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Iacobus Gallus: Opus musicum I/3. A dominica septuagesimae per quadragesimam de poenitentia
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the first book of his Opus musicum (1586) into three sections, which have been retained in the MAMS edition. The third volume (I/3) consists of 4-, 5-, 6- and 8-part motets for the pre-Lenten (Septuagesima) and Lenten (Quadragesima) seasons of the church year.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je prvo knjigo svojega Opus musicum (1586) uredil v treh razdelkih, ki jim sledi tudi izdaja MAMS. Tretji zvezek (I/3) vsebuje 4-, 5-, 6- in 8-glasne motete, namenjene za predpostni (septuagesima) in postni (quadragesima) čas cerkvenega leta.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Od ljudskega gledališča do uprizarjanja dediščine
No full textIn this monograph ('From Folk Theatre to Heritage Staging'), the author presents in a modern theoretical and conceptual way the contemporary forms of occurrence, transformation and diversity of folk theatre in Slovenia. She is especially interested in the functions and the role of the selected examples of contemporary folk theatre for various communities. She uses selected examples of contemporary folk theatre and field research to present possible connections between the selected examples and tries to answer the question “Why stage your own heritage?”.
Empirically-based research on contemporary folk theatre brings an in-depth analysis of heritage staging up to 2022 and is complemented by fieldwork and interviews. A thoughtful selection of examples has been made in order to show the diversity of contemporary folk theatres, while outlining different approaches and ways of staging cultural heritage. The monograph presents a collection of various examples of contemporary folk theatre in Slovenia, offers insight into one of the possible approaches to researching the theory and content of this sort of folk performances and opens up new questions for further research.In this monograph ('From Folk Theatre to Heritage Staging'), the author presents in a modern theoretical and conceptual way the contemporary forms of occurrence, transformation and diversity of folk theatre in Slovenia. She is especially interested in the functions and the role of the selected examples of contemporary folk theatre for various communities. She uses selected examples of contemporary folk theatre and field research to present possible connections between the selected examples and tries to answer the question “Why stage your own heritage?”.
Empirically-based research on contemporary folk theatre brings an in-depth analysis of heritage staging up to 2022 and is complemented by fieldwork and interviews. A thoughtful selection of examples has been made in order to show the diversity of contemporary folk theatres, while outlining different approaches and ways of staging cultural heritage. The monograph presents a collection of various examples of contemporary folk theatre in Slovenia, offers insight into one of the possible approaches to researching the theory and content of this sort of folk performances and opens up new questions for further research
Naše znanstvenice. Kako so ženske soustvarjale znanost v Jugoslaviji
No full textThe book ('Our Women Scientists. How women co-created science in Yugoslavia') is conceived as a collection of articles about women scientists who have taken their field “one step further”. By this we mean women researchers, professors, innovators, authors of a significant scientific breakthrough or discovery, a patent, or women who have introduced new practices and methods in their academic field, founded an institute or department, or created the conditions for the development of new scientific disciplines.
The professional biographies of the 27 women presented in this book show what the pursuit of science actually means. The women’s scientific contribution is narrated through their work and their life stories, because the professional/public can never be separated from the private/intimate. The question of who does research can never be separated from what they research and how they do it. The essays also tell the story of the broader social contribution that women scientists have made, which goes far beyond narrowly defined scientific work. In this way, the book also aims to change the understanding of what science is as a process of knowledge production, as human labor, as social practice, and as vocation.Knjiga je zasnovana kot zbirka prispevkov o znanstvenicah, ki so svojo znanstveno disciplino premaknile »korak naprej«. S tem imamo v mislih raziskovalke, profesorice, inovatorke, avtorice pomembnega znanstvenega preboja ali odkritja, patenta, ali pa znanstvenice, ki so v svoje znanstveno področje uvedle novo prakso in metodologijo, ustanovile inštitut oziroma oddelek, ali pa vzpostavile pogoje za razvoj novih znanstvenih disciplin.
