ZRC SAZU, Založba ZRC
Not a member yet
2953 research outputs found
Sort by
Od intimizma do reizma. Spremembe literarnega subjekta
No full textThe monograph ('From Intimism to Reism: Changes in the Literary Subject') offers new insights into key turning points in Slovenian literature after World War II. Editor Marko Juvan and the contributing authors show how, in just two decades, the literary subject changed from an “intimistic” individual expressing his emotional inner life and humanist sensibility in poetry to “reism,” an esthetic current in which the subject dissolves into things, language, and the play of signifiers. The book examines the work of Ivan Minatti, Ada Škerl, Rudi Šeligo, Saša Vegri, and others, illuminating how intimist and modernist poetry dealt with political constraints, social changes, and international trends. The monograph also touches on questions of ideology, philosophy, and the methodology of literary history. It thus opens up a space for broader cultural reflection. The work is a vital addition to our knowledge of Slovenian literature in the second half of the 20th century and its place in the world literary system.Monografija prinaša svež vpogled v ključne preobrate slovenske književnosti po drugi svetovni vojni. Urednik Marko Juvan in sodelujoči avtorji razgrinjajo, kako se je literarni subjekt v zgolj dveh desetletjih preoblikoval od intimističnega posameznika, ki v liriki izraža čustveno notranjost in humanistično občutljivost, do reizma, kjer se subjekt razblini v stvari, jezik in igro označevalcev. Knjiga osvetli opus Ivana Minattija, Ade Škerl, Rudija Šeliga, Saše Vegri in drugih, ter pokaže, kako so intimistične in modernistične poetike vstopale v dialog s političnimi pritiski, družbenimi spremembami in mednarodnimi tokovi. Poleg tega se monografija dotakne tudi vprašanj ideologije, filozofije in metodologije literarne zgodovine, s čimer odpira prostor širši kulturni refleksiji. Delo je tehten prispevek k razumevanju slovenske književnosti druge polovice 20. stoletja in njenega umeščanja v svetovni literarni sistem
Historična topografija Kranjske (do 1500). Tretja dopolnjena izdaja
No full textThe first volume in the new series of historical-topographical handbooks covers the territory of the Duchy of Carniola up to the year 1500. It includes 4,152 Carniolan toponyms—villages, hamlets, market towns, cities, castles, manors, field and water names, and others—along with their historical variants as attested in sources up to 1500 (such as charters, urbaria, feudal, accounting, notarial, and cartulary records). The entries are arranged alphabetically, and each historical form of a name is accompanied by the date of its attestation, a reference to the source in which it appears, the location of the source (archive, library, etc.), and, when applicable, its publication reference. The corpus as a whole contains over 39,221 historical variants of Carniolan geographical names (paleonyms).
The work is based on 123 documented charter collections from 62 archives and over 370 codices and manuscripts from Slovenian, Austrian, Italian, Croatian, Hungarian, German, and Czech archives and libraries.
Together with an accompanying online application linked to a digital map (http://topografija.zrc-sazu.si/), the handbook will be of great interest not only to specialists in various disciplines (historians, geographers, archaeologists, ethnologists, linguists, etc.) but also to local historians and history enthusiasts.V prvi knjigi iz serije historično-topografskih priročnikov je obravnavano ozemlje dežele Kranjske do leta 1500. V obravnavo je zajetih 4152 kranjskih toponimov (vasi, zaselkov, trgov, mest, gradov, dvorcev, ledinskih in vodnih imen idr.) z nekdanjimi variantami njihovih imen, kot jih zasledimo v virih do leta 1500 (listine, urbarji, fevdne, računske, notarske, kopialne knjige ipd.). Gesla so urejena po abecednem zaporedju in vsak zapis starega imena je opremljen z datumom, navedbo vira, v katerem ga zasledimo, nahajališčem vira (arhiv, knjižnica ipd.) ter eventualno objavo vira (publicirane zbirke). Celoten korpus zajema več kot 39.221 nekdanjih variant zemljepisnih imen Kranjske (paleonimov).
Delo temelji na 123 evidentiranih zbirkah listin iz 62 različnih arhivov in več kot 370 kodeksih ter spisih iz slovenskih, avstrijskih, italijanskih, hrvaških, madžarskih, nemških in čeških arhivov ter knjižnic.
