University of Salerno

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    «A me pare uguale agli dèi». Salvatore Quasimodo poeta-traduttore

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    La pratica della traduzione – e la riflessione teorica sull’atto del tradurre – accompagnano Salvatore Quasimodo lungo tutto l’arco della vicenda biografica: dal 1940 – anno della pubblicazione dei Lirici greci – fino alle raccolte postume (Il gioco degli astragali, di Yves Lecomte; Iliade. Episodi scelti; e Donner à voir di Eluard), Quasimodo scriverà – a corredo delle sue versioni o con saggi ‘dedicati’ all’esercizio traduttivo – insistendo soprattutto sull’autonomia del tradurre e sulla funzione – gemellare alla poesia – nel processo di «rifacimento» dell’Uomo.The practice of translation - and the theoretical reflection on the act of translating – follow Salvatore Quasimodo throughout his life: from 1940 - the year of the publication of Lirici greci - until the posthumous collections (Il gioco degli astragali, by Yves Lecomte; Iliad. Selected episodes; Donner à voir by Eluard), Quasimodo will write - supporting his versions or with ‘dedicated’ essays on the translation exercise - insisting above all on the autonomy of translating and on the function - twinned with poetry - in the process of "remaking" the Ma

    Making the Invisible and Private, Seen and Public: Roundtable Conversation on the Potentials of Graphic Medicine for Public History

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    This roundtable, recorded at the 2024 Graphic Medicine Conference in Ireland, explores “Graphic History as Pedagogy.” The participants Matthew Noe (Boston, USA), Ian Williams (Brighton, UK), Juliet McMullin (Irvine, USA), Soha Bayoumi (Baltimore, USA), and Eugenia Garcia Amor (Badalona, Spain) discussed the role of comics in Graphic Medicine. Inspired by the rising inclusion of graphic works in classrooms, the conversation highlights the potential of comics, especially recent graphic medicine titles, as records of events such as the COVID-19 pandemic, capturing healthcare workers’ experiences

    Libre circulación y libre elección de residencia de los ciudadanos europeos (la última configuración jurisprudencial del TJUE)

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    El objeto central de este artículo es mostrar como la jurisprudencia europea ha ido configurando, al tiempo que la normativa, el contenido concreto de la liberad de circulación y la libre residencia de los ciudadanos europeos, en el territorio de los Estados miembros de la UE. El eje central para esta reflexión ha sido la sentencia del TJUE de 22 de febrero de 2024, en la que se analiza, por parte del TJUE si un Estado miembro puede restringir la emisión de un documento de viaje a sus nacionales que han ejercido el derecho de libre circulación y de libre residencia, por el mero hecho de residir fuera de su territorio nacional, creando un trato discriminatorio entre los nacionales residentes en su propio Estado y los nacionales residentes en otros Estados de la UE. Para ello, ha sido preciso, comprender cómo ha razonado el TJUE el contenido de este derecho deducido de la normativa actual, tanto primaria como secundaria, teniendo en cuenta los datos del caso y el procedimiento seguido.The main aim of this article is to show how European jurisprudence has shaped, at the same time as the regulations, the specific content of the freedom of movement and the free residence of European citizens in the territory of the EU Member States. The focus of this reflection is the ruling of the CJEU of 22 February 2024, in which the CJEU analyses whether a Member State can restrict the issuance of a travel document to its nationals who have exercised the right of free movement and free residence, for the mere fact of residing outside its national territory, creating discriminatory treatment between nationals resident in its own State and nationals resident in other EU States. To do so, it is necessary to understand how the CJEU has shaped this right deduced from the current regulations, both primary and secondary, taking into account the case and the procedure followed

    Where is the Seeker Who Searches for Another? Decolonial Approaches to Digital Public History

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    This article delves into the role of public history within the context of suppressed and erased colonial pasts, underscoring the importance of individuals in actively shaping, uncovering, documenting and disseminating history. The period from the late 1940s–1960s marked a pivotal transition for the British Empire, as numerous colonies gained independence. This shift in sovereignty from colonial rule to sovereign nations unveiled deep apprehensions regarding the potential use of Britain’s historical actions and documents by newly independent governments. Operation Legacy was a clandestine initiative by British colonial authorities to destroy or hide records that could tarnish the British government’s image or compromise secret intelligence. The ethical ramifications of this operation, and its impact on the construction of memory and knowledge, remain a contentious issue for many in former colonies who are still striving to piece together their colonial history and seek justice for past wrongs. By highlighting the experience, methodologies and challenges of the Museum of British Colonialism collective, the article explores what a framework for decolonial public history may look like in a digital age. Decolonial public history requires negotiations that are continuously shaped by interrogating multiple sources, employing multiple mediums, engaging diverse audiences, and constantly reflecting and refining one’s own process and methodology. Inspired by Ngugi wa Thiong’o’s influential work Devil on the Cross, which portrays resistance to colonialism as a communal and interconnected endeavor, the article reflects on the character Wariinga’s query: “Where is the seeker who searches for another?” It concludes with thoughts on how digital public history can achieve decolonial significance and effectiveness, not merely through technological means, but by centering human connections and extensively building communities of practice across multiple frontiers

    A vent’anni dalla morte. Per un profilo di Giacinto Spagnoletti critico letterario

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    Nel presente articolo si traccia un sintetico profilo di Giacinto Spagnoletti (1920-2003), critico letterario, poeta e narratore. In particolare si passa in rassegna la produzione di Spagnoletti nel campo della critica, suddividendola per i vari generi da lui affrontati nel corso della sua attività: le antologie, soprattutto della poesia italiana novecentesca, ma anche dei poeti barocchi e della poesia dialettale; le storie della letteratura italiana del Novecento; la saggistica.This article outlines a brief profile of Giacinto Spagnoletti (1920-2003), literary critic, poet and narrator. In particular, Spagnoletti’s production in the field of criticism is reviewed, dividing it into the various genres he addressed during his activity: the anthologies, especially of twentieth century Italian poetry, but also of baroque poets and dialect poetry; the stories of Italian literature of the twentieth century; non-fiction

    Dal privato allo spazio pubblico. Le fonti sulla deportazione di rom e sinti come percorso di cittadinanza e riconoscimento

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    On 18 January 2023, the first stumbling block for the Roma and Sinti in Italy was laid in Trieste, through stages that reactivated the political participation of young Roma and Sinti, starting from the search for historical sources that were transformed into elements of rediscovering one’s collective identity. The first part of the contribution addresses the rediscovery of the history of the extermination of the Roma and Sinti as a European public memory and the recent laying of the stumbling block (Stolpersteine) in Italy. The second part of the essay analyzes the participatory installation which saw the involvement of various Roma and Sinti groups in collaboration with UGEI (Union of Young Jews of Italy) as an experience of inclusion activated through narration historical narrative space shared between majority and minorities. It represented a tool for building an inclusive, multicultural and democratic citizenship

    Paolo Quazzolo, Il teatro espressionista, Roma, Carocci, 2023, 127 pp.

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    A. Di Vito, La teoria della carruba, Aracne, Roma 2021

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