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DDX323.1 Speculative Futures Example 3
No full textA poster designed for an imaginary exhibition about more-than-human futures. Includes a rationale
DDX170 Project 2 Example 2
No full textProject 2 involves the creation of a logo for a fictional company. The logo design visually represents the fictional company and describes what goods or services they provide, and who the target audience is. The project includes a logo design, business card, letterhead, 3 mockups, style guide, rationale and end of project reflection
Things Used To Be Fun
No full text\u27Things Used To Be Fun\u27 is an Alternative Electro Pop EP by the artist \u27PJ\u27, following the narrative of metaphysical creation into a world unfit to support the protagonist as he discovers his own self-actualisation through emotional hardships. The body of work is a total of seven individual tracks which blend into its own enchanting journey with unique production and textures that are refreshingly blissful to the ears. The EP contains themes of battling toxic masculinity, the psychology of intimate relationships during youth, discovering one\u27s self-worth and the struggle of accepting it in a society fixated on condemning individuality and outspokenness. With its unique artistic perspective, PJ\u27s \u27Things Used To Be Fun\u27 breathes a fresh air into the Pop scene, grounding itself in its self-aware idiosyncrasies as it calls upon the listener to introspectively see the similarity between themselves and the world around them: in order to get back to when things used to be fun, they are both in need of great change
Inheritance
No full textInheritance is a four-minute 2D animation that explores the emotional weight of legacy through a symbolic exchange involving a broken necklace. Blending hand-drawn illustration with atmospheric sound and orchestral elements, the film follows a protagonist navigating themes of loss, value, and personal agency. Through visual metaphor and subtle character movement, Inheritance examines how meaning is shaped not only by what is passed down but by how it is reclaimed
Of Rust and Rot [Film]
No full textNearing the anniversary of her brother’s death, Evangeline returns home in an attempt to reconnect with her father through their grief. On her arrival she discovers that her home is no longer the place she left it as she begins to uncover who her father has become
The Impact Producer - an emergent crew role in screen production charting alternative pathways to funding and audience
No full textThe presentation of fieldwork findings is interim pending further data analysis. The PhD explores the role of the impact producer charting alternative pathways to funding and audience in the context of documentary. Mixed methods were utilised - qualitative narrative inquiry interviews and an anonymous survey. Outcomes and conclusions are pending. Tertiary course development is planned in order to service impact training needs
Spectre and Stem
No full textSince 2014 Baldessin Studio has collaborated with the State Library Victoria and two generous donors[i] to offer an opportunity for printmakers to immerse themselves in the library’s extensive collection of books, objects and documents as well as accessing the facilities and expertise of Baldessin’s St Andrews Studio. The work that has emerged from these fellowships are unique examples of research-based printmaking. This article explores the practice of Sorcha Mackenzie and Nicholas Hubicki 2023 Fellows and accompanied an exhibition of their work at the Print Council of Australi
Beyond the Song: Authorship and Production in Australian Independent Music
No full textThis thesis examines authorship and copyright complexities in the Australian independent music industry, focusing on the evolving roles of producers in music creation. As advancements in technology and shifts in industry practices reshape the music production landscape, traditional definitions of authorship, centred on melody and lyrics, increasingly fail to capture the scope of producers’ contributions. Through qualitative interviews with industry professionals, the study highlights the significant yet often unrecognised influence of producers, examining how their input shapes music and its implications for intellectual property and copyright frameworks. The findings reveal that current systems for allocating and managing remuneration fail to adequately reflect the realities of modern music production, particularly for independent artists and producers. This thesis advocates for a clearer distinction between songwriting and production contributions, suggesting that elements influencing a song\u27s core should qualify as songwriting, while supportive contributions should be acknowledged to a greater extent under master tape rights. Furthermore, it emphasises the need for improved infrastructure to manage master tape royalties, similar to the existing frameworks provided by organisations like APRA AMCOSfor publishing royalties. Ultimately, this research calls for a re-evaluation of how authorship and compensation are defined and distributed, proposing a framework that better aligns with contemporary practices and recognises the integral role of producers in shaping musical works. By leveraging the unique perspective gained from years of industry experience, this study contributes a practitioner’s insight that is often missing from academic discourse, offering a more authentic understanding of the challenges faced by independent artists and producers in the evolving music industry