Poznańskie Studia Slawistyczne
Not a member yet
724 research outputs found
Sort by
Usporedba „Slavonske šume” Josipa Kozarca i Adolfa Waldingera
Get PDFIn this article we shall compare the literary work Slavonian forest by Josip Kozarac with Adolf Waldinger’s oil painting Slavonian forest, including his drawings and pictures of a Slavonian forest and forest details. Comparison is made primarily on the basis of their resemblance. Not only do both of these works have the same inspiration and structure, but in terms of content they also elaborate the motifs andthemes of the forest landscape, leaning toward realistic formation, and both represent works of anthological value. In other words, Waldinger’s Slavonian forest is one of his best works and an excellent work in the field of Croatian forest painting, while Kozarac’s work finds itself at the anthological peak of Croatian descriptive literature.In this article we shall compare the literary work Slavonian forest by Josip Kozarac with Adolf Waldinger’s oil painting Slavonian forest, including his drawings and pictures of a Slavonian forest and forest details. Comparison is made primarily on the basis of their resemblance. Not only do both of these works have the same inspiration and structure, but in terms of content they also elaborate the motifs andthemes of the forest landscape, leaning toward realistic formation, and both represent works of anthological value. In other words, Waldinger’s Slavonian forest is one of his best works and an excellent work in the field of Croatian forest painting, while Kozarac’s work finds itself at the anthological peak of Croatian descriptive literature.
Stripovni stil pjesničkoga subjekta u suvremenom hrvatskome pjesništvu iskustva intermedijalnosti i postintermedijalnosti
Get PDFThis paper deals with poetic subjects in the comic book format as presented in the media. The subject of media entity dominates the corpus of texts in intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day, whose structures are primarily determined by contacts with different media culture texts, are defined by Goran Rem. This paper explores the ways in which the media inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.This paper deals with poetic subjects in the comic book format as presented in the media. The subject of media entity dominates the corpus of texts in intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day, whose structures are primarily determined by contacts with different media culture texts, are defined by Goran Rem. This paper explores the ways in which the media inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.
Svadbeni kod u basmama
Get PDFIncantations use the wedding code in order to fulfill the magical function which faces a cure or a protection, demanded by certain people. Thus the wedding code applied to the incantation turns out to be different from the wedding song itself. The phenomena of anti-speech (insults directed to the bride or to the wedding guests) and of inverse reality of the sacred moment in the incantations become the powerful means against diseases and evil spirits. While modulating the wedding ritual objects (wedding shirt, wreath, veil, flag), or ritual actions (giving gifts, repulsing the wedding guests, taking the bride away from her parents’ house), these objects and acts gain a secondary, magical function that makes diseases and evil spirits drive away. The wedding songs and the incantations share the same model of space in which forest and water introduce themselves as the strong boundaries between two worlds: of the living and of the dead. While in the first case the boundaries are porous, allowing an interpenetration of both the worlds, inthe second one they remain closed off. The above mentioned genres also share some motifs –of a fast growing girl, hospitality (as well as of an uninvited guest) and magical counting. Furthermore, the article proves that various functions determine essentially different meanings of motifs, ritual actions and eventually characters which appear in these folklore genres. Incantations use the wedding code in order to fulfill the magical function which faces a cure or a protection, demanded by certain people. Thus the wedding code applied to the incantation turns out to be different from the wedding song itself. The phenomena of anti-speech (insults directed to the bride or to the wedding guests) and of inverse reality of the sacred moment in the incantations become the powerful means against diseases and evil spirits. While modulating the wedding ritual objects (wedding shirt, wreath, veil, flag), or ritual actions (giving gifts, repulsing the wedding guests, taking the bride away from her parents’ house), these objects and acts gain a secondary, magical function that makes diseases and evil spirits drive away. The wedding songs and the incantations share the same model of space in which forest and water introduce themselves as the strong boundaries between two worlds: of the living and of the dead. While in the first case the boundaries are porous, allowing an interpenetration of both the worlds, inthe second one they remain closed off. The above mentioned genres also share some motifs –of a fast growing girl, hospitality (as well as of an uninvited guest) and magical counting. Furthermore, the article proves that various functions determine essentially different meanings of motifs, ritual actions and eventually characters which appear in these folklore genres.
