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Gasilski terminološki slovar
Full text linkGasilski terminološki slovar ('The Terminological Dictionary of Firefighting') is the first scientific dictionary in Slovenian to cover the field of firefighting. The rich tradition of firefighting is also reflected in the maintenance of specialized literature, but the constant professional development and the transfer of knowledge from foreign language require standardization also in the terminology. The dictionary was compiled as a development and research task of the Administration of the Republic of Slovenia for Civil Protection and Disaster Relief in cooperation with the ZRC SAZU Fran Ramovš Institute for Slovenian Language and the Firefighting Association of Slovenia. The dictionary presents the field of fire protection and related activities, focusing on the protection of people, the environment and property — core values of every society. The terms are explained with terminological definitions that represent the conceptual system of Slovenian firefighting, which also includes terms from the fields of civil engineering, chemistry, mechanics and other scientific disciplines that are important for understanding and improving firefighting. Through the use of cross-references, the dictionary also provides assistance in the use of terms and should thus contribute to the standardization of terminology. The dictionary contains 2,256 entries, including 2,184 English and 2,275 German equivalents. The publication of the terminological dictionary of firefighting also achieves a broader goal: to raise awareness and strengthen the importance of firefighting in social consciousness and in science.Gasilski terminološki slovar je prvi znanstveni slovar v slovenščini, ki obravnava področje gasilstva. Bogata tradicija gasilstva se odraža tudi v skrbi za strokovno literaturo, vendar pa nenehen strokovni napredek in prenos znanj iz tujejezičnih okolij zahtevata poenotenje na poimenovalni ravni. Slovar je nastal kot razvojno-raziskovalna naloga Uprave Republike Slovenije za zaščito in reševanje, v sodelovanju z Inštitutom za slovenski jezik Frana Ramovša ZRC SAZU in Gasilsko zvezo Slovenije, ki je predlagala strokovnjake za posamezna podpodročja. Slovar obravnava področje požarne varnosti in dejavnosti, ki so z njo povezane, ter se osredotoča na zaščito ljudi, okolja in premoženja – temeljne vrednote vsake družbe. Vsebuje bogate izkušnje in strokovno znanje, pridobljene z delom na terenu, intervencijah, pri preventivnem delovanju in strokovnem usposabljanju. Poleg tega vključuje tudi ključne pojme s področij, kot so gradbeništvo, kemija, mehanika in druge znanstvene discipline, ki so pomembne za razumevanje in izboljšanje gasilskega delovanja. Z izdajo Gasilskega terminološkega slovarja je dosežen širši cilj – ozaveščanje in krepitev pomena gasilstva v družbeni zavesti in znanosti
Arhitektura v svetu. Rancière in Gage – Riha – Čeferin – Badiou
No full textThe book Arhitektura v svetu ('Architecture in the World') examines the possibility of developing architecture as one of the practices that are able to operate in the world in such a way as to open it up, to reveal it in its constitutive openness; that is, in that dimension that every regime tries to conceal, including the current regime of contemporary capitalism. This practice of architecture is what in the book is referred to as "architecture in the world.”
This is a practice of architecture that establishes itself and appears in the world by simultaneously building the world and transforming it, reconstructing it. It consitututes itself in the world together with the world it constitutes. The contributions in the book focus not only on architecture but on other fields of thought as well, including art, philosophy and politics. They are, however, linked by a common problem: the problem of outlining the possibility of a way of thinking and acting in the world that at the same time constitutes a reconstructing of the given world.
Jacques Ranciere and Mark Foster Gage discuss the connections between politics and aesthetics in relation to architecture. Rado Riha examines contemporary art through Kant’s concept of reflective power of judgment. Collection's editor, Petra Čeferin, discusses Plečnik’s architectural constructions of public space as a possible source of support for intellectual emancipation. The book concludes with a text by Alain Badiou in which he responds to the question: To be happy, must we change the world?Knjiga Arhitektura v svetu zarisuje možnost razvijanja arhitekture kot ene od tistih praks, ki so zmožne delovati v svetu tako, da ga odpirajo, razkrivajo v njegovi konstitutivni odprtosti, ne-celosti, torej v razsežnosti, ki jo skuša vsak režim zakriti, vključno z aktualnim režimom sodobnega kapitalizma. Takšna praksa arhitekture je v knjigi poimenovana arhitektura v svetu.
To je praksa arhitekture, ki se v svetu vzpostavlja in pojavlja tako, da svet hkrati gradi oziroma ga preoblikuje, rekonstruira. V svetu se vzpostavlja skupaj s svetom, ki ga sama vzpostavlja. Prispevki v knjigi se sicer ne osredotočajo samo na arhitekturo, pač pa obravnavajo še druga področja miselnega delovanja, kot so umetnost, filozofija in politika. Povezuje pa jih skupni problem: problem zarisa možnosti takšnega mišljenja in delovanja v svetu, ki je obenem rekonstruiranje vsakokratnega danega sveta.
