KREPOZIT (Károli Gáspár University of the Reformed Church)
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Globalization and variants of local adaptation: Theory and justification with symbolic logic
An increasing body of evidence indicates that globalisation can trigger a variety of reactions from societies. The possible outcomes include blending, hybridisation, fault line formation or even an increased salience of local traditionalist value systems. An important task for the research field is developing systematic, comparative theories predicting which outcome is expected to emerge depending on the interplay between the global and the local. Drawing on the rich empirical literature on globalisation variants, the paper makes a further step in theory building proposing a typology with the four possible outcomes mentioned above. In order to make the model premises more transparent, we transcribe our arguments into symbolic logic sentences and derive the typology outcomes as theorems. This allows testing if the proposed model, indeed, implies the purported conclusions, and to see what consequences would, or would not, follow from a slightly modified premise set, that is, from a slightly modified globalisation theory
Sylvia Plath’s War Poems and the Gendering of Cultural Space
Despite the vast body of texts inspired by warfare – from The Iliad to Maus – war writing is perpetually haunted by the notions of unrepresentability and inadequacy. War and Words examines the methods, conventions and pitfalls of constructing verbal accounts of military conflict in literature and the media. This multifocal study draws on a wide array of theoretical perspectives, including feminism, posthumanism, masculinity, trauma, spatiality and media studies, and brings together such diverse material as canonical literature, war veterans’ testimonies, imaginative fiction, computer games, English curricula, and Al-Qaeda’s propaganda pieces.
In five consecutive sections – “Spreading War Propaganda”, “Reconstructing War Spaces”, “Envisioning War”, “Gendering War”, and “Teaching War” – the contributors consider war in its manifold aspects: as an ideological tool used for propaganda purposes, as a spatial reconstruction performed for the critical reassessment of past conflicts, as a projection (or extrapolation) of possible future conflicts and their social repercussions, as a political statement to deconstruct the oppressive nature of violence, and, finally, as a didactic tool to foster empathy. This collection will appeal primarily to academics specialising in English and American literature, but also to those researching media, gender, and game studies