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Petrarca e i moderni
Full text linkCon il volume di atti del convegno bolognese Alma Petrarca 2023, dedicato a Petrarca e i moderni, si intende dare luce, una volta di più, ai rapporti fra Petrarca e gli autori e i critici fra Ottocento e Novecento
Il “Duo Seraphim” di Monteverdi e il ruolo dei mottetti nella liturgia postridentina
Full text linkIl Duo Seraphim, il terzo dei sacri concentusdel Vespro della Beata Vergine (1610) di Claudio Monteverdi, è stato spesso ritenuto inadatto a una festa mariana, sia in sostituzione di un’antifona sia come mottetto interpolato, a causa del suo testo riferitoalla Trinità. Tuttavia, ricerche recenti sulla presenza di testi non canonici nella liturgia conducono a una conclusione contraria: la Trinità è menzionata numerose volte nei vespri, anche in quelli dedicati a Maria, nei testi per la dossologia minore e in altri testi. Il Duo Seraphim implicitamente invoca Maria come tramite del passaggio dalla teologia dell’Antico Testamento a quella del Nuovo Testamento; esso risulta quindi affatto idoneo come testo da interpolare in un vespro mariano, come ha fatto Monteverdi
Né carne né ossa: le forme della finzione nel diritto. Ficciones de la ley di raúl rodríguez freire come cambiamento di paradigma negli studi letterari e giuridici
Full text link[Neither flesh nor bone: forms of fiction in law. Ficciones de la ley by raúl rodríguez freire as a paradigm shift in literary and legal studies] In 2022, raúl rodríguez freire published Ficciones de la ley, a pioneering book which, before addressing the links between law and literature, examined the relationship between fiction and law from the perspective of literary studies. In Italy, Franco Todescan’s Diritto e realtà. Storia e teoria della fictio iuris (1979) stands out, proposing a historical-theoretical approach to the role of fiction in law from the perspective of legal sciences. Rodríguez freire’s contribution goes far beyond the US Law and Literature movement and problematizes the status of the imagination of law as if it were the literary imagination of works such as Giovanni Boccaccio’s The Decameron, Daniel Defoe’s Robinson Crusoe, and Heinrich von Kleist’s Michael Kolhaas. This article reflects on the critical innovations of the Chilean scholar’s work
Lo stile Glasgow. Una sintesi dialettica tra linearità organica e geometria
Full text linkLo stile Glasgow si afferma in Scozia negli anni Novanta dell’Ottocento come peculiare declinazione dell’Art Nouveau, caratterizzata da una marcata razionalizzazione formale, espressione delle istanze sociali, culturali e industriali della città. La Glasgow School of Art, diretta da Francis Newbery, assurge a fulcro creativo del movimento grazie alla compresenza di elementi mutuati dal movimento Arts and Crafts e dalla politica riformista di South Kensington. In questo ambiente formativo, gli studenti elaborano un linguaggio artistico che, trovando massima espressione nelle arti applicate, coniuga alla costante fedeltà della stilizzazione della forma naturale il fondamento ortogonale e simmetrico, e alla linearità organica la geometria. Un ruolo determinante nella definizione di tale estetica è svolto dal gruppo noto come The Four – Charles Rennie Mackintosh, Margaret Macdonald, Frances Macdonald e James Herbert McNair – i quali, inizialmente accomunati da un linguaggio morfologico omogeneo, approdano successivamente, con il consolidarsi del loro riconoscimento internazionale, a espressioni stilistiche più individuali. Accanto a loro opera, inoltre, un’ampia rete di artisti, talvolta in stretto dialogo con lo spirito culturale e produttivo della città, talvolta in interscambio con altri centri artistici britannici, fino a includere figure impegnate nella diffu-sione dello stile in contesti più accessibili e quotidiani. Sottoponendo tali artisti alla lente dell’approccio fenomenologico, lo studio contestualizza le dinamiche artistiche all’interno della più ampia cultura tout court, indagando radici e sviluppi di uno stile locale che seppe offrire un contributo originale alle arti decorative europee di fine secolo
DOMES 3D Scan of the Mausoleum of Oljaitu in Soltaniyeh
No full textThis is the point-cloud survey of the Mausoleum of Oljaitu in Soltaniyeh, Zanjan Province, Islamic Republic of Iran. This survey is part of the "DOMES-Architectural Technology Transfer on the Silk Road: Iranian Double-Shell Domes and the West: 14th to 20th" Project, financed by a EU grant (MSCA Global n. 101111404), 2023-2026. PI: Dr. Lorenzo Vigotti
Bibliografía esencial sobre sociedad, lengua e identidad en contexto migratorio, con enfoque en la comunidad hispana
No full textThe following dataset collects and organizes bibliographical data in three different languages (Italian, Spanish, English) related to sociolinguistics in migration, focusing especially on Spanish-speaking communities’ mobility, as it belongs to the workflow of the post-doc project titled "Spagnolo e italiano in contatto: repertori linguistici, dinamiche migratorie e mobilità internazionale a Bologna" (“Spanish and Italian in contact: linguistic repertoires, migration dynamics and international mobility in Bologna” – LILEC Department, Università di Bologna).
