Kultury Wschodniosłowiańskie - Oblicza i Dialog
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Deterytorializacja ciała versus podmiotowość. „Inny” Jurija Mamlejewa
Full text linkThe aim of this article is to emphasize the main character’s struggle with her own subjectivity. The author of the present paper tries to show that the events in the girl’s life affect her attitude to her own body. The variability in the relationship me and my body is perceived as one of the stages of acquiring self-awareness.The aim of this article is to emphasize the main character’s struggle with her own subjectivity. The author of the present paper tries to show that the events in the girl’s life affect her attitude to her own body. The variability in the relationship me and my body is perceived as one of the stages of acquiring self-awareness
Człowiek sprowadzony do obozu. Próba interpretacji twórczości Warłama Szałamowa w kontekście filozofii Georgio Agambena
Full text linkA man degraded to the camp. An attempt to interpret Varlam Shalamov’s writings in the context of Giorgio Agamben’s philosophy
Współczesny język rosyjski versus gender i feminizm
Full text linkContemporary Russian language vs Gender & FeminismWspółczesny język rosyjski versus gender i feminizm
Powieść „Inny” Jurija Mamlejewa wobec artystycznego poznania Fiodora Dostojewskiego
Full text linkThe aim of this article is to show the undeniable influence of Fyodor Dostoyevsky’s artistic method on Yuri Mamlejev’s literary works in particular in relation to his novel The Other. Relying on these determinants of fantastic realism, which for many researchers are referred to as the most significant elements of Dostoyevsky’s artistic method, we make an attempt to show that the carnival which combines the two orders in the works of the 19th century writer: the real (scientific) and the surreal (magic), makes the fantasy become an integral part of the surrounding space. Simultaneously the concept of fiction should be understood through such categories as: paradoxicality, iconicity, a word as a vessel, sleep, hallucinations, picture in picture, doppelgänger that foster deep psychological self-understanding of the entity. In the article we aim to expose some of the abovementioned categories of constructing the world of Dostoyevsky’s works and making up, as defined by the author himself “the realism of higher sense” which, in a slightly modified form, although still clearly visible, is also reflected in Mamleev’s artistic method – metaphysical realism. The main emphasis is put on the categories of sleep and doppelgänger which are the clearest examples of Yuri Vitalevich’s inspiration.The aim of this article is to show the undeniable influence of Fyodor Dostoyevsky’s artistic method on Yuri Mamlejev’s literary works in particular in relation to his novel The Other. Relying on these determinants of fantastic realism, which for many researchers are referred to as the most significant elements of Dostoyevsky’s artistic method, we make an attempt to show that the carnival which combines the two orders in the works of the 19th century writer: the real (scientific) and the surreal (magic), makes the fantasy become an integral part of the surrounding space. Simultaneously the concept of fiction should be understood through such categories as: paradoxicality, iconicity, a word as a vessel, sleep, hallucinations, picture in picture, doppelgänger that foster deep psychological self-understanding of the entity. In the article we aim to expose some of the abovementioned categories of constructing the world of Dostoyevsky’s works and making up, as defined by the author himself “the realism of higher sense” which, in a slightly modified form, although still clearly visible, is also reflected in Mamleev’s artistic method – metaphysical realism. The main emphasis is put on the categories of sleep and doppelgänger which are the clearest examples of Yuri Vitalevich’s inspiration
Wizja Europy Środkowowschodniej w projektach geopolitycznych ideologa eurazjatyzmu, Aleksandra Dugina
Full text linkThe article is an attempt to present the views of the Russian thinker on the political situation in the post-Soviet region. In his conception Aleksandr Dugin focuses on geopolitics, international relations and the position ofRussiain the new globalised world. Dugin attempts to undermine the principles of the new world order. He creates ideological foundations which may serve as a justification for regaining the imperial position ofRussia. The foundation of Dugin’s views is Eurasianism combined with the elements of geopolitics. The philosopher creates a blueprint for the Great Eurasian Empire which would compriseEast-Central Europe. According to Dugin, significant political and territorial changes will be conducted in this region on the basis of the religious faith of its inhabitants. The protestant countries will be federalized. Both the Protestant and Catholic