Jacques Rancière in Mark Foster Gage razpravljata o povezavah med politiko in estetiko v razmerju do arhitekture. Rado Riha v središče obravnave sodobne umetnosti postavlja Kantov koncept reflektirajoče razsodne moči. Urednica Petra Čeferin obravnava Plečnikove arhitekturne konstrukcije javnega prostora kot potencialno podporno strukturo praksam intelektualne emancipacije. Knjiga se zaključi z besedilom Alaina Badiouja, ki odgovarja na vprašanje: Ali moramo spremeniti svet, če hočemo biti srečni
Iacobus Gallus: Selectiores quaedam missae, Liber II
Full text linkFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. After the publication of his famous collection of motets, Opus musicum, in thirteen volumes (1985–1990), Edo Škulj edited a four-volume edition of Gallus’s masses in 1991. The edition is enriched by facsimiles from Gallus’s original collection, Selectiores quaedam missae, published in 1580 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided his Missarum into four books. The second book (Liber II) contains four 6-part settings of the Mass Ordinary.
The 2025 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Po objavi Gallusovih motetov (Opus musicum) v trinajstih zvezkih (1985–1990) je urednik Edo Škulj leta 1991 pripravil izdajo Gallusovih maš v štirih zvezkih. Izdajo bogatijo faksimili iz Gallusovega izvirnega tiska, ki ga je leta 1580 z naslovom Selectiores quaedam missae objavil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je zbirko maš razdelil v štiri knjige. Druga knjiga vsebuje štiri šestglasne uglasbitve mašnega ordinarija.
Digitalizirana poizdaja iz leta 2025 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Selectiores quaedam missae, Liber IV
Full text linkFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. After the publication of his famous collection of motets, Opus musicum, in thirteen volumes (1985–1990), Edo Škulj edited a four-volume edition of Gallus’s masses in 1991. The edition is enriched by facsimiles from Gallus’s original collection, Selectiores quaedam missae, published in 1580 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided his Missarum into four books. The fourth book (Liber IV) contains four 4-part settings of the Mass Ordinary. With the last Mass, the composer also offers the possibility of a performance in eight voices.
The 2025 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Po objavi Gallusovih motetov (Opus musicum) v trinajstih zvezkih (1985–1990) je urednik Edo Škulj leta 1991 pripravil izdajo Gallusovih maš v štirih zvezkih. Izdajo bogatijo faksimili iz Gallusovega izvirnega tiska, ki ga je leta 1580 z naslovom Selectiores quaedam missae objavil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je zbirko maš razdelil v štiri knjige. Četrta knjiga vsebuje štiri štiriglasne uglasbitve mašnega ordinarija. V zadnji maši skladatelj ponuja tudi možnost izvedbe z osmimi glasovi.
Digitalizirana poizdaja iz leta 2025 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu.
Zois. Študije
Full text linkThe monograph deals with Baron Sigmund Zois (1747‒1819) as a central figure of the last two decades of the eighteenth and the first two decades of the nineteenth century in the Duchy of Carniola and in the Slovenian lands. Its purpose is not to comprehensively capture all dimensions of Zois’s life and work, but to present the latest research in this field and thus stimulate new research, since archival sources are far from exhausted. The authors of the monograph deal with Zois’s Enlightenment, poetry and linguistics, his accomplishments for the development of the Slovenian language in the Illyrian Provinces and the Habsburg Monarchy, his geological activities, library, palace in Breg in Ljubljana, gardens in Ljubljana and Brdo pri Kranju, preserved personal objects, as well as the musical activities, cultural patronage and iron foundries of the Zois family. Studies confirm that Zois’s efforts made a permanent contribution to the development of science and art in Carniola and significantly accelerated the development of Slovenians into a modern European nation.
Co-publisher Slovensko društvo za preučevanje 18. stoletja.Monografija se vrača k baronu Žigi Zoisu (1747‒1819) kot osrednji osebnosti zadnjih dveh desetletij 18. in prvih dveh desetletij 19. stoletja v vojvodini Kranjski in na Slovenskem. Njen namen ni, da pregledno zajame vse razsežnosti Zoisovega življenja in dela, ampak da predstavi zadnje raziskave na tem področju in tako spodbudi nove, saj arhivski viri še zdaleč niso izčrpani. Avtorji prispevkov v monografiji obravnavajo Zoisovo razsvetljenstvo, pesništvo in jezikoslovje, prizadevanja za razvoj slovenskega jezika v Ilirskih provincah in habsburški monarhiji, ukvarjanje z geologijo, zbiranje knjig, urejanje palače na Bregu in vrtov v Ljubljani in na Brdu pri Kranju, ohranjeno materialno dediščino, prav tako pa glasbeno ustvarjalnost, kulturno mecenstvo in fužinarsko dejavnost družine Zois. Študije potrjujejo, da so Zoisova prizadevanja trajno prispevala k razvoju znanosti in umetnosti na Kranjskem ter bistveno pospešila razvoj Slovencev v moderen evropski narod.
