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Χορευτικές Κληρονομιές. Συν-Δημιουργώντας Συμμετοχικά Επιτελεστικά Γεγονότα
No full textOver the course of the project Dance as ICH: New models of facilitating participatory dance events (Dance–ICH), we have journeyed across Europe — from Norway and Belgium to Slovenia, Romania, Hungary, Greece, — engaging with a rich diversity of dance traditions, communities, and practices. This initiative has not only brought together cultural heritage institutions, researchers, and artists, but most importantly, it has fostered deep collaborations with communities, inviting them to become co-creators in the safeguarding process.
In this toolbox we discuss and draws six different paintings of why and how museums and cultural heritage institutions should play a part in future sustainable structures for safeguarding dance as living heritage.
This sustainable structure called events of practice exhibition should therefore encompass more than the events themselves. Firstly, these events should be recurrent and embedded in a permanent space. Secondly, they should entail a facilitator in the role of a supporter, in line with the principles for adaptive management to ensure long-term viability, and recognition of value. A cultural institution and its living heritage facilitators can help the dance community by promoting and incorporating their practices into an organizational system, without interfering with the execution of the intangible heritage practices itself. For future and continuing research, it will be obviously important to research these methods over time, in different contexts, and to question the distribution of roles in co-creative processes and the sustainable structures when it comes to funding and resources.
The publication is a Greek translation of the handbook originally titled Dancing Heritages: Co-creating Events of Practice – Handbook.V okviru projekta Ples kot nesnovna kulturna dediščina: Novi modeli omogočanja participativnih plesnih dogodkov (Dance – ICH) nas je pot zanesla čez velik del Evrope (od Norveške in Belgije do Slovenije, Romunije, Madžarske in Grčije), na njej pa smo se seznanili z izjemno pestrostjo plesnih tradicij, skupnosti in praks. Ta pobuda ni povezala zgolj kulturnodediščinskih institucij, raziskovalcev in umetnikov. V prvi vrsti je spodbudila tesno sodelovanje s skupnostmi, ki smo jih povabili k soustvarjanju procesa ohranjanja dediščine.
Koncept razstave s participativnim plesnim dogodkom prepleta plesne vsebine, razstavne elemente, kurirane dogodke in participativne plesne dogodke ter povezuje plesne skupnosti, obiskovalce in muzejske strokovnjake. Za doseganje trajnostnega cilja, tj. ohranjanje plesa v muzejskem prostoru, je treba vse te koščke mozaika premišljeno uskladiti. Ta priročnik na vzorcu šestih razstav in študij primerov ponazarja, kako je koncept razstave s participativnim plesnim dogodkom plesnim skupnostim pomagal pri nadaljevanju njihovih praks, predvsem z ustvarjanjem novih priložnosti za prenos plesne dediščine in njeno večjo prepoznavnost.
Predstavljamo šest različnih primerov, kako lahko muzeji in dediščinske institucije odigrajo ključno vlogo pri vzpostavitvi trajnostnih struktur za ohranjanje plesa kot žive dediščine.
Publikacija je grški prevod priročnika, ki v izvirniku nosi naslov Dancing Heritages: Co-creating Events of Practice – Handbook
Prevozna revščina v Sloveniji
No full textThe book discusses transport poverty – a situation when an individual or household does not have adequate transport to essential services and activities or has trouble affording it. Our definition of transport poverty served as the basis for compiling nine indicators for its measurement. From the spatial aspect, transport poverty in Slovenia was examined with an analysis of the accessibility of public transport, which is the most universal as well as crucial mode of transport for people without a car. From the social aspect, we identified the key stakeholders and potential vulnerable groups and investigated their circumstances by conducting interviews and workshops with them. Using all of the analyses as the basis, we utilized a participatory approach to prepare a list of ten measures to prevent and alleviate transport poverty. The transport poverty phenomenon is set to become increasingly current and pressing with the green transition and the projected increases to fuel prices, especially in Slovenia, which is marked by scattered settlement and car dependence in a majority of the country.Knjiga obravnava prevozno revščino – pojav, ko posameznik ali gospodinjstvo nima ustreznega prevoza do zanj ključnih storitev in dejavnosti ali si ga težko privošči. Na podlagi te definicije smo oblikovali devet kazalnikov za merjenje prevozne revščine. S prostorskega vidika smo prevozno revščino v Sloveniji preučili z analizo dostopnosti javnega prevoza, ki je najbolj univerzalen, obenem pa ključen prevozni način za ljudi brez lastnega vozila. S socialnega vidika smo identificirali ključne deležnike in potencialne ranljive skupine ter preučili njihove težave s pomočjo intervjujev in delavnic. Na podlagi vseh analiz smo na participativen način pripravili seznam desetih ukrepov za preprečevanje in blaženje prevozne revščine. Z zelenim prehodom in predvidenim zvišanjem cen goriva bo pojav prevozne revščine vse bolj aktualen in pereč, še posebej v Sloveniji, ki jo v velikem delu države zaznamujeta razpršena poselitev in odvisnost od avtomobila
Tipni indeks slovenskih ljudskih pravljic. Čudežne pravljice I
No full textThis book ('The Type Index of Slovenian Folktales – Tales of Magic 1') is a fundamental work in the field of narrative folklore, it reveals characteristics of Slovenian fairy tales, and places them in a content-related narrative folklore elsewhere in the world. By taking into account contemporary scientific achievements and the international classification system, it achieves a high scientific level and offers international comparability.
