ZRC SAZU, Založba ZRC
Not a member yet
2953 research outputs found
Sort by
Táncoló örökségek. Közösen alkotott események gyakorlata – Kézikönyv
No full textOver the course of the project Dance as ICH: New models of facilitating participatory dance events (Dance–ICH), we have journeyed across Europe — from Norway and Belgium to Slovenia, Romania, Hungary, Greece, — engaging with a rich diversity of dance traditions, communities, and practices. This initiative has not only brought together cultural heritage institutions, researchers, and artists, but most importantly, it has fostered deep collaborations with communities, inviting them to become co-creators in the safeguarding process.
In this toolbox we discuss and draws six different paintings of why and how museums and cultural heritage institutions should play a part in future sustainable structures for safeguarding dance as living heritage.
This sustainable structure called events of practice exhibition should therefore encompass more than the events themselves. Firstly, these events should be recurrent and embedded in a permanent space. Secondly, they should entail a facilitator in the role of a supporter, in line with the principles for adaptive management to ensure long-term viability, and recognition of value. A cultural institution and its living heritage facilitators can help the dance community by promoting and incorporating their practices into an organizational system, without interfering with the execution of the intangible heritage practices itself. For future and continuing research, it will be obviously important to research these methods over time, in different contexts, and to question the distribution of roles in co-creative processes and the sustainable structures when it comes to funding and resources.
The publication is a Hungarian translation of the handbook originally titled Dancing Heritages: Co-creating Events of Practice – Handbook.V okviru projekta Ples kot nesnovna kulturna dediščina: Novi modeli omogočanja participativnih plesnih dogodkov (Dance – ICH) nas je pot zanesla čez velik del Evrope (od Norveške in Belgije do Slovenije, Romunije, Madžarske in Grčije), na njej pa smo se seznanili z izjemno pestrostjo plesnih tradicij, skupnosti in praks. Ta pobuda ni povezala zgolj kulturnodediščinskih institucij, raziskovalcev in umetnikov. V prvi vrsti je spodbudila tesno sodelovanje s skupnostmi, ki smo jih povabili k soustvarjanju procesa ohranjanja dediščine.
Koncept razstave s participativnim plesnim dogodkom prepleta plesne vsebine, razstavne elemente, kurirane dogodke in participativne plesne dogodke ter povezuje plesne skupnosti, obiskovalce in muzejske strokovnjake. Za doseganje trajnostnega cilja, tj. ohranjanje plesa v muzejskem prostoru, je treba vse te koščke mozaika premišljeno uskladiti. Ta priročnik na vzorcu šestih razstav in študij primerov ponazarja, kako je koncept razstave s participativnim plesnim dogodkom plesnim skupnostim pomagal pri nadaljevanju njihovih praks, predvsem z ustvarjanjem novih priložnosti za prenos plesne dediščine in njeno večjo prepoznavnost.
Predstavljamo šest različnih primerov, kako lahko muzeji in dediščinske institucije odigrajo ključno vlogo pri vzpostavitvi trajnostnih struktur za ohranjanje plesa kot žive dediščine.