Priročnik s spremljajočo spletno aplikacijo, povezano z zemljevidom (http://topografija.zrc-sazu.si/), bo nedvomno zanimiv za strokovnjake različnih znanstvenih disciplin (zgodovinarje, geografe, arheologe, etnologe, jezikoslovce …), kot tudi za ljubiteljske zgodovinarje in domoznance
Celostno načrtovanje za razvoj regij
No full textThe book explores how more integrated approaches can enhance existing planning practices and lead to more effective spatial and regional development. In the first part, the authors present methodologies for monitoring and evaluating regional policy, the results of development measures in the Koroška region, systems thinking and key principles for comprehensive regional development, the role of the Slovenian Regional Development Fund, and the identification of problem areas in Slovenia. The second part focuses on the preparation of the first generation of regional spatial plans, the importance of landscape concepts in spatial planning, green infrastructure networks at the regional level, and functional urban areas as a tool for monitoring the implementation of the Spatial Development Strategy of Slovenia. The book concludes with contributions on the Bohinj railway and macro-waste along rivers after the 2023 floods. The authors emphasize that sectoral approaches are insufficient to address today’s complex development challenges. Decision-makers must therefore strengthen cross-sectoral cooperation and support integrated planning approaches. The simultaneous preparation of different documents at the regional level offers an excellent opportunity to do so.Knjiga obravnava, kako lahko celovitejši pristopi izboljšajo obstoječe načrtovanje ter prispevajo k učinkovitejšemu prostorskemu in regionalnemu razvoju. V prvem delu avtorji predstavljajo metodologijo spremljanja in vrednotenja regionalne politike, rezultate razvojnih ukrepov na Koroškem, sistemsko mišljenje ter temeljna načela celostnega razvoja, vlogo Slovenskega regionalno razvojnega sklada ter opredeljevanje problemskih območij v Sloveniji. Drugi del prinaša vpogled v pripravo prve generacije regionalnih prostorskih planov, pomen krajinske zasnove v prostorskem načrtovanju, mrežo zelene infrastrukture ter funkcionalna urbana območja kot orodje za spremljanje izvajanja Strategije prostorskega razvoja Slovenije. Knjigo zaokrožata prispevka o Bohinjski železnici in makroodpadkih po poplavah leta 2023. Avtorji opozarjajo, da sektorski pristopi ne zadoščajo za soočanje s kompleksnimi izzivi sodobnega razvoja. Zato je nujno, da odločevalci okrepijo sektorsko povezovanje in spodbujajo celostne načrtovalske pristope. Sočasna priprava različnih dokumentov na regionalni ravni je za to izjemna priložnost
Dansende kulturarv. Samskapte praksishendelser
No full textOver the course of the project Dance as ICH: New models of facilitating participatory dance events (Dance–ICH), we have journeyed across Europe — from Norway and Belgium to Slovenia, Romania, Hungary, Greece, — engaging with a rich diversity of dance traditions, communities, and practices. This initiative has not only brought together cultural heritage institutions, researchers, and artists, but most importantly, it has fostered deep collaborations with communities, inviting them to become co-creators in the safeguarding process.
In this toolbox we discuss and draws six different paintings of why and how museums and cultural heritage institutions should play a part in future sustainable structures for safeguarding dance as living heritage.
This sustainable structure called events of practice exhibition should therefore encompass more than the events themselves. Firstly, these events should be recurrent and embedded in a permanent space. Secondly, they should entail a facilitator in the role of a supporter, in line with the principles for adaptive management to ensure long-term viability, and recognition of value. A cultural institution and its living heritage facilitators can help the dance community by promoting and incorporating their practices into an organizational system, without interfering with the execution of the intangible heritage practices itself. For future and continuing research, it will be obviously important to research these methods over time, in different contexts, and to question the distribution of roles in co-creative processes and the sustainable structures when it comes to funding and resources.