Soizdajatelj Slovensko društvo za preučevanje 18. stoletja
Iacobus Gallus: Harmoniae morales
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been the publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. After the publication of Gallus’s motets (Opus musicum) in thirteen volumes (1985–1990), the Masses (Selectiores quaedam missae) in four volumes (1991), the publication of Gallus’s Harmoniae morales followed in a transcription by Edo Škulj in 1996. Gallus published his 53 4-part pieces in three sections in 1589 and 1590. The edition is enriched by facsimiles from the original collection published by the Prague printer Georg Nigrin (Jiří Černý).
The 2025 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Po objavi Gallusovih motetov (Opus musicum) v trinajstih zvezkih (1985–1990) in mašnih kompozicij (Selectiores quaedam missae) v štirih zvezkih (1991) so leta 1996 v transkripciji Eda Škulja izšle Gallusove moralne harmonije (Harmoniae morales). Gallus je 53 štiriglasnih latinskih skladb objavil v treh delih v letih 1589 in 1590. Izdajo bogatijo faksimili iz izvirnih tiskov iz delavnice praškega tiskarja Georga Nigrina (Jiří Černý).
Digitalizirana poizdaja iz leta 2025 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
»Neskončne pravice«. Genocid v Gazi in selektivni spomin/odziv mednarodne skupnosti
No full textOmer Bartov's text is addressed to those who are shocked by the Palestinian agony in Gaza and cannot accept that the slogan "Never Again" has been with us for more than two years, returning in the tracks of the tanks and the missiles of the planes of the descendants of the victims who created this euphemism for genocide in the first place. As a historian and former Israeli soldier, he warns that "Never Again" is being misused to legitimize disproportionate violence against Palestinians. He argues that Israel perceives any resistance as an existential threat, which leads to excessive reactions and civilian casualties. He also criticizes the West for legitimizing this violence through its support for Israel. In his view, dealing with historical trauma in this way undermines international law and moral authority. He calls for the suffering of all victims to be recognized and for ethical reflection on the memory of past crimes.Besedilo Omerja Bartova je namenjeno tistim, ki pretreseni spremljajo palestinsko agonijo v Gazi in se ne morejo sprijazniti s tem, da je geslo »Nikoli več« z nami že več kot dve leti, da se je vrnilo v gosenicah tankov in z izstrelki letal potomcev žrtev, zaradi katerih se je ta evfemizen za genocid sploh rodil. Kot zgodovinar in nekdanji izraelski vojak opozarja, da se »Nikoli več« zlorablja za legitimizacijo nesorazmernega nasilja nad Palestinci. Trdi, da Izrael vsak upor dojema kot eksistencialno grožnjo, kar vodi v prekomerne odzive in civilne žrtve. Kritizira tudi Zahod, ki s podporo Izraelu legitimizira to nasilje. Po njegovem mnenju takšna uporaba zgodovinske travme spodkopava mednarodno pravo in moralni ugled. Poziva k priznanju trpljenja vseh žrtev ter k etičnemu premisleku o spominu na pretekle zločine
Zahodna politika, Rusija in Ukrajina. Govor v Evropskem parlamentu
No full textJeffrey D. Sachs is a renown American economist and advisor to numerous governments and international organizations. Recently, he stands out as an outspoken critic of the U.S. foreign policy, especially of the wars in Ukraine and in the occupied Palestine, and of the incitement to war against China. A distinctive quality of his critique is the first-hand knowledge of the inner workings of the American and global political establishment. This comes to expression in the speech he gave to the European Parliament in February 2025, which gives a very informative and realistic account of the causes of, and the path to, the war in Ukraine. In this speech he argues that Europe should have its own foreign policy and that it should enter negotiations with Russia instead of trying to prolong the lost U.S. caused and led war.Jeffrey D. Sachs is a renown American economist and advisor to numerous governments and international organizations. Recently, he stands out as an outspoken critic of the U.S. foreign policy, especially of the wars in Ukraine and in the occupied Palestine, and of the incitement to war against China. A distinctive quality of his critique is the first-hand knowledge of the inner workings of the American and global political establishment. This comes to expression in the speech he gave to the European Parliament in February 2025, which gives a very informative and realistic account of the causes of, and the path to, the war in Ukraine. In this speech he argues that Europe should have its own foreign policy and that it should enter negotiations with Russia instead of trying to prolong the lost U.S. caused and led war