Wokół pierwszej polskiej systematyki zamówień. O zapomnianej propozycji Józefa Obrębskiego
Get PDFThe author discusses the first Polish systematics of magic spells against illness, which was proposed by Józef Obrębski in a brochure Index for „Treating the Polish people” by Henryk Biegeleisen in 1931. Obrębski introduced a division of spells into 9 groups, separated on the basis of their content, form and function. It was not an autonomous development. It have been created for the needs of someone else’s work and on the margin of a broader classification of material in the field of folk medicine as a whole. However, the proposal of Obrębski can be regarded as a serious outline covering all material concerning the systematics of spells against illness. In the following parts of the article the author sets the discussed work in a due context, locating it in the history of Polish research on the genre of spells. She recalls the first nineteenth-century works and analyses a possible impact of the Obrębski’s systematics on the subsequent approaches to the subject.The author discusses the first Polish systematics of magic spells against illness, which was proposed by Józef Obrębski in a brochure Index for „Treating the Polish people” by Henryk Biegeleisen in 1931. Obrębski introduced a division of spells into 9 groups, separated on the basis of their content, form and function. It was not an autonomous development. It have been created for the needs of someone else’s work and on the margin of a broader classification of material in the field of folk medicine as a whole. However, the proposal of Obrębski can be regarded as a serious outline covering all material concerning the systematics of spells against illness. In the following parts of the article the author sets the discussed work in a due context, locating it in the history of Polish research on the genre of spells. She recalls the first nineteenth-century works and analyses a possible impact of the Obrębski’s systematics on the subsequent approaches to the subject
Lech Miodyński, Symbole miejsca w kulturze i literaturze macedońskiej, Wydawnictwo Uniwersytetu Śląskiego, Katowice 2011, ss. 376
Get PDFКатегорія нижчої міфології в системі світоглядних уявлень карпатських українців
Get PDF‘Lesser mythology’ played an important role in the worldview notions of the Carpathian Ukrainians (Hutsuls, Boykos and Lemkos) during the nineteenth and twentieth centuries. It combines notions about various demonic figures, which may be divided into three types: figures of unearthly origin; transformed human souls; people in possession of secret knowledge and supernatural qualities. The terms used to define the representatives of lesser mythology varied from region to region. A range of euphemisms was also used. The coexistence between the living and the undead gave rise to many taboos relating to magic. ‘Lesser mythology’ played an important role in the worldview notions of the Carpathian Ukrainians (Hutsuls, Boykos and Lemkos) during the nineteenth and twentieth centuries. It combines notions about various demonic figures, which may be divided into three types: figures of unearthly origin; transformed human souls; people in possession of secret knowledge and supernatural qualities. The terms used to define the representatives of lesser mythology varied from region to region. A range of euphemisms was also used. The coexistence between the living and the undead gave rise to many taboos relating to magic.
Magia słowa i magia milczenia w polskiej bajce ludowej
Get PDFThe article’s main subject refers to some magical aspects of the literary communication which might be observed in the selected examples of Polish fairy tale, composed in the nineteenth century and at the beginning of the twentieth one. The crucial issue of the article concerns a certain relationship between the magic words’ and the silence’s forms and the folk world outlook which reveals itself as a realm, constituted on a structure of opposition. Moreover, in the paper one may also encounter with a characteristics of the functions of spells, whispers and scenes of silence that appear in the folk tales. The article’s main subject refers to some magical aspects of the literary communication which might be observed in the selected examples of Polish fairy tale, composed in the nineteenth century and at the beginning of the twentieth one. The crucial issue of the article concerns a certain relationship between the magic words’ and the silence’s forms and the folk world outlook which reveals itself as a realm, constituted on a structure of opposition. Moreover, in the paper one may also encounter with a characteristics of the functions of spells, whispers and scenes of silence that appear in the folk tales.
Mjesto, nemjesto. Interdisciplinarna promišljanja prostora i kulture, red. J. Čapo, V. Gulin Zrnić, Biblioteka Etnografija, Zagreb 2011, ss. 444
Get PDFObraz i tekst w służbie Absolutu. Manuskrypt średniowieczny a idea dzieła totalnego
Get PDFThe article takes up the problem of the medieval manuscript as an example of a total work of art. Miniature painting is an example of diffusional transmittance of the various semiotic orders, which define each other and lead to the creation of a reflection of divine beauty and harmony. The text also refers to the problem of iconoclasm. Historical material from the South Slavic area shows the art of cultural borderlands, where elements based on the principle of pars pro to to are reflected in miniature painting. The intersemiotic research tradition is presented synthetically.The article takes up the problem of the medieval manuscript as an example of a total work of art. Miniature painting is an example of diffusional transmittance of the various semiotic orders, which define each other and lead to the creation of a reflection of divine beauty and harmony. The text also refers to the problem of iconoclasm. Historical material from the South Slavic area shows the art of cultural borderlands, where elements based on the principle of pars pro to to are reflected in miniature painting. The intersemiotic research tradition is presented synthetically.