REPFF - Repository of Faculty of Philology, University of Belgrade
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“Trace” in Narration
No full textThe Derridean concept of “trace” or supplement is set at the core of his studies of the unconscious meaning of a text. Further, the textual unconscious is crucial to the deferral of meaning along the axis of difference / différance. In view of Derrida’s ideas, Kazuo Ishigoro’s novels, The Pale View of Hills and When We Were Orphans are analyzed as a narrative attempt to deconstruct the construction of reality that is grounded in conventional discourse. The article is based on the assumption that in Ishiguro’s novels the narrative process offers an insight into how the mind deals with experience. In this vein, the complex narration in Ishiguro’s novels is viewed as a parallel to the processes in the human mind. The analysis of Ishiguro’s narration is based on Beckett’s and Proust’s ideas about the issue of memory. Proust sees the dynamics of memory as a game of voluntary and involuntary memory, in which the former is a product of the conscious and the latter of the unconscious memory. On the other hand, Proust’s meditations on the nature of memory may be linked with Freud’s studies of repressed emotions and Samuel Beckett’s conception of the process of forgetting as essential to recollection
Reception of Malcolm Lowry in the former Yugoslavia
No full textU ovom radu prikazana je celokupna recepcija stvaralaštva čuvenog engleskog pisca Malkolma Laurija na srpskohrvatskom jezičkom području, kako prevodna tako i kritička - od prvog pomena njegovog imena pa sve do poslednjeg objavljenog prevoda i kritičkog napisa. Mada na prvi pogled izgleda da je Laurijeva recepcija skromnog obima, ako se ima u vidu mali broj njegovih dela koja su objavljena za života ovog književnika i posthumno, može se ipak zaključiti da je opus Malkolma Laurija na adekvatan način i u zadovoljavajućem obimu predstavljen našoj čitalačkoj publici, tim pre što se recepcija njegovog stvaralaštva nastavila i u dvadeset i prvom veku.This paper analyses the overall reception of works written by Malcolm Lowry in the Serbo-Croatian speaking area, starting with the first translation of his masterpiece - the novel Under the Volcano - in 1966, and ending with the second edition of the same translation of this novel in 2005. The critical reception of Lowry's opus duly followed the translations, and although it is rather scarce, the quantity of the response can be judged as adequate if we take into consideration the fact that this English writer is deemed to be a ’one book author'. Both the quality of the critical texts and the duration of Lowry's reception in the former Yugoslavia can also be estimated as quite satisfactory, especially due to the fact that it continued into the twenty-first century, as well
Further on the homeland of Slavs in the light of names of some trees (elms, poplars and the aspen, and maples)
No full textThis paper is a continuation of my study The Homeland of Slays in the light of names of some trees and fish, published in 2010, in which I was able to strengthen the Middle Dnieper hypothesis, as well as to narrow the possible homeland of Slays to the area along the Pripet River. This paper presents further evidence coming from tree genera not discussed in the previous paper, namely elms, poplars and the aspen, and maples, showing that the homeland of Slays must have been situated along some river in the East European Plain, which agrees perfectly with my previous study
О интерпункцијском знаку три тачке (тротачки)
No full textПравописни знак три тачке традиционално, а у српској средини и до данас, није побудио веће интересовање; обрађиван је само у нормативним приручницима, а ни у њима не нарочито детаљно. У овом раду описује се како се тај знак употребљава – шта означава, како се комбинује с другим интерпункцијским знаковима, с којима од њих евентуално алтернира, како се штампа, како се после њега употребљава велико и мало слово. Пошто се у литератури јавља више терминолошких решења за њега, а различито се и класификује, ауторка о томе даје и своје мишљење
Oppozicija 'blesk' - 'bez bleska' kak osnova kategorizacii cvetooboznačenij v slavjanskom fol'klore
No full textU ovom radu na primerima iz korpusa srpskih, ruskih i ukrajinskih folklornih tekstova sakupljenih u 19. veku obrazlaže se teza o tome da je funkcionisanje naziva za boje u slovenskom folkloru primarno uslovljeno antitezom ’sjajno’ -’bez sjaja’, što se kosi sa hipotezom Berlina i Keja o univerzalnoj kategorizaciji boja koja je zasnovana na postepenom izdvajanju pojedinih naziva iz opšteg kontinuuma organizovanog prema principu ’svetlo’ - ’tamno’. Kategorije ’sjajno’ i ’bez sjaja’ mogle su da sadrže iste nazive za boje, u zavisnosti od zastupljenosti u njima baznog kvaliteta sjaja. Elemente takve arhaične tipologije nalazimo u vertikalnom ili horizontalnom modelu sveta, gde se 'svoj' prostor obeležava nazivima za boje koji sadrže semu sjaja i obrnuto - 'tuđ' prostor je