According to the international calssifaying system ATU (Aarne-Thompson-Uther 2024) is the index divided into two parts: the first covers tales of magic classified into types from ATU 300 to ATU 499, while the second presents fairy tales classified into types from ATU 500 to ATU 745.
In fairy tales we can perceive a rich tradition of narrative culture, oral story-telling, written sources and literary works from past eras and civilizations. The stories spread across the continents, making them one of humanity’s most widely shared treasures. At the same time, their constant adaptation to new environments shapes their distinct local identity, setting them apart from neighboring variants and giving the fairy tales of different nations local characteristics. By placing Slovenian tales of magic among content-related folk narrative material from other parts of the world, this type index enables a better recognition of Slovenian narrative folklore in an international context.Knjiga je temeljno delo na področju slovstvene folkloristike in predstavlja pomemben doprinos k raziskovanju slovenskih ljudskih pravljic. Z upoštevanjem sodobnih znanstvenih dosežkov in mednarodnega klasifikacijskega sistema pri razvrščanju gradiva omogoča prepoznavanje njihove primerljivosti in razširjenost, hkrati pa slovenske folklorne pripovedi ustrezno umešča v mednarodni prostor.
V prvi knjigi so obravnavane slovenske ljudske čudežne pravljice, ki so urejene po mednarodnem klasifikacijskem sistemu ATU (Aarne-Thompson-Uther 2024) od pravljičnega tipa ATU 300 do ATU 499, druga knjiga pa predstavlja čudežne pravljice, razvrščene po tipih od ATU 500 do ATU 745.
V ljudskih pravljicah in povedkah lahko zaznamo bogato tradicijo pripovedne kulture, ustnega izročila in literarnih del preteklih obdobij in civilizacij. Pripovedi so se prenašale širom po svetu in postale ena najbolj prepoznavnih kulturnih dobrin človeštva. Istočasno pa je neprestano prilagajanje novemu okolju narekovalo njihovo lokalno podobo, ki daje pravljicam različnih narodov regionalno karakteristiko. Tipni indeks slovenskih čudežnih pravljic omogoča boljše razumevanje izročila in ustreznejšo prepoznavanje razvojne poti slovenskih folklornih pripovedi v mednarodnem prostoru
Iacobus Gallus: Selectiores quaedam missae, Liber III
Full text linkFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. After the publication of his famous collection of motets, Opus musicum, in thirteen volumes (1985–1990), Edo Škulj edited a four-volume edition of Gallus’s masses in 1991. The edition is enriched by facsimiles from Gallus’s original collection, Selectiores quaedam missae, published in 1580 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided his Missarum into four books. The third book (Liber III) contains four 5-part settings of the Mass Ordinary.
The 2025 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Po objavi Gallusovih motetov (Opus musicum) v trinajstih zvezkih (1985–1990) je urednik Edo Škulj leta 1991 pripravil izdajo Gallusovih maš v štirih zvezkih. Izdajo bogatijo faksimili iz Gallusovega izvirnega tiska, ki ga je leta 1580 z naslovom Selectiores quaedam missae objavil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je zbirko maš razdelil v štiri knjige. Tretja knjiga vsebuje štiri petglasne uglasbitve mašnega ordinarija.
