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Iacobus Gallus: Opus musicum II/4. De Spiritu sancto
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the second book of his Opus musicum (1587) into four sections, which have been retained in the MAMS edition. The fourth volume (II/4) consists of 4-, 5-, 6 and 8-part motets for Pentecost or the Feast of the Holy Spirit.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je drugo knjigo svojega Opus musicum (1587) uredil v štirih razdelkih, ki jim sledi tudi izdaja MAMS. Četrti zvezek (II/4) vsebuje 4-, 5-, 6- in 8-glasne motete za binkošti ali praznik Svetega Duha.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu.
Iacobus Gallus: Opus musicum III/2. In dedicatione templi et a dominica post pentecosten usque ad adventum Domini
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the third book of his Opus musicum (1587) into two sections, which have been retained in the MAMS edition. The second volume (III/2) consists of motets for up to 12 voices for the Feast of the Consecration of the church and for the season lying between the third Sunday after Pentecost and the first Sunday of Advent.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je tretjo knjigo svojega Opus musicum (1587) uredil v dveh razdelkih, ki jima sledi tudi izdaja MAMS. Drugi zvezek (III/2) vsebuje motete do 12 glasov za praznik posvetitve cerkve ter za čas med letom s pričetkom na tretjo nedeljo po binkoštih in koncem na prvo adventno nedeljo.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Opus musicum IV/4. Harmoniae quatuor vocum / Psalmi omnibus sanctis triumphales
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus assigned the fourth book of his Opus musicum (1590) to feasts of the Virgin Mary, the Apostles, the Martyrs, the Witnesses and the Holy Virgins. Gallus arranged the motets not according to the chronological order of the church year, but according to the number of voices. The forth volume (IV/4) consists of 4-part motets for the feasts of the Mother of God and the Saints, plus, in conclusion, settings of four Triumphal Psalms, two of them for 24 voices distributed among four choirs.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je četrto knjigo svojega Opus musicum (1590) namenil za praznike Device Marije, apostolov, mučenikov, pričevalcev in svetih devic. Motetov ni uredil po kronološkem vrstnem redu cerkvenega leta, pač pa po številu glasov. Četrti zvezek (IV/4) vsebuje motete za 4 glasove, namenjene praznikom Matere Božje in svetnikov, ob koncu pa tudi uglasbitve štirih triumfalnih psalmov, dva od teh za 24 glasov v štirih zborih.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Pisma Franca Franza baronu Erbergu (1832–1840)
No full textJosef Kalasanz Baron Erberg (1771–1843), a wealthy collector and patron with connections to the imperial court, spent the last years of his life in voluntary solitary confinement in his manor house in Dol near Ljubljana. Nevertheless, he wanted to be kept informed of what was going on, so he hired an Austrian army captain named Franz Franz (1779–1840), who spent his retirement years in Ljubljana, as an informant. Franz sent almost daily letters to Erberg between 1832 and 1840, thus creating a kind of chronicle of Biedermeier Ljubljana. The main part of the publication is a scholarly and critical transcription of just over 1800 of Franz's (German) letters to Erberg, supplemented by an introductory study and an index of names. The letters contain mostly local news about Ljubljana and its inhabitants, mainly about the high society. The lower classes are mentioned less frequently, usually in connection with accidents and violent deaths. The areas that Franz frequently mentioned in his letters were illness and health, social life (the Casino, the theatre), travel, as well as reports from other parts of the monarchy. The publication was the basis for the studies published in a separate monograph entitled Podobe bidermajerske Ljubljane ('Images of Biedermeier Ljubljana').Jožef Kalasanc baron Erberg (1771–1843), bogat zbiratelj in mecen, ki je imel povezave s cesarskim dvorom, je zadnja leta življenja preživel v prostovoljni osami v svojem dvorcu v Dolu pri Ljubljani. Vseeno je hotel biti obveščen o dogajanju, zato je kot informatorja najel stotnika avstrijske vojske po imenu Franc Franz (1779–1840), ki je upokojenska leta preživljal v Ljubljani. Franz je tako Erbergu med letoma 1832 in 1840 skorajda vsakodnevno