Dane Badawcze UW University of Warsaw
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Research data for article: Oxidation of lipid membrane cholesterol by cholesterol oxidase and its effects on raft model membrane structure
No full textIn this study, we investigate the effect of cholesterol oxidase on the model of lipid raft membrane model composed of DOPC:Chol:SM (1:1:1). The planar monolayers and liposomes were employed to follow membrane cholesterol oxidation to cholestenone catalyzed by ChOx and changes in the lipid membrane structure accompanying this reaction. Changes in the structure of liposomes in the presence of the enzyme were reflected in the changes in hydrodynamic diameter and fluorescence microscopy images. In contrast, changes in surface properties of planar membranes were evaluated by grazing incidence X-ray diffraction (GIXD) and Brewster angle microscopy. UV-Vis absorbance measurements confirmed the activity of the enzyme in the tested systems. A better understanding of the interactions between the enzyme and the cell membrane may help find alternative ways to decrease excessive cholesterol levels.</p
Drangsong 185: klu’i g.yang skyabs/; klu thel phye bya yod do/
No full textDrangsong 185: klu’i g.yang skyabs/; klu thel phye bya yod do/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 185 contains a ritual of offerings to the klu for the acquisition of fortune, and the expulsion of thel, which, although it originates with the klu themselves, infringes on human life and wealth.It is composed of 4 folios.File naming convention within Drangsong_185.zip archive: Drangsong_185_001r.jpgDrangsong_185 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_185.zip (master scans of the manuscript pages with color checker),• Drangsong_185.pdf (containing presentation images of the manuscript pages),• Drangsong_185_001r.png (manuscript page sample),• Drangsong_185_backlites.zip (backlit samples),• Drangsong_185_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 240: sTag la tho bzhi/; sTag la me ’bar sngags kyi[kyis] rgyud las snaṃs shes bsad pa’i sngags rings bzhugs+ho/; bsTag[stag] la’i bkra shis bhzugs pa legs+ho/
No full textDrangsong 240: sTag la tho bzhi/; sTag la me ’bar sngags kyi[kyis] rgyud las snaṃs shes bsad pa’i sngags rings bzhugs+ho/; bsTag[stag] la’i bkra shis bhzugs pa legs+ho/.This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 240 contains summoning the four great guardians from the four directions, annihilating all the ghosts and demons that approach from all sides. Through reciting mantras, attaining accomplishments, and ultimately offering praise for auspiciousness. It is composed of 3 (1+1+1) folios. File naming convention within Drangsong_240.zip archive: Drangsong_240_001r.jpgDrangsong_240 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_240.zip (master scans of the manuscript pages with color checker),• Drangsong_240.pdf (containing presentation images of the manuscript pages),• Drangsong_240_001r.png (manuscript page sample),• Drangsong_240_backlites.zip (backlit samples),• Drangsong_240_macros.zip (in close-up samples).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 203: Tshe dbang gnas brgyad dbus phyogs bzhugs pa legs+ho/
No full textDrangsong 203: Tshe dbang gnas brgyad dbus phyogs bzhugs pa legs+ho/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 203 contains prayers and and praise to the various virtues of Master Tshe dbang rig ’dzin in the eight worldly realms. It is composed of 3 folios. File naming convention within Drangsong_203.zip archive: Drangsong_203_001r.jpgDrangsong_203 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_203.zip (master scans of the manuscript pages with color checker),• Drangsong_203.pdf (containing presentation images of the manuscript pages),• Drangsong_203_ornamentation.pdf (PDF file containing description of the ornamentation),• Drangsong_203_001v.png (manuscript page sample),• Drangsong_203_backlites.zip (backlit samples),• Drangsong_203_macros.zip (in close-up samples),• Drangsong_203_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 229: sTag la spu gri dmar po’i ’phrin las tshigs bcad so so’i mngon rtogs thugs rje rgyun ’byung bzhugs+ho/
No full textDrangsong 229: sTag la spu gri dmar po’i ’phrin las tshigs bcad so so’i mngon rtogs thugs rje rgyun ’byung bzhugs+ho/.This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 229 contains a clear realization practice stage of Bon tantric deity sTag la me ’bar. It is composed of 11 folios. File naming convention within Drangsong_229.zip archive: Drangsong_229_001r.jpgDrangsong_229 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_229.zip (master scans of the manuscript pages with color checker),• Drangsong_229.pdf (containing presentation images of the manuscript pages),• Drangsong_229_illuminations.pdf (containing miniatiures of the manuscript pages),• Drangsong_229_001v.png (manuscript page sample),• Drangsong_229_backlites.zip (backlit samples),• Drangsong_229_fibres_f1.zip (microscopic images),• Drangsong_229_fibres_f7.zip (microscopic images),• Drangsong_229_macros.zip (in close-up samples),• Drangsong_229_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 139: sTag la’i rnga rabs phyi nang gsang ba’i las byang bzhugs+ho/ bkra shis dpal ’bar ’dzam gling rgyan du byon/
