INZ Open Journal Systems (Institute of Contemporary History)
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"Kmalo ne bo več poštenega konja ali goveda pri nas": Nekaj podatkov o tihotapstvu čez Javornike
No full text"Kmalo ne bo več poštenega konja ali goveda pri nas
Kaj pomeni nacionalni boj? Primer iz Spodnje Štajerske okoli leta 1900
No full textThe author examines the embittered and long drawn-out national conflicts in Lower Styria, based on the case of the Ptuj solicitor and fiery Slovenian nationalist, Dr. Anton Brumen. From the beginning of the 20th century and up until the end of the First World War, he waged a private war with the Mayor of Ptuj, Josef Ornig, the standard-bearer of the German Party in Ptuj. During these conflicts, both sides copiously abused all available legal means, and often also "encumbered" the politics of state of the Austro-Hungarian Empire by means of petty and ludicrous mutual accusations made by "their" men in the National Assembly.Avtor na primeru ptujskega odvetnika in vnetega slovenskega nacionalista dr. Antona Brumna, ki je od začetka 20. stoletja pa vse do konca prve svetovne vojne, bojeval privatno vojno s ptujskim županom Josefom Ornigom, zastavonošo nemške stranke na Ptuju, raziskuje zagrizene in dolgotrajne nacionalne boje na Spodnjem Štajerskem. V teh bojih sta obe strani obilno zlorabljali vsa razpoložljiva pravna sredstva, s pogosto minornimi in smešnimi medsebojnimi obtoževanji pa sta preko svojih »ljudi« v državnem zboru »obremenjevali« tudi tedanjo visoko politiko v Avstroogrski
Zgodovina smo ljudje: Značilnosti slovenske biografike
No full textIn her article, the author attempts to define the essence of Biographies and presents a summary of the most important works of Slovene authors who have also published their findings and practical experiences in the fields of Ethnology, Historiography and Applied Muscology. The author finds that Slovenian Biographies has a long-standing tradition, in particular in the study of Slovenian public figures and famous persons. However, the scientific approach in Biographies, with its new methodologies of studying the lives of the so-called "little person" throughout history, only developed in the various social sciences fields and the humanities over the last few decades.Avtorica v prispevku poskuša opredeliti bistvo biografike in povzeti najpomembnejša dela slovenskih avtorjev, ki so svoja dognanja in praktične izkušnje na področju etnologije, zgodovinopisja in muzejske aplikacije tudi publicirali. Ugotavlja, da ima slovenska biografika dolgo tradicijo zlasti pri proučevanju znanih in v javnosti delujočih Slovencev, medtem, ko so znanstveno biografijo z novimi metodološkimi prijemi proučevanja življenja tako imenovanega »malega človeka« razne družboslovne in humanistične vede razvile šele v zadnjih nekaj desetletjih
»Stavba znamenja – perviga spominka slovenskiga djanja«: Prešernov nagrobni spomenik – prvi slovenski javni spomenik
No full textThe cemetery monument to the poet France Prešeren in Kranj was the first Slovenian public memorial to be erected as a result of a massive public awareness initiative that arose at the time of his death in February 1849. A special Committee of the Slovenian Association was founded at the funeral reception, and entrusted with the construction of the memorial and maintenance of the poet\u27s grave. The papers Novice and Laibacher Zeitung both published news of the Committee\u27s fundraising drive and the names of all benefactors. The fundraising drive took place in all the Slovenian provinces. The greatest amount of contributions was made in Carniola, and some of the funds raised even came from Croatia. The cemetery monument in the form of a simple relief image carved into a column was carved by the Ljubljana stonemason Ignacij Toman Jr., following the plans of an unknown Viennese architect. As the memorial needed to be located in an open space, the Committee applied for permission to exhume the poet\u27s mortal remains, and Prešeren\u27s coffin was subsequently moved from its original unremarkable resting place by the wall of the