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Archaeological Excavations of St. Martin’s Church in Prozorje in 2008
No full textTijekom jeseni 2008. godine obavljena je sedma faza arheološko-konzervatorskih istraživanja crkve Sv. Martina na Prozorju kraj Dugoga Sela (Martin-Breg). Do zdravice je istraženo svetište crkve, a za potrebe drenaže je istraživan i prostor uokolo svetišta te bočno prizidana kapela Sv. Barbare. Stratigrafija lokaliteta je prilično kompleksna zbog brojnoga i dugotrajnog ukapanja u i oko crkve. Sličnu kompleksnost poradi brojnih pregradnji pokazuju i ostaci arhitekture. Stečene su nove spoznaje o groblju i strukturama pronađenima na lokalitetu. Ove je godine istraženo 95 grobova te 448 stratigrafskih jedinica. Osobitu pozornost privlači sloj gorenja otkriven u bočnoj kapeli Sv. Barbare. Sudeći prema pronađenim ulomcima keramičkih neglaziranih pećnjaka, ovaj sloj ukazuje da je vjerojatno u 15. stoljeću u požaru stradao neki, uz crkvu prizidani objekt, možda čak ivanovački domus.In the fall of 2008, the seventh stage of archaeological rescue excavations of St. Martin’s Church in Prozorje near Dugo Selo (Martin-Breg) was conducted. The sanctuary of the church was excavated down to sterile soil, and for the purpose of drainage the area around the sanctuary was dug out, as well as the laterally joined Chapel of St. Barbara. The site’s stratigraphy is rather complex due to numerous and long-lasting burials in and around the church. The remains of architecture demonstrate similar complexity due to numerous reconstructions. A new understanding of the cemetery and the structures found on the site was gained. In 2008, a total of 95 graves and 448 stratigraphic units were excavated. According to their stratigraphic relations, the excavated graves were assigned relative chronological relations. The graves excavated in 2008 in the central eastern part of the sanctuary, in the area where there was a massive altar base, are older than most other graves excavated in the sanctuary before. This is due to the fact that the altar base prevented burials in the latest periods. It is interesting that a rather large number of graves were cross-cut when the Gothic apse was constructed. The full extent of the Romanesque apse is still not known with complete certainty – the situation is extremely complex due to numerous reconstructions – but the finds seem to confirm the assumption of a slightly different orientation for the first (probably Romanesque) church, which is visible near the end of the northern foundations of the sanctuary. It seems therefore that the eastern foundations of the sanctuary have two construction stages: an older stage, of which maybe only the northernmost part of the presently preserved foundations remain, and a younger stage, to which the southern and the central parts of the foundations belong. The area east of the sanctuary of the church was excavated as well, from the southern to the northern sacristy, along with the drainage trench east of the supporting masonry. In this area, 51 graves were excavated. At the bottom of the burials of some excavated graves, grey-blue imprints were identified, made by a coffin or planks upon which skeletons were laid; at times they were obvious, and at times they were preserved only as in the barest contours. The age of the north-eastern support was confirmed as younger than the oldest burial level. The newly opened trench also contained older supportive masonry around the plateau on which the church is situated. In the 2008 campaign, six graves were excavated in the northern sacristy, of which one is younger than the sacristy, and all other graves are cross-cut by digs for its foundations. In St. Barbara’s Chapel, ten graves and several layers were excavated. The burning horizon deserves particular attention: a layer of red, burned, mostly friable soil, containing many nails (from the wooden roof structure?) and numerous fragments of stove tiles. The appearance of these ceramic stove tile fragments without glaze indicates that in this layer, probably in the fifteenth century, a structure connected to the church – perhaps the domus of Ivanec – was destroyed by fire. It is important to point out that the foundations of the structure found within the Chapel of St. Barbara do not belong to this burned structure, since it was ascertained that they are younger than the fire: these foundations cross through grave 149, which was already sunken in said layers of burned soil and charcoal. During the excavations, some interesting small finds were collected as well. Some were found in graves, i.e. in their fill, others in the layers. Worth mentioning are the finds of rings, S-loop, belt buckles, probably traces of headgear and a walking stick, fragments of lithics and two iron arrow points. Several coin specimens were found as well. Some of them are shabby to such an extent that they were entirely illegible before cleansing, but among the better preserved specimens, the most outstanding are a silver denarius of King Sigismund and particularly the wellpreserved copper coin of Constantine II, melted as he was still a Caesar, between 330 and 337, and found near the scull of the skeleton in grave 177