The publication is a Norwegian translation of the handbook originally titled Dancing Heritages: Co-creating Events of Practice – Handbook.V okviru projekta Ples kot nesnovna kulturna dediščina: Novi modeli omogočanja participativnih plesnih dogodkov (Dance – ICH) nas je pot zanesla čez velik del Evrope (od Norveške in Belgije do Slovenije, Romunije, Madžarske in Grčije), na njej pa smo se seznanili z izjemno pestrostjo plesnih tradicij, skupnosti in praks. Ta pobuda ni povezala zgolj kulturnodediščinskih institucij, raziskovalcev in umetnikov. V prvi vrsti je spodbudila tesno sodelovanje s skupnostmi, ki smo jih povabili k soustvarjanju procesa ohranjanja dediščine.
Koncept razstave s participativnim plesnim dogodkom prepleta plesne vsebine, razstavne elemente, kurirane dogodke in participativne plesne dogodke ter povezuje plesne skupnosti, obiskovalce in muzejske strokovnjake. Za doseganje trajnostnega cilja, tj. ohranjanje plesa v muzejskem prostoru, je treba vse te koščke mozaika premišljeno uskladiti. Ta priročnik na vzorcu šestih razstav in študij primerov ponazarja, kako je koncept razstave s participativnim plesnim dogodkom plesnim skupnostim pomagal pri nadaljevanju njihovih praks, predvsem z ustvarjanjem novih priložnosti za prenos plesne dediščine in njeno večjo prepoznavnost.
Predstavljamo šest različnih primerov, kako lahko muzeji in dediščinske institucije odigrajo ključno vlogo pri vzpostavitvi trajnostnih struktur za ohranjanje plesa kot žive dediščine.
Publikacija je norveški prevod priročnika, ki v izvirniku nosi naslov Dancing Heritages: Co-creating Events of Practice – Handbook
Dansul ca patrimoniu. Co-crearea Evenimentelor de practică – Manual
No full textOver the course of the project Dance as ICH: New models of facilitating participatory dance events (Dance–ICH), we have journeyed across Europe — from Norway and Belgium to Slovenia, Romania, Hungary, Greece, — engaging with a rich diversity of dance traditions, communities, and practices. This initiative has not only brought together cultural heritage institutions, researchers, and artists, but most importantly, it has fostered deep collaborations with communities, inviting them to become co-creators in the safeguarding process.
In this toolbox we discuss and draws six different paintings of why and how museums and cultural heritage institutions should play a part in future sustainable structures for safeguarding dance as living heritage.
This sustainable structure called events of practice exhibition should therefore encompass more than the events themselves. Firstly, these events should be recurrent and embedded in a permanent space. Secondly, they should entail a facilitator in the role of a supporter, in line with the principles for adaptive management to ensure long-term viability, and recognition of value. A cultural institution and its living heritage facilitators can help the dance community by promoting and incorporating their practices into an organizational system, without interfering with the execution of the intangible heritage practices itself. For future and continuing research, it will be obviously important to research these methods over time, in different contexts, and to question the distribution of roles in co-creative processes and the sustainable structures when it comes to funding and resources.
The publication is a Romanian translation of the handbook originally titled Dancing Heritages: Co-creating Events of Practice – Handbook.V okviru projekta Ples kot nesnovna kulturna dediščina: Novi modeli omogočanja participativnih plesnih dogodkov (Dance – ICH) nas je pot zanesla čez velik del Evrope (od Norveške in Belgije do Slovenije, Romunije, Madžarske in Grčije), na njej pa smo se seznanili z izjemno pestrostjo plesnih tradicij, skupnosti in praks. Ta pobuda ni povezala zgolj kulturnodediščinskih institucij, raziskovalcev in umetnikov. V prvi vrsti je spodbudila tesno sodelovanje s skupnostmi, ki smo jih povabili k soustvarjanju procesa ohranjanja dediščine.
Koncept razstave s participativnim plesnim dogodkom prepleta plesne vsebine, razstavne elemente, kurirane dogodke in participativne plesne dogodke ter povezuje plesne skupnosti, obiskovalce in muzejske strokovnjake. Za doseganje trajnostnega cilja, tj. ohranjanje plesa v muzejskem prostoru, je treba vse te koščke mozaika premišljeno uskladiti. Ta priročnik na vzorcu šestih razstav in študij primerov ponazarja, kako je koncept razstave s participativnim plesnim dogodkom plesnim skupnostim pomagal pri nadaljevanju njihovih praks, predvsem z ustvarjanjem novih priložnosti za prenos plesne dediščine in njeno večjo prepoznavnost.