The corpus structure follows a path starting from a broader perspective on urban sociolinguistics and focusing next on the studies related to migration dynamics. Afterwards, it takes more into consideration the community researched through the project, examining the Hispanic group mobility firstly on global scale and secondly on the Italian territory. As far as themes are concerned, the dataset considers specific dynamics regarding linguistic contact phenomena, identity redefinition and communicative practices in plurilingual urban environments.
The bibliographical references were collected through different online academic databases, such as Google Scholar, Dialnet, Scielo, Redalyc and e_Buah. Following the databases search and collection of relevant references, these were classified into four thematic categories previously mentioned, that is 1) urban sociolinguistics, 2) migration dynamics, 3) global Hispanic migration and 4) Hispanic migration in Italy. Finally, a fifth file is included, where references to corpora and databases available online dedicated to linguistic contact in migration contexts are presented
ECLectic. WP2. Electrochemiluminescence Modulation by a Versatile Organic Redox Mediator
No full textThe present dataset includes data generated as part of the ECLectic Project, focusing on the use of the NNO radical as a non-emissive redox mediator to modulate and amplify the ECL of [Ru(bpy)₃]²⁺ through an electrocatalytic mechanism that boosts heterogeneous emission and enhances biosensing performance
Namen und Namensänderung von deutschsprachigen Migrant_innen nach Großbritannien in den 1930er Jahren
Full text linkThis article focuses on a special group of migrants: Jewish children, teenagers and young adults from Germany and Austria who came to Great Britain in the 1920s and 1930s. Many of them came from assimilated Jewish families and had German names that were particularly popular at the time. During the Nazi era, the first names Sara and Israel were made compulsory as middle names. In Great Britain, German first names were stigmatised as a sign of the enemy, making the desire to anglicise names or choose new English names all the more urgent. Examples from various corpora are used to show which names were chosen and how these situations were experienced. Leading concepts of the contribution are “positioning” (Bamberg 1997) and “language experience” (Busch 2021). The results will be compared with recent studies on names and name changes (cf. Lulle 2021) in order to identify continuities or changes under altered historical conditions
L’autotraduzione nell’opera poetica di Francis Tessa / Francesco Tessarolo
Full text linkThis contribution concerns self-translation in the work of Francis Tessa, an Italo-Belgian author who was born in Rossano Veneto in 1935 (known at the registry office as Francesco Tessarolo) and settled in Wallonia (a French-speaking region in the south of Belgium) in 1952 to join his family, who had emigrated from the Vicenza countryside in the immediate post-war period for economic reasons. In Belgium, Francis Tessa has now established a solid reputation as a French-speaking poet, but he is also a translator from Italian into French and vice versa, as well as a self-translator between these two languages. In particular, this study focuses on a bilingual collection, Dans le tremblement du souffle. Nel tremolio del soffio (1989), which could be defined as a «simultaneous self-translation» (Grutman 2009), since the author states that he carried out the two texts simultaneously in the two languages. The case of Francis Tessa also sheds light on the relationship between self-translation and migratory experience, a relationship in which Vanvolsem (1995) sees a characteristic of some authors of Italian origin writing in Belgium, especially when it comes to poetry
ECLectic. WP3 Task 3.1. Gamma Correction and Color Space Transformations for Quantitative Analysis of Electrochemiluminescence Images Using Smartphone Cameras
No full textThis dataset was produced as part of the ECLectic project and contains data related to the electrochemiluminescence (ECL) response of [Ru(bpy)₃]²⁺ under electrochemical stimulation. It includes potentiostat measurements (cyclic voltammetry and chronoamperometry), video recordings of the electrogenerated chemiluminescent response, and reference videos for color calibration. The dataset supports the development of standardized image-based quantification workflows, addressing challenges such as gamma correction and device-dependent variability. It enables analysis in multiple color spaces (RGB, CIEXYZ, CIELAB) to identify optimal channels for ECL signal quantification and supports both linear and nonlinear modeling approaches