Studia Rossica Posnaniensia
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Сравнительный анализ современных тенденций развития украинской и русской терминографической критики
Get PDFCompiling special dictionaries in Ukraine and Russia has its own history, national specifics, significant achievements and groundworks. Terminological dictionaries play an important role – they preserve and transmit the scientific terminology fund from generation to generation, which necessitates a critical examination of each specific publication. Terminographic criticism is an integral, interdisciplinary direction which is formed simultaneously on the basis of scientific criticism and scientific communication combining their features. As a result of the study, it was established that modern Ukrainian and Russian critics in their reviews adhere to the same principles to examine terminological dictionaries: the intention to comprehensively analyse, first of all, definition and translation publications as well as reference dictionaries, regarding the representation of their mega-, macro- and microstructure parameters; determining the national and linguacultural values of branch dictionaries. The potential importance of the practical application of the results lies in improving the theoretical and methodological principles and foundations of compiling terminological dictionaries, as well as their use in the development of new models of special publications, in particular dictionaries of a new type, which will comprehensively present the terminology of a certain field of science.Compiling special dictionaries in Ukraine and Russia has its own history, national specifics, significant achievements and groundworks. Terminological dictionaries play an important role – they preserve and transmit the scientific terminology fund from generation to generation, which necessitates a critical examination of each specific publication. Terminographic criticism is an integral, interdisciplinary direction which is formed simultaneously on the basis of scientific criticism and scientific communication combining their features. As a result of the study, it was established that modern Ukrainian and Russian critics in their reviews adhere to the same principles to examine terminological dictionaries: the intention to comprehensively analyse, first of all, definition and translation publications as well as reference dictionaries, regarding the representation of their mega-, macro- and microstructure parameters; determining the national and linguacultural values of branch dictionaries. The potential importance of the practical application of the results lies in improving the theoretical and methodological principles and foundations of compiling terminological dictionaries, as well as their use in the development of new models of special publications, in particular dictionaries of a new type, which will comprehensively present the terminology of a certain field of science
Вызовы современному русскому литературному языку
Get PDFThe article is devoted to the study of some active processes affecting the system of the modern Russian language. The result of the study is the identification of factors that negatively affect the dynamics of the Russian language, which are presented in socio-political and linguistic aspects. The socio-political reasons are caused by the active reduction of the Russian-language information space in the near and far abroad area under the influence of the collapse of the Soviet Union. Unsuccessful phenomena in the current state of the Russian language consist in the intentional violation of the language norms in the Internet space, the substitution of normative vocabulary for meaningfully and stylistically belittled expressions of rural life, the clogging of the Russian literary language with words and verbal turns of slang origin, the dissemination of obscene vocabulary, the saturation of the language with words and expressions of foreign origin, and the unjustified euphemization of speech, leading to the erosion of the meaning of words. The general conclusion is the need for the serious efforts of the whole society against the simplification and the purity of the Russian literary language.The article is devoted to the study of some active processes affecting the system of the modern Russian language. The result of the study is the identification of factors that negatively affect the dynamics of the Russian language, which are presented in socio-political and linguistic aspects. The socio-political reasons are caused by the active reduction of the Russian-language information space in the near and far abroad area under the influence of the collapse of the Soviet Union. Unsuccessful phenomena in the current state of the Russian language consist in the intentional violation of the language norms in the Internet space, the substitution of normative vocabulary for meaningfully and stylistically belittled expressions of rural life, the clogging of the Russian literary language with words and verbal turns of slang origin, the dissemination of obscene vocabulary, the saturation of the language with words and expressions of foreign origin, and the unjustified euphemization of speech, leading to the erosion of the meaning of words. The general conclusion is the need for the serious efforts of the whole society against the simplification and the purity of the Russian literary language
Leksyka słowiańskich dialektów miejskich: egzoetnonimy w gwarze Warszawy, Brna i Moskwy
Get PDFThe present study concentrates on the issue of exoethnonyms and, in particular, exoethnonyms replacing orthonyms in the vocabulary of Slavonic urban dialects – namely, the urban dialect of Warsaw, the Hantec slang of Brno and the urban dialect of Moscow. Based on the data extracted from dictionaries, it was possible to select such designations. From the linguistic point of view, these nominations are either occasionalisms or names more deeply rooted in the lexical system of the urban dialects in question. The article includes the analysis and classification of the research data in terms of the linguistic and extralinguistic motivation and axiological evaluation of particular items