Digitalizirana poizdaja iz leta 2025 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Selectiores quaedam missae, Liber IV
Full text linkFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. After the publication of his famous collection of motets, Opus musicum, in thirteen volumes (1985–1990), Edo Škulj edited a four-volume edition of Gallus’s masses in 1991. The edition is enriched by facsimiles from Gallus’s original collection, Selectiores quaedam missae, published in 1580 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided his Missarum into four books. The fourth book (Liber IV) contains four 4-part settings of the Mass Ordinary. With the last Mass, the composer also offers the possibility of a performance in eight voices.
The 2025 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Po objavi Gallusovih motetov (Opus musicum) v trinajstih zvezkih (1985–1990) je urednik Edo Škulj leta 1991 pripravil izdajo Gallusovih maš v štirih zvezkih. Izdajo bogatijo faksimili iz Gallusovega izvirnega tiska, ki ga je leta 1580 z naslovom Selectiores quaedam missae objavil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je zbirko maš razdelil v štiri knjige. Četrta knjiga vsebuje štiri štiriglasne uglasbitve mašnega ordinarija. V zadnji maši skladatelj ponuja tudi možnost izvedbe z osmimi glasovi.
Digitalizirana poizdaja iz leta 2025 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu.
Historični seminar 15
No full textHistorical Seminar 15 brings together a wide range of topics, ranging from the medieval origins of the noble Herberstein family to the characteristic Habsburg representations of Adriatic regions at the beginning of the 20th century. It covers diverse fields such as history, genealogy, art, literary history and anthropology. The monograph is introduced by a discussion by Gašper Oitzl on the mining orders for the iron mines in the Eastern Alps between the 14th and 16th centuries. Sylvia Stegbauer writes on the Jesuit Order in Inner Austria, in particular on the construction and operation of the Jesuit College in Graz. Matjaž Grahornik’s article presents an extensive genealogical outline of the important Styrian noble family of Herberstein. Andreas Golob examines the rich and hitherto overlooked material on Habsburg censorship in the 18th century, preserved in the archives of Inner Austria, while Daša Ličen focuses on the activities of the 19th-century societies in Trieste from the point of view of the involvement of the different social classes in them. Historical Seminar 15 concludes with Salvatore Pappalardo’s article on the representation of the Adriatic lands in Habsburg imperial propaganda at the last great international exhibition of the Austro-Hungarian Monarchy in Vienna in 1913.Historični seminar 15 prinaša raznovrsten nabor tematik, ki časovno segajo od srednjeveških začetkov plemiške družine Herberstein pa vse do značilnega prikazovanja pokrajin ob Jadranu v okviru habsburške propagande v začetku 20. stoletja. Zajema raznolika področja, kot so zgodovina, rodoslovje, umetnostna in literarna zgodovina ter antropologija. Monografijo uvede razprava Gašperja Oitzla o rudarskih redih za območja rudnikov železa v Vzhodnih Alpah med 14. in 16. stoletjem. Sylvia Stegbauer piše o jezuitskem redu v Notranji Avstriji, zlasti o gradbeni in funkcionalni zgodovini Jezuitskega kolegija v Gradcu. Članek Matjaža Grahornika predstavlja razvejan genealoški oris pomembne štajerske plemiške rodbine Herberstein. Andreas Golob je preučil bogato in do sedaj prezrto gradivo o habsburški cenzuri 18. stoletja, ki se je ohranilo v notranjeavstrijskih arhivih, Daša Ličen pa se posveča delovanju tržaških društev v 19. stoletju s stališča udejstvovanja različnih družbenih razredov v njih. Historični seminar 15 zaključuje prispevek Salvatoreja Pappalarda o prikazu Jadrana v habsburški cesarski propagandi na zadnji veliki mednarodni razstavi avstro-ogrske monarhije leta 1913 na Dunaju
Iacobus Gallus: Harmoniae morales
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been the publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. After the publication of Gallus’s motets (Opus musicum) in thirteen volumes (1985–1990), the Masses (Selectiores quaedam missae) in four volumes (1991), the publication of Gallus’s Harmoniae morales followed in a transcription by Edo Škulj in 1996. Gallus published his 53 4-part pieces in three sections in 1589 and 1590. The edition is enriched by facsimiles from the original collection published by the Prague printer Georg Nigrin (Jiří Černý).
