Cultural and Pedagogical Inquiry (Journal)
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    501 research outputs found

    Port Rexton Aquarelle

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    Artwor

    Transitions and Transformations: Extracts from a Duoethnographic Exploration of Gender Identities in Canada and China

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    Employing the research method of duoethnography, two researchers participate in a co-learning journey, making meaning of their personal stories through writing, critical reflections and theoretical discussions about gender identities. By sharing narratives concerning their significant lived experiences, the researchers compare and contrast major cultural and economic influences on themselves and their families. The authors demonstrate in vivid ways how their perceptions of their identities as girls, women, and mothers have changed over time. Through this process, they create a platform to discuss ways in which their identities and life experiences have been and continue to be influenced by societal and institutional expectations.         Keywords:  Gender identities, participatory inquiry, extended epistemology, duoethnograph

    Artist Statement

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    I am a professor, sociologist and artist, in a medical school. I am a trained ethnographer, currently doing research on arts in medical education and arts for health more generally.

    A Well-Protected Social Participant I, II, and III

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    Photo-lithographs, paper.My research is interested in how definitions and labels pertaining to mental illness permeate into a broader social context. I discovered that when an individual has been marked with a particular diagnosis, two distinct identities are formed as a means of protection from stigma. Using David Hume’s theory of Personal Identity, I concluded that each of these identities served a specific purpose for the individual and, while they fluctuated depending on the situation, stayed isolated from one another. The two identities consisted of a fortuitous public and socially acceptable façade, and a private, vulnerability indulged form beneath

    My Spirit and Heart Soar

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    Call for submissions for CPI special issue: My spirit and heart soar - Indigenous people contest the formal and lived curricula

    Confessions of a Bad Dog

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    Poetr

    Greekopolis

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    Digital infrared photograph.Since 2012, I have been using digital infrared photography to investigate spaces and places with strong historical and cultural significance. Greekopolis is a body of work that uses this format to develop new ways of looking at the world we live in. Shot in Greece between June 15 and July 15, 2015, the project proposes a series of diptychs juxtaposing images of ancient and modern ruins to generate a dialogue between—and about—contemporary and historical landscapes and economic practices.

    Promo for Global Citizenship Conference

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    Centre for Global Citizenship Education & Research Call for Proposals: Global Citizenship: Intersectionality, Solidarity, and Living as Kin on a Suffering Planet 26 - 28 October 201

    Call for Submissions: Special Issue, Cultural and Pedagogical Inquiry (CPI) - Politics of Contemporary Education

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    The Politics of Contemporary Education with Guest Editor: Paul A. Crutcher (University of Arkansas - Little Rock) Through scholarly and creative work, this proposed CPI Special Issue explores central aspects and impacts of the contentious politics of contemporary education.  Potential contributors to this Special Issue should submit a proposal to Dr. Paul A. Crutcher ([email protected]) by December 15, 2017.  Proposals should be single Word or PDF files that include:  (a) a title of up to 150 characters, (b) an abstract of up to 150 words, and (c) a description of the proposed paper or creative work of up to 500 words.&nbsp

    Poeticizing a Story of Asylum: Refugees, Refuge, and Refuse

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    …the foreigner is first of all foreign to the legal language in which the duty of hospitality is formulated, the right to asylum, its limits, norms, policing, etc.  He has to ask for hospitality in a language which by definition is not his own, the one imposed on him by the master of the house, the host, the king, the lord, the authorities, the nation, the State, the father, etc.  This personage imposes on him translation into their own language, and that’s the first act of violence.(Derrida, 2000, p. 15)             Today, Rohingya refugees continue to flood across the Ganges-Brahmaputra Delta from Myanmar to Bangladesh.  For many of them, there is no promise of return, of reprieve, of refuge, as they seek asylum from religious persecution.  There are no homes, only hospital rooms and hallways awaiting the wounded and injured.  These are the news headlines on TV.  In a post-truth era of poll-I-ticking, liking, loving, emoji-ing, tweeting, we are, our family, myself included, failing to witness what Solnit (2013) calls elsewhere the stories of lives faraway, nearby.

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