Dobroczynność w Rosji w świetle publikacji w czasopismach i almanachach literackich pierwszej połowy XIX wieku
Get PDFThe article presents the publications in the periodical “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” and the literary almanac Podarok bednym in the light of the development of charity in Russia (motives, forms, results): 1. The publications of Alexander Sturdza (About social charity, About private charity), Pyotr Shalikov etc.; 2. The charity institutions in the capital and the provinces; 3. The charity initiatives of women and the Russian writers. “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” (the monthly magazine) was published in St. Petersburg from 1817 to 1826. It contained, among other elements, information and reports about the activity of philanthropists and charity institutions, and literary works (Hymn to love for a man by Pyotr Shalikov). Podarok bednym was published in Odessa in 1834 (the motto was a quotation from the Aeneid by Vergil: “Miseris succurrere disco”) by a women’s benevolent society. It contained the commentaries and works of belles-lettres. The paper compares “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” and Podarok bednym (the “common places”, for instance the articles by Alexander Strudza About social charity published in “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” in 1817 and in Podarok bednym in 1834). It presents also the discussions about charity in the Russian periodicals in the first half of the 19th century.The article presents the publications in the periodical “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” and the literary almanac Podarok bednym in the light of the development of charity in Russia (motives, forms, results): 1. The publications of Alexander Sturdza (About social charity, About private charity), Pyotr Shalikov etc.; 2. The charity institutions in the capital and the provinces; 3. The charity initiatives of women and the Russian writers. “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” (the monthly magazine) was published in St. Petersburg from 1817 to 1826. It contained, among other elements, information and reports about the activity of philanthropists and charity institutions, and literary works (Hymn to love for a man by Pyotr Shalikov). Podarok bednym was published in Odessa in 1834 (the motto was a quotation from the Aeneid by Vergil: “Miseris succurrere disco”) by a women’s benevolent society. It contained the commentaries and works of belles-lettres. The paper compares “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” and Podarok bednym (the “common places”, for instance the articles by Alexander Strudza About social charity published in “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” in 1817 and in Podarok bednym in 1834). It presents also the discussions about charity in the Russian periodicals in the first half of the 19th century
Особенности образа современного русского интеллигента на примере романа Алексея Варламова Затонувший ковчег (1997)
Get PDFThe article focuses on the image of the modern Russian intellectual, depicted in the artistic text of Aleksey Varlamov, the Sunken Ark. Understanding the phenomenon of the Russian intelligentsia in the analysed literary work is associated with the problem of the opposition of reason and faith in the process of the personality formation of the modern intellectual. The analysis carried out in the text allows not only to trace and better understand the social processes of the crisis period in Russia, but also to notice their enormous impact on the consciousness of the main hero-intellectual Ilya Petrovich. The use of the methodology of historical and literary research in the work is adequate to the problems posed. The novel under analysis, as a kind of warning, has a deep philosophical undertone that touches upon the problems of faith, unbelief, freedom of the individual and the pursuit of moral perfection. Varlamov’s intellectual, as a typical “hero of our time”, regardless of his weakness, defenselessness and internal rupture, seems to be most needed in life.The article focuses on the image of the modern Russian intellectual, depicted in the artistic text of Aleksey Varlamov, the Sunken Ark. Understanding the phenomenon of the Russian intelligentsia in the analysed literary work is associated with the problem of the opposition of reason and faith in the process of the personality formation of the modern intellectual. The analysis carried out in the text allows not only to trace and better understand the social processes of the crisis period in Russia, but also to notice their enormous impact on the consciousness of the main hero-intellectual Ilya Petrovich. The use of the methodology of historical and literary research in the work is adequate to the problems posed. The novel under analysis, as a kind of warning, has a deep philosophical undertone that touches upon the problems of faith, unbelief, freedom of the individual and the pursuit of moral perfection. Varlamov’s intellectual, as a typical “hero of our time”, regardless of his weakness, defenselessness and internal rupture, seems to be most needed in life
Rosyjscy emigranci w miniaturach satyrycznych Arkadija Awierczenki
