KYOTO GAKUEN UNIVERSITY ACADEMIC REPOSITORY
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Inverter-machine parametric co-design for energy efficient electric drive system
Get PDF京都先端科学大学博士（工学）2023年度doctoral thesi
Clinical Psychological Exploration of Support in Kiki’s Delivery Service : From the perspective of encountering things going awry
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本論の目的は，アニメーション映画『魔女の宅急便』(スタジオジブリ制作・東宝配給)を題材に，13歳の見習い魔女・キキの心の成長と，周囲の支援のありかたについて心理臨床学的な視点から検討をおこなうことである。本論では，「不如意」との出会いという観点からキキの変化を読み取っていく。その作業を通して苦悩する多くの思春期の子どもたちを支援する際の道標としたい。
キキは修行先の街で，故郷の村では体験したことのない，数々の思い通りにならない現実に落ち込み，内なるネガティブな感情に振り回され，挙句は魔法の力まで喪失してしまう。その意味で，キキはいわば先鋭化した形で「不如意」を生きたと考える。本論ではキキがこうした危機をいかに乗り越え，周囲はどう支援したのかを考えていく。Abstract
Taking the animated film Kiki’s Delivery Service (produced by Studio Ghibli, distributed by Toho), this study examines the mental growth of the 13-year-old witchin-training Kiki and how she was supported by those around her from a clinical psychological perspective. This study interprets the changes in Kiki from the standpoint of encountering “things going awry.” The author hopes that this can serve as a guide to support the many adolescents who struggle in their lives.
In the city where she trains, Kiki feels down because of the numerous realities that do not go her way, which she never experienced in her home village, and is overcome by negative emotions inside her and finally even losing her magical ability. We can think of Kiki as living through “things going awry” in what may be called a “radicalized” form. Based on this, we consider how Kiki was supported by the people around her as she overcame this crisis.departmental bulletin pape
Customs of Common People During the Edo and Meiji Periods (Cont.): Tea Whisks, Glass Mirrors, Reading Desks, and Pillows Supplementary Discussion: Customs of Common People During the Edo and Meiji Periods ( Addendum)
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前稿に引き続き，江戸・明治時代の庶民風俗に関連する項目から，茶筅・びいどろ(ガラス)鏡・文机・枕の四つを取り上げて述べた。
煎じ茶で用いられる茶筅は庶民層の用いる低廉な必需品で，煎じ茶が上質化して茶筅が不要となってゆく19世紀まで販売が続いていた。特に，空也上人の系譜に連なる京・空也堂の念仏聖たちは中世以来，自らの市中を廻る勤行に併せて茶筅を売り歩いた。その画像を集成して3 期に区分した。
青銅鏡からガラス製の鏡への移行過程は江戸・明治期に当たるが，その具体的様相は考究されていなかった。文献・画像資料の両面から，江戸期にすでに小型の懐中鏡と大型の姿見に一定の割合でガラス製品が含まれており，特に懐中鏡には国産ガラスの使用が考えられることを述べた。併せて明治前半の移行期の様相を考察した。
文机には江戸前半期までは大きな変化が認められなかったが，中期・18世紀半ばに至って唐机が導入され，後期・19世紀からは抽斗付きの机が主流となってゆく。その様相を画像資料を時代順に追うことで確認した。
枕は江戸前期の17世紀半ばに縦向き木枕(箱枕)，中期の18世紀半ばにあづち枕が登場することによって大きく様相が変化していった。その木枕・あづち枕が特に女性の髪型の変化に対応して出現したものであったことを，浮世絵を中心とする画像資料から考察した。また，あづち枕の使用が女性の伝統的な髪型が継続していた大正期まで同様に継続していることを文献・画像資料の両面から示した。Abstract
Continuing from the previous paper, this paper discusses four items related to the customs of the common people during the Edo and Meiji periods: tea whisks (chasen), glass mirrors, Japanese-style reading desks (fuzukue), and pillows.
Tea whisks used for sencha were a low-cost essential item used by the common classes and were sold until the nineteenth century, when sencha improved in quality and no longer required a tea whisk. In particular, the chanting priests (nenbutsuhijiri) of Kūyadō in Kyoto, whose history can be traced back to the Venerable Kūya, have sold tea whisks in addition to the religious services they provide while wandering throughout cities since the middle ages. Images of these are gathered and classified into three periods.
The transition process from bronze mirrors to glass mirrors fell into the Edo and Meiji periods, but its specific condition is yet to be studied. Based on both literature and pictorial materials, this paper notes that small pocket mirrors and larger fulllength mirrors already included a certain proportion of glass products in the Edo era, and that pocket mirrors in particular have been considered to have used domestically manufactured glass. In addition, the paper discusses the state of the transition period in the early Meiji period.
Japanese-style reading desks were not found to have changed greatly until the early Edo period, but Chinese-style desks were introduced in the mid-Edo period, around the middle of the eighteenth century, and desks with drawers acquired mainstream status from the late Edo period in the nineteenth century. These conditions were confirmed by the following pictorial materials over time.
The state of pillows changed greatly with the arrival of the vertically oriented wooden pillow (box-supported pillow) in the early Edo period around the middle of the seventeenth century and the trapezoidal azuchi-makura in the mid-Edo period around the middle of the eighteenth century. The fact that wooden pillows and azuchi-makura appeared in response to changes in women’s hairstyles in particular is discussed from ukiyo-e and other pictorial materials.
Furthermore, both literature and pictorial materials indicate that, just like traditional women’s hairstyles, the use of azuchi-makura continued until the Taishō era.departmental bulletin pape
