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    For certain executive action in the Penal Code

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    Numerous changes in the Penal Code over the last 30 years, which have been made at different times and for different reasons, have led to significant casuistry in the linguistic description of the executive act. The replacement of legal terminology with words from the colloquial Bulgarian language created a normative paradox – describing one and the same prohibited behavior in one or different types of crimes through synonyms from the Bulgarian language. The adoption of legislative practice for the literal reproduction of terminology from international acts and acts of European Union’s law, which are subject to introduction into criminal law, has further aggravated this problem. Overcoming it is essential for the proper application of criminal law, as it has direct connection with the differentiation of the scope of the various forms of the act. In some cases it turns out impossible even though a significant volume of interpretive activity has been done. Moreover, the inconsistent use of the same descriptions of executive acts, in view of the differences in other constituent features, also leads to different meanings of the same term in the composition of different crimes. The present study focuses only on some of these cases, grouped by the basis of their common starting point for their criminal law content – “accept – receive – acquire”; “holds – stores – carry over – ships – transports” and “transports across the border – imports – exports”

    Public lecture by judge Zornitsa Doichinova – deputy chairman of the Administrative Court Sofia-City before law students: on the topic: „The role of the Administrative Court in the system of administrative justice – structure, functions and powers of the Administrative Court Sofia-City“

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    The public lecture is dedicated to the role of the Administrative Court in the system of administrative justice and in particular - to the structure, functions and powers of the Administrative Court – Sofia City. It gives a real insight look into the importance of the Administrative Court – Sofia City in the protection of the rights, freedoms and legitimate interests of citizens

    The COVID-19 pandemic and its effects on crime – consequences and risks

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    The health crisis, due to the COVID-19 attracts the attention of different kinds of experts, including criminologists. This is because the pandemic has affected one of the main research topics of the criminology – the criminality. In the very beginning of the crisis it has turned out that it would radically change the public and social organization which would inevitably influence the criminal tendencies. A few months after the lockdown in most of the countries one of the main research observation is that crime rates have decreased markedly. The pandemic has shown crime is an extremely dynamic social phenomenon capable to adapt quickly to the social changes. However, could we perceive positively this crime drop or should we regard it with sharp attention and have in mind the eventual social consequences and risks

    Music and singing formats around the world through the view of the vocal teacher

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    After 2000th, reality music formats became widespread. There, the emphasis is placed on the talent of the participants and the chance for successful realization. These formats are also very popular within a wide range of TV audiences. According to a part of the audience, the producers and the jury / judges impose the opinion that the participants develop a lot and grow professionally. According to viewers, this is a campaign of the producers in order to recruit more participants and ensure the greatest possible profit. Many viewers believe that the formats do not help the performers in their development and career. Is that so? Do the participants in the formats think so

    The dancing body – gesture – message

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    In order to be able to think and talk about feasible communication through dance at all, first we must pay attention to the means of expression used by the art of dance, whose skillful expression and combination intrigues our innate tendency to seek a material explanation of the meanings we find in what we see through gestures and empathy in dance

    Results of a parents survey on the single-use baby nappies and waste treatment

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    A recent survey results show that in 2017 in EU 0 – 2 years old children have been used approximately 33 billion single-use baby nappies which are generated about 6,7 tons of waste, or, only one baby needs 2200 single-use nappies and generates 438 kg of waste per year. Despite these single-use products contain plastic, there are no specific regulations for their waste treatment and also the price of their alternative option is higher. The choice of nappy types and waste treatment depends entirely on parents. This paper aims to investigate the Bulgarian parent attitude to single-use nappies, alternative products and separate waste collection

    The colorization of Greek classic films as intersemiotic translation

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    Intersemiotic translation constitutes a field of research and application including those of different modes of expression and substance transmis-sion from one text to another. According to Torop (2000) different types of texts such as films, and comics function as signification systems submitted into  different  translation  processes  either  intra-  or  extratextual  (intralin-guistic or intersemiotic as referred by Jakobson [1959]) to serve a different kind of media communication. It is well known that the textual nature of film is ascertained by specific elements such as sound, episodes, montage including color which as a medium (“color means” as stated by Kress & van Leuween  [2002])  plays  a  very  important  role  in  the  transfer  of  meaning  ventured by film makers. In this paper I will attempt to designate the role of color as a mode of new  signification  through  the  application  of  colorization  in  two  classic  Greek black and white films. I will examine the films “And let the wife fear her  husband”  («Η  δε  γυνή  να  φοβήται  τον  άνδρα»)  and  “A  mess”  («Της  κακομοίρας»)  both  classified  in  the  classic  Greek  cinema  period  (1940–1970)  and  very  popular  with  the  Greek  public.  Film  colorization  was  a  widespread technique in the ‘80s in the United States and lately in Greece, not always well received due to film forgery reasons, as maintained by fans. In this paper I will try to explain how film colorization works as intersemi-otic translation and what is the new meaning acquired for the public by this procedure in the two films examined in the corpus

    Narratological approach of the film adaptation of Thérèse Desqueyroux by François Mauriac

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    The aim of this paper is to examine translation as a phenomenon from literature into movies through isotopies. In particular, the research concen-trates on the intertextual phenomenon between the original classic version in literature and the two film versions (1962 and 2012). In Gideon Toury’s work, translation is seen as an intertextual phenomenon. The three “texts” form  an  intertextual  triangle.  Mauriac’s  classic  novel  is  at  the  top  of  the  triangle as a significant guide, and at the same time the two films rest on the triangle’s base. In 1927, the French writer, François Mauriac wrote his iconic  work,  Thérèse  Desqueyroux.  In  his  novel,  the  writer  describes  the  tragic  story  of  a  poisoner.  This  is  a  woman  who  hovers  between  the  romantic of the past and the realism of the present. The young heroine lets herself  go  psychically  into  her  dreams,  and  she  does  not  see  reality  in  its  logical dimension. Her marriage is not a romantic, happy and ideal union taken  from  the  romantic  works  of  the  19th  century.  It  is  a  cold,  cruel  and  indifferent marriage. In a way, Thérèse is a victim of herself. Unveiling the psychographic image of this fatal woman called Thérèse D, the application of Greimas’s narratological method offers a fertile field of research, and the examination of the transformation into a double cinematographic portrait. Thérèse  is  a  woman  prisoner  in  her  name:  Desqueyroux.  The  narrative  structure of the work turns on the fragile psyche of the heroine. Is she real-ly a fragile female figure or, a cruel poisoner in a search of mental freedom

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