CREO SAE University College
Not a member yet
1281 research outputs found
Sort by
FIM111.1 Screen Studies and Practice Example 1
No full textScene analysis completed for FIM111 project 1. This work exceeded all of the learning outcomes by clearly communicating an understanding of key concepts related to film form and narrative
Creo HP Gallery Image no. 13
No full texthttps://creo.sae.edu.au/homepage-slideshow/1012/thumbnail.jp
Creo HP Gallery Image no. 12
No full texthttps://creo.sae.edu.au/homepage-slideshow/1011/thumbnail.jp
CIM211.2 Critical Analysis Example 1
No full textAn analysis of the J. Cole hip hop track 1985 - Intro to Tthe Fall Of
Apples and Oranges
No full textThis exegesis delves into the complex relationship between cinema and art, focusing on the development of story documents within the cinematic arts. Positioned within the realm of practice-led research, it is an academic companion to a creative work—a fantasy murder mystery augmented treatment set in Paris, 1914. The exegesis and the creative work collectively aim to describe an aesthetic experience akin to that of fine art, drawing upon Gilles Deleuze’s taxonomy of cinema, specifically the concepts of movement-image and time-image.
. Central to this study is the exploration of how cinema, as a form of art, engages with philosophical ideas and our evolving relationship with art, particularly in the context of significant historical periods such as pre-WWI Paris. Drawing from narratology, phenomenology, aesthetics, and the philosophy of cinema, this exegesis addresses the central research question: how can cinema, specifically through a Deleuzian lens, facilitate a profound engagement with art? It discusses how contemporary cinematic techniques can evoke a similar socio-political impact as influential artworks of the past.
This exegesis seeks to affirm cinema\u27s role as not just a storytelling medium but as a profound way of thinking, capable of invoking ethics and deep philosophical and aesthetic contemplation. This exegesis document is submitted by Daragh Henchy to fulfil the requirements of the Masters of Creative Industries, SAE Institute and was made on 28th December 2023
ANI172.1 Stop Motion Animation Example 1
No full textExample of the ANI172 stop motion animation project along with associated pre-production materials