Platforma czasopism naukowych Uniwersytetu Śląskiego w Katowicach
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Editorial
No full textThe Editorial Board of International Journal of Research in E-learning (IJREL) is privileged to present a new volume 11(1) 2025. The content of the current issue was divided into four chapters and include eight articles. The first is devoted to Methodological and Technological aspects Innovational Approach in Education”, contains two articles. The second contains articles concerned with E-learning in COVID and Post-COVID-19 time. The third include research results on Immersive technologies in education. The fourth chapter devoted Theoretical and Practical Aspects Uning Artificial Intelligence (AI) in Education
Is metonymy really more regular than metaphor? A first investigation into the French Lexicon
No full textRegular polysemy is considered more intrinsically linked to metonymy than to metaphor in both linguistic and psycholinguistic literature. Yet, on the one hand, metonymy exhibits varying degrees of regularity, and on the other hand, metaphor is also subject to polysemic regularity. This paper aims to assess the extent to which metonymy and metaphor exhibit regularity in the lexicon. Based on the analysis of lexicographic descriptions of a sample of nearly 3,000 French nouns, this study compares the regularity of polysemy patterns—defined as recurring sense alternations—within the two types of figures. While the findings confirm theoretical assumptions by identifying more regular metonymic patterns than regular metaphoric ones, they reveal, on average, no significant difference between metonymy and metaphor in terms of regularity. The resulting dataset is publicly available to allow further exploration of how regular polysemy emerges in the lexicon and its correlation with lexical figures
Poskakali! « Filons ! » / « Assez couru ! » : construire l’instable (les verbes nesti, nosit′, skakat′ et le préfixe po-)
No full textRussian verbs capable of expressing spatial displacement (among other meanings) allow the prefix po- to express two contradictory meanings: inchoation (onset of action: ‘Let’s go!’) and delimitation (temporal bounding: ‘Enough running!’). This article explores the conditions triggering this duality, focusing on the grammatical category of so-called “verbs of motion”. Within this small set, which contrasts determinate and indeterminate verbs, the former tendentially select the inchoative meaning, while the latter select the delimitative meaning. The analysis is carried out using the example of the determinate verb (po)nesti and the indeterminate (po)nosit′, with extension to non-motion uses.
The core argument is that determinate verbs – like other motion-capable verbs – rely on an unstable term a, whereas indeterminate verbs, as products of a morphological derivation process, operate on the feature that distinguishes verbs within this category: the mechanism creating this instability. In the case of nesti/nosit′, this involves a contingently defined locator (e.g., a “carrier”). Consequently, po- prefixed to determinate verbs targets the existence of a, while with indeterminate verbs, it modifies the properties of the “carrier”. For verbs outside the determinate/indeterminate opposition, the ambiguity stems directly from the verbal base’s interpretation, generating specific semantic effects.Russian verbs capable of expressing spatial displacement (among other meanings) allow the prefix po- to express two contradictory meanings: inchoation (onset of action: ‘Let’s go!’) and delimitation (temporal bounding: ‘Enough running!’). This article explores the conditions triggering this duality, focusing on the grammatical category of so-called “verbs of motion”. Within this small set, which contrasts determinate and indeterminate verbs, the former tendentially select the inchoative meaning, while the latter select the delimitative meaning. The analysis is carried out using the example of the determinate verb (po)nesti and the indeterminate (po)nosit′, with extension to non-motion uses.