Get PDFThe transformations in Russian satirical literature conditioned by the difficult emigration situation were reflected in the works of Arkady Averchenko, one of the most significant satirists of pre-revolutionary Russia. In his short stories created in exile, the writer showed the problems and dilemmas that his fellow-countrymen had to face abroad, mainly in Constantinople and Prague. The feeling of homelessness, loneliness and uprooting that accompanied the emigrants constantly intensified the need for self-identification in a foreign culture, which was demonstrated in manifesting their national distinctiveness, confronting new customs and idealizing the Russian past. By immortalizing the mood, spiritual life and living conditions as well as a specific metamorphosis of Russian emigrants, Averchenko did not forget about their vices. Therefore, the short stories of the emigration period, in which the writer willingly combined elements of comedy and tragedy, were saturated with self-irony, pain and bitter reflection, skillfully hidden under the mask of humour and satire
Fatalne zauroczenie (Wiktor Pielewin, Miłość do trzech Zuckerbrinów)
Get PDFThe aim of this paper is to analyze an increasingly dangerous phenomenon in modern times – the Internet addiction – in the context of contemporary Russian literature. It seems that in this light, the work of Viktor Pelevin can serve as a perfect example of a literary voice in the discussion about the condition of the modern world. The present paper uses the findings of modern technology experts (e.g. Clifford Stoll), philosophers, and sociologists (e.g. Jean Baudrillard, Kazimierz Krzysztofek). In Viktor Pelevin’s novel entitled Love for Three Zuckerbrins (Любовь к трeм цукербринам, 2014) the author continues his analysis of the problem, already marked in The Helmet of Horror (Шлем ужаса: Креатифф о Тесее и Минотавре, 2005), centered on the impact of the development of the latest technologies on human beings. While in the author’s earlier works this issue remained in the sphere of predictions and guesses, here it is unequivocally resolved to the detriment of the human individual. By touching upon the question of popular games for people, Pelevin shows their real role – playing with people. In this context the abovementioned attraction to simple entertainment has irreversible effects – a win in an Internet game means a failure in real life. While advocating unequivocally on the side of the opponents of the adulation for cyberspace, Pelevin points out that a complete unification with it will lead to the end of humanity.The aim of this paper is to analyze an increasingly dangerous phenomenon in modern times – the Internet addiction – in the context of contemporary Russian literature. It seems that in this light, the work of Viktor Pelevin can serve as a perfect example of a literary voice in the discussion about the condition of the modern world. The present paper uses the findings of modern technology experts (e.g. Clifford Stoll), philosophers, and sociologists (e.g. Jean Baudrillard, Kazimierz Krzysztofek). In Viktor Pelevin’s novel entitled Love for Three Zuckerbrins (Любовь к трeм цукербринам, 2014) the author continues his analysis of the problem, already marked in The Helmet of Horror (Шлем ужаса: Креатифф о Тесее и Минотавре, 2005), centered on the impact of the development of the latest technologies on human beings. While in the author’s earlier works this issue remained in the sphere of predictions and guesses, here it is unequivocally resolved to the detriment of the human individual. By touching upon the question of popular games for people, Pelevin shows their real role – playing with people. In this context the abovementioned attraction to simple entertainment has irreversible effects – a win in an Internet game means a failure in real life. While advocating unequivocally on the side of the opponents of the adulation for cyberspace, Pelevin points out that a complete unification with it will lead to the end of humanity
Polsko-, niemiecko- i rosyjskojęzyczny obraz „innego” i „obcego”. Analiza porównawcza pól asocjacyjnych
Get PDFThe article is concerned with reconstructing the cultural meanings included in the Polish signs “inny” (“different”) and “obcy” (“foreign”) and comparing them with their Russian and German counterparts, i.e. “другой” and “чужой”, “der Andere” and “der Fremde” respectively. The data for the comparative analysis were collected by means of the free association method. The features indicated by the respondents reflected culture-specific and language-specific associative profiles of images of the lexical items “different” and “foreign”, characteristic of the representatives of the Polish, Russian and German cultures. The results of the association test confirm that there exist numerous criteria which the Polish, Russian and German respondents referred to while specifying the meaning of “different” and “foreign”. The questionnaire allowed for establishing a hierarchy of the criteria as well as for indicating significant similarities and differences between the Polish, Russian and German associative definitions of both terms.The article is concerned with reconstructing the cultural meanings included in the Polish signs “inny” (“different”) and “obcy” (“foreign”) and comparing them with their Russian and German counterparts, i.e. “другой” and “чужой”, “der Andere” and “der Fremde” respectively. The data for the comparative analysis were collected by means of the free association method. The features indicated by the respondents reflected culture-specific and language-specific associative profiles of images of the lexical items “different” and “foreign”, characteristic of the representatives of the Polish, Russian and German cultures. The results of the association test confirm that there exist numerous criteria which the Polish, Russian and German respondents referred to while specifying the meaning of “different” and “foreign”. The questionnaire allowed for establishing a hierarchy of the criteria as well as for indicating significant similarities and differences between the Polish, Russian and German associative definitions of both terms