cemetery to a much more prestigious location. The memorial was unveiled on July 3, 1852. The opinion voiced by the authorities regarding the ceremony was that it had no political overtones.Nagrobni spomenik pesniku dr. Francetu Prešernu na pokopališču v Kranju je prvi slovenski javni spomenik, ki je zrasel iz množične narodnozavedne pobude. Pobuda zanj je bila dana ob Prešernovi smrti februarja 1849. Na sedmini je bil ustanovljen poseben odbor Slovenskega društva, ki naj bi prevzel skrb za pesnikov grob. Časnika Novice in Laibacher Zeitung sta objavljala povabila odbora za zbiranje prispevkov in imena darovalcev. Zbiranje je potekalo v vseh slovenskih deželah. Največ uspeha je bilo na Kranjskem, nekaj so zbrali tudi na Hrvaškem. Nagrobni spomenik v obliki preprostega slopastega znamenja je po načrtu neznanega dunajskega arhitekta izdelal ljubljanski kamnosek Ignacij Toman ml. Spomenik je zahteval odprt prostor, zato so zaprosili za dovoljenje za prekop in pesnikovo krsto prenesli iz prvotnega neuglednega mesta ob vzhodnem pokopališkem zidu na odličnejšo lokacijo. Spomenik so odkrili 3. julija 1852. Oblasti so menile, da slovesnost ob odkritju ni bila politično obarvana
»Takega prizora vendar ni mogoče prenašati!«: Obstrukcija v kranjskem deželnem zboru v začetku 20. stoletja
No full textThe author describes examples of obstruction in the Carniolan State Assembly in the beginning of the 20th century when the assembly members obviously saw fit to copy the proceedings at the Viennese State Assembly. The article compares various forms of obstruction carried out first by the Clerical and then by the Liberal Party, many of which gave rise to various different comical situations.Avtor opisuje primere obstrukcije v kranjskem deželnem zboru v začetku 20. stoletja, ki so se očitno zgledovali po obstrukciji v dunajskem državnem zboru. Primerja razne oblike obstrukcij, ki sta jih izvajali najprej klerikalna, zatem pa liberalna stranka in med katerimi je prihajalo do cele vrste komičnih prizorov
Podoba ženske v slovenskem celovečernem filmu
No full textWhen comparing Slovenian movies with Hollywood productions and film production in other European countries, we find Slovenian filmmaking has a tradition of its own. The many factors which had a bearing on the genre and type of films made in Slovenia were of a social and historical nature (socialism, the emancipation of women), political (those financing the film decided what would be filmed and how), the genre popular at the time (melodrama, comedy, horror, tragedy), cultural determinants (the importance of literature in Slovenian culture and the role of the theatre in the early years of the seventh art) and Slovene mythology. These factors are mainly to blame for the fact that women are portrayed rather stereotypically in Slovene films, to the extent that it is possible to group them into the following categories: charming temptress, angelic woman, the melodramatic type, partisan mother, woman as an independent being, neutral housewife and mother, and woman as fighter/rebel.Slovenski film ima v primerjavi s produkcijo hollywoodskega filma, pa tudi v primerjavi s produkcijami filmov drugih evropskih držav, samosvojo tradicijo. Na to, kakšne in katere filme smo pri nas posneli, je vplivalo več dejavnikov, in sicer družbeni in zgodovinski dejavniki (socializem, emancipacija žensk …), politični dejavniki (tisti, ki financira film, določa, kaj se bo posnelo in na kakšen način), žanrska usmeritev (melodrama, komedija, grozljivka, tragedija), kulturna določenost (pomen literature v slovenski zavesti in vloga gledališča ob začetkih filmske umetnosti) in mitologije slovenske družbe. Ti dejavniki so glavni »krivci«, da je ženska na slovenskem filmu predstavljena dokaj stereotipno, in da smo lahko določili posamezne tipe žensk na filmskem traku. Ti tipi pa so: šarmantna zapeljivka, ženska kot angel, melodramski tip ženske, partizanska mati, ženska kot neodvisno bitje, nevtralna družinska mati in ženska kot borka, upornica
Ve rov ne curri: Ali smo Slovenci Veneti in zakaj ne?
No full textVe rov ne curri
(Ali smo Slovenci Veneti in zakaj ne?