CREO SAE University College
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1281 research outputs found
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From Scratch
No full textFrom Scratch is a short documentary diving into the beginnings and evolution of the house music industry in Dubai. Four DJs and producers tell us about the rise of a small city to a global hub for electronic dance music. Featuring Philipp Straub, Jenn Getz & Alfie and Charl Chaka
Fragments - Stephanie Hein and Mikayla Shelton
No full textFragments by Stephanie Hein and Mikayla Shelton is a 6 track collaborative EP that showcases the artist\u27s songwriting and musicality skills. This project is the product of their stage 3 Capstone unit. Produced by Michael Esterhuizen and PJ Jozwa
Colin Magazine Photo: Trigun
No full textThis entry details a photograph of Meg Woods in costume as Vash the Stampede from Trigun and was included in a collection published by Colin Magazine. It demonstrates expertise and mastery over costuming practices and photo shoot planning, including pre production and post editing. These skills include textile and prop design, lighting, location scouting, collaboration between creatives, performance in front of a camera and understanding of the cultural elements of transmedia (such as the representation of animated characters in real world contexts).This work also emphasises the advantages of using Australian locations to create images that would be impossible to create in other parts of the world. This is due to the unique landscapes, lighting and environment to reference the fantastical or distinctive worlds from media such as a neo-cyber western like Trigun
Reminiscence
No full text“Reminiscence” is a multidisciplinary project combining 3D design and modeling with Graphic Design. Our projects address Gen Z experiences and struggles in relation to studying the past. New generations are very different from previous ones, they have distinct needs for learning that should be taken in advance. Technology development affects younger people shouldn’t be judged and neglected, but should be taken into consideration to find the best way to communicate knowledge.
This is why Reminiscence was created, combining design and animation to achieve the goal of delivering knowledge to younger generations
DDX181.1 Visual Identity Design Example 1
No full textA high level student submission for DDX181 Project 1 in 25T
Orchestrating Brilliance In The Recording Studio: Mixing Music To Record Music
No full textThis paper is a report on a heuristic inquiry into music recording practice and workflow to arrive at the essence of experience. Through professional reflection on a music recording, we investigated the recording process and student experience; this was used to identify, explore and expose tacit professional practice. The central theme that unfolded revealed benefits in mixing music during a recording session. Other themes of workflow efficiency, and emotional expression, also emerged from the data collection. The research culminated in a creative synthesis in the form of a research question: Can live studio recordings be a viable option for artists, record companies and the music industry? This creative synthesis held great value for the researchers and opens investigation into the possible benefits of live studio recordings and completing the final product at the time of recording
Fairies: A Companion
No full textFairies: A Companion provides a unique and unparalleled view of the ubiquity of fairies and fairy culture across the world, in its many expressions and manifestations. As well as providing historical perspectives on our belief in the fae, the companion also uniquely traces their ongoing evolution and their importance to culture in the 21st century and beyond. Including original artworks, poems and flash fiction, this collection provides an invaluable resource for scholars and non-academics alike who want to understand the richness of our connection to fairies and what they say about our past, our present and even our tomorrows
Forbidden Ruin
No full textIn a land where nightmares echo louder than legends, this medieval world of chivalry masks unspeakable horrors. A band of adventurers embarks on quests to unravel truths as the line between myth, legend and nightmare blurs. They must confront the fears that dwell deep within. This psychological horror animatic blends dark fantasy and romanticised medievalism with the creeping dread of the unknown, capturing a descent into a world where honour, faith and sanity are put to the test. Enter if you dare, you may dread what lies there
Reimagining musical improvisation through poetic inspiration: a creative practice investigation
No full textThis presentation explores creative practice as research through an innovative approach to musical improvisation that challenges traditional boundaries between music and literature. Working with experienced improvising musicians, this study investigates how poetic texts serve as catalysts for new creative processes and musical outcomes.
The methodology involved musicians responding improvisationally to recorded poetry narrations, followed by reflective discussion and re-improvisation, extending Hannan\u27s concept of \u27comprovisation\u27 while maintaining complete musical agency. Significantly, the final creative works present only the improvised music, requiring audiences to read poems independently and construct their own text-music relationships.
This approach differs from established music-poetry collaborations by positioning poetry as creative constraint rather than performative material, creating invisible collaboration between literary and musical expression. Drawing on theories of group flow (Sawyer, 2014; Berliner, 1994) and interactional synchrony, the research examines how external textual stimuli influence collective improvisation dynamics while functioning as productive creative limitations.
The presentation demonstrates this creative practice methodology through live examples, playing recorded musical improvisations while displaying corresponding poetic texts. This format allows audiences to experience firsthand how meaning emerges through individual interpretation of interdisciplinary artistic relationships, positioning audience agency as another layer of creative constraint.
By removing spoken poetry from final works, this research pushes disciplinary boundaries between collaborative and independent artistic practice, offering new perspectives on how creative constraints function across art forms. The study contributes to understanding improvisation as a research methodology while challenging assumptions about how interdisciplinary creative works generate meaning through both artistic constraint and interpretive freedom