Poznańskie Studia Slawistyczne
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Tłumacz, emocje i przekład
A translator, recreating the original, creatively stimulates her/his intellect, knowledge, senses and emotions. At the same time, s/he remains in agreement with the emotions presented in the original by assuming with respect to it the only ethically possible attitude, namely empathy. The presence of her/his own emotions in translation, such as sympathy or antipathy, is ethically unacceptable. Emotions occupy an important place in translation because of the difficulty regarding their linguistic transfer, interpretation of their function in the original, intercultural communication differences, and because of the attitude of the translator towards the original. Problems related to emotions concern the art of translation and the need for emotional detachment of the translator, who at the same time needs to maintain an empathic attitude towards the original. Emotions should be considered both on the internal level of the text (the original and the translation) and on the external one – the translator’s perspective.A translator, recreating the original, creatively stimulates her/his intellect, knowledge, senses and emotions. At the same time, s/he remains in agreement with the emotions presented in the original by assuming with respect to it the only ethically possible attitude, namely empathy. The presence of her/his own emotions in translation, such as sympathy or antipathy, is ethically unacceptable. Emotions occupy an important place in translation because of the difficulty regarding their linguistic transfer, interpretation of their function in the original, intercultural communication differences, and because of the attitude of the translator towards the original. Problems related to emotions concern the art of translation and the need for emotional detachment of the translator, who at the same time needs to maintain an empathic attitude towards the original. Emotions should be considered both on the internal level of the text (the original and the translation) and on the external one – the translator’s perspective
Sposoby wyrażania sympatii w rozmowach zapośredniczonych medialnie (na przykładzie serwisu społecznościowego Facebook.com)
The main theme of the article centers on the methods of expressing liking which is understood as a positive attitude towards another person functioning in the Internet. The aim of the paper is to show and discuss elements of communication and language pragmatics typical for emotive speech, including the elements which are results of the new media. The theoretical part concerns two aspects: 1) definition of the emotive (expressive) function In linguistics and of the terms describing phenomena which are related to the science of communication; 2) the Internet as a new tool and an environment for social communication. The analysis is conducted on the written data produced by the Facebook community. Conclusions concern the observed patterns of form, intentional content and functions of written production expressing liking.The main theme of the article centers on the methods of expressing liking which is understood as a positive attitude towards another person functioning in the Internet. The aim of the paper is to show and discuss elements of communication and language pragmatics typical for emotive speech, including the elements which are results of the new media. The theoretical part concerns two aspects: 1) definition of the emotive (expressive) function In linguistics and of the terms describing phenomena which are related to the science of communication; 2) the Internet as a new tool and an environment for social communication. The analysis is conducted on the written data produced by the Facebook community. Conclusions concern the observed patterns of form, intentional content and functions of written production expressing liking
Становлення русофільського та народовецького національно-культурних рухів у Закарпатті
The article researches a development of the national-cultural movements. The attention is paid to the development of Russophiles and its organizational center „Organization of Saint Vasyl the Great”. Author describes the discussion among Transcarpathian intellectuals regarding the use of Russian language. The refusal of Russophilism by the part of intellectuals led to the development of Narodovetskyy movement. The author explains this process as a stage before development of Ukrainophile movement.The article researches a development of the national-cultural movements. The attention is paid to the development of Russophiles and its organizational center „Organization of Saint Vasyl the Great”. Author describes the discussion among Transcarpathian intellectuals regarding the use of Russian language. The refusal of Russophilism by the part of intellectuals led to the development of Narodovetskyy movement. The author explains this process as a stage before development of Ukrainophile movement
Art and Religiosity in the Aesthetic-Philosophical System of Dmitry Sergeyevich Merezhkovsky
The study is aimed on traces of religiosity in aesthetic-philosophical system of a Russian symbolistic poet, prosaic writer and thinker D.S. Merezhkovsky. The study analyses selected Merezhkovsky’s works with focus on aesthetics, his essays, historiosophic prose and philosophic religious treatises. For Russian spiritual and art culture, importance of Merezhovsky is obvious, especially in connection with his effort to overcome crisis processes in religious, philosophical and art sphere, realized by means of synthesis and transcendence in modern culture.The study is aimed on traces of religiosity in aesthetic-philosophical system of a Russian symbolistic poet, prosaic writer and thinker D.S. Merezhkovsky. The study analyses selected Merezhkovsky’s works with focus on aesthetics, his essays, historiosophic prose and philosophic religious treatises. For Russian spiritual and art culture, importance of Merezhovsky is obvious, especially in connection with his effort to overcome crisis processes in religious, philosophical and art sphere, realized by means of synthesis and transcendence in modern culture
Poetycki projekt Róžy Domašcyny między folklorem i nowoczesnością
