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Cliff Dweller: Side Lights of the History of a Vanished Race
Get PDFMesa Verde exhibition at the World\u27s Fai
In Mesa Verde Park: Report on the work of the Cliff Dwellers Association
Get PDFReport on the work of the Cliff Dwellers Associatio
Cortez-Area Residents Blats Protection of Desert Lands
Get PDFNews Article on Cotez ranchers being against federal government restriction of local land use
OER as an Equitable Practice
No full textJoin OER Librarian, Nancy Henke, and two faculty who use OER, Cassie Bergstrom and Oscar Levin, to learn how OER enhances equity in teaching and learning
OER Breakout Rooms
No full textIn this applied session, join our presenters in breakout rooms to discuss OER in more depth and get answers to your questions about OER and equity
Memorandum for the Acting Coordinating Superintendent, Mesa Verde National Park
Get PDFA brief report of activities at the Colorado National Monument for 194
1950 Denver Post Article Regarding Proposed Echo Park & Split Mountain Dams\u27 Threat to Dinosaur National Monument
Get PDFIllustration and brief article outlining the proposed tourist development for Dinosaur National Monument as well as the claim that it will be underwater following the construction of the Echo Park and Split Mountain Dams.
Housed in National Archives at Denver; Record Group 79, Box 340, Folder: 660-5.4 Reservoirs [Folder 2]
Contrast As A Governing Principle: Topic Deployment In Selected Sonatas Of Johann Christian Bach
Get PDFBetween the end of the Baroque era and the end of the Classical era, there was a shift in the way music was composed. This shift allowed composers to employ multiple topics in one work as opposed to the single-affect-per-movement that was standard under the Doctrine of Affections. Despite plenty of scholarship about both of the eras, the transition from one to the other has been relatively unexplored. Early musicologist Charles Burney noted in a volume of his General History of Music that there was a composer who was the first to employ “contrast as a governing principle”, and this comment functions as the starting point in examining Johann Christian Bach as the crux of the transition between eras. The extant scholarship surrounding how music was composed at the start of his life is examined in conjunction with his musical biography to contextualize the unique position Bach held in his day. He was a composer whose early musical education laid in Baroque tradition, but broke away from certain parts of it as his career took him from Berlin to Italy to London, where he soaked up the new and different music of the respective areas before incorporating them into his own works. This resulted in compositions like his Opus 5 sonatas, three of which are surveyed with Burney’s comment in mind. The analyses reveal different ways that Bach employed contrast, including different perspectives of the same topic, contrasting high- and low-class styles, and more. This kind of contrast paved the way for music in the later decades of the Classical era that used topics in a faster, wittier manner that would not have been possible without Bach’s particular approach to contrast
1940 Nature Sketches RMNP Radio Program Transcript
Get PDF1940 press release and mimeographed transcript regarding the radio program Nature Sketches. The program is presented weekly from Rocky Mountain National Park and is intended as a educational resources for schools, children, and anyone in the public curious at wilderness and the outdoors.
Housed in National Archives at Denver; Record Group 79, Records of the National Park Service; Southwest Regional Office, Correspondence Relating to the National Parks, Monuments, and Recreational Areas 1927-1953; Box 336, Folder: .000 [Folder 2