Publikacija je madžarski prevod priročnika, ki v izvirniku nosi naslov Dancing Heritages: Co-creating Events of Practice – Handbook
Izbrana dela iz Hrenovih kornih knjig 3 / Selected Works from the Hren Choirbooks 3. Tri maše / Three Masses
No full textThis third volume of the selected musical pieces from the Hren choirbooks presents three settings of the Ordinary by Simone Gatto (c. 1545/50–1594/95), a Venetian musician active at the Inner-Austrian archducal court in Graz: a Missa Aller mi fault, a Missa Stabunt justi and a Missa Andra la nave mia. All three Masses are of the parody or imitation type, each derived from a pre-existing polyphonic composition. Specifically, Adrian Willaert’s five-part chanson Aller m’y faut sur la verdure and Orlando di Lasso’s five-part motet Stabunt justi serve as the models for two of the Masses, while the source for the third Mass remains unidentified. These compositions reflect the changing aesthetic preferences of the period, characterized by a heightened emphasis on colour contrast and word-painting. The Missa Andra la nave mia further exemplifies the increasing esteem for polychoral music at the Graz court towards the close of the sixteenth century, illustrating the growing influence of double-choir music in Inner Austria during this time. Gatto’s craftsmanship clearly marks out these three Masses as the product of an experienced composer.V tretjem zvezku izbranih del iz Hrenovih kornih knjig so objavljene tri uglasbitve mašnega ordinarija skladatelja Simoneja Gatta (ok. 1545/50–1594/95), beneškega glasbenika, ki je deloval na notranjeavstrijskem nadvojvodskem dvoru v Gradcu: Missa Aller mi fault, Missa Stabunt justi in Missa Andra la nave mia. Vse tri maše pripadajo tipu t. i. parodične maše. Za osnovo dveh maš je skladatelj uporabil petglasno šansono Aller m’y faut sur la verdure Adriana Willaerta oz. petglasni motet Stabunt justi Orlanda di Lassa, medtem ko model za tretjo mašo ni znan. Te skladbe razkrivajo spremembe v okusu tistega časa spričo poudarjene zvočne barvitosti in slikanja besed. Missa Andra la nave mia nadalje priča o tem, da je bila večzborska glasba na graškem dvoru proti koncu 16. stoletja vse bolj cenjena in ponazarja vse večji vpliv dvozborske glasbe v Notranji Avstriji v tem času. Vse tri maše se spričo Gattove skladateljske spretnosti jasno kažejo kot plod izkušenega skladatelja
Trnovo pri Ilirski Bistrici v starejši železni dobi / Trnovo near Ilirska Bistrica in the Early Iron Age
Full text linkNotranjska is a region that has been archaeologically poorly investigated. It has many fortified settlements from prehistory, but very few associated cemeteries, which are the most relevant source for studying the identity and development of prehistoric communities, their material culture, social structure, customs and contacts with neighbouring cultural regions. These few cemeteries include the Early Iron Age necropolis at Trnovo near Ilirska Bistrica. It is among the best researched sites in Notranjska. The first archaeological excavation took place here in 1926/27, led by the Italian archaeologist Raffaello Battaglia from Padua. The second and last major excavation was carried out in 1978 by archaeologists Nada Osmuk, from the heritage protection institute in Nova Gorica, and Mehtilda Urleb, from the Notranjska Museum Postojna. The finds and findings from both archaeological campaigns are comprehensively presented in this book.
The first part of the book outlines the geography and the state of research of the archaeological site that comprises the prehistoric settlement at Gradišče and the cemetery located on the ridge east of it. The second part brings the results of the archaeological analyses of the funerary ritual, as well as the cultural and chronological attribution of the grave goods. In the conclusion of this part, the authors discuss the beginnings and development of the Trnovo community in the Late Bronze and Early Iron Ages, as well as its role within a wider network of connections. Also published are the results of the radiocarbon analyses of select human bone samples, the anthropological and the geological analyses. The book ends with a catalogue of graves and finds with documentary photographs and drawings of the artefacts and grave plans on 42 plates. These represent an important source of information for the study of the period from 10th/9th to the 5th century BC in the northern Adriatic and south-eastern Alpine areas.