Predstavljamo šest različnih primerov, kako lahko muzeji in dediščinske institucije odigrajo ključno vlogo pri vzpostavitvi trajnostnih struktur za ohranjanje plesa kot žive dediščine.
Publikacija je romunski prevod priročnika, ki v izvirniku nosi naslov Dancing Heritages: Co-creating Events of Practice – Handbook
Táncoló örökségek. Közösen alkotott események gyakorlata – Kézikönyv
No full textOver the course of the project Dance as ICH: New models of facilitating participatory dance events (Dance–ICH), we have journeyed across Europe — from Norway and Belgium to Slovenia, Romania, Hungary, Greece, — engaging with a rich diversity of dance traditions, communities, and practices. This initiative has not only brought together cultural heritage institutions, researchers, and artists, but most importantly, it has fostered deep collaborations with communities, inviting them to become co-creators in the safeguarding process.
In this toolbox we discuss and draws six different paintings of why and how museums and cultural heritage institutions should play a part in future sustainable structures for safeguarding dance as living heritage.
This sustainable structure called events of practice exhibition should therefore encompass more than the events themselves. Firstly, these events should be recurrent and embedded in a permanent space. Secondly, they should entail a facilitator in the role of a supporter, in line with the principles for adaptive management to ensure long-term viability, and recognition of value. A cultural institution and its living heritage facilitators can help the dance community by promoting and incorporating their practices into an organizational system, without interfering with the execution of the intangible heritage practices itself. For future and continuing research, it will be obviously important to research these methods over time, in different contexts, and to question the distribution of roles in co-creative processes and the sustainable structures when it comes to funding and resources.
The publication is a Hungarian translation of the handbook originally titled Dancing Heritages: Co-creating Events of Practice – Handbook.V okviru projekta Ples kot nesnovna kulturna dediščina: Novi modeli omogočanja participativnih plesnih dogodkov (Dance – ICH) nas je pot zanesla čez velik del Evrope (od Norveške in Belgije do Slovenije, Romunije, Madžarske in Grčije), na njej pa smo se seznanili z izjemno pestrostjo plesnih tradicij, skupnosti in praks. Ta pobuda ni povezala zgolj kulturnodediščinskih institucij, raziskovalcev in umetnikov. V prvi vrsti je spodbudila tesno sodelovanje s skupnostmi, ki smo jih povabili k soustvarjanju procesa ohranjanja dediščine.
Koncept razstave s participativnim plesnim dogodkom prepleta plesne vsebine, razstavne elemente, kurirane dogodke in participativne plesne dogodke ter povezuje plesne skupnosti, obiskovalce in muzejske strokovnjake. Za doseganje trajnostnega cilja, tj. ohranjanje plesa v muzejskem prostoru, je treba vse te koščke mozaika premišljeno uskladiti. Ta priročnik na vzorcu šestih razstav in študij primerov ponazarja, kako je koncept razstave s participativnim plesnim dogodkom plesnim skupnostim pomagal pri nadaljevanju njihovih praks, predvsem z ustvarjanjem novih priložnosti za prenos plesne dediščine in njeno večjo prepoznavnost.
Predstavljamo šest različnih primerov, kako lahko muzeji in dediščinske institucije odigrajo ključno vlogo pri vzpostavitvi trajnostnih struktur za ohranjanje plesa kot žive dediščine.
Publikacija je madžarski prevod priročnika, ki v izvirniku nosi naslov Dancing Heritages: Co-creating Events of Practice – Handbook
Znamčenje območij kot pristop k razvoju podeželja v Sloveniji
No full textIn business, branding is used to shape perceptions of products or services. Since branding can also influence stakeholders’ views of geographical areas and their elements, it has become a key component of territorial development programs. In Slovenia, place branding has been applied to rural development for over two decades, yet its implementation and outcomes remain insufficiently studied. Slovenian rural areas thus offer a valuable “geographical laboratory” for exploring these processes.