The 2025 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Po objavi Gallusovih motetov (Opus musicum) v trinajstih zvezkih (1985–1990) in mašnih kompozicij (Selectiores quaedam missae) v štirih zvezkih (1991) so leta 1996 v transkripciji Eda Škulja izšle Gallusove moralne harmonije (Harmoniae morales). Gallus je 53 štiriglasnih latinskih skladb objavil v treh delih v letih 1589 in 1590. Izdajo bogatijo faksimili iz izvirnih tiskov iz delavnice praškega tiskarja Georga Nigrina (Jiří Černý).
Digitalizirana poizdaja iz leta 2025 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Terminološki slovarji 2024
No full textThe monograph Terminological Dictionaries 2024 contains dictionary entries created in 2024 as part of terminological dictionaries under development at the Department of Terminology of the Fran Ramovš Institute of the Slovenian Language ZRC SAZU. The publication includes 1450 dictionary entries, namely 214 from the field of physiotherapy, 469 from the field of firefighting, 120 from the field of geoinformatics, 181 from the field of theatre, 53 from the field of criminology, 51 from the field of meteorology, 305 from the field of computer science and 57 from the field of animal science. Among the dictionary entries, there are 1226 consisting of the term, grammatical information, definition and possible synonyms and abbreviations, as well as 224 cross-references that guide the user to the preferred term, which serves to harmonise the terminology. The entries from the fields of physiotherapy, geoinformatics, criminology, meteorology, computer science and animal science also have English equivalents, while the entries from the field of firefighting have also German equivalents in addition to the English ones. The publication is intended to keep the interested specialist public up to date with new dictionary entries that are created as part of larger terminographic projects.Monografija Terminološki slovarji 2024 prinaša slovarske sestavke, ki so bili v letu 2024 oblikovani v okviru nastajajočih terminoloških slovarjev na Oddelku za terminologijo Inštituta za slovenski jezik Frana Ramovša ZRC SAZU. Publikacija vsebuje 1450 slovarskih sestavkov, in sicer 214 s področja fizioterapije, 469 s področja gasilstva, 120 s področja geoinformatike, 181 s področja gledališča, 53 s področja kriminalistike, 51 s področja meteorologije, 305 s področja računalništva in 57 s področja živinoreje. Med slovarskimi sestavki je 1226 polnih slovarskih sestavkov, ki vsebujejo termin, slovnične podatke, definicijo in morebitne sinonime ter kratice, in 224 kazalčnih slovarskih sestavkov, ki uporabnika usmerjajo na prednostni termin, s čimer se skuša poenotiti terminološko rabo. Sestavki s področja fizioterapije, geoinformatike, kriminalistike, meteorologije, računalništva in živinoreje vsebujejo tudi angleške ustreznike, sestavki s področja gasilstva pa imajo poleg angleških še nemške ustreznike. Publikacija je namenjena sprotni seznanitvi zainteresirane strokovne javnosti z novimi slovarskimi sestavki, ki nastajajo v okviru obsežnejših terminografskih projektov
Dancing Heritages. Co-creating Events of Practice – Handbook
No full textOver the course of the project Dance as ICH: New models of facilitating participatory dance events (Dance–ICH), we have journeyed across Europe — from Norway and Belgium to Slovenia, Romania, Hungary, Greece, — engaging with a rich diversity of dance traditions, communities, and practices. This initiative has not only brought together cultural heritage institutions, researchers, and artists, but most importantly, it has fostered deep collaborations with communities, inviting them to become co-creators in the safeguarding process.
In this toolbox we discuss and draws six different paintings of why and how museums and cultural heritage institutions should play a part in future sustainable structures for safeguarding dance as living heritage.
This sustainable structure called events of practice exhibition should therefore encompass more than the events themselves. Firstly, these events should be recurrent and embedded in a permanent space. Secondly, they should entail a facilitator in the role of a supporter, in line with the principles for adaptive management to ensure long-term viability, and recognition of value. A cultural institution and its living heritage facilitators can help the dance community by promoting and incorporating their practices into an organizational system, without interfering with the execution of the intangible heritage practices itself. For future and continuing research, it will be obviously important to research these methods over time, in different contexts, and to question the distribution of roles in co-creative processes and the sustainable structures when it comes to funding and resources.V okviru projekta Ples kot nesnovna kulturna dediščina: Novi modeli omogočanja participativnih plesnih dogodkov (Dance – ICH) nas je pot zanesla čez velik del Evrope (od Norveške in Belgije do Slovenije, Romunije, Madžarske in Grčije), na njej pa smo se seznanili z izjemno pestrostjo plesnih tradicij, skupnosti in praks. Ta pobuda ni povezala zgolj kulturnodediščinskih institucij, raziskovalcev in umetnikov. V prvi vrsti je spodbudila tesno sodelovanje s skupnostmi, ki smo jih povabili k soustvarjanju procesa ohranjanja dediščine.