pošiljal pisma in na ta način ustvaril nekakšno kroniko bidermajerske Ljubljane. Osrednji del publikacije tvori znanstvenokritična transkripcija nekaj več kot 1800 Franzevih (nemških) pisem Erbergu, ki jo dopolnjujeta uvodna študija in imensko kazalo. Vsebinsko gledano je v pismih največ lokalnih novic o Ljubljani in njenih prebivalcih, pretežno o ljubljanski visoki družbi. Nižji sloji so omenjeni redkeje, ponavadi v povezavi s črno kroniko. Področja, ki jih je Franz pogosto omenjal v pismih, so bolezni in zdravstvene razmere, družabno življenje (Kazina, gledališče), potovanja, pa tudi poročila iz drugih delov monarhije. Publikacija je bila osnova za študije, objavljene v samostojni monografiji z naslovom Podobe bidermajerske Ljubljane
Vas Črnotiče med Krasom in Istro. Vaško in cerkveno stavbarstvo ter njegovi mojstri
No full textV knjigi avtor z etnološkega in umetnostnozgodovinskega vidika obravnava stavbno in kulturno dediščino Črnotič, ki slovijo po svoji urbanistični zasnovi, kamniti arhitekturi ter kar dveh cerkvah iz 17. stoletja, s poudarkom na njenih ustvarjalcih od 17. stoletja do prve polovice 20. stoletja. Poleg podrobnih opisov obeh cerkva in njune kamnite opreme predstavlja etape njune stavbne zgodovine ter ju na podlagi temeljitega poznavanja zgodovine kamnoseštva in primerjav s sočasno cerkveno arhitekturo v širši okolici umešča v opuse pomembnih kamnoseških in zidarskih mojstrov Anžeta Felicijana in njegovega sina Anžeta mlajšega iz Rodika, Vincenca in Anžeta Rojine iz Brezovice v Brkinih ter Janeza Dobrile iz zidarske rodovine Karamonov iz Hrpelj. Iz etnološkega zornega kota so najzanimivejši opisi vaškega stavbnega tkiva s številnimi domačijami, ki se ponašajo s kvalitetnimi kamnoseškimi členi, med katerimi so najbolj reprezentativni dvoriščni portoni in vogelniki s podpisi domačih mojstrov samoukov. Poudarek je prav na slednjih, ki so v tej knjigi prvič predstavljeni z izčrpnimi biografskimi podatki ter kamnoseškimi in zidarskimi opusi. Najpomembnejši so bili Luka Škorja - Smučev in več rodov Slavcev, po domače Bržanov.V knjigi avtor z etnološkega in umetnostnozgodovinskega vidika obravnava stavbno in kulturno dediščino Črnotič, ki slovijo po svoji urbanistični zasnovi, kamniti arhitekturi ter kar dveh cerkvah iz 17. stoletja, s poudarkom na njenih ustvarjalcih od 17. stoletja do prve polovice 20. stoletja. Poleg podrobnih opisov obeh cerkva in njune kamnite opreme predstavlja etape njune stavbne zgodovine ter ju na podlagi temeljitega poznavanja zgodovine kamnoseštva in primerjav s sočasno cerkveno arhitekturo v širši okolici umešča v opuse pomembnih kamnoseških in zidarskih mojstrov Anžeta Felicijana in njegovega sina Anžeta mlajšega iz Rodika, Vincenca in Anžeta Rojine iz Brezovice v Brkinih ter Janeza Dobrile iz zidarske rodovine Karamonov iz Hrpelj. Iz etnološkega zornega kota so najzanimivejši opisi vaškega stavbnega tkiva s številnimi domačijami, ki se ponašajo s kvalitetnimi kamnoseškimi členi, med katerimi so najbolj reprezentativni dvoriščni portoni in vogelniki s podpisi domačih mojstrov samoukov. Poudarek je prav na slednjih, ki so v tej knjigi prvič predstavljeni z izčrpnimi biografskimi podatki ter kamnoseškimi in zidarskimi opusi. Najpomembnejši so bili Luka Škorja - Smučev in več rodov Slavcev, po domače Bržanov
Until I Become Home. A collaborative newspaper publication
No full textUntil I Become Home is a collaborative newspaper publication that focuses on the Balkan refugee route as well as communities and individuals that try to traverse it. The publication looks at the numerous journeys that people on the move make before they reach their desired safe haven in Europe. While attempting to reach Europe, people fleeing war, conflict, poverty, or persecution are often pushed to the fringes, forced to live precariously in refugee camps, abandoned buildings, or improvised shelters in the forest. The thick forests along the Balkan refugee route not only offer invisibility to people on the move, but they also utterly mask the institutionalized violence committed by the European Union member states, which use brutal means and tactics, to deter migration while increasingly criminalizing solidarity shown by the local population. On the other hand, the collaborative newspaper publication also aims to negotiate the invisibility of those who seek shelter in Europe by offering statements, poetry, oral histories, essays as well as a visual archive and collected images from the route.