Małżeństwo w językowym obrazie świata. Na przykładzie paremii w języku polskim, rosyjskim i angielskim
Get PDFThe essence of marriage is being widely discussed in the last few decades in many social circles and at many different levels. From the linguistic point of view it is usually characterised on the basis of man’s and woman’s roles in their relationship. The aim of the paper is to present the view of marriage in Polish, Russian and English proverbial phrases. For the purposes of the article about 350 Polish and Russian and about 300 English proverbs have been subjected to cognitive analysis. The research proves that the concept of marriage is roughly universal in all three languages and it presents definitely an androcentric perspective. Wives in proverbs are shown in a very unfavourable light as grouchy, quarrelsome, unfaithful and narrow-minded human beings. Marriage reflected in sayings is usually a burden which diminishes man’s happiness and may even lead to his sickness, fast aging and death. What is more, quite a lot of proverbial phrases in all three languages under study foster violence against women. The concept of marriage presented in proverbs is undoubtedly a reflection of the old way of thinking and the old system of values, but the preliminary research of anti-proverbs, i.e. more modern expressions, proves that it has not undergone any fundamental changes in the language awareness of the Polish, Russian and English native speakers.The essence of marriage is being widely discussed in the last few decades in many social circles and at many different levels. From the linguistic point of view it is usually characterised on the basis of man’s and woman’s roles in their relationship. The aim of the paper is to present the view of marriage in Polish, Russian and English proverbial phrases. For the purposes of the article about 350 Polish and Russian and about 300 English proverbs have been subjected to cognitive analysis. The research proves that the concept of marriage is roughly universal in all three languages and it presents definitely an androcentric perspective. Wives in proverbs are shown in a very unfavourable light as grouchy, quarrelsome, unfaithful and narrow-minded human beings. Marriage reflected in sayings is usually a burden which diminishes man’s happiness and may even lead to his sickness, fast aging and death. What is more, quite a lot of proverbial phrases in all three languages under study foster violence against women. The concept of marriage presented in proverbs is undoubtedly a reflection of the old way of thinking and the old system of values, but the preliminary research of anti-proverbs, i.e. more modern expressions, proves that it has not undergone any fundamental changes in the language awareness of the Polish, Russian and English native speakers
Лексические инновации в мемосфере: названия мемных жанров
Get PDFThe development of the Internet gave life to Internet memes. Their diversity and rapid growth contributed to the formation of the memosphere, the development of which is accompanied by the emergence of lexical innovations. These include language memes and the names of meme genres. All of them are the result of linguistic creativity, which in relation to the names of meme genres, covers several stages: English loanwords for the name of the meme genre, their adaptation in Russian, changes in semantics, and preference for specific neologisms. The concept of lexical innovation was apprehended on the foundation of Markovsky’s concept. The study of lexical innovations was carried out within the framework of the structural-semantic direction, as well as on the basis of the theory of Kotelova and the concepts of Rakhmanova and Suzdaltseva. Studies have shown that semantic changes in the names of meme genres are associated with a denotation change. Changes in the semantics of word loaning are very dynamic as English loanwords enable the swift naming of new realities. This tendency towards the internationalization of vocabulary is related to the Internet and the memosphere. The obtained results fill the gap in the study of vocabulary related to the memosphere. A few studies of meme genres relate to their description and analysis, yet do not focus on the semantic and graphic modification of loanwords. This work presents the unprecedented mechanisms and stages of the formation of meme genres names.The development of the Internet gave life to Internet memes. Their diversity and rapid growth contributed to the formation of the memosphere, the development of which is accompanied by the emergence of lexical innovations. These include language memes and the names of meme genres. All of them are the result of linguistic creativity, which in relation to the names of meme genres, covers several stages: English loanwords for the name of the meme genre, their adaptation in Russian, changes in semantics, and preference for specific neologisms. The concept of lexical innovation was apprehended on the foundation of Markovsky’s concept. The study of lexical innovations was carried out within the framework of the structural-semantic direction, as well as on the basis of the theory of Kotelova and the concepts of Rakhmanova and Suzdaltseva. Studies have shown that semantic changes in the names of meme genres are associated with a denotation change. Changes in the semantics of word loaning are very dynamic as English loanwords enable the swift naming of new realities. This tendency towards the internationalization of vocabulary is related to the Internet and the memosphere. The obtained results fill the gap in the study of vocabulary related to the memosphere. A few studies of meme genres relate to their description and analysis, yet do not focus on the semantic and graphic modification of loanwords. This work presents the unprecedented mechanisms and stages of the formation of meme genres names