The book is the result of a collaboration between the Institute of Archaeology ZRC SAZU and the Notranjska Museum Postojna.Notranjska je na splošno arheološko slabo raziskana. Znanih je sicer veliko prazgodovinskih utrjenih naselij, vendar zelo malo pripadajočih grobišč, ki so najbolj zgovoren vir za ugotavljanje identitete in razvoja prazgodovinskih skupnosti ter poznavanje njihove materialne kulture, družbene strukture, običajev in stikov s sosednjimi kulturnimi regijami. V prvem delu so predstavljeni geografska lega ter zgodovina in problematika raziskav, v drugem delu sledijo arheološke analize grobnega rituala in razlik v pokopu ter kulturno-kronološko ovrednotenje pridatkov. V sklepnem delu arheoloških analiz so obravnavani začetki in razvoj trnovske skupnosti v pozni bronasti in starejši železni dobi ter njena vloga v širši mreži povezav. Predstavljeni so tudi rezultati radiokarbonskih analiz izbranih vzorcev človeških kostnih ostankov in antropološke analize ter geološka zgradba. Sledi katalog grobov in najdb, opremljen z dokumentarnimi fotografijami ter v risbi prikazani predmeti in načrti grobov na 42 tablah, kar predstavlja pomemben vir informacij za preučevanje obdobja od 10./9. st. do 5. st. pr. n. št. v severnojadranskem in jugovzhodnoalpskem prostoru.
Grobišče iz starejše železne dobe na Trnovem pri Ilirski Bistrici spada med bolje raziskana na Notranjskem. Prva arheološka izkopavanja na njem so bila že leta 1926/27, vodil pa jih je italijanski arheolog Raffaello Battaglia iz Padove. Drugo in zadnje večje izkopavanje je bilo izvedeno leta 1978 v sodelovanju Nade Osmuk z Zavoda za spomeniško varstvo Nova Gorica in Mehtilde Urleb iz Notranjskega muzeja Postojna. Gradivo iz obeh arheoloških akcij pa je prvič celovito predstavljeno v tej knjigi.
Knjiga je nastala v sodelovanju Inštituta za arheologijo ZRC SAZU in Notranjskega muzeja Postojna
Svet I / Le monde I. Traktat o svetlobi / Traité de la lumière
No full textLe Monde represents Descartes's first attempt at a comprehensive treatment of natural philosophy. The unfinished text, written between 1630 and 1633, was published after his death. As he was preparing its publication, he learned of the conviction of Galileo Galilei, who had been "guilty" of defending the motion of the Earth. Since this thesis was one of the fundamental premises that Descartes defended in Le Monde, he put the text in a drawer. The text was first published in 1664 under Le Monde ou le traité de la lumière (the first fifteen chapters of Le Monde).
In this work, Descartes sets himself the task of explaining the phenomenon of light in a mechanistic way, i.e. on the basis of the forms and movements of the bodies that constitute it. In doing so, he relies on a geometrical conception of matter, or the three elements (fire, air, earth), and gives a theory of the three fundamental laws of motion. In accordance with these concepts, it gives a hypothetical explanation of the origin and functioning of the fundamental cosmological entities (heavens, stars, planets and comets) and phenomena (gravity and tides) and finally explains the nature and properties of light. Since the outlines of the later Principia philosophiae can often be detected in the physical theses of Descartes' Le Monde, a reading of Le Monde is indispensable for an understanding of the development of Descartes' philosophy of nature.Svet predstavlja prvi Descartesov poskus celostne obravnave filozofije narave. Nedokončano besedilo, ki ga je pisal v obdobju od leta 1630 do leta 1633, je izšlo šele po njegovi smrti. Ko je pripravljal njegovo objavo, je namreč izvedel za obsodbo Galileja Galileja, ki je bil »kriv« zagovora gibanja Zemlje. Ker je ravno ta teza predstavljala eno temeljnih premis, ki jo Descartes zagovarja v Svetu, je besedilo pospravil v predal. Besedilo je prvič izšlo leta 1664 z naslovom Svet ali traktat o svetlobi (prvih petnajst poglavij Sveta).
