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Kegiatan Pembuatan Mural KLIMAKS (Kreativitas Lingkungan Mahasiswa Kampus Seni) di Lapangan Arga Coka Sesetan,Denpasar
Get PDFPermasalahan lingkungan saat ini semakin mendesak dan memerlukan partisipasi aktif dari
masyarakat. Kekhawatiran tentang perubahan iklim, penurunan keanekaragaman hayati, polusi,
dan degradasi lingkungan telah menginspirasi berbagai upaya untuk meningkatkan kesadaran dan
tindakan positif terhadap perlindungan lingkungan. Melihat hal tersebut, mahasiswa Desain
Komunikasi Visual Institut Seni Indonesia Denpasar angkatan 2022 kelas A berinisiatif membuat
kegiatan pengabdian kepada masyarakat. Salah satu mata kuliah DKV yaitu Desain Lingkungan
Certificate of Appreciation International Journal of Social Science and Human Research An Open Access Journal This is to certify that the research article “Balinese Ornaments” By I Made Suparta
Get PDF“Gurnitha Sandi”
Get PDFKomposisi musik baleganjur ini memanfaatkan instrumen reong saih pitu (tujuh nada)
dimana memungkinkan membuat berbagai mode (suasana) yang sering dikenal dengan istilah
patutan/pathet (modulation system). Sedikitnya ada 7 (tujuh) jenis patutan yang ada pada saih
pitu yaitu selisir, tembung, sunaren, baro, pangenter alit, pangenter ageng, dan patemon.
Namun pada kompisisi Gurnitha Sandi hanya menggunakan 3 jenis (selisir, tembung, dan
patemon).
Gurnitha Sandi bertolak dari ide komposer untuk mentransformasi suara-suara (Gurnita)
maya/sakti (Sandi). Ia merepresentasikan “the magical of sound” yaitu kekayaan, keunggulan,
dan karakteristik dari fenomena mode (bunyi) yang berbeda yang dihasilkan melalui perubahan
tangga nada. Karya ini diciptakan di tahun 2008 dan dilounching oleh perusahaan rekaman Bali
Record di tahun 2009
“Yowana Lalita”
Get PDFGurnita Sandi adalah musik kreasi baleganjur, sebuah genre musik prosesi, yang
diciptakan pada tahun 2009. Ide kreatifnya didasarkan pada pengolahan elemen-elemen musik
tradisi seperti: melodi—memanfaatkan 4 nada pada ensembel baleganjur, ritme—pengolahan
irama yang bervariasi, dinamika—pengolahan intensitas dari semua sebagian besar instrument
perkusi. Sedangkan ide kekaryaan adalah mentransformasi heroisme (semangat) dari kaum
muda (Yowana) yang bernilai/berharga (Lalita). Dalam hal ini komposer mencoba menanggap
karakteristik yang umumnya terdapat pada kaum muda yang cekatan, menggebu-gebu,
progressif, dan pantang menyerah.
Komposisi ini diciptakan untuk lomba baleganjur di Kota Denpasar dalam rangka
memperingati peristiwa Puputan Badung yang diselenggarakan oleh Pemerintah Kota
Denpasar. Dalam lomba tersebut berhasil meraih juara 1. Kemudian ditahun yang sama
perusahaan rekaman Bali Record telah melaunchingnya kedalam sebuah album yang bertajuk
“Kreasi Baleganjur”
EARLY CHILDHOOD PERSONALITY DEVELOPMENT THROUGH BEBEK PUTIH JAMBUL DANCE
No full textThe Bebek Putih Jambul dance is a new performance for young children based on local Balinese
philosophy and accompanied by the Bebek Putih Jambul composition by Sekar Rare. This routine was
devised in response to findings from the field indicating that most young children in Bali were exposed to
age-inappropriate adult performing arts material during the learning process. The research problems are
1) What is the dance form of the Bebek Putih Jambul?; 2) What is the function of the Bebek Putih
Jambul? This study used qualitative methods. The sources of data for this study included the Bebek Putih
Jambul Dance performance, children, art instructors, parents, and the local population. Using symbol
theory and practice theory, all data gathered through observation, interviews, and literature studies are
qualitatively analyzed. The research results include 1) The Bebek Putih Jambul Dance, which is founded
on indigenous Balinese knowledge, is performed as a free-form dance. This is evident in the variety of the
show’s movements, performance structure, fashion cosmetics, and music. While dancing and singing, the
Bebek Putih Jambul Dance teaches children about togetherness, mutual cooperation, discipline,
responsibility, and the grandeur of God Almighty.
Keywords: National Character, Bebek Putih Jambul Dance, Early Childhoo
Balinese Ornaments
Get PDFABSTRACT: Bali is known worldwide for most of its people's activities using handicrafts; one of the most commonly found arts
and crafts is Balinese ornaments. Ornaments are very well developed, not only to decorate temples, but also to decorate traditional
houses, and tourism commodity needs. Some Balinese ornaments symbolically have particular meanings and symbolize something
based on culture, customs, beliefs, and also religion. Understanding the form and function of Balinese ornaments is very important
to improve knowledge and services to the community, not only locally, nationally, but also internationally. To overcome this,
Balinese ornaments need to be developed comprehensively and holistically, especially to improve practical and theoretical
knowledge. The art-based research method is to introduce the finished ornament drawing or drawing in stages, and the introduction
of its function. Therefore, this research is important to improve the understanding of ornaments. Some of the ornaments discussed
are keketusan (independent loose shapes), pepatran (vines), kekarangan (stylization of the faces of living beings), and wayang. An
understanding of ornaments can improve artistic insight, especially in the application of the form and function of Balinese
ornaments. It is expected that Balinese ornaments will continue to develop in form and function following the times to answer the
needs of local and global art.
KEYWORDS: Balinese ornaments; form; function