označen bojama sa potisnutim kvalitetom sjaja. Nazivi za boje koji prodiru u slovenski folklor iz drugih jezika nadograđuju arhaičan sistem zasnovan na konceptu sjaja. Na primeru pozajmljenih naziva za boje (rus. lazorevyj, srp. mavi i rus. alyj, srp. alem) biće pokazan put adaptacije stranih naziva za boje u slovenskom folkloru. Istraživanje završava osvrt na nazive za boje u opisima nošnje i dlake životinja (konja) u slovenskom folkloru. Pod uticajem orijentalne kulture u srpskom folkloru zastupljeni su brojni pozajmljeni nazivi za boje koji ističu kolorističku iznijansiranost odeće i dlake, dok je funkcija autentičnih slovenskih naziva za boje -isticanje sjaja kao obeležja raskošne odeće i zdrave dlake životinja.V dannoj rabote na primerah iz serbskogo, russkogo i ukrainskogo fol'klora prosleživaetsja process formirovanija semantičeskogo potenciala obščeslavjanskih cvetooboznačenij, a takže naimenovanij cvetov, zaimstvovannyh iz neslavjanskih jazykov. Analiz primerov podtverždaet ishodnuju gipotezu o tom, čto metaforičeskie ëkstenzii i simvolika cvetooboznačenij v slavjanskih narodnyh pesnjah zasnovany na arhaičeskom protivopostavlenii blestjaščego lišennomu bleska, čto skazalos' na dualizme interpretacii odnogo i togo že cveta, kotoryj možet otličat'sja kak položitel'noj, tak i otricatel'noj simvolikoj - v zavisimosti ot aktualizacii mifologičeskogo, obrjadnogo ili poëtičeskogo koda. Cvetooboznačenija, zaimstvovannye iz drugih jazykov, nadstraivajut arhaičeskuju slavjanskuju sistemu, zasnovannuju na koncepte bleska. Na primere cvetooboznačenij lazorevyj i alyj, v russkom fol'klore, i mavi, alem, v serbskom, raskryt mehanizm usvaivanija zaimstvovannyh cvetooboznačenij v slavjanskom fol'klore. Osoboe vnimanie otvoditsja analizu mifologem, v kotoryh cvetooboznačenie igraet važnuju rol' (mirovoe derevo, bel-gorjuč kamen', bela ryb'ica, sine more, zolotoj pesok, zolotoe jabloko, lazorevyj/alyj cvetok i t.p.)
Passive constructions in Serbian contrasted with the passive sentence in Japanese language
No full textU ovom radu porede se sistemi pasivnih rečenica u srpskom i japanskom jeziku da bi se rasvetlile njihove specifičnosti. U srpskom jeziku pasivna situacija iskazuje se konstrukcijom sa trpnim pridevom i konstrukcijom s refleksivnim pasivom. Pasivna rečenica u srpskom jeziku opisuje situaciju kada na mestu subjekta rečenice stoji imenica u ulozi pacijensa - predmet radnje u sintaksičkoj ulozi direktnog objekta. Grade je prelazni glagoli. Agens se najčešće ne iskazuje. Pasiv u japanskom jeziku, međutim ima svoje specifičnosti. On obuhvata i značenja posesije i štete. Deli se na direktni i indirektni pasiv. U rečenici direktnog pasiva poziciju subjekta zauzima imenica u funkciji direktnog ili indirektnog objekta prelaznog glagola, ili imenica u funkciji vlasnika predmeta nad kojim je radnja izvršena. U rečenici indirektnog pasiva poziciju subjekta zauzima lice koje nije obuhvaćeno glagolskom radnjom već indirektno trpi ili oseća njen uticaj. Ovaj tip rečenice grade i prelazni i neprelazni glagoli, i on predstavlja specifičnost japanskog jezika. Agens se iskazuje agentivnom odredbom, a padeška oznaka zavisi od prirode imenice kojom je iskazan.This paper compares the systems of passive sentences in Serbian and Japanese in order to define their special characteristics. In Serbian, there are two ways to express passive: construction with participle and reflexive passive construction. Passive sentence in Serbian language describes the situation when the subject position is given to the noun in the role of patient - the noun in syntaxic role of direct object. It is formed by transitive verbs only. Generally, agent is not expressed. Passive in Japanese language, however, has its specific features. It includes the meaning of possession and of damage. There are two sorts of passive: direct and indirect passive. In the sentence of direct passive, the subject position is occupied by the noun in the function of direct or indirect object of the transitive verb, or by the noun in the function of the owner of the object upon which the action is performed. In the sentence of indirect passive, the subject position is occupied by a noun (person) not included by the action, but indirectly suffers or feels its influence. This type of sentence is formed by both transitive and intransitive verbs, and it represents a special characteristic of the Japanese language. Agent is expressed and the choice of its case particule depends on the nature of the noun by which it is expressed
Hronika 53. Republičkog zimskog seminara (12-14. 01. 2012, u organizaciji Društva za srpski jezik i književnost Srbije)
No full textTraditional forms of rhetorical persuasion in Aeschine's oratory
