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Poetika zavičaja Grge Rupčića
No full textThe work establishes the native poetics of one of the most famous contemporary poets from Gospić – Grga Rupčić. In addition to the biographical and autobiographical context of the Lika – Rastoka area, the life and work of Grga Rupčić is approached in an overview and analytical manner, taking into account the diversity of the author’s literary (poetry and prose) and non-fiction oeuvre. The stylistic analysis of Rupčić’s poetry, characterized by an emotional and reflective lyrical sensibility, is a sign of an educational call, native landscape, and people. The author’s prose literary-publicistic oeuvre, in which he talks about Lika’s social and cultural reality, has a chronicle character and a satirical-humorous intonation. The author’s literary and critical work is aimed at writers of native land. Grga Rupčić’s poetic, poetical and prose, essayistic and literary criticism, as well as chronicle work is a sign of the cultural, historical, educational and literary imaginary of his native area, and his topoanalysis is a sign of poeticizing the native land. The native cultured lyrical subject, identical to the author, marked by nostalgia, memories and recollections, in his entire rich oeuvre inscribed human value in the beloved space, translating its reality into a poetic-mythical dimension, leaving an indelible mark in the literary and cultural life of Lika and Gospić.U radu se uspostavlja zavičajna poetika jednog od najpoznatijih suvremenih gospićkih pjesnika – Grge Rupčića. Uz biografski i autobiografski kontekst ličkog – rastočkog prostora, životu i djelu Grge Rupčića pristupa se pregledno i analitički, uzimajući u obzir raznolikost autorova književnog (pjesničkog i proznog) te publicističkog opusa. Stilistička analiza Rupčićeve poezije, obilježene emocionalnim i refleksivnim lirskim senzibilitetom, u znaku je prosvjetnog poziva, zavičajnog krajolika i ljudi. Autorov prozni književno-publicistički opus, u kojemu progovara o ličkoj društvenoj i kulturnoj zbilji, kroničarskog je karaktera te satirično-humoristične intonacije. Književno-kritičarski autorov rad usmjeren je književnicima zavičajne provenijencije. Poetski, pjesnički i prozni, esejistički i književnokritički, kao i kroničarski opus Grge Rupčića u znaku je kulturnog, povijesnog, prosvjetnog i književnog imaginarija zavičajnog prostora, a njegova topoanaliza, u znaku poetiziranja zavičaja. Zavičajni kulturirani lirski subjekt, istovjetan autorskom, obilježenom nostalgijom, uspomenama i sjećanjima, u cjelovitom je svom bogatom opusu upisao u voljeni prostor ljudsku vrijednost pretačući njegovu stvarnosnu u poetsko-mitsku dimenziju, ostavljajući neizbrisiv trag u književnom i kulturnom životu Like i Gospića
Topos Like od faktografskog zavičaja do fikcionalnog utočišta – Lika kao primarni zavičaj Branka Ćopića
No full textThere are few writers who referred to their homeland as Branko Ćopić did. Although he learned about the topos of Lika from the stories of his mother and grandfather, Ćopoć in almost all interviews, letters and even his own works referred to Lika as his original homeland. With this fact, this paper moves in two directions: the first part analyzes Ćopić’s interviews and letters in which he talks about the topos of Lika as a homeland, while the second part of the paper presents interpretations of Lika’s motifs in Ćopić’s literary works. From all sources (both factual and fictional) it is evident that Lika, both as a geographical and as a motive term, represented the habitus of values that significantly determined the work of one of the greatest writers of South Slavic literature.Malo je pisaca koji su se pozivali na rodni zavičaj kao što je to činio Branko Ćopić. Iako je o toposu Like prvenstveno saznao iz priča svojih majke i djeda, Ćopić se u intervjuima, pismima pa i samim djelima pozivao na Liku kao prvobitni zavičaj. S tom činjenicom, ovaj rad se kreće u dva pravca: prvi dio analizira Ćopićeve intervjue i pisma u kojima govori o toposu Like kao zavičaju, dok se u drugome dijelu rada donose interpretacije motiva Like u Ćopićevim književnim djelima. Iz svih izvora (i fakcionalnih i fikcionalnih) vidno je da je Lika, i kao geografski i kao motivski pojam, predstavljala habitus vrijednosti koje su značajno determinisale opus jednoga od najvećih pisaca južnoslavenskih književnosti
Coats of Arms of the Counts of Veglia and Kurjakovićs of Corbavia in the Castle of Grobnik
No full textU radu se analiziraju heraldičke predstave na kruni cisterne u kaštelu Grobnik. Sama kruna cisterne je odavno poznata znanstvenoj javnosti, ali njezina heraldika, iako primarni izvor, nije do sada bila predmetom posebnih istraživanja. Poslije detektiranja nositelja grbova onom rodu knezova Krčkih dat je razvoj heraldike i djelomične primjene, a u slučaju grba Kurjakovića Krbavskih istraživanje je fokusirano na baziliske (zmajeve). Analizirani su mogući utjecaji i povodi za usvajanje baziliska (zmajeva) u heraldiku roda te je zaključeno kako se ne radi o prikazivanju Reda Zmaja kralja Sigismunda. Bazilisk koji proždire čovjeka jasno upućuje na utjecaj Milana i vezu s vladarem iz kuće Sforza pa je utvrđeno da se radi o grbu krbavske kneginje Doroteje, a nositelj drugog grba je vjerojatno njezin brat Bernardin Frankapan.The paper analyzes the heraldic representations on the cistern crown in the Grobnik castle. The cistern crown itself has long been known to the scientific public, but its heraldry, as a primary source, has not been researched until now. After detecting the owner of Counts of Veglia coat of arms, the development of heraldry and partial use was given. In the case of the coat of arms of the Kurjaković\u27s of Corbavia the research was focused on bisciones (dragons). The possible influences and reasons for the adoption of bisciones (dragons) in the heraldry of the family were analyzed, and it was concluded that they do not represent the Order of the Dragon of King Sigismund. The man-eating biscione clearly points to the influence of Milan and the connection with the ruler from the Sforza house, so it was concluded that it is the coat of arms of Princess Dorothea of Corbavia, and possible owner of other coat of arms is her brother Bernardin Frankapan
Drva
No full textKazivač: Ante Pavelić, (1909. – 1995.). U ranoj je mladosti postao sljedbenik Radićeva političkog nauka, 1935. god. postao je trnovački seoski starješina, a 1937. god. predsjednik Hrvatske gospodarske seljačke zadruge u Trnovcu.
