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The Valley of the Wind and Buddhism
Hayao Miyazaki’s Nausicaä of the Valley of the Wind is a philosophical exploration of fulfillment, rooted in Buddhist and Taoist principles. The film contrasts the destructive forces of greed and individualism, embodied by Kushana and the Tolmekians, with the harmonious collectivism of the People of the Valley of the Wind. Nausicaä, the film’s heroine, challenges traditional gender norms by being a strong, selfless leader who seeks peace and balance rather than power. Her journey reflects the Taoist ideal of surrender as a path to enlightenment, ultimately sacrificing herself to unite humanity and nature. Through stunning visuals and rich storytelling, Miyazaki presents a roadmap for a meaningful life—one guided by wisdom, compassion, and harmony with the natural world
Is “Sám Hối” an Adequate Form of Apology?
This project studies a recent Buddhism scandal in Vietnam, examining whether the apology offered by the authorities was successful. From this, the project explores if “sám hối” (or repentance) could be considered a form of apology