Profesionalne biografije 27 žensk predstavljenih v tej knjigi odkrijejo veliko več plasti tega kaj ukavrjanje z znanostjo dejansko zaobjema. Znanstveni prispevek žensk je prikazan skozi zgodbe o njihovem delu in življenju, ker profesionalno/javno nikoli ni ločeno od zasebnega/intimnega. Vprašanje kdo raziskuje nikoli ni ločeno od tega kaj oz. kateri predmet raziskuje in kako to počne. Eseji pripovedujejo zgodbo tudi o širšem družbenem prispevku, ki so ga znanstvenice pustile za sabo, ki gre bistveno onkraj ozko razumljenega znanstvenega dela. Tako knjiga želi prispevati tudi spreminjanju razumevanja kaj znanost je, kot proces ustvarjanja vednosti in znanja, kot človeško delo, družbena praksa in poslanstvo.
Poskus rekonstrukcije neuresničenega Narodnega muzeja v Gorici. 1910–1914
No full textThe establishment of the Slovenian National Museum in Gorica and its creation before the First World War was undoubtedly a nationally progressive act in Gorica, equally and evenly embedded in the conditions through which the social development of all Slovenians took place. The explanation of this situation among Slovenians was specially dedicated to facilitate understanding of the conditions that paved the way for cultural phenomena and activities, including those that took care of cultural heritage and its preservation in institutions such as museums, libraries and archives and related private collections held by individuals or in institutions (parish archives , libraries of various societies, schools) particularly important in the western Slovenian ethnic fringe. The monograph mainly deals with the questions of how the Slovenian museum was created, who were its initiators and implementers, who were the donors and what they donated for the emerging museum collection. The book is therefore also an attempt to mentally reconstruct this unrealized museum on the basis of accessible literature and sources, among which the local newspapers of the time, Soča and Gorica, are especially important, whose content gives us an insight into historical facts, and also reveals the life of the population of Goriška region at the time.Ustanovitev slovenskega narodnega muzeja v Gorici in njegovo nastajanje pred prvo svetovno vojno je bilo nedvomno narodno napredno dejanje na Goriškem, enakovredno in enakomerno vpeto v razmere, skozi katere je potekal družbeni razvoj pri vseh Slovencih. Razlaga tega stanja pri Slovencih je bila potrebna zaradi lažjega razumevanje razmer, ki so pripravljale pot kulturnim pojavom in dejavnostim, tudi takim, ki so skrbele za kulturno dediščino in njeno ohranjevanje v ustanovah, kot so bili muzeji, knjižnice in arhivi ter sorodne zasebne zbirke posameznikov ali v ustanovah (župnijski arhivi, knjižnice raznih društev, šole) posebej pomembne za Slovence na zahodnem narodnostnem robu. Monografija se ukvarja predvsem z vprašanji, kako je slovenski muzej nastajal, kdo so bili njegovi pobudniki in uresničevalci, kdo so bili darovalci in kaj so darovali za nastajajočo muzejsko zbirko. Knjiga je tudi poskus miselne rekonstrukcije tega neuresničenega muzeja na osnovi dostopne literature in virov, med katerimi sta še posebej pomembna takratna lokalna časopisa, Soča in Gorica, katerih vsebina nam daje vpogled v zgodovinska dejstva, razkriva pa tudi življenjski utrip takratnega goriškega prebivalstva.
Priročnik za integriteto, etiko in enakost spolov v raziskovalnih organizacijah
No full textPriročnik za integriteto, etiko in enakost spolov v raziskovalnih organizacijah ('The Handbook on Integrity, Ethics and Gender Equality in Research Organisations') is designed to help higher education institutions and research performing organisations address issues of ethics, integrity and gender equality through institutional change. It provides a set of guidelines for organisations to establish and complement institutional mechanisms that enable systematic attention to research ethics and integrity as well as gender equality in research.
The Handbook will assist the management and decision-making bodies of scientific research organisations in shaping institutional policies; it will be useful to administrative and professional staff in implementing them; it as at disposal to members of committees responsible for these areas; and finally, it could help those working in research to initiate the improvements needed in their organisations.