Govorni zapis, kazetofonska vrpca, 1987., snimila Maja Pavelić Runje (sinovka) koja je govor i transkribirala
Archaeological survey of the sites in the northeastern part of Zadar County
No full textRad donosi preliminarne rezultate arheološkog rekognosciranja lokaliteta sa šireg područja Benkovca, Gračaca, Novigrada, Obrovca i Posedarja. U tom prostranom dijelu Zadarske županije mnogobrojna su arheološka nalazišta, koja najvećim dijelom do sada nisu bila istraživana. Pripadaju različitim razdobljima, i to od prapovijesti pa sve do ranog novog vijeka.The paper presents preliminary results of an archaeological reconnaissance of sites from the wider area of Benkovac, Gračac, Novigrad, Obrovac and Posedarje was carried out, led by the author of these lines. In this spacious part of Zadar County, there are numerous archaeological sites, most of which have not been explored until now. They belong to different periods, from prehistory to the early Modern Period
Archaeological excavations at Gradina sv. Ivana on the island of Korčula
No full textRad donosi rezultate istraživanja brežuljka Gradine s crkvom svetog Ivana, smještenog na krajnjem zapadnom dijelu otoka Korčule koja su umnogome unaprijedila poznavanje dinamike iskorištavanja ove lokacije i omogućila njezino smještanje u već poznate okvire prapovijesne, antičke, srednje i novovjekovne naseljenosti ne samo otoka Korčule već i čitavog okolnog arhipelaga.The paper presents the results of archaeological excavations at the hill of Gradina with the church of St. John, located on the far western part of the island Korčula, that greatly improved the understanding of the dynamics of the use of this location and enabled its placing within the already known framework of prehistoric, ancient, medieval and modern settlement not only of the island of Korčula, but also of the entire surrounding archipelago
Stone monuments to the departed (mirila) from Rtina
No full textRtinska mirila nalaze se na zapadnom dijelu Ražanca, iza Gajetovice. Jedna su od triju mirilišta u Općini Ražanac, a dio su pogrebne prakse povezane s prijenosom pokojnika iz Rtine. Podignuta su na putu prema starom groblju koje se nalazilo kod današnjeg spomenika u Ražancu.Stone monuments to the departed (mirila) from Rtina are located in the western part of Ražanac, behind Gajetovica. They are one of the three groups of these stone monuments in Ražanac Municipality, and are related to the mortuary practice associated with the transfer of the deceased from Rtina. They were erected on the way to the old cemetery, which was located near the modern monument in Ražanac
Vela Pećina near Kali
No full textProbna istraživanja Vele pećine kod Kali na Ugljanu potvrdila su arheološki potencijal nalazišta. Kulturni slojevi dokumentirani su do relativne dubine od 1,2 m odnosno do pojave matične stijene. Inventar nalaza činili su većinom predmeti od lomljenog kamena i životinjske kosti. Na temelju preliminarnog pregleda, prije svega litičkog skupa, donji dio stratigrafskog slijeda moguće je datirati u razdoblje kasnog glacijala u vremenskom smislu, odnosno kasnog epigravetijena u kulturno-kronološkom smislu.Trial excavations of Vela Pećina (big cave) near Kali on the island of Ugljan have confirmed the archaeological potential of the site. The cultural layers were documented up to a relative depth of 1.2 m, that is to the bedrock. The inventory of finds consisted mostly of knapped stone and animal bone items. Based on a preliminary examination, first of all the lithic assemblage, the lower part of the stratigraphic sequence can be dated to the Late Glacial period in strictly chronological terms, i.e. the Late Epigravettian in cultural-chronological terms
Repozicioniranje uloge Jagode Truhelke u kontekstu hrvatske nacionalne knjoževne povijesti
No full textKatarina Ivon: Jagoda Тruhelka – poetika na margini. Zagreb: Ljevak. 2023., 391 str