Descartes si v tem delu zada nalogo pojasniti pojav svetlobe na mehanicističen način, tj. na podlagi oblik in gibanje telesc, ki jo konstituirajo. Pri tem se opre na geometrijsko pojmovanje materije oziroma treh elementov (ogenj, zrak, zemlja) ter poda teorijo treh temeljnih zakonov gibanja. V skladu s temi pojmi poda hipotetično razlago nastanka in delovanja temeljnih kozmololoških entitet (nebesa, zvezde, planeti in kometi) in pojavov (težkost in plimovanje) ter nazadnje pojasni naravo in lastnosti svetlobe. Ker je v fizikalnih tezah Descartesovega Sveta pogoste mogoče zaznati obrise poznejših Principov filozofije, je branje Sveta nepogrešljivo za razumevanje razvoja Descartesove filozofije narave
Agronomski terminološki slovar
Full text linkThe Terminological Dictionary of Agronomy contains terms from twelve subject fields, namely agricultural economics, agrometeorology, plant protection, agricultural engineering, pasture science, soil science, arable farming, fruit growing, grassland science, landscaping, viticulture and vegetable growing. It contains 4388 terms that have a definition or guide the user of the dictionary to a preferred term. With clear and precise definitions, it provides the user with reliable terminological information on the conceptual system of agronomy and by guiding to preferred terms, it contributes to the harmonization of terminology. It is primarily aimed at experts in the field of agronomy, but is also useful for all those who deal with plant production as laymen and need reliable information on this subject field. The dictionary also contains 3994 English equivalents, which will facilitate international cooperation between experts in the field of agronomy.Agronomski terminološki slovar vključuje termine z dvanajstih strokovnih področij, in sicer agrarne ekonomike, agrometeorologije, fitomedicine, kmetijske tehnike, pašništva, pedologije, poljedelstva, sadjarstva, travništva, urejanja prostora, vinogradništva in vrtnarstva. Obsega 4388 terminov, ki imajo definicijo ali pa uporabnika slovarja usmerjajo k prednostnemu terminu. Z jasnimi in natančnimi definicijami uporabnikom ponuja zanesljive terminološke informacije o pojmovnem svetu agronomije, z usmerjanjem k prednostnim terminom pa prispeva k poenotenju terminologije. Namenjen je zlasti strokovnjakom s področja agronomije, koristil pa bo vsem, ki se s pridelavo rastlin ukvarjajo ljubiteljsko in potrebujejo verodostojno informacijo s tega področja. V slovar je vključenih tudi 3994 angleških ustreznikov, ki bodo olajšali mednarodno sodelovanje na področju agronomije
From Entropy to Syntropy
No full textThe book goes beyond the established Law of Entropy, in order to put it into balance with the emerging Law of Syntropy. Syntropy is the inverse of entropy, and signifies either negative entropy or any self-organizing process in nature. The book aims to provide a fresh scientific understanding of syntropic phenomena that for long have been neglected and forgotten. The unidirectional path from order to chaos is formally canonized as the Law of Entropy, but the time is ripe to supplement it with the path from chaos to order. Both poles do exist, and there is a bidirectional flow between them. Present mainstream science is silent as to the mere existence of syntropy, and it is even more silent as to the related consequences. The author describes several classes of syntropic phenomena in the language of “hard-core” physics, but then he broadens his perspective and presents a different approach to newly discovered levels of reality. A holistic worldview is respected throughout the book. A reader with a broad scope of interests will profit the most from it. Strict reasoning, so key to the natural sciences, is entwined in philosophical and social reflections. This approach can benefit both wings of our intellectual creativity – the natural sciences and the humanities.Knjiga predstavlja sveže znanstveno razumevanje nekaterih naravnih pojavov, ki so bili vse do sedaj praktično zanemarjeni. Presega uveljavljeni entropijski zakon in ga postavlja v ravnovesje z nastajajočim zakonom sintropije. Sintropija je nasprotje entropiji in pomeni bodisi negativno entropijo ali pa kak naravni proces z notranjo sposobnostjo samoorganizacije. Entropijski zakon s pomembno vlogo v teoretični fiziki zagovarja enosmerne procese od notranje urejenosti k vse bolj naraščajočemu kaosu, toda dozorel je čas, da ga dopolnimo s potmi od kaosa k novim oblikam reda. Obstajata namreč oba pola in dvosmerni tok med njima. Sodobna »uradna« znanost še vedno molči o samem obstoju sintropije in o njenih posledicah. Avtor predstavi (po eksaktni metodologiji v naravoslovju) dva razreda sintropnih pojavov, potem pa pogled še razširi z inovativnim pristopom k novo odkritim ravnem realnosti. Obravnavana tematika vseskozi spoštuje celostni pogled na svet, zato bo knjiga najbolj zanimiva bralki ali bralcu s širokim obsegom interesov. Strogo sklepanje, značilno za naravoslovje, se prepleta s filozofsko in družbeno refleksijo. Ta pristop lahko koristi obema kriloma naše intelektualne ustvarjalnosti – naravoslovju in humanistiki
Iacobus Gallus: Moralia
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been the publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. After the publication of Gallus’s motets (Opus musicum) in thirteen volumes (1985–1990), the Masses (Selectiores quaedam missae) in four volumes (1991), and 4-part Harmoniae morales, the publication of Gallus’s Moralia followed in a transcription by Edo Škulj in 1996. The original edition was edited posthumosly by the composer’s brother Georg Handl, containing 47 8-, 6-, and 5-part settings. It was published by the Nuremberg printer Alexander Theodoricus in 1596.
