Dane Badawcze UW University of Warsaw
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Drangsong 234: Untitled
No full textDrangsong 234: Untitled.This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 234 contains schematic diagram for making trigram symbols. It is composed of 1 folio. File naming convention within Drangsong_234.zip archive: Drangsong_234_001r.jpgDrangsong_234 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_234.zip (master scans of the manuscript pages with color checker),• Drangsong_234.pdf (containing presentation images of the manuscript pages),• Drangsong_234_ornaments.pdf (containing description of ornaments),• Drangsong_234_001v.png (manuscript page sample),• Drangsong_234_backlites.zip (backlit samples),• Drangsong_234_fibres_f1.zip (microscopic images),• Drangsong_234_macros.zip (in close-up samples),• Drangsong_234_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Talking dogs: The paradoxes inherent in the cultural phenomenon of soundboard use by dogs
No full textThe table contains data from TikTok videos that portray dogs and their caregivers communicating with one another using soundboards. It includes the date each video was posted; the TikTok account on which each video appears; the description of each video by the account user; hashtags given to each video by the user; the number of views for each video; the number of likes, comments, and saves added to each video by its viewers; and the duration of each video. This data provided the authors of the study with a general overview of the talking-dog videos, including the videos' shared contemporariness, popularity and brevity. Identification of these qualities shaped the analysis of the videos, particularly with regard to their history and their figuration of human-canine relations. The paper concludes that, while the use of a soundboard may appear to offer direct insight into a dog's thoughts (historically precedented in canine performances dating back at least to the Middle Ages), this method paradoxically relies on extensive training and human interpretation, overshadowing other kinds of canine sonic expression. The authors suggest that such videos risk encouraging anthropomorphic views, making people less attentive to dogs’ nonverbal communication and more inclined to view them as infant-like rather than as distinct adult animals.</p
Drangsong 028: dBal bon stag lha me ’bar gyi dgra brub bzhugs so//
No full textDrangsong 028: dBal bon stag lha me ’bar gyi dgra brub bzhugs so// This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 028 contains visualizing the meditation deity sTag la me ’bar to kill the enemy that is the five negative emotions. It is composed of 9 folios. File naming convention within Drangsong_028.zip archive: Drangsong_028_001r.jpgDrangsong_028 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_028.zip (master scans of the manuscript pages with color checker),• Drangsong_028.pdf (containing presentation images of the manuscript pages),• Drangsong_028_001v.png (manuscript page sample),• Drangsong_028_backlites.zip (backlit samples),• Drangsong_028_fibres.zip (microscopic images),• Drangsong_028_macros.zip (in close-up samples),• Drangsong_028_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Urartian Red Burnished Ware in local context: An archaeometric study of the assemblage from Metsamor (Armenia, South Caucasus)
No full textTabular data and figures used in the article "Urartian Red Burnished Ware in local context: An archaeometric study of the assemblage from Metsamor (Armenia, South Caucasus)" published in Journal of Archaeological Science: Reports vol. 53</p
Drangsong 177: bSregs byed me’i spu gri’i kha bsgyur bzhugs+ho//
No full textDrangsong 177: bSregs byed me’i spu gri’i kha bsgyur bzhugs+ho//This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 177 contains variants that have to be made in the recitation of the text of a fire-offering ritual to suit the requirement of the actions being performed.It is composed of 7 folios.File naming convention within Drangsong_177.zip archive: Drangsong_177_001r.jpgDrangsong_177 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_177.zip (master scans of the manuscript pages with color checker),• Drangsong_177.pdf (containing presentation images of the manuscript pages),• Drangsong_177_drawing.pdf (PDF file containing description of the drawing),• Drangsong_177_001v.png (manuscript page sample),• Drangsong_177_backlites.zip (backlit samples),• Drangsong_177_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Inventory of correspondence of Leonhard Krentzheim (1532-1598)
No full textThis dataset is the first provisional inventory of letters sent to and received by Leonhard Krentzheim (1532-1598), a Silesian pastor, Superintendent of the Duchy of Liegnitz and Brieg, theologian and chronologers. The inventory includes letters that are now considered lost due to the war losses. In some cases the information about letters has been inferred from the contents of other surviving documents. More detailed inventory (including incipits, index of persons) is in preparation with the intention of integrating this dataset into the Early Modern Letters Online database.</p
All-women art exhibitions in Poland and abroad
