Annali online Unife (Università degli Studi di Ferrara)
Not a member yet
1987 research outputs found
Sort by
Jane Austen, scrittrice professionista nel periodo della Reggenza
Get PDFThe paper aims to discuss the publishing system during the Regency and more precisely Jane Austen’s publications. The text is divided into three parts. The first one deals with women writers’ conditions and the obstacles that they have to overcame in order to publish their manuscripts. The second part is about the different types of publication available during the Regency and the last one follows Jane Austen’s career and the difficulties she has suffer to publish her novels. The study is based upon the information taken from scholar’s studies, Jane Austen’s books and letters, and also from the biographical anecdotes about her life that her siblings have written
Ada Patrizia Fiorillo, Rappel! Arte tra le due guerre, Milano-Udine, Mimesis, 2019, pp. 139. ISBN 978-88-5755-123-4
Get PDFEloquenza di Gorgia, eloquenza di Lisia: il Gorgia e il Fedro nel De audiendo plutarcheo
Get PDFIn competitive dialogue with the emerging Second Sophistic, Plutarch rewrites in a strongly allusive way Platonic images that highlighted the rivalry between rhetoric and philosophy and the seduction of the rhetorical ἐπίδειξις. Plutarch intends to refer subtly to two Plato’s works frequented by the schools of eloquence, the Gorgias and the Phaedrus. When he warns young people of the risks of Atticism, which obscures the content of the message by giving prominence to its form, Plutarch leaves the readers themselves to recognize images of known Platonic ancestry thanks to the common rhetorical παιδεία
Theatrum orbis miraculum. G.B. Aleotti tra teorie e prassi teatrali
Get PDFThe paper focuses on some strategies of composition in Aleotti’s theatre by analysing ideological context and working practices. The examples drawn from “Nozze Pio-Farnese” in 1587 and Aleotti’s tournaments in 1610 and 1612 outline a stage language that shaped the Farnese theatre
THE PERSPECTIVE OF “FESTIVENESS” AS MODEL OF A NEW AESTHETICS
No full textInternational research in the aesthetic sector has been undergoing very crucial transformations for more than two decades, in an attempt to outline an aesthetics of environments rather than an aesthetics of "works". However, the problem that has not yet been resolved in the construction of this aesthetic seems to be the production of its models, which must inevitably be models of processes and actions. In this sense, the suggestion in this article is to look at the foundational potential of the different aesthetics of celebrations and festivals, anniversaries and feasts, as well as of parties and events, joyous family celebrations, whether they be Venetian beach parties or (even) Love Fests in Berlin
L\u27ARCHITETTURA DI MIES VAN DER ROHE, FRA KANDINSKIJ E EJZENŠTEJN. UNA POSSIBILE RILETTURA DEL PADIGLIONE DI BARCELLONA
No full textFollowing the principle of contamination of the arts, this text explores the artistic affinity between the work of Mies van der Rohe and that of Kandinskij and Ejzenštejn. The three masters, in their respective fields of expression, have investigated the different conceptions of space, coming to surprisingly similar conclusions. In support of this thesis, a universally recognized masterpiece of the Miesian production is analyzed here: the German Pavilion created for the International Exhibition in Barcelona (1929). The two volumes Punto, linea e superifice and Lezioni di regia, constitute the framework through which the reasoning is here developed
