Studia Rossica Posnaniensia
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    597 research outputs found

    „Несвятые святые” в рассказах o. Ярослава Шипова (к вопросу об особенностях авторского почерка)

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    The article analyses the originality of the narrative manner of the contemporary writer Yaroslav Shipov, in whose texts the ideals and spiritual challenge of the heroes and storyteller are always accompanied by a dense network of humor and common nonsense. Conclusions are drawn regarding the reasons for such a strategy. The prose by Shipov, though aimed at finding God’s presence in the world, is stylistically and problematically associated with secular and social literature. It motivates the reader to do self-meditation and intellectual work based on the influence of suggestion

    Язык и познание. Диаграмматическая иконичность в сказке Алексея Толстого Золотой ключик, или приключения Буратино и ее польском переводе

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    The paper refers to one of the types of diagrammatic iconicity singled out on the basis of the similarity of the form of the sign in a sequential order to the content. The text discusses coordinate and subordinate phrases which embody the principle. The paper emphasizes the differences existing between them in terms of the freedom of order of structural components. Further, it compares the source text and the target text applying the sequential order principle as tertium comparationis

    Rosyjscy oświeceni wobec (nie tylko) kultury agrarnej (Andriej Bołotow i czasopismo „Sielskij Żytel”)

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    The article presents the periodical “Selsky zhitel” (“The Villager”), which was published by Andrey Bolotov in Moscow in 1778–1779. It was the first Russian private agricultural journal with its purpose, programme, structure and contents. Bolotov’s activity and the history of the Russian agricultural journals in the 18th and early 19th century constitute an interpretive background

    Rosja – „pierwsza miłość i więzienie”. Konfrontacja z przeszłością w „Dziennikach” Igora Gubermana

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    The article focuses on the relationship with the past, which is seen from the point of view of the emigrant, both Russian and Jewish, and his complex identity. The analysis is done on the basis of Igor Guberman’s Diaries, in which an ambivalent attitude to the homeland is observed

    Борьба с ностальгией как поэтический прием в поздней лирике Марины Цветаевой

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    Tsvetaeva spent seventeen years in exile and could not avoid the topic of nostalgia. However, her solution of the theme is polemical against the dominant tendencies in emigrant literature. Instead of aspiration to return to a concrete place, to the unchangeable organization of life (prerevolutionary Russia), she forges baroque-romantic type of nostalgia as a desire for eternal movement following a mobile target (after Charles Baudelaire)

    Лингвоаксиологический взгляд на типы речевых актов (на материале устной разговорной речи)

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    The report is devoted to the linguoaxiological description of types of speech acts. The author comes to the conclusion that direct and indirect linguistic signals of verbali- zation of perceptions of values and attitudes can be allocated among the types of speech acts. Such speech acts as representatives, commissives, directives, declaratives can transfer value meanings with varying degrees of certainty. The materials are a corpus of conversations of citizens of the Urals – vernacular speakers. It is possible to identify some of the core national and regional values based on the analysis of the material

    Метакогнитивная репрезентация концептуальной области „кажимости” (на материале семантики глагольных предикатов „казаться”, „показаться”)

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    The article analyzes the correlation between the cognitive semantics of the words казаться, показаться and the ordinary/fictional narrative strategy, embodied in a context of a particular type. The cognitive semantics of the words is identified within such parameters as a ‘discourse context type’, ‘narrative strategy’, as well as the ‘communicative register’ – either ‘reproductive’ or ‘informative’. The paper considers a gestalt scenario, according to which different contexts with the words казаться, показаться are built up. The author demonstrates the integrity of the gestalt and also describes focus shifts which underlie the construction of different contexts – ‘background’ and ‘figure’

    Obraz tęsknoty za Odessą-Mamą (na przykładzie filmów „Odessa!... Odessa!” Michale Boganim, „Wszystko jest iluminacją” Lieva Schreibera oraz „Likwidacja” Siergieja Ursuljaka)

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    The article examines the process of longing for Odessa-Mama on the basis of Michale Boganim’s Odessa…Odessa!, Liev Schreiber’s Everything is illuminated and Sergey Ursulyak’s Liquidation. In this paper particular attention is devoted to the terms Odessan myth and Odessan text that are key elements of analysed movies and contribute to the nostalgic portrayal of Odessa

    Mityczno-symboliczny kontekst nostalgii w „Wygnaniu” Andrieja Zwiagincewa w świetle antropologicznej niepewności podmiotu

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    The aim of this article is to reveal the mythical, symbolic and religious context in the film The Banishment. We also try to show how the nostalgia felt by the heroine can be associated with the state of anthropological uncertainty

    Постреволюционная действительность глазами „маленького человека”. Мемуарная проза Вениамина Корсака

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    Veniamin Korsak is a writer who represents the Russian literature of the first wave of emigration and is known primarily through a series of five autobiographical no- vels presenting the story of a simple man who went into German captivity during World War I and then returned to Russia, which was overwhelmed by civil war. Korsak’s works are a testimony of a “little man”, looking at reality through the prism of ordinary everyday affairs, instinctively trying to survive in the historical turmoil. This article is an attempt to show the specificity of this perspective on the basis of his novels

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