e-codices - Virtual Manuscript Library of Switzerland
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St. Gallen, Stiftsbibliothek, Cod. Sang. 1279 : St. Gall catalog of manuscripts, compiled by Father Aemilian Zeller
No full textDuring his time as librarian (1729-1732), Fr. Aemilian Zeller (1691-1730) compiled a catalog of manuscripts, ordered alphabetically by author. He quietly omitted from the catalog all manuscripts where an author was not given, such as copies of the Bible, or Psalters, or texts by unknown authors. The manuscripts bear the signatures of the older manuscript catalog by Father Hermann Schenk (1653-1706) from the period before 1700 (cf. Cod. Sang. 1280; circa Class. 1, n. 44). Father Pius Kolb, Abbey Librarian from 1748, added the new signatures introduced by him (cf. Cod. Sang. 1400 and 1401, circa D.n. 88). to the earlier signatures in the Zeller mansucript catalog. The catalog offers no indications regarding the age, type of script, or availability of the individual manuscripts.Online Since: 2014-06-2
Zürich, Braginsky Collection, B235 : <i>Tefillot Yom Kippur Katan</i> ("Prayers for the Minor Day of Atonement"), with Yiddish translation
No full textThe fast day Yom Kippur Katan has its origin in the holiday of Rosh Hodesh, which in biblical times marked the first day in the lunar calendar on which the crescent moon was visible after a new moon. This day, when work originally was not allowed, later, through the compilation of the Talmud, developed into a minor festival. The mystics of Safed in Upper Galilee turned Rosh Hodesh into a fast day and developed a liturgy based on penitential prayers for Yom Kippur ("Day of Atonement"). This gave rise to the name Yom Kippur Katan ("Minor Day of Atonement"). The new custom spread to Italy and finally on to Northern Europe.
Similar collections of prayers were particularly popular in the 18th century. In contrast to many others, this exemplar is decorated with an illustrated title page. If Judah Leib ben Meir of Glogau had not identified himself as scribe on this title page, it would probably be assumed to be the work of Aaron Wolf Herlingen of Gewitsch, since the style and the script correspond to his. For the time being, one can only speculate about the connection between Herlingen and the actual scribe Meir.Online Since: 2015-03-1
Zürich, Braginsky Collection, B262 : Passover Haggadah with Yiddish translation of <i>Had Gadya</i> (Nathan ben Simson of Mezeritsch Haggadah)
No full textThis Passover Haggadah with a Yiddish translation of the hymn Had Gadya (f. 23r) was copied and illustrated by Nathan ben Simson of Mezeritsch (now Velke Mezirici, Tschechische Republik). It contains, among others, a decorated title page, a cycle depicting ceremonies performed during the Jewish Passover seder, nine text illustrations, and a cycle for the concluding hymn Had Gadya (f. 23r).Online Since: 2014-12-1
Zürich, Braginsky Collection, B318 : <i>Tikkun be-erew rosch chodesch</i> (Prayers for the celebration on the evening before the beginning of the new moon)
No full textThis thin little book with a gilt embossed leather binding contains the prayers for the celebration on the evening before the new moon; it was commissioned by Elieser (Lazarus) von Geldern in Vienna. Following convention, the title page shows Moses and Aaron. The writer and illustrator Nathan ben Simson from Meseritsch (Velké Meziříčí) in Moravia was among the most prominent artists of illustrated Hebrew manuscripts in the first half of the 18th century. Between 1723 and 1739, he created at least 23 such works.Online Since: 2016-12-2
Zürich, Braginsky Collection, B62 : De Pinto Psalter (<i>Sefer Tehillim</i>)
No full textIn 1728 Meir Cohen Belinfante copied this decorated psalter from the 1670 printed edition by the Amsterdam printer of Hebrew and Spanish books, David de Castro Tartas, who was active between 1662 and 1698. The manuscript has a decorated title page, which depicts David, the psalmist, and Aaron, making a clear reference to the first name of the patron, whereas the bottom part of this page portrays a scene of the biblical Joseph, making a correlation with the patron\u27s father, also named Joseph. All decorations, including the title page, were executed in brown ink similar to the text ink. At the end of the manuscript, there is a text by the corrector, Isaac Saruk, who praised the precision of the manuscript and wrote a poem in honor of the patron Aaron de Joseph de Pinto, from whom the manuscript takes its name.Online Since: 2016-10-1