Vjesnik Arheološkog muzeja u Zagrebu: 3. serija – vol. XLII
No full textVJESNIK Arheološkog muzeja u Zagrebu / odgovorni urednik Ante Rendić-Miočević. - Zagreb : Arheološki muzej, 1958- .. - : Ilustr. ; 28 cm. - Ne izlazi 1959-1960, 1962-1967, 1969. - Sažeci na više jezika. - Izlazi godišnje
Ranosrednjovjekovno groblje bjelobrdske kulture: Vukovar - Lijeva Bara (X-XI. stoljeće)
No full textMeđu mnogobrojnim vukovarskim arheološkim nalazištima najznamenitije je nalazište na Lijevoj Bari jer je prostorno najveće, većim dijelom je arheološki istraženo (3050 m2), a zbog višeslojnosti i obilja nalaza od velike je znanstvene i kulturno- povijesne vrijednosti. Jedan od arheološki najzanimljivijih slojeva ovog poznatog nalazišta zaposjelo je groblje lokalne zajednice nosilaca ranosrednjovjekovne bjelobrdske kulture. U monografiji se analizira i obrađuje baš taj posljednji ranosrednjovjekovni arheološki sloj koji i danas slovi za najveće dosad otkriveno groblje bjelobrdske kulture kontinentalne Hrvatske. Vukovarsko groblje tipično je groblje na redove s vodoravnom stratigrafijom, s pokojnicima položenima uglavnom na leđima u jednostavne grobne jame orijentirane u smjeru zapad-istok. Ono što je pri tome predmetom temeljnog znanstvenog interesa pogrebni su običaji i grobni nalazi — podaci i predmeti kojih je na Lijevoj Bari bilo poprilično te su prikupljeni u velikome broju. Ovo kao i činjenica da je tijekom iskopavanja 50-ih godina 20. stoljeća napravljena relativno solidna, danas još uvijek upotrebljiva i korisna dokumentacija omogućili su da se ovo bjelobrdsko nalazište i njegovi nalazi temeljito prouče, analiziraju, usporede i znanstveno obrade na nov i suvremen način. Svi podaci o grobu i grobnim nalazima, osim što su znanstveno proučeni i uspoređeni s podacima iz nama susjednih zemalja, popisani su i kataloški opisani, a sav arheološki i osteološki materijal iscrtan je i fotografiran te je u monografiji predstavljen u formi grobnih zapisnika, tabli i tipoloških tabela. Potrebno je naglasiti da je arheološka građa koju je autor imao na raspolaganju obimna i raznovrsna a kako pripada najranijim razdobljima bjelobrdske kulture od osobitog je interesa i važnosti, posebice za hrvatsku ranosrednjovjekovnu arheologiju koja zasad ne poznaje bjelobrdsko groblje kronološki ranije i veće od groblja na Lijevoj Bari
An Early Medieval Cemetery of the Bijelo Brdo Culture: Vukovar – Lijeva Bara (10th–11th Centuries)
No full textThe sixth volume of the publication series Catalogues and Monographs of the Archaeological Museum in Zagreb: Early medieval cemetery of the Bijelo Brdo culture: Vukovar - Lijeva Bara (10th-11th centuries). The monograph by Željko Demo brings together the rich archaeological material of the Bijelo Brdo culture from the Vukovar - Lijeva Bara site stored in the Archaeological Museum in Zagreb. Due to its wide scope, the publication is divided into two parts. The content of these two books provides a thorough synthesis of the problems of the Vukovar necropolis and the early medieval Bijelo Brdo culture. The first part presents the site and the excavation of the early medieval cemetery, while the second part elaborates in detail the grave rite and items of the grave inventory. In the end, other finds and the cultural and historical circumstances of the cemetery's origin are presented, as well as lists of finds, appendices, pictures, tables and plates
Numismatic collection: guide
No full textVodič obrađuje Numizmatičku zbirku Arheološkog muzeja u Zagrebu koja je prema broju predmeta najveća i najznačajnija zbirka takvog sadržaja u Hrvatskoj, a ujedno i među većim europskim i svjetskim numizmatičkim zbirkama. U početnom dijelu autori pišu o povijesti zbirke i dijelu stalnog postava zbirke s načinima pohranjivanja novca u povijesti. Sadržaj vodiča kromološki je podijen na grčki novac, novac Rimske Republike, novac Rimskog Carstva, bizantski novac, novac srednjeg i novog vijeka. U vodiču autori također obrađuju medalje te na kraju donose i kratak novčani sustav