No full text“All-women Art Exhibitions in Poland and Abroad” is a dataset that contains data collected during the realisation of the „Globalising history of all-women exhibitions” project. The project was realised between 2021 and 2025 and financed by the Polish National Science Centre.The data contain information on several exhibitions that were analysed during the project's realisation. In addition to basic information on the exhibitions, the data list primary and secondary sources that were identified. More data will be added to this dataset as the project progresses.</p
Functional-morphological relationships in functional articulation disorders
No full textThe dataset was used for the needs of a study of functional-morphological relationships described in the paper: 'Functional-morphological relationships in functional articulation disorders'. Among others, the study was based on preliminary results obtained with AFDA INIA: a custom-made non-invasive device for the analysis of the acoustic field distribution around the speaker’s face. We presented a case study that visualises the AFDA INIA results. Our findings contribute to the assumption that the orofacial system represents a functional–morphological set, forming a functional whole influenced also by body symmetry and cranial positioning. The experimental case study demonstrates AFDA INIA as a tool that could be useful for larger scale studies involving both detailed phonetic-acoustic analyses and diagnostic procedures in clinical settings.The video material included in the INIA.mp4 file documents a prototype system named AFDA INIA (the AFDA acronym comes from the Acoustic Field Distribution Analyzer while INIA stands for the Integrated Non-Invasive Analyzer). The INIA acronym also refers to the name of the so-called Amazonian river dolphin characterized by a very well-developed sense of spatial hearing. The prototype system consists of the INIA Array device and the INIA Fusion application. Audio data acquisition is carried out using the INIA Array device, including a circular microphone array. 16 microphones based on MEMS (Micro-Electro-Mechanical Systems) technology were used. The microphones feature integrated PDM (Pulse Density Modulation) signal modulators. An additional element of the device is a laser multi-zone distance sensor using the ToF (Time of Flight) technique. The use of a distance sensor enables focusing of the acoustic beam precisely on the surface of the examined person's face which is essential due to the need of compensating for face shape differences and the inevitable slight movement of the head during the examination. The sensor laser meets the requirements of class 1 (Norm PN- EN 60825-1:2014) and is therefore safe for human vision. Audio data and 3D images from the distance sensor are sent to the INIA Fusion application using the USB interface.Research supported by the NCN OPUS grant Examination of disordered speech and primary functions using CARSTENS AG501 articulograph and Acoustic Field Distribution Analyzer (No. 2021/43/B/HS2/00162, ID 533909), project realization period: 2022-2026. </p
Homoepitaxy of boron nitride on exfoliated hexagonal boron nitride flakes
No full textThe experimental data presented is related to the article: Binder, J., Dabrowska, A. K., Tokarczyk, M., Rousseau, A., Valvin, P., Bozek, R., Nogajewski, K., Kowalski, G., Pacuski, W., Gil, B., Cassabois, G., Stepniewski, R., & Wysmolek, A. (2024). Homoepitaxy of boron nitride on exfoliated hexagonal boron nitride flakes. Nano Letters, https://doi.org/10.1021/acs.nanolett.4c01310.Data in FigS4.zip presents PL spectra for different regions on the sample: on a homepitaxial triangular grain, on the bulk hBN flake and next to the flake on the sapphire substrate.Although large efforts have been made to improve the growth of hexagonal boron nitride (hBN) by heteroepitaxy, the non-native substrates remain a fundamental factor that limits the quality. This problem can be solved by homoepitaxy, which is the growth of hBN on hBN substrates. In this report, we demonstrate the homoepitaxial growth of triangular BN grains on exfoliated hBN flakes by Metal-Organic Vapour Phase Epitaxy and show by atomic force microscopy and photoluminescence that the stacking of these triangular islands can deviate from the AA’ stacking of hBN. We show that the stacking order is enforced by the crystallographic direction of the edge of the exfoliated hBN flakes, with armchair edges allowing for centrosymmetric stacking, whereas zigzag edges lead to the growth of non-centrosymmetric BN polytypes. Our results indicate pathways to grow homoepitaxial BN with tuneable layer stacking, which is required to induce piezoelectricity or ferroelectricity.</p
Drangsong 131: Tshe rings bcu gsum gyi shugs ’gon[mgon] bzhugs+ho/
No full textDrangsong 131: Tshe rings bcu gsum gyi shugs ’gon[mgon] bzhugs+ho/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 131 contains rituals relating to thirteen kinds of objects that symbolise longevity.It is composed of 9 folios. File naming convention within Drangsong_131.zip archive: Drangsong_131_001r.jpgDrangsong_131 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_131.zip (master scans of the manuscript pages with color checker),• Drangsong_131.pdf (containing presentation images of the manuscript pages),• Drangsong_131_drawing.pdf (PDF file containing description of drawing),• Drangsong_131_001v.png (manuscript page sample),• Drangsong_131_backlites.zip (backlit samples),• Drangsong_131_fibres.zip (microscopic images),• Drangsong_131_macros.zip (in close-up samples),• Drangsong_131_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p