Kultury Wschodniosłowiańskie - Oblicza i Dialog
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Obraz głupca w rosyjskim socjolekcie młodzieżowym
Full text linkTeenage sociolect very rapidly reacts to everything that is happening around us, and, consequently, gives an up-to-date view on the way of perceiving the world by a specific group of people using particular terminology. This paper is an attempt to briefly describe the development of teenage sociolect, which is a highly interesting language phenomenon ,and to systemize the sources of lexical units, which describe the person with intellectual deficits, as well as to depict the process of forming these units within lexical semantics.Teenage sociolect very rapidly reacts to everything that is happening around us, and, consequently, gives an up-to-date view on the way of perceiving the world by a specific group of people using particular terminology. This paper is an attempt to briefly describe the development of teenage sociolect, which is a highly interesting language phenomenon ,and to systemize the sources of lexical units, which describe the person with intellectual deficits, as well as to depict the process of forming these units within lexical semantics
Sytuacja języka białoruskiego w Internecie
No full textThe article is devoted to the functioning of the Belarusian language in Internet communication. The author presents the results of her own research, in which she is interested in what language the Internet users write public and private messages, read news from the world or look for information. The author presents the linguistic situation on the Belarusian Internet and the functioning of the Belarusian language in various spheres of communication: in the mass media, social media, commentaries under press articles, websites of state institutions and private enterprises. Consequently, the real position and role of the Belarusian language in virtual communication is presented in the paper.The article is devoted to the functioning of the Belarusian language in Internet communication. The author presents the results of her own research, in which she is interested in what language the Internet users write public and private messages, read news from the world or look for information. The author presents the linguistic situation on the Belarusian Internet and the functioning of the Belarusian language in various spheres of communication: in the mass media, social media, commentaries under press articles, websites of state institutions and private enterprises. Consequently, the real position and role of the Belarusian language in virtual communication is presented in the paper
Стилізація в українській і польській літературі постмодернізму
Full text linkPostmodern styling of text in another language (work, genre, time) lacks the assessment direction and is used as a conceptual and stylistic device. The article aims to define the styling features as the art-techniqe in postmodern texts of Polish and Ukrainian writers. The specificity of styling them is connected with the appeal of authors to artistic and non-fiction genres as the sources of formal originality of their texts. Ukrainian and Polish literature show quantitative connection between the structural parts of the text as the manifestation of the impact of the beyond-subjective world of information systems on a literary work concept. Impersonality highlights the lackof creative writer’s invention to literary text composing and appears to create the narrative illusion of uniform electronic signals or stylization on a computer text. A text resembling music genres forms a specific rhythmic pattern of fragmented pieces through the use of graphical ways to display pauses. Graphic design and structuring of the text are included in its overall concept, which is driven by current trends, such as specific life of the postmodern man and the destruction of boundaries between different types of activities (information, literary and artistic performance). Styling as the “image technology” of postmodern literary text adjusts it to some readers\u27 tastes and / or determines the originality of its formal concept to improve its “consumer” qualityin order to meet the demanding modern reader’s expectations. These examples represent only a part of the author\u27s choices experimenting with the structure of the text and its design, which is rooted in our reality distorted by globalization processes
Poetyckie kartki z łagru — codzienność i tęsknoty (o poezji Łarysy Marozawej)
Full text linkThis article deals with poems of a Belarusian poet, Larysa Marozawa. Marozawa was one of the victims of Stalin\u27s regime. The author puts forward the thesis that in Belarus today the same methods are used to eliminate political opposition as sixty years ago. The paper presents examples of modern political prisoners in Belarus. Next, the author analyzes several surviving works of Larysa Marozawa. The author is trying to prove that the atmosphere described in these poems may correspond with what is happening today in the labor camps in Belarus.This article deals with poems of a Belarusian poet, Larysa Marozawa. Marozawa was one of the victims of Stalin\u27s regime. The author puts forward the thesis that in Belarus today the same methods are used to eliminate political opposition as sixty years ago. The paper presents examples of modern political prisoners in Belarus. Next, the author analyzes several surviving works of Larysa Marozawa. The author is trying to prove that the atmosphere described in these poems may correspond with what is happening today in the labor camps in Belarus
Automatyzacja wizualizacji grafowej synonimów dla potrzeb dydaktyki języków obcych (na przykładzie przymiotników rosyjskich z prefiksem „без-”/„бес-”)
Full text linkThe article presents methods for application of lexicographic data for the purposes of foreign language teaching and linguistic studies. The automated graph visualization technique is introduced. Both the retrieval and the visualization of linguistic data in form of directed graphs have been conducted with the use of available computer software. The material on which the above-mentioned operations have been performed comprises the group of Russian adjectives with без- / бес- prefixes and the synonymic chains initiated by them. The automated extraction with the use of regular expressions, the steps leading to the edition of the generated database and the import of the final data base into a visualization software are described in the article. The grammatical and semantic characteristics of the sample group of lexemes are not the focus of this article, although further analysis of the selected vocabulary units is planned to be conducted in future studies.The article presents methods for application of lexicographic data for the purposes of foreign language teaching and linguistic studies. The automated graph visualization technique is introduced. Both the retrieval and the visualization of linguistic data in form of directed graphs have been conducted with the use of available computer software. The material on which the above-mentioned operations have been performed comprises the group of Russian adjectives with без- / бес- prefixes and the synonymic chains initiated by them. The automated extraction with the use of regular expressions, the steps leading to the edition of the generated database and the import of the final data base into a visualization software are described in the article. The grammatical and semantic characteristics of the sample group of lexemes are not the focus of this article, although further analysis of the selected vocabulary units is planned to be conducted in future studies
Ukraińska mniejszość narodowa w Telewizji Polskiej. Analiza programów dla ukraińskiej mniejszości przed, podczas i po Euro¬majdanie na Ukrainie
Full text linkThis article is an attempt to assess the quality of television programs targeted to Ukrainiannational minority in Poland. Public media in Poland have an obligation of broadcasting programs for the minorities in their languages, which is imposed by the law on broadcasting. For the Ukrainian minority the Polish public television broadcasts three programs: „Przegląd ukraiński”, „Ukraińskie wieści” oraz „Telenowyny”. In this article the most important quality issues of these programs, such as duration of programs, subject diversity, methods of translation, technical aspects as well as the way of showing the civil unrest in Ukraine known as Euromaidan, are presented. An analysis was conducted within the timespan before, during and after the wave of demonstrations in Ukraine (from 21 July 2013 to 22 June 2014).This article is an attempt to assess the quality of television programs targeted to Ukrainiannational minority in Poland. Public media in Poland have an obligation of broadcasting programs for the minorities in their languages, which is imposed by the law on broadcasting. For the Ukrainian minority the Polish public television broadcasts three programs: „Przegląd ukraiński”, „Ukraińskie wieści” oraz „Telenowyny”. In this article the most important quality issues of these programs, such as duration of programs, subject diversity, methods of translation, technical aspects as well as the way of showing the civil unrest in Ukraine known as Euromaidan, are presented. An analysis was conducted within the timespan before, during and after the wave of demonstrations in Ukraine (from 21 July 2013 to 22 June 2014)
Ukraina w programie Partii Narodowo-Bolszewickiej Eduarda Limonowa
Full text linkUkraine in the program of Eduard Limonov’ s National Bolshevik PartyUkraina w programie Partii Narodowo-Bolszewickiej Eduarda Limonow
„Riwne / Rowno” Ołeksandra Irwancia jako przykład antyutopii we współczesnej literaturze ukraińskiej
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Daniił Andriejew jako pisarz mistyczny (рroblem samookreślenia pisarza)
Full text linkIn this article we defined the aim of bringing closer Daniil Andreyev\u27s personality which refers to the statements of the writer\u27s self-identification. In conclusion, Andreyev is a mystical writer who thought about himself as a messenger, visionary, dualist, poet-magician and words seeker. Moreover, Andreyev considered himself as a creator who does not invent things, but only in the language of poetry describes the otherworldly. The mystical was not only present in his works, but also amounted to a component of his personality. Its foundations were reconstructed on a deep Orthodox faith influenced by the philosophy of Vladimir Solovyov, the poetry of Alexander Blok, the visions of Alexander Kovalensky as well as his individual mystical experience.In this article we defined the aim of bringing closer Daniil Andreyev\u27s personality which refers to the statements of the writer\u27s self-identification. In conclusion, Andreyev is a mystical writer who thought about himself as a messenger, visionary, dualist, poet-magician and words seeker. Moreover, Andreyev considered himself as a creator who does not invent things, but only in the language of poetry describes the otherworldly. The mystical was not only present in his works, but also amounted to a component of his personality. Its foundations were reconstructed on a deep Orthodox faith influenced by the philosophy of Vladimir Solovyov, the poetry of Alexander Blok, the visions of Alexander Kovalensky as well as his individual mystical experience
Caryce kryminału. Kryminał kobiecy w Rosji
Full text linkThe article is an attempt to illustrate the female writers influence on the evolution of the crime fiction genre in Russia. It outlines a brief history of the genre, its complexity and the evolution of the main character. The article focuses on the works of the most famous Russian female writers in terms of their contributions to the crime fiction genre. The author also brings attention to the intercultural dialogue which as a result of Chmilewska\u27s direct influence can be found in the novels by the tsarinas of crime fiction.The article is an attempt to illustrate the female writers influence on the evolution of the crime fiction genre in Russia. It outlines a brief history of the genre, its complexity and the evolution of the main character. The article focuses on the works of the most famous Russian female writers in terms of their contributions to the crime fiction genre. The author also brings attention to the intercultural dialogue which as a result of Chmilewska\u27s direct influence can be found in the novels by the tsarinas of crime fiction