No full textIzučavanje Eshinovog političkog i besedničkog angažmana osvetljava nam problematiku proučavanja definicije i sadržine veštine ubeđivanja u klasičnoj retorici. Pragmatičnost Eshinovog besedništva nam omogućava da istražimo do koje mere su talenat (physis) i jedno solidno poznavanje besedničke teorije (techne) imali ključnu ulogu u formiranju ubeđivačkog umeća.The paper discusses the main elements of persuasion in Aeschines oratory. A particular aspect of the research is the comparison of Aeschines’s and Demosthenes’s oratory. It tries to give an answer how far Aeschines’s oratory, especially his art of persuasion, is the product of skill (techne), and how much it is the product of the rhetoric gift (physis)? The study of the ancient Greek rhetorical heritage provides a better and clearer demonstration of the structure and importance of a persuasion skill, both in the ancient times and in the modern communication theory. This way of looking at the rhetorical theory and praxis includes an interdisciplinary approach to this problem, which becomes increasingly integrated into the systems of modern scientific research
On some existential verbal forms in modern Greek and their translation equivalents in Serbian and Turkish
No full textU radu se kontrastivnom i komparativnom analizom razmatraju bezlične forme egzistencijalnih glagola u savremenom grčkom, srpskom i turskom jeziku (είναι-έχει-υπάρχει/υπάρχουν: je(ste)-ima-postoji/postoje; var/yok), karakteristične sintaktičke i logičko-semantičke nepodudarnosti, kao i razlike u njihovoj distribuciji u sva tri jezicika. Posebna pažnja posvećena je komunikativnom kontekstu egzistencijalnih iskaza (pre svega prostornom i vremenskom okviru izricanja) kao nužnom preduslovu koji može biti ispunjen u celosti ili delimično. Egzistencija iskazana navedenim bezličnim glagolskim formama jeste dvojaka: ako je stvarna (neosporna), tada je apsolutna, u suprotnom je relativna, ako je samo pretpostavljena i/ili neizvesna. Činjenica da su egzistencija i mesto (lokacija) tesno povezane nameće uvođenje treće kategorije - lokativnosti. Analiza jednog broja egzistencijalih iskaza u grčkom i srpskom jeziku svedoči o visokom stepenu podudarnosti u upotrebi i značenju bezličnih egzistencijalnih glagolskih oblika. Egzistencijalni iskazi u turskom jeziku podudaraju se s odgovarajućim grčkim i srpskim u najvećem broju slučajeva kada je reč o izražavanju egzistencije putem predikativnih formi var-yok, dok je, sa druge strane, u nekim slučajevima neophodno korišćenje odgovarajućih oblika turskih punoznačnih ili leksičkih glagola.The present paper represents a synoptic view on three particular verbal existential forms in Greek, Serbian and Turkish which we have analyzed and discussed. So-called existential predication is normally expressed in Modern Greek and Serbian by impersonal forms of the verbs είναι / υπάρχει / έχει-je(ste) / postoji/ ima and by Turkish predicatives var / yok / dir (be, exist, there is/are) in any grammatical mood and time. We have also tried to describe their morphosyntactic and semantic values as well as meanings. Despite being synonymous, these forms represent certain characteristic syntactic and logical and semantic incongruences, as well as different distribution in the Greek and Serbian languages. On the other hand, great similarities are to be noted as far as the additional nominal constituent is concerned (nominative or accusative in both languages, the so-called Slavic genitive in Serbian). The main feature of existential predication is that it basically depends on communicative context, i.e. space and/or time of utterance (which is not necessarily the case when the non/existence of abstract or real notions is expressed). The third category defining this type of existential utterances is the so-called locativity (Referovskaya), which reflects the fact that the existence and location are closely interrelated. Locativity is mainly expressed when it is necessary to specify a thing or person involved in a communicative situation. All the above-mentioned components of impersonal utterances are to be combined in different ways. Though the impersonal existential forms υπάρχει/ υπάρχουν-postoji/postoje, έχει-ima and είναι-je(ste) (there/it is) may refer to different forms of existence (absolute, relative and locative respectively), all these verbal forms manifest themselves linguistically as entirely synonymous. However, the form υπάρχει-postoji represents the dynamical element denoting real physical and/or abstract (mental) presence-absence, while έχει-ima concerns the very essence of existence, touching the notion of possessiveness as well. On the other hand, the function of the existential form είναι-je(ste) in Modern Greek and Serbian, like in many other languages, is primarilly to express real state, i.e. stationary situation. In Modern Turkish such subtile variations do not exist, as they all are expressed in one basic way. In the paper we have expressed our opinion that the semantic interpretation of existential sentences does depend upon the linguistic and situational context. Thus we have supported the claim of Borschev and Partee (2002), who say that semantics has a strong influence on the choice of existential/impersonal sentence, while syntax is only the mediator through which this difference is reflected in grammar