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    1281 research outputs found

    Busking the Blues

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    Busking the Blues is a heartfelt drama that follows a struggling jazz musician chasing his dream of success through street performances in Melbourne. Inspired by the director’s own experiences as a filmmaker navigating the challenges of creative ambition, the film explores the sacrifices, heartbreak, and fleeting triumphs of pursuing artistic dreams. Through its visual storytelling and poignant score, the film aims to reflect on the fine line between passion and obsession, highlighting the cost of ambition on personal relationships

    ANI219.1 Environmental Concept Art Example 1

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    An example of a distinction work for Project 1 from ANI219

    ANI219.3 Concept combination with mechanical object (vehicle) concept art Example 1

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    ANI219 Project 3 student exemplar

    FLM212 Short Film: Mr Tim

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    FLM212 Short Fil

    CIE111.2 Communication for Creative Media Example 1

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    Submitted for CIE111 project 2 (24T2

    FLM212 Short Film Example 2

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    FLM212 Short Fil

    GAD178.3 Project 3 2D Asset Design: Creature Collection

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    This submission should act as a exemplar for GAD178 Project 3 at SAE University College

    FLM320.1 Upskillin’ It Example

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    Project Brief was slightly different, but still relevant. Another major component of the project is a one-on-one meeting with the facilitator talking through their progress

    Songs for Dead Sailors

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    Songs for Dead Sailors is a psychological exploration of love and loss in the era of tall ships; a song cycle about leaving a home and loved ones, to journey with no promise of a return. The work was scored for a sextet of improvising musicians and reflects my interest in the creative process and my experiences teaching creative practice research. I consider my personal musical language to be a kind of novel amalgam of my influences, and so from the start I conducted a kind of archeology of influences, documenting my own musical choices in relation to the works that influenced me. This resulted in a highly intertextual composition that draws on philosophy, psychology and other artists’ investigations of sea life, loss, tragedy and suicide. I have been transparent in the way that I engage with those sources, directly or indirectly referencing them in the music and lyrics, a process that has enabled me to come to a fuller understanding of my own unique style as a composer. The work is structured as twelve separate movements, however, musical themes are explored across the work: the first melody in the score recurs in nearly every movement; and the first movement itself is heard as a ghostly (intervallic) inversion in the 7th movement (when the protagonist begins to reflect on the dark depths below the surface of the sea). This thematic recurrence and layering is something I have explored since “able” (1999), but not in combination with a lyrical text nor in a work of this scale

    The Dark Cloud : A creative exploration of anxiety through 3D animation

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    Fear and anxiety are mundane and innately human experiences, and ones that everyone struggles with on occasion. However, approximately a third to a quarter of all adults will suffer from clinical anxiety disorders at some point in their lives. Of these, many will go undiagnosed, and of those that do, only a fraction receive proper treatment

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