The Handbook was prepared as part of the project "Ethics, Integrity and Gender Equality in the Research Area of Slovenia: between Policies and their Implementation" (2021–2023), which is funded by the Ministry of Higher Education, Science and Innovation and the Slovenian Research and Innovation Agency.Namen Priročnika za integriteto, etiko in enakost spolov v raziskovalnih organizacijah je pomagati raziskovalnim organizacijam in visokošolskim zavodom pri premišljenem soočanju z vprašanji etike, integritete in enakosti spolov skozi institucionalne spremembe. Organizacije lahko v njem najdejo vrsto napotkov za vzpostavljanje in dopolnjevanje institucionalnih mehanizmov, ki omogočajo sistematično skrb za raziskovalno etiko in integriteto ter upoštevanje načela enakosti spolov v raziskovalni dejavnosti.
Priročnik bo v pomoč vodstvu in odločevalskim telesom znanstvenoraziskovalnih organizacij pri snovanju institucionalnih politik, administrativnemu in strokovnemu osebju pri njihovi implementaciji, članicam_om za ta področja zadolženih komisij, ter izvajalkam_cem raziskav pri dajanju pobud za izboljšave, potrebne v njihovih organizacijah.
Priročnik je nastal v okviru projekta »Etika, integriteta in enakost spolov v raziskovalnem prostoru Slovenije: med politikami in njihovo implementacijo« (2021–2023), ki ga financirata Ministrstvo za visoko šolstvo, znanost in inovacije in Javna agencija za znanstvenoraziskovalno in inovacijsko dejavnost Republike Slovenije
Iacobus Gallus: Opus musicum I/1. In adventu Domini nostri Iesu Christi
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the first book of his Opus musicum (1586) into three sections, which have been retained in the MAMS edition. The first volume (I/1) consists of 4-, 5-, 6- and 8-part motets for the beginning of the church year, i.e. Advent.
The 2022 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je prvo knjigo svojega Opus musicum (1586) uredil v treh razdelkih, ki jim sledi tudi izdaja MAMS. Prvi zvezek (I/1) vsebuje 4-, 5-, 6- in 8-glasne motete, namenjene za začetni čas cerkvenega leta, torej za advent.
Digitalizirana poizdaja iz leta 2022 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
The Roman conquest beyond Aquileia (II-I centuries BC)
No full textThe increase in archaeological knowledge sheds new light on the presence of the Roman army and conflict archaeology in the Caput Adriae region and on the eastern coast of the Adriatic Sea. The nine contributions by 19 authors from four countries (Italy, Slovenia, Croatia and Austria) summarise the historical, epigraphic and archaeological evidence. The main part of the book is devoted to the northern Adriatic and its hinterland in the 2nd and 1st centuries BC. The topography of the first year of the Histrian War (178-177 BC) is examined in the context of a historical debate. The archaeological evidence of the early Roman military presence is discussed in the chapters on the military camps of San Rocco and Grociana piccola, the beginnings of Tergeste on the hill of San Giusto, the conflicts with the autochthonous population, and the epigraphic evidence of the Roman army. The remains of the early Roman camps provide a new insight into the landscape of central Dalmatia. On the basis of written sources, the Roman offensive policy in the southern Adriatic, in the Ionian region and in the interior of the Balkans is analysed.V knjigi devetnajst avtorjev iz štirih držav (Italije, Slovenije, Hrvaške in Avstrije) predstavlja zgodovinske, epigrafske in arheološke dokaze o prisotnosti rimske vojske in o sledovih spopadov na območju Caput Adriae ter na vzhodni obali Jadrana. Večina prispevkov je posvečena severnemu Jadranu in njegovemu zaledju v 2. in 1. stoletju pr. Kr. Topografija prvega leta histrske vojne (178–177 pr. Kr.) je analizirana s pomočjo zgodovinskih virov. Arheološki dokazi o zgodnji rimski vojaški prisotnosti so obravnavani v več poglavjih: o vojaških taborih Koromačnik in Mala Gročanica, o začetkih Tergesta na hribu Sv. Justa, o spopadih z avtohtonim prebivalstvom in o epigrafskih sledeh rimske vojske. Ostanki zgodnjerimskih taborov ponujajo nov vpogled tudi v pokrajino srednje Dalmacije. Rimska ofenzivna politika na južnem Jadranu, ob Jonskem morju in v notranjosti Balkana je analizirana na podlagi pisnih virov
Between Ravenna and Constantinople. Rethinking Late Antique Settlement Patterns
