Kultury Wschodniosłowiańskie - Oblicza i Dialog
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    „В некоторых стихиях опознаешь себя” — метафизическая интерпретация материального образа воды в эссе Иосифа Брод¬ского „Набережная неисцелимых”

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    Describing the poetry of Venclova, Brodsky states that „every major poet has an idiosyncratic inner landscape against which his voice sounds in his mind or, if you prefer, subconsciously”[1]. We cannot but look at it as a potentially auto-referential remark. For Brodsky, definitely a major poet, such a place is Venice, yet it is surprising that his chief essay on that place does not capture many scholars’ attention. At the same time, there are relatively few studies that focus exclusively on the poetic images in Brodsky’s works as the material realization the poet’s reverie. That seems to be a huge negligence given that the metaphysical concern so characteristic of the poet is at its peak in this literary piece. The present study focuses on the images of water in Brodsky’s essay as being the chief substance of his cosmic reverie. The methodology derives from Bachelard’s phenomenological method, the aim of which is to communicate with the imagining consciousness of the poet who creates original images specific to him- or herself. While the poet’s experiences are not taken into account in uch an approach, the cosmology they recreate in poetry is and should be. The main aspects of Brodsky’s cosmic reverie communicated through water are that of the inherent connection between the poet and the universe he creates (а „diffuse ontology”), the existential conflict between human life and absolute Time that is a typical motif in Brodsky’s literary work, as well as the transcendental quality of poetry. All the abovementioned supports Bachelard’s intuition and encourages further study of the poet’s work in this context. Describing the poetry of Venclova, Brodsky states that „every major poet has an idiosyncratic inner landscape against which his voice sounds in his mind or, if you prefer, subconsciously”[1]. We cannot but look at it as a potentially auto-referential remark. For Brodsky, definitely a major poet, such a place is Venice, yet it is surprising that his chief essay on that place does not capture many scholars’ attention. At the same time, there are relatively few studies that focus exclusively on the poetic images in Brodsky’s works as the material realization the poet’s reverie. That seems to be a huge negligence given that the metaphysical concern so characteristic of the poet is at its peak in this literary piece. The present study focuses on the images of water in Brodsky’s essay as being the chief substance of his cosmic reverie. The methodology derives from Bachelard’s phenomenological method, the aim of which is to communicate with the imagining consciousness of the poet who creates original images specific to him- or herself. While the poet’s experiences are not taken into account in uch an approach, the cosmology they recreate in poetry is and should be. The main aspects of Brodsky’s cosmic reverie communicated through water are that of the inherent connection between the poet and the universe he creates (а „diffuse ontology”), the existential conflict between human life and absolute Time that is a typical motif in Brodsky’s literary work, as well as the transcendental quality of poetry. All the abovementioned supports Bachelard’s intuition and encourages further study of the poet’s work in this context.

    Próba „kolistego” odczytania powieści „Idiota” F.M. Dostojewskiego (analiza ostatniej sceny)

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    An attempt at a “circular” reading of Dostoyevsky’s  “The Idiot” (an analysis of a final scene)Próba „kolistego” odczytania powieści „Idiota” F.M. Dosto­jew­skiego (analiza ostatniej sceny

    Archetyp „cienia” w strukturze powieści „Zbrodnia i kara” Fiodora Dostojewskiego

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    The aim of the article is to show the interrelations between the works of Carl Gustav Jung and Fyodor Dostoyevsky with particular emphasis on the archetype  of shadow. The aforementioned archetype has been analyzed and characterized in the paper in order to interpret the novel Crime and Punishment in the psychoanalytical key. This category has been analyzed at the level of the structure and plot of the work. Consequently, the author of the present article attempts to interpret the functions of the main characters of Crime and Punishment and divides them into triads related to relevant Jungian archetypes. The research amounts to an incentive to further explore the Jungian traces in the works of Fyodor Dostoyevsky.The aim of the article is to show the interrelations between the works of Carl Gustav Jung and Fyodor Dostoyevsky with particular emphasis on the archetype  of shadow. The aforementioned archetype has been analyzed and characterized in the paper in order to interpret the novel Crime and Punishment in the psychoanalytical key. This category has been analyzed at the level of the structure and plot of the work. Consequently, the author of the present article attempts to interpret the functions of the main characters of Crime and Punishment and divides them into triads related to relevant Jungian archetypes. The research amounts to an incentive to further explore the Jungian traces in the works of Fyodor Dostoyevsky

