Poznańskie Studia Slawistyczne
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    Žene, Jugoslavija, antikomunistička narkoza i novi kolonijalizam: mape, putevi, izlazi

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    In the paper the author tries to map out critically the situation within gender studies and their academic production in the region: the uncomfortable dealing with „Yugoslavia”, the overall situation of humanities and social sciences, the political, social and cultural backlash of women’s position/rights and visibility in the whole post-socialist world, the consequences of the war, the Western feminists’, academics, media and intellectuals’ impact on the interpretation of the war, of which all can be connected with the provoking terms in the title. The author illustrates the situation with some of the examples of the Western academic and cultural dealing with the war and local feminism, and some problems of situating the „Yugoslav nostalgia”. The author proposes several theoretical and methodological approaches which could enable gender studies and humanities’ academics in the region to grasp the problems from the new perspective: work/research au pair, the concept of twin cultures, the method of ground-truthing.In the paper the author tries to map out critically the situation within gender studies and their academic production in the region: the uncomfortable dealing with „Yugoslavia”, the overall situation of humanities and social sciences, the political, social and cultural backlash of women’s position/rights and visibility in the whole post-socialist world, the consequences of the war, the Western feminists’, academics, media and intellectuals’ impact on the interpretation of the war, of which all can be connected with the provoking terms in the title. The author illustrates the situation with some of the examples of the Western academic and cultural dealing with the war and local feminism, and some problems of situating the „Yugoslav nostalgia”. The author proposes several theoretical and methodological approaches which could enable gender studies and humanities’ academics in the region to grasp the problems from the new perspective: work/research au pair, the concept of twin cultures, the method of ground-truthing.In the paper the author tries to map out critically the situation within gender studies and their academic production in the region: the uncomfortable dealing with „Yugoslavia”, the overall situation of humanities and social sciences, the political, social and cultural backlash of women’s position/rights and visibility in the whole post-socialist world, the consequences of the war, the Western feminists’, academics, media and intellectuals’ impact on the interpretation of the war, of which all can be connected with the provoking terms in the title. The author illustrates the situation with some of the examples of the Western academic and cultural dealing with the war and local feminism, and some problems of situating the „Yugoslav nostalgia”. The author proposes several theoretical and methodological approaches which could enable gender studies and humanities’ academics in the region to grasp the problems from the new perspective: work/research au pair, the concept of twin cultures, the method of ground-truthing

    Putnička tekstualnost u postdisciplinarnom ozračju

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    St. Vitus’ Day Among Slovenes

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    National holidays play an important role in the formation of common memories of the past, as they are the very sign that marks historical events and figures that must be known to all citizens, thereby establishing the symbolic unity of all the members of the nation. The holidays of the Kingdom of Serbs, Croats and Slovenes emphasized the national unity of the ‘three tribes’, and St. Vitus’ Day was thus added to the otherwise short list. At the beginning of December 1919, the Minister of the Interior of the newly formed national state of the ‘nation with three names’ declared three new national holidays: 1 December as the ‘day of the unification of our „nation with three names”’; St. Peter’s Day on 12 July as the birthday of King Peter I.; and St. Vitus’ Day on 28 June as a ‘day of commemoration for those who had died fighting for the faith and the homeland’. The use of Serbian symbols and cultural forms in commemorations in the new nation-state meant that the commemorations in the state of the ‘nation with three names’ glorified the Serbian sacrifices and suffering, but denied the contribution of Croats and Slovenes to the establishment of the state community. Together with the provisions and spirit of the St. Vitus’ Day Constitution, the glorification of Serbian mythology as the national mythology of the ‘nation with three names’, which was meant to be the foundation stone for the bright future of the unified nation, became more and more of a stumbling stone with each passing day.National holidays play an important role in the formation of common memories of the past,as they are the very sign that marks historical events and figures that must be known to allcitizens, thereby establishing the symbolic unity of all the members of the nation. The holidays of the Kingdom of Serbs, Croats and Slovenes emphasized the national unity of the‘three tribes’, and St. Vitus’ Day was thus added to the otherwise short list. At the beginningof December 1919, the Minister of the Interior of the newly formed national state of the‘nation with three names’ declared three new national holidays: 1 December as the ‘day ofthe unification of our „nation with three names”’; St. Peter’s Day on 12 July as the birthdayof King Peter I.; and St. Vitus’ Day on 28 June as a ‘day of commemoration for those whohad died fighting for the faith and the homeland’. The use of Serbian symbols and culturalforms in commemorations in the new nation-state meant that the commemorations in thestate of the ‘nation with three names’ glorified the Serbian sacrifices and suffering, butdenied the contribution of Croats and Slovenes to the establishment of the state community.Together with the provisions and spirit of the St. Vitus’ Day Constitution, the glorification ofSerbian mythology as the national mythology of the ‘nation with three names’, which wasmeant to be the foundation stone for the bright future of the unified nation, became more and more of a stumbling stone with each passing day

    Mocarstwo słabych – o wartości starców w kulturze ludowej

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    The folk culture from the turn of the 20th century was founded on the mythical paradigm. Its specific feature was an opposition between the self and the other. It had ambivalent influence on those people and places which, due to actual or perceptual reasons, were placed on the margin of the mainstream of life. This includes, among others, the elders. On the one hand, they were treated by the community with reluctance, or even aggression, because of their decrepitude. On the other hand, they were respected as guards of traditions, and intermediaries with the supernatural, who possessed a portion of its potential.The folk culture from the turn of the 20th century was founded on the mythical paradigm. Its specific feature was an opposition between the self and the other. It had ambivalent influence on those people and places which, due to actual or perceptual reasons, were placed on the margin of the mainstream of life. This includes, among others, the elders. On the one hand, they were treated by the community with reluctance, or even aggression, because of their decrepitude. On the other hand, they were respected as guards of traditions, and intermediaries with the supernatural, who possessed a portion of its potential

    Jak zostać bogiem?