This research treats place branding as a spatial phenomenon, examining its interplay with geographical areas. The study focuses on the spatial patterns and regional characteristics of place branding in Slovenian rural areas, analyzing causes and effects. A combination of qualitative and quantitative methods is employed: literature review, online survey, semi-structured interviews, stakeholder discussions, qualitative data analysis with Atlas.ti, and infographic techniques.
Findings reveal that place-branding processes are shaped by the socioeconomic, structural, and organizational characteristics of rural areas. The study highlights deviations from theoretical frameworks: place branding in Slovenia often exacerbates regional disparities instead of fostering balanced development. Implementation tends to be sectoral rather than holistic, with fragmented and poorly coordinated measures. Limited stakeholder motivation for cooperation further reinforces a top-down decision-making approach.Znamčenje se uporablja za upravljanje dojemanja izdelkov, storitev ali območij, s čimer vpliva na pogled deležnikov in postaja ključni del teritorialnega razvoja. V Sloveniji se ta pristop pri razvoju podeželskih območij uporablja že več kot dve desetletji, vendar njegovi učinki še niso bili celovito preučeni. Slovensko podeželje predstavlja priložnost za analizo prostorskih vzorcev in značilnosti znamčenja z vidika vzrokov in učinkov.
V monografiji je znamčenje obravnavano kot prostorski pojav, pri čemer je analizirano njegovo součinkovanje z območjem. Pri raziskovanju je bila uporabljena kombinacija metod, vključno s pregledom literature, spletnim anketiranjem, polstrukturiranimi intervjuji, analizo podatkov v programu Atlas.ti in infografiko. Rezultati kažejo, da procesi znamčenja odražajo družbeno-gospodarske, strukturne in organizacijske značilnosti podeželskih območij.
Analiza je razkrila odstopanja od teoretičnih predpostavk: znamčenje pogosto poglablja razvojne razlike, sektorska usmeritev prevlada nad celovito, posamezni ukrepi pa so vsebinsko nepovezani. Šibka motivacija deležnikov omejuje sodelovanje in vodi v odločanje od zgoraj navzdol, kar zmanjšuje učinkovitost znamčenja
Šest osemglasnih motetov / Six Eight-Part Motets
No full textThis volume features six double-choir motets attributed to Iacobus Handl-Gallus that circulated exclusively in manuscript form during the 16th and 17th centuries. These compositions were never published, either during the composer's lifetime or posthumously, and have survived solely in manuscript sources now housed in various libraries and music archives across Europe. Presented here for the first time in a modern critical edition, these motets are accompanied by a detailed introduction and critical commentary. The introduction explores the complex issues surrounding the transmission of the works, including the origins and historical context of the manuscripts.The critical reports provide an in-depth analysis of the philological challenges posed by the sources.V zvezku je predstavljenih šest osemglasnih motetov, ki jih glasbeni rokopisi iz 16. in 17. stoletja pripisujejo Iacobusu Handlu - Gallusu. Te skladbe niso bile objavljene ne za časa skladateljevega življenja ne po njegovi smrti in so se ohranile le v prepisih, ki so zdaj shranjeni v različnih knjižnicah in glasbenih arhivih širom po Evropi. Moteti so prvič predstavljeni v sodobni kritični izdaji in so opremljeni z obširnim uvodom in kritičnim komentarjem. Spremna besedila obravnavajo vprašanja avtorstva, avtentičnosti in ohranjenosti del ter izvor in zgodovinsko ozadje glasbenih rokopisov. Kritična poročila vsebujejo poglobljeno analizo filoloških izzivov, ki jih predstavljajo viri
Arhitektura v svetu. Rancière in Gage – Riha – Čeferin – Badiou
No full textThe book Arhitektura v svetu ('Architecture in the World') examines the possibility of developing architecture as one of the practices that are able to operate in the world in such a way as to open it up, to reveal it in its constitutive openness; that is, in that dimension that every regime tries to conceal, including the current regime of contemporary capitalism. This practice of architecture is what in the book is referred to as "architecture in the world.”