Contributions were prepared by Mohamad Abdul Monaem, Zied Abdellaoui, Vahida and Walid*, Matiullah Intizar, Zahra and Yasmin*, Desmond Happy and Wassim Gujjar. Edited by Zied Abdellaoui and Jošt Franko.
Co-published with Kunsthaus Graz.Until I Become Home je skupnostna časopisna publikacija, ki se osredotoča na Balkansko begunsko pot in ljudi, ki jo poskušajo prečkati. Publikacija se z različnimi pisnimi in vizualnimi razmisleki osredotoča na pot, ki jo ljudje, ki bežijo pred vojno, konflikti, revščino ali preganjanjem opravijo, preden dosežejo svoje zatočišče v Evropski uniji. Življenja ljudi na Balkanski begunski poti, so pogosto potisnjena na obrobje in pogosto skrita v improviziranih taboriščih v gozdovih in zapuščenih stavbah. Vendar gozdovi vzdolž begunske poti ne skrivajo le beguncev temveč zakrivajo tudi institucionalizirano nasilje držav članic Evropske unije, ki uporabljajo brutalna sredstva in taktike, da bi ustavile migracije, hkrati pa vse bolj kriminalizirajo solidarnost lokalnega prebivalstva. Gosti gozdovi in globoke reke skrivajo tudi smrt mnogih, ki so se na poti izgubili, omagali, umrli od lakote in tistih, ki so na poti izgubili moč. Until I Become Home skozi izjave, poezijo, eseje, ustno zgodovino in vizualni arhiv poskuša odstirati pogled na zgodbe ljudi na poti, ki pogosto ostajajo izgubljena ali skrita.
Prispevke so pripravili Mohamad Abdul Monaem, Zied Abdellaoui, Vahida in Walid*, Matiullah Intizar, Zahra in Yasmin*, Desmond Happy in Wassim Gujjar. Uredila Zied Abdellaoui in Jošt Franko.
Sozaložnik Kunsthaus Graz
Iacobus Gallus: Opus musicum II/3. De resurrectione et ascensione Domini nostri Iesu Christi
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the second book of his Opus musicum (1587) into four sections, which have been retained in the MAMS edition. The third volume (II/3) consists of 4- to 16-part motets for church festivals lying between the Resurrection and Ascension of Christ.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je drugo knjigo svojega Opus musicum (1587) uredil v treh razdelkih, ki jim sledi tudi izdaja MAMS. Tretji zvezek (II/3) vsebuje 4- do 16-glasne motete za cerkvene praznike med Kristusovim vstajenjem in vnebohodom.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Opus musicum II/4. De Spiritu sancto
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the second book of his Opus musicum (1587) into four sections, which have been retained in the MAMS edition. The fourth volume (II/4) consists of 4-, 5-, 6 and 8-part motets for Pentecost or the Feast of the Holy Spirit.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je drugo knjigo svojega Opus musicum (1587) uredil v štirih razdelkih, ki jim sledi tudi izdaja MAMS. Četrti zvezek (II/4) vsebuje 4-, 5-, 6- in 8-glasne motete za binkošti ali praznik Svetega Duha.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu.
Iacobus Gallus: Opus musicum III/1. De sancta Trinitate et de Corpore Christi
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the third book of his Opus musicum (1587) into two sections, which have been retained in the MAMS edition. The first volume (III/1) consists of 4-, 5-, 6-, 7- and 8-part motets for the church season lying between the Feast of the Holy Trinity and that of Corpus Christi.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je tretjo knjigo svojega Opus musicum (1587) uredil v dveh razdelkih, ki jima sledi tudi izdaja MAMS. Prvi zvezek (III/1) vsebuje 4-, 5-, 6-, 7- in 8-glasne motete za cerkveni čas med praznikom svete Trojice in praznikom svetega Rešnjega telesa.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Opus musicum III/2. In dedicatione templi et a dominica post pentecosten usque ad adventum Domini
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the third book of his Opus musicum (1587) into two sections, which have been retained in the MAMS edition. The second volume (III/2) consists of motets for up to 12 voices for the Feast of the Consecration of the church and for the season lying between the third Sunday after Pentecost and the first Sunday of Advent.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je tretjo knjigo svojega Opus musicum (1587) uredil v dveh razdelkih, ki jima sledi tudi izdaja MAMS. Drugi zvezek (III/2) vsebuje motete do 12 glasov za praznik posvetitve cerkve ter za čas med letom s pričetkom na tretjo nedeljo po binkoštih in koncem na prvo adventno nedeljo.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu