A presentation containing formal, iconographical, and historical analyses of a 14th-century triptych connected to John Grandisson, the Bishop of Exeter from 1327-1369, which is in the collection of The British Museum. The formal analysis focuses on the structure of the object and what it is showing. The iconographic analysis focuses on the meanings of the images carved into the object. The historical analysis focuses on the geographic origin of the triptych, the life of Bishop Grandisson, and the possible origin of the object\u27s materials.
Faculty Sponsor: David Ouellett
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