    Koncept zerwanie w dyskursie rosyjskich i angielskich użytkowników forów

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    The aim of this article is to present the concept of a break-up on Russian and English love forums. In the center of our interest was the question how the feelings and emotions are narrated and whether there are any noticeable gender or cultural differences. Computer Mediated Communication Discourse Analysis was used as  a scientific method in this research. The results of the research show that there are several patterns of behavior which influence the discourse of forum users. Linguistic analysis of the discourse revealed differences between normal communication and computer mediated communication.The aim of this article is to present the concept of a break-up on Russian and English love forums. In the center of our interest was the question how the feelings and emotions are narrated and whether there are any noticeable gender or cultural differences. Computer Mediated Communication Discourse Analysis was used as  a scientific method in this research. The results of the research show that there are several patterns of behavior which influence the discourse of forum users. Linguistic analysis of the discourse revealed differences between normal communication and computer mediated communication

    Ciało i jego fragmenty w prozie Mikołaja Gogola

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    The article presents a perspective of somatic present in the prose of Nikolai Gogol. The body is treated here as a project — a collection of body fragments. Particular attention is paid to the figure of nose, which occurs in two selected short stories entitledNose and Diary of a Madman. Therefore, any attempt to emancipate the body part is a threat to the need to preserve the face. Nose is a sense of belonging. This part of the body is thus a limit to what we used to be referred to as belonging to us. Its location creates the last bastion of perception, the selfness

    Podróże powtórzone (Dmitrij Bykow, „Uniewinnienie”, „Sygnały”)

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    The present paper aims at analyzing two novels by Dmitry Bykov: Justification(1998) and Signals (2013). On the basis of both their subject and formal representation we may state that they may be considered a dilogy. In the former the author focused on a specific problem — an alternative version of the causes, course and consequences of Stalinist repressions. The latter touches upon the issue of the existing reality anddetermination to attain goals in the context of a contemporary Russian’s mentality,which is largely affected by Soviet thinkin

    Образ мирового человека в романе Алексея Иванова „Географ глобус пропил"

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    The article is devoted to a research of archaic models in Alexei Ivanov’s creativity. On the material of the novel entitled Geographer has spent on drink the globe(Geograf globus propil) the images and motifs of rescue, as well as the archaic image of rescue described in Vardan Hayrapetyan’s hermeneutics are revealed. In the center of a research is the main character, another example of an archetype of the Russian literature — the little person. In particular, his uncommon abilities to understand, to decode and interpret are emphasized. The attention is also paid to the hermeneutical model of the communication consisting of three instances: speaking (nature), the listener (who is willfully understanding the pupil) and the interpreter (the teacher) whose efforts supplement the anthropomorphous model of unity — the all-man, the one-man (mirovoj chelovek)

    Analiza porównawcza nazw centralnych ulic miast Winnica i Iwano Frankiwsk

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    The article shows historical and contemporary tendencies in Ukrainian onomastics. The purpose of this paper is to identify differences between street names in Vinnytsia and Ivano-Frankivsk and point out the changes connected with historical events. The main influence on street rename in Vinnytsya had Ukraine\u27s accession to the Soviet Union, German occupation, and the liberation of the city from fascist invaders. However, in Ivano-Frankivsk the most important circumstance was disintegration of the Soviet Union. In article therea are three groups of names classified: memorial names, names connected with history and names connected with geography. The research shows that the biggest part of place names are commemorating names, dedicated to artists, scientists, social and political activists and USSR heroes. The last phenomenon of giving names in honor of USSR heroes is observed only in Vinnytsia, what may be connected with a sense of national belonging which is characteristic for the western part of the country. The smallest number of urbanonyms are geographical names. It should be emphasized that the research is only an experiment as the analysis concerns only selected street names in the cities. The article shows historical and contemporary tendencies in Ukrainian onomastics. The purpose of this paper is to identify differences between street names in Vinnytsia and Ivano-Frankivsk and point out the changes connected with historical events. The main influence on street rename in Vinnytsya had Ukraine\u27s accession to the Soviet Union, German occupation, and the liberation of the city from fascist invaders. However, in Ivano-Frankivsk the most important circumstance was disintegration of the Soviet Union. In article therea are three groups of names classified: memorial names, names connected with history and names connected with geography. The research shows that the biggest part of place names are commemorating names, dedicated to artists, scientists, social and political activists and USSR heroes. The last phenomenon of giving names in honor of USSR heroes is observed only in Vinnytsia, what may be connected with a sense of national belonging which is characteristic for the western part of the country. The smallest number of urbanonyms are geographical names. It should be emphasized that the research is only an experiment as the analysis concerns only selected street names in the cities

    Pętla jako klucz do odkrywania tożsamości bohaterów „Braci Karamazow” Fiodora Dostojewskiego

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    Wielka Smuta w najnowszej literaturze i filmie rosyjskim

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