The 2025 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Po objavi Gallusovih motetov, maš in štiriglasnih moralnih harmonij (Harmoniae morales) so leta 1996 v transkripciji Eda Škulja izšle še Gallusove moralije (Moralia). Izvirno izdajo je nekaj let po skladateljevi smrti priskrbel njegov brat Georg Handl in 47 skladb za osem, šest in pet glasov objavil leta 1596 pri založbi Alexandra Theodorica v Nürnbergu.
Digitalizirana poizdaja iz leta 2025 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Slovar slovenskega knjižnega jezika 2024
No full textSlovar slovenskega knjižnega jezika 2024 ('Dictionary of the Slovenian Standard Language 2024') contains a modern linguistic description of the multifaceted and complex linguistic reality of the Slovenian language based on language use as reflected in diverse language resources, primarily corpora. A total of 384 dictionary entries introduced by single-word headwords offers a wholesome and systematic description of semantic, grammatical, pragmatic and other characteristics of single-word and multi-word phraseological and non-phraseological lexical units. The concept of the dictionary is described in detail in Koncept novega razlagalnega slovarja slovenskega knjižnega jezika (Concept of the New Explanatory Dictionairy of the Slovenian Standard Language), ratified in 2015 by the Scientific Council of the Fran Ramovš Institute of the Slovenian Language ZRC SAZU, the Scientific Council of ZRC SAZU, the Section of Philological and Literary Sciences of SAZU and the Presidency of SAZU.Slovar slovenskega knjižnega jezika 2024 prinaša sodoben jezikovni opis izseka večplastne in kompleksne jezikovne realnosti slovenskega jezika glede na jezikovno rabo, izkazano v raznovrstnih sodobnih, predvsem korpusnih, gradivskih virih. V okviru 384 slovarskih sestavkov, ki jih na makrostrukturni ravni uvaja enobesedna iztočnica, so celovito in sistematično opisane pomenske, slovnične, pragmatične in druge lastnosti eno- in večbesednih nefrazeoloških in frazeoloških leksikalnih enot. Slovarska zasnova je natančneje prikazana v Konceptu novega razlagalnega slovarja slovenskega knjižnega jezika, ki so ga leta 2015 potrdili in sprejeli Znanstveni svet Inštituta za slovenski jezik Frana Ramovša ZRC SAZU, Znanstveni svet ZRC SAZU, Razred za filološke in literarne vede SAZU in Predsedstvo SAZU
Terminološki slovarji 2024
No full textThe monograph Terminological Dictionaries 2024 contains dictionary entries created in 2024 as part of terminological dictionaries under development at the Department of Terminology of the Fran Ramovš Institute of the Slovenian Language ZRC SAZU. The publication includes 1450 dictionary entries, namely 214 from the field of physiotherapy, 469 from the field of firefighting, 120 from the field of geoinformatics, 181 from the field of theatre, 53 from the field of criminology, 51 from the field of meteorology, 305 from the field of computer science and 57 from the field of animal science. Among the dictionary entries, there are 1226 consisting of the term, grammatical information, definition and possible synonyms and abbreviations, as well as 224 cross-references that guide the user to the preferred term, which serves to harmonise the terminology. The entries from the fields of physiotherapy, geoinformatics, criminology, meteorology, computer science and animal science also have English equivalents, while the entries from the field