No full textDrangsong 139: sTag la’i rnga rabs phyi nang gsang ba’i las byang bzhugs+ho/ bkra shis dpal ’bar ’dzam gling rgyan du byon/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 139 contains a presentation of the mythic origin and symbolic meaning of ritual drums and their use as a vessel for different deities. It is composed of 3 folios. File naming convention within Drangsong_139.zip archive: Drangsong_139_001r.jpgDrangsong_139 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_139.zip (master scans of the manuscript pages with color checker),• Drangsong_139.pdf (containing presentation images of the manuscript pages),• Drangsong_139_001v.png (manuscript page sample),• Drangsong_139_backlites.zip (backlit samples),• Drangsong_139_macros.zip (in close-up samples),• Drangsong_139_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Personality and risk-perception profiles with regard to subjective wellbeing and company management. Corporate managers during the Covid-19 pandemic
No full textThis study examined the role of the Big Five personality traits and risk perception profiles among a sample of corporate managers concerning their subjective wellbeing (SWB) and corporate management practices during the Covid-19 pandemic. Two hundred and fifty-five chief executive officers (CEOs) and chief financial officers (CFOs) of companies listed on the main market of the Warsaw Stock Exchange (WSE) in Poland participated in the study by completing the Satisfaction with Life Scale, Positive and Negative Affect Scale, Ten-Item Personality Inventory, Stimulation-Instrumental Risk Inventory, and a business survey on the Covid-19 pandemic’s impact on company management. Latent profile analysis revealed the existence of diverse profiles among the participants regarding personality traits and risk perception, which were variously related to their SWB and managerial practices during the pandemic. It seems that individual differences in personality traits and risk perception not only matter for the individual life satisfaction of managers but may also translate into effective company management in times of crisis. The results of our study may be an adjunct to understanding underlying sources of managerial biases in corporate management as well as to developing more effective methods of psychological counseling of corporate managers, a topic that remains still a highly understudied research area.</p
Research data for the article: Light-responsive supramolecular nanotubes-based chiral plasmonic assemblies
No full textThe dataset includes data presented in Figures 1-7 and S1-S34 in the article titled "Light-Responsive Supramolecular Nanotubes-Based Chiral Plasmonic Assemblies." The files contain:1) Full-resolution TEM and SEM images (.tif)2) Polarized microscopy and optical images of samples (.jpg)3) X-ray diffraction patterns (.jpg), integrated diffractograms (.uxd), and diffractograms measured as a function of temperature (.pdf)4) Sizes of nanoparticles and nanotubes measured from TEM images (.csv and .opju)5) Grayscale and colored visualizations of the HAADF-STEM tomography corresponding to NP/12OAzo5AzoO12 composite thin films (.mp4)6) Differential scanning calorimetry results (.xlsx)7) NMR and MS spectra of 12OAzo5AzoO12 (.pdf).uxd files can be opened using any plain text editor, such as Notepad..opju files are associated with Origin software and can be opened using that application.</p
Drangsong 241: Kham pa skyed zor zhugs+ho/
No full textDrangsong 241: Kham pa skyed zor zhugs+ho/.This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 241 contains the mythological ritual involving the emergence of five types of eggs - gold, silver, turquoise, conch, and iron - along with their associated spirits, from the black and white eggs within the realm of heaven and earth. It is composed of 2 folios. File naming convention within Drangsong_241.zip archive: Drangsong_241_001r.jpgDrangsong_241 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_242.zip (master scans of the manuscript pages with color checker),• Drangsong_242.pdf (containing presentation images of the manuscript pages),• Drangsong_241_001v.png (manuscript page sample),• Drangsong_241_backlites.zip (backlit samples),• Drangsong_241_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 010: Untitled
No full textDrangsong 010: UntitledThis dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 010 contains protective amulet of the Bon tantric deity sTag la (Ē/ āne raṃ/ yaṃbhe bhyo/). It is composed of 1 folio. File naming convention within Drangsong_010.zip archive: Drangsong_010_r.jpgDrangsong_010 → collection name and number r / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the Ecole Pratique des Hautes Etudes and the Centre de Recherche sur les Civilisations d’Asie Orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-WażnyProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_010.zip (master scans of the manuscript pages with color checker),• Drangsong_010.pdf (containing presentation images of the manuscript pages),• Drangsong_010_amulet.pdf (contains a protective amulet),• Drangsong_010r.png (manuscript page sample),• Drangsong_010_backlites.zip (back lit samples),• Drangsong_010_fibres.zip (microscopic images),• Drangsong_010_macros.zip (in close-up samples),• Drangsong_010_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format and layout is provided in a Readme.txt file attached to this dataset.</p