countries will become theGermany’s sphere of influence. The Balkan states will have a somewhat different status as they will be federalized into one political subject connected withEurasia.GermanyandRussia, whose position is dominant in this region ofEurope, will become a part of the Great Eurasian Empire. There will be no room left for independentPolandandUkrainein the structure of the Eurasian Empire. Dugin does not take into account economic factors which would convince European states to integrate withEurasia. As for the present day, it is impossible to put the Eurasian project into realization.The article is an attempt to present the views of the Russian thinker on the political situation in the post-Soviet region. In his conception Aleksandr Dugin focuses on geopolitics, international relations and the position ofRussiain the new globalised world. Dugin attempts to undermine the principles of the new world order. He creates ideological foundations which may serve as a justification for regaining the imperial position ofRussia. The foundation of Dugin’s views is Eurasianism combined with the elements of geopolitics. The philosopher creates a blueprint for the Great Eurasian Empire which would compriseEast-Central Europe. According to Dugin, significant political and territorial changes will be conducted in this region on the basis of the religious faith of its inhabitants. The protestant countries will be federalized. Both the Protestant and Catholic countries will become theGermany’s sphere of influence. The Balkan states will have a somewhat different status as they will be federalized into one political subject connected withEurasia.GermanyandRussia, whose position is dominant in this region ofEurope, will become a part of the Great Eurasian Empire. There will be no room left for independentPolandandUkrainein the structure of the Eurasian Empire. Dugin does not take into account economic factors which would convince European states to integrate withEurasia. As for the present day, it is impossible to put the Eurasian project into realization
Еврейское измерение Киева в „Кровавой шутке” Шолом-Алейхема
Full text linkSholem Aleichem is one of the authors of modern Jewish literature in Yiddish, and most of his works are closely related to the realities of Eastern Europe. In his books the writer presents, among others, images of life of the Jewish community in pre- revolutionary Kiev. His novel, The Bloody Hoax, is particularly noteworthy in this case and it has become the main object of research in this paper. The story of the novel mostly takes place in an unnamed city, the prototype of which has become a historical Kiev. The Bloody Hoax, the plot of which is largely based on real events, shows the specificity of life of the Jewish community in the big city, and the problems its representative shave to face.Sholem Aleichem is one of the authors of modern Jewish literature in Yiddish, and most of his works are closely related to the realities of Eastern Europe. In his books the writer presents, among others, images of life of the Jewish community in pre- revolutionary Kiev. His novel, The Bloody Hoax, is particularly noteworthy in this case and it has become the main object of research in this paper. The story of the novel mostly takes place in an unnamed city, the prototype of which has become a historical Kiev. The Bloody Hoax, the plot of which is largely based on real events, shows the specificity of life of the Jewish community in the big city, and the problems its representative shave to face
Portret Odessy w filmie Michale Boganim „Odessa... Odessa!”
Full text linkThis article aims to answer the question of how the City of Odessa was portrayed in the Michale Boganim\u27s movie Odessa... Odessa! The first part deals withthe phenomenon of the City’s omnipresence in various works of art, along with factorsthat contributed to its prosperity in 19th century. The next part of the article is devotedto the movie’s composition that partially resembles a triptych, collage and musical variation devoted to specific space. Special attention was paid to the original soundtrack, the way of shooting urban landscapes and colors, which combined together contribute to the movies overall nostalgic atmosphere. In the following part, metaphors that underline the passage of time in the movie are enumerated and analyzed. Conclusions concerning Odessians\u27 mental and spiritual exile as well as their vision of imaginary, idealized Odessa, that no longer exists are drawn in the last part
Życie — polityka — władza. Rytuał dnia codziennego ostatniego cara Rosji Mikołaja II w świetle jego dziennika
Full text linkThe article concerns the everyday life of Russia emperor Nicholas II, which is seen through the optics of his diary. In the text the plots from the private and official life the last Romanovs tsar — his predilections, occupation, hobby and “state of his soul” are discussed