Koncept razstave s participativnim plesnim dogodkom prepleta plesne vsebine, razstavne elemente, kurirane dogodke in participativne plesne dogodke ter povezuje plesne skupnosti, obiskovalce in muzejske strokovnjake. Za doseganje trajnostnega cilja, tj. ohranjanje plesa v muzejskem prostoru, je treba vse te koščke mozaika premišljeno uskladiti. Ta priročnik na vzorcu šestih razstav in študij primerov ponazarja, kako je koncept razstave s participativnim plesnim dogodkom plesnim skupnostim pomagal pri nadaljevanju njihovih praks, predvsem z ustvarjanjem novih priložnosti za prenos plesne dediščine in njeno večjo prepoznavnost.
Predstavljamo šest različnih primerov, kako lahko muzeji in dediščinske institucije odigrajo ključno vlogo pri vzpostavitvi trajnostnih struktur za ohranjanje plesa kot žive dediščine
Danserfgoed. Cocreatie van 'events of practice' – Handboek
No full textOver the course of the project Dance as ICH: New models of facilitating participatory dance events (Dance–ICH), we have journeyed across Europe — from Norway and Belgium to Slovenia, Romania, Hungary, Greece, — engaging with a rich diversity of dance traditions, communities, and practices. This initiative has not only brought together cultural heritage institutions, researchers, and artists, but most importantly, it has fostered deep collaborations with communities, inviting them to become co-creators in the safeguarding process.
In this toolbox we discuss and draws six different paintings of why and how museums and cultural heritage institutions should play a part in future sustainable structures for safeguarding dance as living heritage.
This sustainable structure called events of practice exhibition should therefore encompass more than the events themselves. Firstly, these events should be recurrent and embedded in a permanent space. Secondly, they should entail a facilitator in the role of a supporter, in line with the principles for adaptive management to ensure long-term viability, and recognition of value. A cultural institution and its living heritage facilitators can help the dance community by promoting and incorporating their practices into an organizational system, without interfering with the execution of the intangible heritage practices itself. For future and continuing research, it will be obviously important to research these methods over time, in different contexts, and to question the distribution of roles in co-creative processes and the sustainable structures when it comes to funding and resources.
The publication is a Belgian Dutch translation of the handbook originally titled Dancing Heritages: Co-creating Events of Practice – Handbook.V okviru projekta Ples kot nesnovna kulturna dediščina: Novi modeli omogočanja participativnih plesnih dogodkov (Dance – ICH) nas je pot zanesla čez velik del Evrope (od Norveške in Belgije do Slovenije, Romunije, Madžarske in Grčije), na njej pa smo se seznanili z izjemno pestrostjo plesnih tradicij, skupnosti in praks. Ta pobuda ni povezala zgolj kulturnodediščinskih institucij, raziskovalcev in umetnikov. V prvi vrsti je spodbudila tesno sodelovanje s skupnostmi, ki smo jih povabili k soustvarjanju procesa ohranjanja dediščine.
Koncept razstave s participativnim plesnim dogodkom prepleta plesne vsebine, razstavne elemente, kurirane dogodke in participativne plesne dogodke ter povezuje plesne skupnosti, obiskovalce in muzejske strokovnjake. Za doseganje trajnostnega cilja, tj. ohranjanje plesa v muzejskem prostoru, je treba vse te koščke mozaika premišljeno uskladiti. Ta priročnik na vzorcu šestih razstav in študij primerov ponazarja, kako je koncept razstave s participativnim plesnim dogodkom plesnim skupnostim pomagal pri nadaljevanju njihovih praks, predvsem z ustvarjanjem novih priložnosti za prenos plesne dediščine in njeno večjo prepoznavnost.
Predstavljamo šest različnih primerov, kako lahko muzeji in dediščinske institucije odigrajo ključno vlogo pri vzpostavitvi trajnostnih struktur za ohranjanje plesa kot žive dediščine.
Publikacija je belgijski prevod priročnika v nizozemščino, ki v izvirniku nosi naslov Dancing Heritages: Co-creating Events of Practice – Handbook