Elektronni Spisanija na SU (Sofia University "St. Kliment Ohridski")
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За книгата: Антоанета Робова. „Творчески фигури и кръговрат на изкуствата в прозата на Ерик-Еманюел Шмит“.
Full text linkBook review: Antoaneta Robova. „Artistic Characters and Cycle of Arts in Eric-Emmanuel Schmitt’s Prose Writings“. Sofia, St Kliment Ohridski University Press, 2022
За книгата: Ангел Валентинов Ангелов. „Филология, литература и символна география на Европа: Ерих Ауербах, Лео Шпитцер, Едуард Саид, Стефан Цвайг, Хуго фон Хофманстал“.
Full text linkBook review: Angel V. Angelov. „Philology, Literature and Symbolic Geography of Europe: Erich Auerbach, Leo Spitzer, Edward Said, Stefan Zweig, Hugo von Hofmannsthal“. Sofia, Bulged, 2022; https://litclub.bg/library/fil/angelvangelov/kniga2022.pd
За книгата: Надежда Стоянова. „Украси и гримаси. Мода и модерност в българската литература от 20-те и 30-те години на ХХ век“.
Full text linkBook review: Nadezhda Stoyanova. „Adornments and Grimaces. Fashion and Modernity in 1920s and 1930s Bulgarian Literature“. Sofia, Paradigma Press, 2022
Compte rendu: Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Voyage et idéologie. Les politiques de la mobilité (Orient, Afrique, Asie – XXe siècle).
Full text linkBook review: Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). „Travel and Ideology. Mobility Policies (Orient, Africa, Asia – 20th century)“. Editions du Bourg, Montrouge, 2022.Compte rendu:
Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Voyage et idéologie. Les politiques de la mobilité (Orient, Afrique, Asie – XXe siècle). Editions du Bourg, Montrouge, 2022, ISBN : 978-2-490650-23-1 [Маргарита Алфаро, Василики Лаладжани и Урания Поликандриоти (състав.). Пътуване и идеология. Политиките на мобилността (Ориент, Африка, Азия – XX век].
Elena N. Dineva / Елена Н. Динева
Université de Sofia « St. Kliment Ohridski » / Софийски университет „Св. Климент Охридски
За книгата: Галин Тиханов. „Световна литература. Космополитизъм. Изгнание“.
Full text linkBook review: Galin Tihanov. „World Literature, Cosmopolitism, Exile“. Sofia, Kralitsa Mab, 2022
Пиянство и опиянение: Критическите наративи за Едгар Алън По и алкохола
Full text linkFor almost two hundred years, the critical narrative presenting Edgar A. Poe’s use and misuse of alcohol has oscillated between two poles. On the one hand, mainly in the United States, his enemies, while he was still alive and soon after his death presented him as an alcoholic and a man of great talent, yet someone who deserved moral rebuke. On the other hand, Poe’s American admirers and his European modernist followers interpreted Poe’s relation with alcohol positively in two aspects. First, Poe’s drinking was a temporary escape from his miserable life in the American milieu of utilitarian and moralistic attitudes toward art. And, second, Poe was seen as a romantic and modernist artist finding in alcohol a path transcending reality and leading to the domain of pure art. The article studies the formation of the dual narrative of Poe’s drunkenness/intoxication in the United States and modernist France (and to a much lesser extent in Bulgaria and Russia). The study also sheds some light on Bulgarian criticism in both its popular and commercial version, as well as in its high modernist period presented by Bulgaria’s leading modernist and avant-garde artist Geo Milev (1895-1925). Bulgarian critics, when discussing Poe and alcohol, repeat in an impoverished fashion well-established American and European aspects of the narrative of Poe and alcohol.
Keywords: Edgar A. Poe; alcohol; Poe in the US; Poe in France; Poe in BulgariaDrunkenness and Intoxication: Critical Narratives about Edgar A. Poe and Alcohol
For almost two hundred years, the critical narrative presenting Edgar A. Poe’s use and misuse of alcohol has oscillated between two poles. On the one hand, mainly in the United States, his enemies, while he was still alive and soon after his death presented him as an alcoholic and a man of great talent, yet someone who deserved moral rebuke. On the other hand, Poe’s American admirers and his European modernist followers interpreted Poe’s relation with alcohol positively in two aspects. First, Poe’s drinking was a temporary escape from his miserable life in the American milieu of utilitarian and moralistic attitudes toward art. And, second, Poe was seen as a romantic and modernist artist finding in alcohol a path transcending reality and leading to the domain of pure art. The article studies the formation of the dual narrative of Poe’s drunkenness/intoxication in the United States and modernist France (and to a much lesser extent in Bulgaria and Russia). The study also sheds some light on Bulgarian criticism in both its popular and commercial version, as well as in its high modernist period presented by Bulgaria’s leading modernist and avant-garde artist Geo Milev (1895-1925). Bulgarian critics, when discussing Poe and alcohol, repeat in an impoverished fashion well-established American and European aspects of the narrative of Poe and alcohol.