No full textThe book presents the settlement in a period of European history (late 3rd to early 7th century) when the highly exposed areas between the Late Antique capitals in Ravenna and Constantinople underwent a radical transformation. The relentless pressure of barbarian populations from beyond the Roman limes resulted in political, military, economic and social changes that finally led to the decline of the former forms of human habitation. Cities in the continental parts were largely abandoned or continued in heavily reduced and ruralised skeletons of their former selves; only the urban centres along the coasts of the Mediterranean met a kinder fate. Other forms of lowland settlement, primarily the once prominent Roman villas, ceased to exist as early as the middle of the 5th century. The population began retreating to remote areas and naturally well-protected hilltop settlements of an autarchic character, where the achievements of the ancient civilisation were upheld to the late 6th century. Alongside these, there was a series of forts constructed under the Emperor Justinian, which show a carefully thought-out system defending the lines of communications between the two capitals. The book offers a comprehensive overview of the mass of characteristic cities, lowland hamlets and fortified settlements illustrated with plans, maps and photographs, but also an interpretation of the profound transformation of the settlement patterns.Knjiga predstavlja naselbinsko podobo prelomnega časa (konec 3. do začetka 7. st.) v zgodovini Evrope na izpostavljenem geografskem območju med prestolnicama poznoantičnega sveta Raveno in Konstantinoplom. Politične, vojaške, gospodarske in socialne razmere so ob močnem pritisku barbarov izza limesa povzročile propad nekdanjih naselbinskih oblik: mesta so bila v celinskem delu največkrat opuščena ali pa so obstajala le še v močno skrčenih in ruraliziranih skeletih nekdanjih mest. Bolje so se ohranila le urbana središča v mediteranskem pasu. Tudi nižinske naselbine, predvsem nekdaj močne rimske vile, so prenehale obstajati že do sredine 5. st. Prebivalstvo se je zato začelo postopno umikati v odročne kraje in na naravno zavarovane hribovske naselbine avtarkičnega značaja, kjer pa so še vedno ohranjali antične civilizacijske pridobitve vse do konca 6. st. Predstavljene so tudi utrdbe iz Justinijanovega časa, ki dokazujejo domišljen sistem varovanja komunikacij med obema prestolnicama. Delo podaja temeljni pregled množice značilnih mest, nižinskih zaselkov in utrjenih naselbin z načrti, zemljevidi in fotografijami, kot tudi interpretacijo celovite preobrazbe naselbinske slike
Affect’s Social Lives. Post-Yugoslav Reflections
No full textWhy is the talk about Yugoslavia still emotionally charged and situated in the registers of passion, pain, sentimental recollections, or nostalgia even 30 years after its violent dissolution? How is the sphere of the affective, sensory, and embodied fundamental to understanding the historical project of Yugoslavia and its afterlives? Social Lives of Affect: Post-Yugoslav Reflections addresses these questions and explores how the attempts to conceptually capture our social realities in their messy, fluid, and indeterminate natures contribute to a nuanced understanding of the complex sociopolitical processes in the region. Moreover, the book shows how using affect to understand social realities in their constant transformation often challenges not only the expected politics of belonging, identification, and solidarity but also how we (as scholars) give them sociopolitical meaning. It allows observing the social dynamics beyond an exclusive focus on the ethno-national (and increasingly racial) differences emphasized in the scholarly examinations of Yugoslavia.Zakaj so pogovori o Jugoslaviji še 30 let po njenem nasilnem razpadu še vedno čustveno nabiti in zaznamovani s strastjo, bolečino, sentimentalnimi spomini ali nostalgijo? Zakaj so afektivnost, čutnost in utelešenost pomembni za razumevanje jugoslovanskega projekta in njegovih sodobnih življenj? Ta vprašanja naslavlja zbornik Social Lives of Affect: Post-Yugoslav Reflections in tako raziskuje, kako lahko poskusi, da bi konceptualno zagrabili naše družbene realnosti v njihovih neurejenih, fluidnih in nedoločljivih značilnostih, prispevajo k poglobljenemu razumevanju kompleksnih družbenopolitičnih procesov v regiji. Knjiga prav tako pokaže, kako uporaba koncepta afekta za razumevanje družbenih realnosti v njihovi nenehni transformaciji pogosto ne postavlja pod vprašaj le pričakovanih politik pripadnosti, identifikacije in solidarnosti, temveč tudi načine, kako kot znanstveniki afektivni in utelešeni izkušnji pripisujemo družbenopolitični pomen. Zbornik tako odstira pogled na družbene dinamike na območju nekdanje Jugoslavije, ki seže prek prevladujočega interpretativnega okvira, v katerem je poudarek na etničnih (in vse bolj rasnih) razlikah.