The core argument is that determinate verbs – like other motion-capable verbs – rely on an unstable term a, whereas indeterminate verbs, as products of a morphological derivation process, operate on the feature that distinguishes verbs within this category: the mechanism creating this instability. In the case of nesti/nosit′, this involves a contingently defined locator (e.g., a “carrier”). Consequently, po- prefixed to determinate verbs targets the existence of a, while with indeterminate verbs, it modifies the properties of the “carrier”. For verbs outside the determinate/indeterminate opposition, the ambiguity stems directly from the verbal base’s interpretation, generating specific semantic effects
La figuration du sujet afro-polonais : Identité, Liberté, Musique dans le discours littéraire de Dongala et Dove
No full textThis study examines the representation of the Afro-Polish subject in the literary works of Emmanuel Dongala and Rita Dove, with a focus on ontological identification and the humanistic conception of the subject. These two notions serve as analytical frameworks for exploring the portrayal of the Afro-Polish figure in Dongala’s novel, La Sonate à Bridgetower: Sonata Mulattica (2017), where Bridgetower’s journey becomes a lens through which questions of freedom are interrogated. Simultaneously, Dove’s poetry collection, Sonata Mulattica (2009), underscores the themes of hope and the liberating power of music in Bridgetower’s life, expanding the discourse to a broader European context, encompassing England and France. In both narratives, Bridgetower emerges as a unique embodiment of Afro-Polish humanism in 18th-century Europe, while also highlighting contemporary issues of racial discrimination and the struggle for social acceptance.El texto explora la representación del sujeto afro-polaco en el discurso literario de Dongala y Dove, centrándose en la identificación ontológica y la concepción humanista del sujeto. Aplica ambas nociones al análisis de la figuración del sujeto afro-polaco en la novela "La sonate à Bridgetower: Sonata Mulattica" (2017) de Emmanuel Dongala, convirtiendo esta representación en una instancia de cuestionamiento de la libertad. Al mismo tiempo, la poesía de Rita Dove, a través de "Sonata Mulattica" (2010), destaca la esperanza y el poder liberador de la música en el viaje de Bridgetower, ampliando así la perspectiva a nivel europeo, especialmente al incluir a Inglaterra y Francia. En ambas narrativas, la figura de Bridgetower encarna un nuevo humanismo afro-polaco en la Europa del siglo XVIII, destacando los desafíos contemporáneos de discriminación y búsqueda de aceptación social.Le texte explore la représentation du sujet afro-polonais dans le discours littéraire de Dongala et Dove en se concentrant sur l\u27identification ontologique et la conception humaniste du sujet. Il applique ces deux notions à l’analyse de la figuration du sujet afro-polonais dans le roman "La sonate à Bridgetower : Sonata Mulattica" (2017) d\u27Emmanuel Dongala, en faisant de cette représentation une instance de questionnement de la liberté. Parallèlement, la poésie de Rita Dove, à travers "Sonata Mulattica" (2010), met en avant l\u27espoir et la puissance libératrice de la musique dans le parcours de Bridgetower, élargissant ainsi la perspective à l\u27échelle européenne, notamment en incluant l\u27Angleterre et la France. Dans les deux récits, la figure de Bridgetower incarne un nouvel humanisme afro-polonais dans l\u27Europe du XVIIIe siècle, tout en soulignant les enjeux contemporains de discrimination et de quête d\u27acceptation sociale.Il testo esplora la rappresentazione del soggetto afro-polacco nel discorso letterario di Dongala e Dove, concentrandosi sull\u27identificazione ontologica e sulla concezione umanista del soggetto. Applica entrambe le nozioni all\u27analisi della figurazione del soggetto afro-polacco nel romanzo "La sonate à Bridgetower: Sonata Mulattica" (2017) di Emmanuel Dongala, rendendo questa rappresentazione un\u27istanza di interrogazione sulla libertà. Allo stesso tempo, la poesia di Rita Dove, attraverso "Sonata Mulattica" (2010), mette in evidenza la speranza e il potere liberatorio della musica nel percorso di Bridgetower, ampliando così la prospettiva a livello europeo, specialmente includendo Inghilterra e Francia. In entrambe le narrazioni, la figura di