Poetical project by Sorbian poet Róža Domašcyna fits into the category of „minor literature”, coined by F. Guattari and G. Deleuze in 1975. Despite its inevitably political, ecological and ideological local connotations, it is rooted in the experience of modernity, still unpopular among the contemporary Sorbian writers. Its main topics are: the devastation of Lusatian environment, erotic and cultural hybridity. Domašcyna uses the hybrid nature of Sorbian identity to create an post-modern subject, conscious of the non-transparent nature of language. The result is an original poetry, which suits the current comparative and postcolonial categories of interpretation.Poetical project by Sorbian poet Róža Domašcyna fits into the category of „minor literature”, coined by F. Guattari and G. Deleuze in 1975. Despite its inevitably political, ecological and ideological local connotations, it is rooted in the experience of modernity, still unpopular among the contemporary Sorbian writers. Its main topics are: the devastation of Lusatian environment, erotic and cultural hybridity. Domašcyna uses the hybrid nature of Sorbian identity to create an post-modern subject, conscious of the non-transparent nature of language. The result is an original poetry, which suits the current comparative and postcolonial categories of interpretation
Emocje w dyskursie publicznym
In political discourse, the recipient is collective and intentional. Being a part of public discourse, political discourse abounds in speech acts that have emotive-evaluative function. In the prezent paper, the Author discusses the most frequent evaluative-emotive acts gleaned from parliamentary speeches, and these include: accusations, complaining, bragging, expressing recognition and justification. The methodological Framework adopted by the Author adheres to the model proposed by Aleksy Awdiejew. Another phenomenon observable in public discourse is aggression. Irrespective of this, expressing emotions in public discourse is sometimes ideologically motivated.In political discourse, the recipient is collective and intentional. Being a part of public discourse, political discourse abounds in speech acts that have emotive-evaluative function. In the prezent paper, the Author discusses the most frequent evaluative-emotive acts gleaned from parliamentary speeches, and these include: accusations, complaining, bragging, expressing recognition and justification. The methodological Framework adopted by the Author adheres to the model proposed by Aleksy Awdiejew. Another phenomenon observable in public discourse is aggression. Irrespective of this, expressing emotions in public discourse is sometimes ideologically motivated
Rozwój semantyczny rzeczownika „humor” w polszczyźnie. Przegląd leksykograficzny
In the past fifteen years, the Polish linguistics faced a significant increase of interest in research into positive emotions: their naming, the ways in which they are expressed and manifested in the texts. The largest group of such research pieces concerns the field of joy and happiness and includes the noun “humor” and its derivatives. The semantic development of the above-mentioned noun can be traced basing on lexicographical sources: ‘body fluids’ (XVI c., the meaning disappears in the nineteenth century) – ‘character, temperament, mood’ (XVII c.) – ‘good mood’ (XVII c.) – ‘whim, fantasy’ (XVIII c., this meaning becomes soon characteristic solely for the plural uses) – ‘type of comedy’ (XIX c.). Being less aggressive, more intellectual and requiring developer cultural competence from both the sender and the receiver, “humor” in the latter sense quite soon begins to be regarded as more valuable than the other types of comedy. High evaluation is attributed also to “humor” in the sense of ‘character, temperament’, associated with positive emotions such as joy, serenity and optimism.In the past fifteen years, the Polish linguistics faced a significant increase of interest in research into positive emotions: their naming, the ways in which they are expressed and manifested in the texts. The largest group of such research pieces concerns the field of joy and happiness and includes the noun “humor” and its derivatives. The semantic development of the above-mentioned noun can be traced basing on lexicographical sources: ‘body fluids’ (XVI c., the meaning disappears in the nineteenth century) – ‘character, temperament, mood’ (XVII c.) – ‘good mood’ (XVII c.) – ‘whim, fantasy’ (XVIII c., this meaning becomes soon characteristic solely for the plural uses) – ‘type of comedy’ (XIX c.). Being less aggressive, more intellectual and requiring developer cultural competence from both the sender and the receiver, “humor” in the latter sense quite soon begins to be regarded as more valuable than the other types of comedy. High evaluation is attributed also to “humor” in the sense of ‘character, temperament’, associated with positive emotions such as joy, serenity and optimism
Gradišćanski Hrvati i gradišćanskohrvatski
The paper concerns the formation of the Croatian ethnic community in the Austro-Hungarian region in the 16th century, the author tracks the development of the literary language of the Croats in western Hungary since the 1750s and monitors establishing contacts with the literary language and orthography changes in Croatia in the second half of the 19th century. It was explained how the expressions Burgenland (Gradišće), Burgenland Croats (Gradišćanski Hrvati) and Burgenland Croatian language (gradišćanskohrvatski jezik) came to use after the first world war. The codification of Burgenland Croatian literary language is shown in 3 periods: 1. between the two world to the present. The main codification works (dictionaries, grammar books and orthography) in Burgenland Coratian literary language published after 1980s have been mentioned.The paper concerns the formation of the Croatian ethnic community in the Austro-Hungarian region in the 16th century, the author tracks the development of the literary language of the Croats in western Hungary since the 1750s and monitors establishing contacts with the literary language and orthography changes in Croatia in the second half of the 19th century. It was explained how the expressions Burgenland (Gradišće), Burgenland Croats (Gradišćanski Hrvati) and Burgenland Croatian language (gradišćanskohrvatski jezik) came to use after the first world war. The codification of Burgenland Croatian literary language is shown in 3 periods: 1. between the two world to the present. The main codification works (dictionaries, grammar books and orthography) in Burgenland Coratian literary language published after 1980s have been mentioned