This is a practice of architecture that establishes itself and appears in the world by simultaneously building the world and transforming it, reconstructing it. It consitututes itself in the world together with the world it constitutes. The contributions in the book focus not only on architecture but on other fields of thought as well, including art, philosophy and politics. They are, however, linked by a common problem: the problem of outlining the possibility of a way of thinking and acting in the world that at the same time constitutes a reconstructing of the given world.
Jacques Ranciere and Mark Foster Gage discuss the connections between politics and aesthetics in relation to architecture. Rado Riha examines contemporary art through Kant’s concept of reflective power of judgment. Collection's editor, Petra Čeferin, discusses Plečnik’s architectural constructions of public space as a possible source of support for intellectual emancipation. The book concludes with a text by Alain Badiou in which he responds to the question: To be happy, must we change the world?Knjiga Arhitektura v svetu zarisuje možnost razvijanja arhitekture kot ene od tistih praks, ki so zmožne delovati v svetu tako, da ga odpirajo, razkrivajo v njegovi konstitutivni odprtosti, ne-celosti, torej v razsežnosti, ki jo skuša vsak režim zakriti, vključno z aktualnim režimom sodobnega kapitalizma. Takšna praksa arhitekture je v knjigi poimenovana arhitektura v svetu.
To je praksa arhitekture, ki se v svetu vzpostavlja in pojavlja tako, da svet hkrati gradi oziroma ga preoblikuje, rekonstruira. V svetu se vzpostavlja skupaj s svetom, ki ga sama vzpostavlja. Prispevki v knjigi se sicer ne osredotočajo samo na arhitekturo, pač pa obravnavajo še druga področja miselnega delovanja, kot so umetnost, filozofija in politika. Povezuje pa jih skupni problem: problem zarisa možnosti takšnega mišljenja in delovanja v svetu, ki je obenem rekonstruiranje vsakokratnega danega sveta.
Jacques Rancière in Mark Foster Gage razpravljata o povezavah med politiko in estetiko v razmerju do arhitekture. Rado Riha v središče obravnave sodobne umetnosti postavlja Kantov koncept reflektirajoče razsodne moči. Urednica Petra Čeferin obravnava Plečnikove arhitekturne konstrukcije javnega prostora kot potencialno podporno strukturo praksam intelektualne emancipacije. Knjiga se zaključi z besedilom Alaina Badiouja, ki odgovarja na vprašanje: Ali moramo spremeniti svet, če hočemo biti srečni
Prevozna revščina v Sloveniji
No full textThe book discusses transport poverty – a situation when an individual or household does not have adequate transport to essential services and activities or has trouble affording it. Our definition of transport poverty served as the basis for compiling nine indicators for its measurement. From the spatial aspect, transport poverty in Slovenia was examined with an analysis of the accessibility of public transport, which is the most universal as well as crucial mode of transport for people without a car. From the social aspect, we identified the key stakeholders and potential vulnerable groups and investigated their circumstances by conducting interviews and workshops with them. Using all of the analyses as the basis, we utilized a participatory approach to prepare a list of ten measures to prevent and alleviate transport poverty. The transport poverty phenomenon is set to become increasingly current and pressing with the green transition and the projected increases to fuel prices, especially in Slovenia, which is marked by scattered settlement and car dependence in a majority of the country.Knjiga obravnava prevozno revščino – pojav, ko posameznik ali gospodinjstvo nima ustreznega prevoza do zanj ključnih storitev in dejavnosti ali si ga težko privošči. Na podlagi te definicije smo oblikovali devet kazalnikov za merjenje prevozne revščine. S prostorskega vidika smo prevozno revščino v Sloveniji preučili z analizo dostopnosti javnega prevoza, ki je najbolj univerzalen, obenem pa ključen prevozni način za ljudi brez lastnega vozila. S socialnega vidika smo identificirali ključne deležnike in potencialne ranljive skupine ter preučili njihove težave s pomočjo intervjujev in delavnic. Na podlagi vseh analiz smo na participativen način pripravili seznam desetih ukrepov za preprečevanje in blaženje prevozne revščine. Z zelenim prehodom in predvidenim zvišanjem cen goriva bo pojav prevozne revščine vse bolj aktualen in pereč, še posebej v Sloveniji, ki jo v velikem delu države zaznamujeta razpršena poselitev in odvisnost od avtomobila