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    Sanctity is the very essence of political power, which needs its own rituals, myths, and symbols. This sacred nimbus confirms the authority of the ruler, making it unusual, mysterious and – as a result – untouchable. Religion is also the main source of the legitimacy of power, changing rulers into the sons of gods or at least kings „by the grace of God”. The twentieth century brought a new phenomenon: totalitarian personality cult, which is based on archaic beliefs and myths concerning power. Personality cult was a kind of charismatic power described by Max Weber, who considered charisma as strictly personal supernatural gifts of a new ruler. This article focuses on efforts made by the twentieth century dictators in order to create an artificial charisma and to become a living (and ruling) god.Sanctity is the very essence of political power, which needs its own rituals, myths, and symbols. This sacred nimbus confirms the authority of the ruler, making it unusual, mysterious and – as a result – untouchable. Religion is also the main source of the legitimacy of power, changing rulers into the sons of gods or at least kings „by the grace of God”. The twentieth century brought a new phenomenon: totalitarian personality cult, which is based on archaic beliefs and myths concerning power. Personality cult was a kind of charismatic power described by Max Weber, who considered charisma as strictly personal supernatural gifts of a new ruler. This article focuses on efforts made by the twentieth century dictators in order to create an artificial charisma and to become a living (and ruling) god

    O bułgarskiej polityce językowej w kontekście postępującej integracji europejskiej i w obliczu globalizacji

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    „Je to hra, v níž každý váš pohyb je v centru silového pole...”. O kapilarności władzy w powieści „Lehni, bestie!” J. Kratochvila

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    This article is a critical analysis of the discourse of power represented in the postmodern narrative. In this perspective, the Czech writer’s book creates a special study of the ‘genealogy of power’ (in relation to the concept of Michel Foucault). It arises from the combination (by using of the social-fiction literary convention) that regards the story of two symbolic forms of violence, supporting ‘sacred’ process of ‘subjugation’ of the entity (the past regime and, as result of trauma, the present and the future regime). The first form is a result of disciplinary authority of the communist system (a reference to the history of the Czech history – the period of the radicalization of the regime in the 50s of the twentieth century). The second one exemplifies the postmodern capillary violence (a reference to the terrorist attack on the World Trade Center). In this analysis, the impact of the power dissipated in the human consciousness resembles chess game, used in the story of Kratochvil in order to express a dramatic situation in which the rate is the annexation of subjectivity.This article is a critical analysis of the discourse of power represented in the postmodern narrative. In this perspective, the Czech writer’s book creates a special study of the ‘genealogy of power’ (in relation to the concept of Michel Foucault). It arises from the combination (by using of the social-fiction literary convention) that regards the story of two symbolic forms of violence, supporting ‘sacred’ process of ‘subjugation’ of the entity (the past regime and, as result of trauma, the present and the future regime). The first form is a result of disciplinary authority of the communist system (a reference to the history of the Czech history – the period of the radicalization of the regime in the 50s of the twentieth century). The second one exemplifies the postmodern capillary violence (a reference to the terrorist attack on the World Trade Center). In this analysis, the impact of the power dissipated in the human consciousness resembles chess game, used in the story of Kratochvil in order to express a dramatic situation in which the rate is the annexation of subjectivity

    Boskość władzy, czyli Moniki Milewskiej Bogowie u władzy

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    Świętość władzy podług mnicha Paisija

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    The symbolic beginning of the Bulgarian National Rebirth dates back to 1762 when Paisii Hilendarski wrote History of the Slavobulgarian, which was the first historgraphic work in the Bulgarian literature. Among others, the work has been widely discussed from a linguistic point of view. This time, however, the author does not concentrate on its symbolic dimension in the process of development of the Bulgarian literary language but on the lexis concerning the Bulgarian rulers. The article covers an analysis of Paisii’s lexemes, expressions and phrases with the help of which the chronicler assessed the ruler and, at the same time, shaped opinions of the readers of his time.The symbolic beginning of the Bulgarian National Rebirth dates back to 1762 when Paisii Hilendarski wrote History of the Slavobulgarian, which was the first historgraphic work in the Bulgarian literature. Among others, the work has been widely discussed from a linguistic point of view. This time, however, the author does not concentrate on its symbolic dimension in the process of development of the Bulgarian literary language but on the lexis concerning the Bulgarian rulers. The article covers an analysis of Paisii’s lexemes, expressions and phrases with the help of which the chronicler assessed the ruler and, at the same time, shaped opinions of the readers of his time

    Między wysoką i niską kulturą, czyli batalia o trywialność

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