Sprotni slovar slovenskega jezika 2024
No full textSprotni slovar slovenskega jezika 2024 ('Growing Dictionary of the Slovenian Language 2024'), in 327 entries, brings newer, emerging words not yet included in other dictionaries, suggested mainly by language users. To a lesser extent, the newest meanings of words already present in other dictionaries, such as bliskovni ‘flash’, čuječnost ‘mindfulness’, družabništvo ‘uninstitutional elderly care’, rjavček ‘brownie’, or new multi-word units, e. g. kultura izključevanja ‘cancel culture’, polarni vrtinec/vorteks ‘polar vortex’, are also included. The entries are accompanied by full morphological data and basic information on the meaning, usage and possible markedness of the word as well as short etymological explanations. The vocabulary in the dictionary is characterised by a high degree of influence of external circumstances, which is which is reflected, for example, in words related to the rise of artificial intelligence, such as halucinirati ‘to halucinate’, or societal awareness, e. g. prebujen ‘woke’.Sprotni slovar slovenskega jezika 2024 v 327 iztočnicah prinaša novejše, uveljavljajoče se besedje, ki ga še ni v drugih slovarjih, predlagajo pa ga zlasti jezikovni uporabniki. V manjši meri so zastopani tudi najnovejši pomeni besedja, ki je v drugih slovarjih že zajeto, npr. pri iztočnicah bliskovni, čuječnost, družabništvo, rjavček ali novih besednih zvezah, npr. kultura izključevanja, polarni vrtinec/vorteks. Iztočnice so opremljene s polnimi oblikoslovnimi podatki in temeljnimi podatki o pomenu, rabi in morebitni zaznamovanosti besede. Prav tako je vsem iztočnicam dodana razlaga izvora v obliki etimoloških osvetlitev. Za nabor besedja v slovarju je zaradi njegove ažurnosti značilen velik vpliv zunanjih okoliščin, ki ga odražajo denimo besede v zvezi z vzponom umetne inteligence, npr. halucinirati, ali družbeno občutljivostjo, npr. prebujen
Izhodišča slovenske pripovedne proze [druga izdaja]. Dvestoletna tradicija slovenske pripovedne proze: od sredine 17. do sredine 19. stoletja
No full textThe monograph ('The Beginnings of Slovene Narrative Prose'), the first edition of which was published online in 2021, places the beginnings of original Slovene narrative prose in a broader literary context. The emergence of the first original Slovene narrative, Janez Cigler’s Sreča v nesreči ('Every Cloud Has a Silver Lining'), first published in 1836, is examined in the continuity of translations of narrative works into Slovene since the 17th century, with a focus on the period of the 1820s and 1830s, which created fertile ground and literary patterns that Cigler transformed into an original Slovene version of the Biedermeier. The second part of the monograph examines the reception and canonisation of Sreča v nesreči through a text-critical analysis of its editions over a period of more than 150 years and in a broader context, including the question of its placement in the system of Slovenian literature from the perspective of its addressee. Both parts of the research are supported by quantitative stylometric analyses that examine, confirm and complement this research with new perspectives and, among other things, reveal the incorrect authorship attribution of some works.Monografija Izhodišča slovenske pripovedne proze, ki je v prvi izdaji izšla leta 2021 kot spletna monografija, postavlja v širši literarni kontekst začetek slovenske izvirne pripovedne proze. Nastanek prve slovenske izvirne povesti, Sreče v nesreči Janeza Ciglerja, prvič izdane leta 1836, je obravnavan v kontinuiteti prevedenih pripovednih del v slovenščino od 17. stoletja dalje, s poudarkom na obdobju dvajsetih in tridesetih let 19. stoletja, ki je ustvarilo plodna tla in literarne vzorce, ki jih je Cigler preoblikoval v izvirno slovensko verzijo bidermajerja. Drugi del monografije preučuje recepcijo in kanonizacijo Sreče v nesreči preko tekstnokritične analize njenih izdaj v več kot 150-letnem obdobju in v širšem kontekstu, vključno z vprašanjem uvrščanja Sreče v nesreči v sistem slovenske literature z vidika naslovnika. Oba sklopa raziskav sta podprta s kvantitativnimi stilometričnimi analizami, ki te raziskave pretresajo, potrjujejo in dopolnjujejo z novih vidikov ter med drugim razkrivajo napačno pripisana avtorstva nekaterih del