Vjesnik Arheološkog muzeja u Zagrebu: 3. serija – vol. XLI
No full textVJESNIK Arheološkog muzeja u Zagrebu / odgovorni urednik Ante Rendić-Miočević. - Zagreb : Arheološki muzej, 1958- .. - : Ilustr. ; 28 cm. - Ne izlazi 1959-1960, 1962-1967, 1969. - Sažeci na više jezika. - Izlazi godišnje
Bakar: the glass from the Roman cemetery
No full textPeti svezak iz serije Katalozi i monografije Arheološkog muzeja u Zagrebu: Bakar – Staklo iz rimske nekropole. U Rimskom se Carstvu staklo izrađivalo posvuda – od Apeninskog poluotoka do najudaljenijih provincija. Zasigurno je najpoznatija proizvodnja bila u Siriji, iako nisu zanemarivi proizvodi s područja Germanije u krajevima oko Rajne. I istočnojadranska se obala isticala staklarskom proizvodnjom koja se odvijala u lokalnim radionicama. Prednjačila je Akvileja, ali je staklarska proizvodnja bila značajna i u Dalmaciji, pa i u Panoniji (Sisak). Publikacija Bakar – Staklo iz rimske nekropole, autora Zorana Gregla i Irene Laza,r donosi pregled rezultata arheoloških iskopavanja na području rimske nekropole Bakar, i sistematizirane pronađene staklene predmete koji čine posebnu cjelinu unutar bogate zbirke antičkog stakla Arheološkog muzeja u Zagrebu. Obrađeno je 178 staklenih predmeta, a datiraju se u prva stoljeća poslije Krista
Rezultati zaštitnih istraživanja na trasi autoceste Beli Manastir - Osijek - Svilaj
No full textOd 2006. do 2008. godine Arheološki muzej u Zagrebu proveo je zaštitna arheološka istraživanja na 6 lokaliteta u okolici Đakova. Otkriveno je 178.000 m2 naselja iz razdoblja mlađeg kamenog, bakrenog, brončanog doba te iz razdoblja srednjega vijeka. Prikupljena je velika količina pokrenih nalaza, potkrijepljena apsolutnim datumima
Vases grecs et italiotes
No full textCe fascicule présente une sélection de 100 vases de la riche collection de vases grecs du Musée archéologique de Zagreb (Croatie). La collection de Zagreb renferme près de 1600 vases, de types différents, pour la plupart entiers et, dans une moindre mesure, endommagés et à l'état fragmentaire. Chronologiquement, ces vases appartiennent à la période qui va du VIIIe s. au IIe s. av. J.C. L'ensemble provient en réalité de deux collections privées rachetées pour le Musée Archéologique vers la fin du siècle dernier et vers le milieu du XXe siècle. La première collection, propriété du comte Lavale Nugent de Trsat, acquise en 1894 lors d'une vente aux enchères à Trieste, renferme des vases de styles et d'ateliers différents. Y sont représentés les styles cycladique, corinthien, béotien, attique à figures noires et à figures rouges; le plus grand nombre de vases provient d' ateliers d'Italie méridionale -styles lucanien, apulien et de »Gnathia«. Les vases hellénistiques tardifs avec ornement en relief ne sont représentés que par un petit nombre d'exemplaires (notamment de »guttus«), mais ils n'ont pas fait l'objet d'une sélection restreinte jusqu'à présent. Deux faux se trouvent également dans cette collection. La seconde collection est beaucoup plus petite; elle a été achetée en 1957 à la famille Radovan, et ce avec l'aide financière du Ministère de l'Education et de la Culture de Croatie de l'époque. Elle renferme également des vases de styles et ateliers différents: corinthiens, béotiens, attiques à figures noires, italiotes et hellénistiques tardifs, mais moins bien conservés et, en majorité, de moindres dimensions. Quelques faux se trouvent parmi les originaux. Une partie des vases apuliens et lucaniens de la collection du Musée ont été publiés par A. D. Trendall dans The Redfigured Vases of Apulia. Oxford,(1978–1982), The Red-figured Vases of Apulia; Supp. I. Oxford (1983), The Red-figured Vases of Lucania, Campania and Sicily, Oxford (1967).The Red-figured Vases of Lucania. Campania and Sicily; Supp;II. Oxford(1973) D'autre part, 151 vases apuliens ont été publiés par Valeria Damevski dans la Revue du Musée Archéologique de Zagreb. 3e série, tomes 5 (1971), 6–7 (1972–1973), et 8 (1974), puis dans le Catalogue des vases à figures rouges provenant des ateliers apuliens (Zagreb, 1976). Plus récemment viennent de paraître le catalogue des vases attiques à figures noires du Musée Archéologique de Zagreb, dans la revue VAMZ. 3e série, tome 12–13 (1979–1980), et le catalogue »Apulian Vases of Gnathia Style« du Musée Archéologique du Zagreb, VAMZ, tome 15 (1982) – les deux catalogues ont été publiés par B. Viki} et V. Damevski