Slovenci in cesarska cenzura od Jožefa II. do prve svetovne vojne / Slovenians and imperial censorship from Joseph II to the First World War. Katalog razstave v Narodni in univerzitetni knjižnici / Catalogue of the exhibition in the National and University Library
No full textCensorship is an inexhaustible and eternally relevant topic. In the history of encounters between Slovenians and censorship, the period between the reign of Joseph II and the First World War, which brought about the end of the monarchy, was one of the most interesting and dynamic eras. During this period, which is almost symmetrically divided into two parts by the 1848 revolution, Slovenian secular literature was formed from the anthology Pisanice onwards, the first newspapers in Slovenian emerged, and the national movement was strengthened. Imperial censorship had a significant role in the shaping of all of these processes: until 1848, in the form of the dominant pre-censorship, which was instrumentalised by the police-censorship network of the notorious Vormärz duo Metternich-Sedlnitzky; after the March Revolution the dominant form was post-censorship, which mercilessly reined in problematic authors with the help of the judicial apparatus. The richly illustrated catalogue, prepared for the exhibition Slovenians and Imperial Censorship from Joseph II to the First World War (National and University Library, 25 May – 25 November 2023), was carefully designed to show the crucial role of censorship in shaping Slovenian literature and culture. The catalogue is complemented by the “imagined” edition of Slavinja — a newspaper that was not allowed to appear during the pre-March period.
Published by National and University Library (Ljubljana).Cenzura je neizčrpna in večno aktualna tema. V zgodovini srečevanj med Slovenci in cenzuro je obdobje med vladavino Jožefa II. in prvo svetovno vojno, ki je prinesla konec monarhije, eno najbolj zanimivih in dinamičnih. V tem času, ki ga skoraj simetrično razpolavlja revolucionarno leta 1848, se je od Pisanic dalje oblikovala slovenska posvetna književnost, rojevali so se prvi časopisi v slovenščini, vzpostavljalo in krepilo se je narodno gibanje, ob vse večji politični diferenciaciji so se zaostrovala mednacionalna trenja. Vse te procese je pomembno sooblikovala cesarska cenzura: do leta 1848 v obliki prevladujoče predcenzure, konkretizirane v policijsko-cenzorskem omrežju razvpitega predmarčnega dvojca Metternich–Sedlnitzky, po marčni revoluciji pa v obliki pocenzure, ki je problematične avtorje neusmiljeno krotila s pomočjo sodnega aparata. Bogato ilustrirani katalog razstave »Slovenci in cesarska cenzura od Jožefa II. do prve svetovne vojne« (Narodna in univerzitetna knjižnica, 25. maj – 25. november 2023) poljudno prikaže, kako pomembno je cenzura v dolgem 19. stoletju krojila podobo slovenske literature in kulture. Katalogu je dodana še »zamišljena« izdaja Slavinje – slovenskega časopisa, ki v predmarčni dobi zaradi cenzure ni smel iziti.
Založnik Narodna in univerzitetna knjižnica (Ljubljana)