Keywords: Edgar A. Poe; alcohol; Poe in the US; Poe in France; Poe in Bulgari
Форми и механизми на емпатията в две съвременни драматургични вариации по „Жак Фаталиста и неговият господар“ на Дидро
Full text linkThis article examines two dramatic variations on Denis Diderot’s novel Jacques the Fatalist and his Master from the point of view of the forms of the writer’s empathy. After an overview of contemporary research on the types and definitions of the concept of empathy and a synthesis of Suzanne Keen’s theory of narrative empathy, the plays of Milan Kundera and Éric-Emmanuel Schmitt are studied under the prism of the forms, mechanisms and textual representations of empathy. The concepts of variator, metatextual empathy and intertextual empathy are formulated to define the postures of Kundera and Schmitt in homage to their writing model.
Keywords: Denis Diderot; Milan Kundera; Éric-Emmanuel Schmitt; empathy; intertextualit
За книгата: Камелия Спасова. „Модерният мимесис: Саморефлексията в литературата“.
Full text linkBook review: Kamelia Spassova, „Modern Mimesis: Self-Reflexivity in Literature“. Sofia, St. Kliment Ohridski University Press, 2021
Artistic Fabulation: Novel Forms of Heroes in the Visual Arts
Full text linkIt is significant how the concept of Carlyle’s “heroic clear visuality” was challenged by late 19th-century Black Americans. Nicholas Mirzoeff points out two cases: Sojourner Truth’s tactic, “inverse visuality”, and W.E.B. Du Bois’ “veiled visuality”. My paper examines divergent art works or projects exhibited in 2021-22 to track how a shift from “heroic clear visuality” is present in new visual narratives which demand new ways of “looking”. In my view, new works are radical in their claim for a special form of opacity (Glissant): on the one hand, they recommend a more emphatic counter-visual narrative by Indigenous groups (the former anti-heroes). On the other hand, they demand a mode of bodily seeing – or rather sensing – with the represented (of new non-human heroes). (Haraway).
Keywords: counter visuality; opacity; seeing-with; biopolitics; Indigenous cultureIl est significatif comment le concept de "visualité héroïquement claire" du Carlyle a été remis en question par les Noirs américains de la fin du XIXe siècle. Nicholas Mirzoeff fait remarquer deux cas: La tactique de Sojourner Truth, la "visualité inverse", et la "visualité voilée" de W.E.B. Du Bois. Mon article examine des œuvres et des divers projets artistiques exposés en 2021-22 afin de déterminer comment un changement de la "visualité héroïquement claire" est présent dans les nouveaux récits visuels qui exigent de nouvelles façons de "regarder". D\u27après moi, les nouvelles œuvres sont radicales à cause de leur revendication d\u27une forme particulière d\u27opacité (Glissant): d\u27une part, elles recommandent une narration contre-visuelle plus empathique de la part des groupes indigènes (les anciens anti-héros). D\u27autre part, ils exigent un mode de voir corporelle – ou plutôt de détection – avec les représentés (des nouveaux héros non-humains). (Haraway).
Mots-clés : contrevisibilité ; opacité ; voir-avec ; biopolitique ; culture indigèn
Pierre Loti et André Malraux: ironie et tragédie des écrivains français en Asie
Full text linkThe essay analyses, in the novels Madame Chrysanthème (1887) by Pierre Loti and La Condition humaine (1933) by André Malraux, the strategies of representation and comprehension of cultural Alterity from these French writers, and their effects on the register of the text. In particular, the ironic mode will be distinguished from the tragic mode. In this sense, the difference between the auto-diegetic statute of Lotian narrator, and the polyphony of characters who animate Malraux’s novel has also been underlined.
Keywords: Pierre Loti; André Malraux; irony; tragedy; image of the Othe