Przestrzenie Teorii
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O teorii transkulturowej i jej implikacjach dla badań humanistycznych
Get PDFThe article attempts to grasp the essence of transcultural theory, locate its roots and situate it within the framework of previous cultural research. This enables the influence of this theory on the projected future significance of humanistic research. The author makes use of the theoretical approaches of Arianna Dagnino and Mikhail Epstein. Although looking at this theory fromdifferent angles, in both cases the transcultural perspective translates into a unique perception of humanities (“transcultural” or “transformative” humanities), as a field of key importance for the future of science
Odpowiedź Profesor Anny Krajewskiej
Get PDFProfessor Anna Krajewska’s reply to Professor Michał Głowiński’s letter
Ogórki małosolne antropomorfizowane. Próby o wierszu Za szkłem
Get PDFThe last volume of poetry by Stanisław Barańczak, titled Chirurgiczna precyzja (Surgical precision) features the poem Za szkłem (Behind glass). It is an extremely ironic and ambiguous work. The interpretation provided in this paper points to the exceptional importance of this text for Barańczak’s poetry as a whole
Stanisław Barańczak i awangarda
Get PDFThe poetry of Stanisław Barańczak, who himself was against historical avant-garde as a movement that abandoned ethical commitments, has quite a lot in common with avant-garde. Like other New Wave artists, his poetry can be read in the context of the neo-avant-garde and counterculture, e.g. in the context of Guy Debord’s The Society of the Spectacle and Herbert Marcuse’s Onedimensional Man, with the propositions that overlap in many places with those of Baranczak’s “dialectic Romanticism”. When analysing the links of this poetry with the participant art of the 1960s and 1970s, it can be concluded that new-wave commitment has little in common with the typical attempts of the neo-avant-garde at regaining privacy, since the political character of Barańczak’s poetry is based on giving a position of privilege to the martyrdom code of Polish romanticism, which he frames in elitist modernist language
Dramaturgia wiersza: „wiersz-płacz”. Płakała w nocy, ale nie jej płacz go zbudził
Get PDFThe article is an interpretation of the poem “Płakała w nocy, ale nie jej płacz go zbudził” (“She cried at night, but not her cries woke him”) written by Stanisław Barańczak. The author focuses on description in this poem – dramatic in shape, philosophical, and according to the narrative of the anthropocentrism crisis. The author considers this poem to be a metaphysical text defining the relationship between the world of human and non-human reality. She compares the poem with those written by Jan Kochanowski (Laments), Cyprian Kamil Norwid (In Verona), Andrew Marvell (Eyes and tears), Szymborska (Apple tree)
Nowe wymiary tożsamości – media, kultura popularna, rzeczywistość cyfrowa
Get PDFThe text concentrates on the issue of identity and its transformations, driven by the spread of media and digital culture. In the first part it presents three canonic proposals for reflections on virtual identity. Firstly, reflections on the communication dimension of identity derived from Martin Buber’s philosophy of dialog. Secondly, the concept of “ontological shift” as suggested by Marek Krajewski, who sees in it the remedy for the lack of a real dimension of many virtual contacts. Thirdly, the issues of the integrity of the individual and the fluidity of modern reality in the approaches proposed by Wolfgang Welsh, Anthony Giddens, and Zygmunt Bauman. The analytical part contains an analysis of the important aspects of the notion of identity. The first is the issue of the subjectivity of an utterance and its source, which will be discussed using the example of a play based on texts that adapted from Internet blogs. The second issue is an attempt to answer the question posed by Sherry Turkle of whether if it is possible to kill someone virtually. The point of reference for the search for a solution to this issue is the popular computer game “Vampire”.The last aspect has to do with celebrity identity in the media world. This concerns the phenomenon of celebrities in the pragmatic dimension as a model strategy of behaviour in the world, in which the boundary between privacy and public space has been blurred. On the basis of these analyses, which cover merely a small part of human experience, the author proposes a new methodological approach to perceiving and analysing aspects of identity revealed through the confrontation with the new virtual reality
Poza ramy spektaklu. Twórczość Darka Foksa w przestrzeni kultury masowej
Get PDFThe aim of article is to analyse the main artistic strategies in Darek Foks’ writing and to compare his works with the tradition and products of mass culture. In his latest composition, written in 2015 and titled Dad’s tablet, the author, as many times earlier, casts a critical eye over significant categories of mass culture, especially performance, stageability and, artistic authenticity. In this way Foks tries to leave his own, distinctively individual mark, a rebellious gesture against the rules governing contemporary culture
Strzał z dystansu. O Pierwszej piątce Stanisława Barańczaka
Get PDFMarek Hendrykowski’s article provides an analysis and interpretation of Barańczak’s well-known poem “Pierwsza piątka” [The First Five], whose main characters are the basketball legends of Boston Celtics, NBA champions on many occasions
Dziesięć sążni w dół albo dziesięć uwag o płynności i głębi
Get PDFThe text is an interpretation of Stanisław Barańczak’s poem From the introduction to a phrasebook. The reading of the lyric reveals a basic organizing opposition, i.e. the dichotomy of “liquidity” (“shallowness”) and “depth”. The final parts of the interpretation present the role of poetic language (defined through modernistic concepts) as a language that gives the opportunity to counter the aporia inherent in every act of communication