurando nuestro presente. La Transición española fue, por tanto, menos el fin del franquismo que un momento inesperado en la evolución del capitalismo, revelando hasta qué punto la ideología capitalista atraviesa no solo la realidad económica, sino también la subjetividad, el lenguaje y la literatura misma. Si, como sostiene Rodríguez, la literatura es un lugar para construir, explorar y cuestionar la identidad dentro de una formación social concreta, entonces la Transición sigue siendo central para cualquier reflexión sobre el papel de la literatura hoy.This essay explores the thought of Juan Carlos Rodríguez (JCR), a Spanish literary theorist whose work redefined the study of literature and subjectivity as the historical articulation of ideological contradictions. Beginning at a very specific historical and political context during the final years of the Franco dictatorship, Rodríguez insisted on approaching literature not as an autonomous entity, but as the objectification of ideological conflicts that exceed the individuality of the author. Through his reading of the Spanish Transition, he diagnosed a broader transformation of Spain’s cultural field from the 1970s through the 2008 crisis. For Rodríguez, the Transition was not just a historical episode or a chapter in a national narrative, but the culmination of a secular process of social transformation that continues to shape our present. The Spanish Transition was therefore less the end of Francoism than an unexpected moment in the evolution of capitalism, revealing the extent to which capitalist ideology permeates not only the economic realm, but also subjectivity, language, and literature itself. If, as Rodríguez argues, literature is a space to construct, explore, and question identity within a specific social formation, then the Transition remains central to any reflection on the role of literature today
Juan Benet y Julián Marías: contrapuntos estético-filosóficos de camino a la Transición
Full text linkEste artículo propone un análisis comparativo del pensamiento literario y filosófico de dos de los autores más importantes de la segunda mitad del siglo XX en España: Julián Marías y Juan Benet. El análisis se centra en la visión que cada autor compone respecto al valor de la literatura como herramienta “descubridora” o “iluminadora”, así como en la crítica asociada de cada uno hacia el racionalismo, mostrando cómo sus respectivos planteamientos representan una manera particular y recíprocamente inconciliable de entender la postmodernidad en el camino a la Transición democrática. Aunque las ideas de estos autores no se han solido considerar de este modo comparativo, este artículo sugiere también que el origen de esta falta seguramente reside más en los intereses y circunstancias de la historiografía y la crítica literaria que en las ideas propiamente dichas de estos autores, las cuales, aunque desde perspectivas diametralmente opuestas, se ocupan a menudo de los mismos temas y conceptos.This article proposes a comparative analysis of the literary and philosophical thought developed by two of the most important Spanish authors of the second half of the twentieth century: Julián Marías and Juan Benet. The analysis focuses on their ideas regarding the value of literature as a tool for “discovering” and “illuminating” reality, as well as on their own associated critiques of rationalism, thus showing how their visions represent a particular and mutually exclusive understanding of postmodernity during Spain’s path to the democratic “Transition”. While, on the outset, it may seem unusual to propose a comparative analysis between these two authors, this article also shows how the lack of more comparisons of this kind has to do with the interests and circumstances of historiography and literary criticism rather than with the ideas of these authors themselves, who may be working from entirely opposed positions but are nonetheless interested in the same topics and concepts
La Transición revisitada: nuevos enfoques para un debate abierto
Full text linkCincuenta años después del fallecimiento del dictador Francisco Franco, es evidente que diversas generaciones de historiadores han establecido diferentes puntos de observación sobre la Transición. Se trata de un tema que se ha debatido en diversos ciclos históricos y que apela a sectores tanto de la política como de la cultura y de la ciudadanía. En este trabajo, se ofrece un análisis en tres niveles: en primer lugar, se plantea un marco historiográfico que da voz a los contrastes interpretativos sobre uno de los periodos más controvertidos en la Historia de España; en segundo lugar, se pone el foco en la ciudadanía española a través de una obra representativa de la atmósfera de 1977: El puente, de Juan Antonio Bardem; en tercer lugar, se centra el interés sobre la Transición en el ámbito de la cultura y se argumenta cómo podría ser operativo hablar de “transiciones” para llamar la atención sobre los matices que los diversos espacios institucionales y ciudadanos experimentaron a la hora de afrontar el paso de una dictadura a una monarquía parlamentaria. Fifty years after dictator Francisco Franco’s death, it is evident that historians of different generations have formed contrasting perspectives on the Transition. This topic has been debated throughout various historical cycles and appeals to different political, cultural and civic groups. This introduction offers a three-tiered analysis. Firstly, it provides a historiographical framework that highlights contrasting interpretations of one of the most controversial periods in Spanish history. Secondly, it examines Spanish citizens through the lens of El Puente, a film by Juan Antonio Bardem that captures the atmosphere of 1977. Thirdly, it explores the cultural aspects of the Transition, arguing that discussing «transitions» can draw attention to the nuances experienced by various institutional and civic spaces when transitioning from a dictatorship to a parliamentary monarchy
La disdetta – quando il sipario cala sull’eternità. Un’analisi metaletteraria
Full text linkIn questo articolo si riflette sulle strutture metaforiche e metaletterarie di La disdetta (1974), in particolare si mostra che a partire dalle prime pagine il romanzo indaga i limiti tra letteratura e realtà e mette in crisi i confini convenzionali tra personaggi diversi, tra narratore e personaggi, tra mondo della finzione e realtà. Strumenti stilistici usati con sistematicità sono metafore e sinestesie ardite, che uniscono sfere lontane del reale, e l’antropomorfizzazione di animali, piante e oggetti inanimati. L’articolo mostra anche come il romanzo riveli in filigrana, a livello metaletterario, che la letteratura può reagire alla minaccia dell’indistinto solamente con un’attenzione vòlta idealmente a definire l’individualità di ogni personaggio, ogni essere vivente e ogni oggetto.This article reflects on the metaphorical and meta-literary structures of La disdetta (1974). In particular, it shows that from the very first pages, the novel investigates the boundaries between literature and reality and undermines the conventional limits between different characters, between narrator and characters and between the world of fiction and reality. Stylistic tools used systematically are daring metaphors and synaesthesia, linking distant spheres of reality, and the anthropomorphisation of animals, plants and inanimate objects. The article also shows how the novel reveals on a metaliterary level that literature can only react to the threat of the indistinct with a focus ideally aimed at defining the individuality of each character, each living being and each object
Unità e molteplicità nelle Adelaidi
Full text linkLe Adelaidi, ultima opera di ampio respiro di Anna Felder, presenta entro una struttura estranea alle modalità proprie del testo narrativo la relazione tra un personaggio femminile, Adelaide, incosciente, muta e immobile, e uno maschile, Ottone, vigile, loquace e attivo. I due sono definiti per categorie marcatamente antitetiche, tali da rendere in apparenza impossibile ogni comunicazione: tuttavia il loro rapporto si risolve in un’intima e indissolubile unità.Le Adelaidi, Anna Felder’s latest work of wide scope, presents within a structure alien to the modes proper to the narrative text the relationship between a female character, Adelaide, unconscious, mute and immobile, and a male one, Ottone, alert, loquacious and active. The two are defined by antithetical categories that make all communication apparently impossible: nevertheless, their relationship resolves in an intimate and indissoluble unity
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