Porrentruy, Bibliothèque cantonale jurassienne, A2626-1 : Diarium Seminarii Bruntruti 1727-1754
No full textDiary with daily notes about life in the Jesuit seminary in Porrentruy between 1727 and 1754.Online Since: 2016-10-1
Basel, Pharmaziemuseum der Universität Basel, Cod. H25 : Schoop Johann, "Recept-Büchlein, Allerhand kostbar Wasser zuo distilliern" (Recipe-Booklet, All kinds of precious water to distill)
No full textThis booklet contains a collection of recipes for producing medications, home remedies and foodstuffs. The presentation of the recipes ranges from lists of ingredients to detailed texts that describe the processing of the ingredients. The manuscript does not have an index. A page from a manuscript - probably 14th century - serves as book cover. Its visible text is about the geometry of triangles (De triangulo). In the first half of the 20th century, the book was purchased at the bookstore Helbing & Lichtenhahn by Theo Baeschlin and then donated to the Pharmaceutical Institute of Basel.Online Since: 2017-06-2
Zürich, Braginsky Collection, B284 : Haggadah with Yiddish instructions and translations of concluding songs (Herlingen Haggadah)
No full textThis manuscript is a masterpiece of Jewish book art by Aaron Wolf Herlingen, an artist born around 1700 in Gewitsch, Moravia, who worked in Pressburg (now Bratislava), Vienna, and perhaps elsewhere. About 40 manuscripts signed by him are extant today. This manuscript is ornamented with 60 painted illustrations and three word panels with decorated initials. The title page depicts Moses and Aaron on either side of the title. The area below the title shows the Israelites wandering through the desert and manna falling from heaven, alongside Moses, Aaron and their sister Miriam. Such a very unusual depiction of Miriam suggests that this Haggadah was produced for a woman of that name. At the end of the text there are two songs - one in Hebrew, the other in Aramaic - Echad mi-yodea and Had Gadya, with their respective Yiddish translations.Online Since: 2014-12-1
Zürich, Braginsky Collection, B328 : <i>Seder Birkat ha-mazon</i> (Grace after Meals and other prayers and blessings)
No full textThis miniature book contains the Grace after Meals with the usual supplements for Hanukkah and Purim, as well as various blessings, such as the Shema prayer before retiring at night or for the enjoyment of certain things. The book has an illustrated title page, 19 individual illustrations, five decorated boxes containing individual letters or initial words and a decorated text passage. On the title page the artist did not record his name, but did note that the manuscript was created in Nikolsburg (Czechia) in 1725 during the reign of Emperor Charles VI. Like other Birkat ha-mason, this one, too, was written for a woman: a fly-leaf, added later, contains an elaborate ornament with a dedication to Fradche, wife of Moses Gundersheim. A comparison with the writing and illustrations in a similar work from 1728 in the Kongelige Bibliotek in Copenhagen (Cod. Hebr. XXXII) shows that both Birkat ha-mason manuscripts were created by the same artist, namely Samuel ben Zewi Hirsch Drenitz, who was active in Nikolsburg.Online Since: 2016-12-2
Zürich, Braginsky Collection, B344 : <i>Seder Birkat ha-mazon</i> (Grace after Meals and other prayers and blessings)
No full textThis miniature prayer book is the result of a unique collaboration of two of the most eminent Viennese representatives of 18th century Jewish book art. Aaron Wolf Herlingen wrote and illustrated the title page, Meschullam Simmel ben Moses from Polná created the other drawings and probably also wrote the prayer texts. Evidently this little book was a wedding present. The miniature prayer book contains a total of nine illustrations of the text as well as four richly decorated initial words. The prayer book belonged to the “respectable and wise maid Hindl”. The manuscript also contains entries regarding the birth of her children between 1719 and 1741.Online Since: 2016-12-2