Bridgetower incarna un nuovo umanesimo afro-polacco nell\u27Europa del XVIII secolo, sottolineando le sfide contemporanee legate alla discriminazione e alla ricerca di accettazione sociale.Tekst eksploruje reprezentację afro-polskiego podmiotu w dyskursie literackim Dongala i Dove, skupiając się na ontologicznej identyfikacji i humanistycznym pojęciu podmiotu. Stosuje obie te koncepcje do analizy reprezentacji afro-polskiego podmiotu w powieści "La Sonate à Bridgetower: Sonata Mulattica" (2017) Emmanuela Dongali, uczyniając tę reprezentację źródłem pytania o wolność. Równocześnie poezja Rity Dove w "Sonata Mulattica" (2010) podkreśla nadzieję i wyzwalającą moc muzyki w podróży Bridgetowera, poszerzając tym samym perspektywę na poziomie europejskim, zwłaszcza obejmując Anglię i Francję. W obu opowieściach postać Bridgetowera uosabia nowy afro-polski humanizm w XVIII-wiecznej Europie, podkreślając jednocześnie współczesne wyzwania dyskryminacji i dążenia do społecznego akceptacji
Cyfrowe edytorstwo naukowe w stronę infrastruktury
No full textDigital scholarly editing is a rapidly growing field that aims to produce and make available in a digital environment scholarly texts. It requires an interdisciplinary approach, combining traditional philological methods with modern technologies such as XML markup language and the TEI practice. The transfer of texts from manuscript and printed form to digital form involves deep remediation, data modelling and adaptation for interactive presentation. Digital editions not only enable novel ways of text analysis but also increase the accessibility and functionality of scholarly editions. The development of this field opens up new perspectives for literature research and scholarly editing. Various projects are underway in Poland, including the scholarly edition of the writings of Piotr Skarga and the Jagiellonian Digital Platform. The key challenges are funding, long-term maintenance of resources and formalisation of publication procedures.Cyfrowe edytorstwo naukowe to dynamicznie rozwijająca się dziedzina, której celem jest udostępnienie w środowisku cyfrowym naukowo opracowanych tekstów. Wymaga ono interdyscyplinarnego podejścia, łączącego tradycyjne metody filologiczne z nowoczesnymi technologiami, takimi jak języki znaczników XML i standard TEI. Przenoszenie tekstów z postaci rękopiśmiennej i drukowanej do formatu cyfrowego wiąże się z głęboką remediacją, modelowaniem danych oraz dostosowaniem ich do interaktywnej prezentacji. Cyfrowe edycje nie tylko umożliwiają nowatorskie sposoby analizy tekstów, lecz także zwiększają ich dostępność i funkcjonalność edycji naukowych. Rozwój tej dziedziny otwiera nowe perspektywy dla badań nad literaturą i edytorstwem naukowym. W Polsce realizowane są różne projekty, m.in. Naukowa edycja pism Piotra Skargi czy Jagiellońska Platforma Cyfrowa. Kluczowe wyzwania to finansowanie, długoterminowe utrzymanie zasobów oraz formalizacja procedur publikacyjnych
LITURGIKA NA WYDZIALE TEOLOGICZNYM UNIWERSYTETU ŚLĄSKIEGO W KATOWICACH
No full textThis text outlines the scientific and educational activities of the liturgy lecturers from the Faculty of Theology at the University of Silesia in Katowice until 2024. Their academic biographies will be reconstructed, and their teaching, scientific, and organizational contributions will be highlighted.Niniejszy tekst prezentuje aktywność naukowo-dydaktyczną wykładowców liturgiki Wydziału Teologicznego Uniwersytetu Śląskiego w Katowicach do 2024 r. Zostaną odtworzone ich biografie naukowe, a także przypomniana ich działalność dydaktyczna, naukowa i organizacyjna
Достоевский Мечислава Вайнберга
No full textThe article presents the figure of Mieczysław Weinberg, a composer of Jewish roots, who was born in Poland, but lived in the Soviet Union, and his peculiar approach to Fyodor Dostoyevsky’s legacy. The Idiot, opera based on the eponymous novel by Dostoyevsky, was one of the greatest works that was performed on stage during the composer\u27s lifetime. The inevitable question is: why Dostoyevsky\u27s anti-Jewish and anti-Polish views remain unnoticed by Weinberg. This article is an attempt to understand this important issue by analyzing the facts of the composer’s biography, his works, and the historical realities.W artykule zostaje przedstawiona postać Mieczysława Wajnberga, kompozytora o żydowskich korzeniach, urodzonego w Polsce, a zamieszkałego w Związku Radzieckim oraz jego osobliwe podejście do spuścizny Fiodora Dostojewskiego. Opera według powieści Idiota była jedynym z wielkich dzieł, które zostało wystawione na scenie za życia kompozytora. Nieuniknione jest pytanie, czemu bez uwagi Weinberga pozostają antyżydowskie i antypolskie poglądy Dostojewskiego. Artykuł jest próbą zrozumienia tej ważnej kwestii przez analizę faktów z biografii, twórczości i realiów historycznych.