of firefighting have also German equivalents in addition to the English ones. The publication is intended to keep the interested specialist public up to date with new dictionary entries that are created as part of larger terminographic projects.Monografija Terminološki slovarji 2024 prinaša slovarske sestavke, ki so bili v letu 2024 oblikovani v okviru nastajajočih terminoloških slovarjev na Oddelku za terminologijo Inštituta za slovenski jezik Frana Ramovša ZRC SAZU. Publikacija vsebuje 1450 slovarskih sestavkov, in sicer 214 s področja fizioterapije, 469 s področja gasilstva, 120 s področja geoinformatike, 181 s področja gledališča, 53 s področja kriminalistike, 51 s področja meteorologije, 305 s področja računalništva in 57 s področja živinoreje. Med slovarskimi sestavki je 1226 polnih slovarskih sestavkov, ki vsebujejo termin, slovnične podatke, definicijo in morebitne sinonime ter kratice, in 224 kazalčnih slovarskih sestavkov, ki uporabnika usmerjajo na prednostni termin, s čimer se skuša poenotiti terminološko rabo. Sestavki s področja fizioterapije, geoinformatike, kriminalistike, meteorologije, računalništva in živinoreje vsebujejo tudi angleške ustreznike, sestavki s področja gasilstva pa imajo poleg angleških še nemške ustreznike. Publikacija je namenjena sprotni seznanitvi zainteresirane strokovne javnosti z novimi slovarskimi sestavki, ki nastajajo v okviru obsežnejših terminografskih projektov
Od intimizma do reizma. Spremembe literarnega subjekta
No full textThe monograph ('From Intimism to Reism: Changes in the Literary Subject') offers new insights into key turning points in Slovenian literature after World War II. Editor Marko Juvan and the contributing authors show how, in just two decades, the literary subject changed from an “intimistic” individual expressing his emotional inner life and humanist sensibility in poetry to “reism,” an esthetic current in which the subject dissolves into things, language, and the play of signifiers. The book examines the work of Ivan Minatti, Ada Škerl, Rudi Šeligo, Saša Vegri, and others, illuminating how intimist and modernist poetry dealt with political constraints, social changes, and international trends. The monograph also touches on questions of ideology, philosophy, and the methodology of literary history. It thus opens up a space for broader cultural reflection. The work is a vital addition to our knowledge of Slovenian literature in the second half of the 20th century and its place in the world literary system.Monografija prinaša svež vpogled v ključne preobrate slovenske književnosti po drugi svetovni vojni. Urednik Marko Juvan in sodelujoči avtorji razgrinjajo, kako se je literarni subjekt v zgolj dveh desetletjih preoblikoval od intimističnega posameznika, ki v liriki izraža čustveno notranjost in humanistično občutljivost, do reizma, kjer se subjekt razblini v stvari, jezik in igro označevalcev. Knjiga osvetli opus Ivana Minattija, Ade Škerl, Rudija Šeliga, Saše Vegri in drugih, ter pokaže, kako so intimistične in modernistične poetike vstopale v dialog s političnimi pritiski, družbenimi spremembami in mednarodnimi tokovi. Poleg tega se monografija dotakne tudi vprašanj ideologije, filozofije in metodologije literarne zgodovine, s čimer odpira prostor širši kulturni refleksiji. Delo je tehten prispevek k razumevanju slovenske književnosti druge polovice 20. stoletja in njenega umeščanja v svetovni literarni sistem