В статье представлена личность Мечислава Вайнберга, композитора с еврейскими корнями, рожденного в Польше и прожившего в Советском Союзе, а также - взгляд на его особенный подход к наследию Федора Достоевского. Опера Идиот по одноименному роману была одним из великих произведений, поставленных на сцене при жизни композитора. Закономерен вопрос, почему Вайнберг оставил без внимания интиеврейские и антипольские взгляды Достоевского. Статья является попыткой понять этот существенный вопрос через анализ фактов биографии, творчества, исторический реалий
Mobile Borders in Contemporary Francophone Canadian Literature
No full textThis article explores how contemporary Québécois and Francophone Canadian writers think about the return to a homeland linked to identity transformation, border crossing, and mobility. Drawing from the theories of the mobility turn and using Rosi Braidotti’s notion of “nomadism,” I show how this return (physical or imaginary) generates both conflict and resilience. My hypothesis is that analyzing a fictional text through the lens of mobility allows for new approaches to identity formation and contributes to renewing literary forms
Fostering Positive Language Education Practices: Exploring the Synergy of Institutional Practices and Learner Characteristics
No full textThe following quantitative study investigates the impact of institutional practices at the State University of Applied Sciences in Przemyśl on the language education of Generation Z students. By examining their educational preferences and characteristics, the research explores how these practices foster positive language learning experiences. A questionnaire was used to assess key aspects, including student motivation, learning environments and alignment of study programs with personal and career goals. Findings indicate that supportive institutional practices, personalised teaching methods and an appreciation for diversity enhance the effectiveness of English language classes. The study also highlights significant differences in satisfaction levels between undergraduate and graduate students. The research offers insights into the interplay between institutional practices and student needs. The study underscores the necessity for a dynamic and responsive educational environment that aligns with contemporary student expectations. Future research should aim to validate these findings across diverse student populations and further investigate the factors influencing language education outcomes
Współdzielone mikro-światy. Literacko-artystyczne obrazy owadów
No full textThe article analyzes subjective representations of insects in contemporary literature. The author focuses on narrative depictions of ways of establishing relationships with such uniquely different animals. She illustrates various writing strategies employed by Selja Ahava in her novel Nainen joka rakasti hyönteisiä (The Woman Who Loved Insects) and artistic approaches exemplified by the art book co-created with insects by Zhu Yingchun, The Language of Bugs.Artykuł analizuje podmiotowe obrazy owadów w najnowszej literaturze. Autorka skupia się na narracyjnych przedstawieniach sposobów nawiązywania relacji z tak wyjątkowo odrębnymi od ludzi zwierzętami. Pokazuje różne strategie pisarskie podejmowane przez Selję Ahavę w powieści Kobieta, która kochała owady oraz artystyczne na przykładzie artbooka współtworzonego przez owady i Zhu Yingchuna The Language of Bugs.Статья анализирует субъективные представления насекомых в современной литературе. Автор сосредотачивается на нарративных изображениях способов установления отношений с такими уникально отличающимися от людей животными. Она иллюстрирует различные писательские стратегии, использованные Сельей Ахавой в её романе *Женщина, которая любила насекомых*, и художественные подходы, представленные в артбуке, созданном совместно с насекомыми Цзюй Иньчунем, *Язык насекомых*