REPFF - Repository of Faculty of Philology, University of Belgrade
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Examples of analyzing the standard epithet in literary teaching
No full textAutor predočava nekoliko načina obrade stalnog epiteta u nastavi književnosti. U teorijskom delu rada analiziraju se osobine ove stilske figure sa posebnim osvrtom na njenu ulogu u jezičkom, stilskom, poetičkom i semantičkom domenu tumačenja dela usmene književnosti. Potom se na osnovu ovih uvida predstavljaju određeni primeri obrade stalnog epiteta u nastavi književnosti sa posebnim osvrtom na (1) semantički plan dela; (2) povezivanje sadržaja iz gramatike i književnosti u obradi književnog teksta i (3) navođenja primera koji mogu biti podsticajni u analizi elemenata strukture književnog dela poput kompozicije, karaktera, motiva, tema.The author presents several manners of analyzing the standard epithet in literature teaching. The theoretical section of the paper analyses the features of this figure of speech with special emphasis on its role in the linguistic, stylistic, poetic and semantic domains of interpreting works of oral literature. Based on these insights, certain examples are presented of the analysis of the standard epithet in literature teaching, paying special attention to (1) the semantic level of the work; (2) interconnecting the grammatical and literary materials in the analysis of literary texts and (3) listing examples that could encourage the analysis of the literary work’s structural elements, like composition, character, motifs and themes
Stylistic aspects of the use of the infinitive and 'da' + present
No full textCilj ovog rad jeste da analizom primera iz odabranih tekstova pokažemo kakvo je pravo stanje u srpskom književnom jeziku kada je reč o upotrebi inf. i 'da' + prez. U tom cilju bilo je potrebno naći najmanji zajednički sadržalac srpskoga književnog jezika, a to je po našem mišljenju ono kulturno jezgro ka kojem konvergiraju pisci i kulturni radnici ma odakle poticali sa srpske jezičke teritorije - tzv. beogradski kulturni krug, odn. 'beogradski stil'.The paper discusses the relation of the infinitive and the 'da' present from the semantic and distributional points of view. It comes to the conclusion that the infinitive and 'da' + present - where their use overlaps - essentially have the same value in Serbian. However, they differ to a degree because, firstly, the present incorporates a personal suffix, and secondly, it has the conjunction/particle 'da'. Both elements are a certain burden, formal and semantic alike - which gives the present a weight making the text or discourse less elegant than that with the infinitive. Further on, the present and the infinitive are not always equal distributionally, because the infinitive dominates on the western side of the Serbian language territory, whereas in the east the present spreads increasingly. In the linguistic sphere, nivelational processes are marked by favourising the features of the so-called 'Belgrade style'. Its characteristic in the field under scrutiny is the cultivation of an expression in which great care is taken of the two forms' equality, but with a slight precedence given to the 'da' present
Danica Popović, Branislav Todić and Dragan Vojvodić: The Dečani desert. The sketae and kellia of the monastery of Dečani, Institute for Balkan Studies and Interdepartmental Committee of the Serbian Academy of Sciences and Arts for the Study of Kosovo and Metohija, Belgrade, 2011
No full textQualche considerazione sul motivo della 'rosa' nella poesia e sui suoi possibili significati
No full textZahvaljujući delu Đovanija Pocija i njegovoj analizi figure ruže u italijanskoj poeziji od humanizma do baroka, autorka se bavi jednim određenim tipom figure koja govori o 'devičanstvu' i nekolikim njenim obradama u stihovima italijanskih, ali i jednog dubrovačkog autora, Ignjata Đurđevića, kao i reminiscencijama na tu osobitu figuru u kratkoj lirskoj narodnoj pesmi. Analizirajući ove specifične stihove, autorka zaključuje da se i na osnovu njih i bez obzira na njihovu svedenost, mnogo toga može reći i o samim delima u kojima se ova 'ruža' pojavljuje, i onima koji su ta dela stvarali, ali i o vremenima u kojima su nastajala.Partendo dal prezioso libro di Giovanni Pozzi dedicato al motivo della rosa nella poesia italiana umanistica e barocca, l’autrice si sofferma su uno dei tipi individuati dal professore friburghese, realizzatosi nell’opera di L. Ariosto, in cui la rosa viene a designare la verginità femminile. Grazie all’analisi del numero esiguo degli esempi presenti nella poesia italiana del periodo indicato, l’autrice del presente contributo coglie l’occasione di indicare le varianti, direttamente dipendenti dai modelli italiani, presenti nell’opera del poeta raguseo, Ignazio Giorgi, come anche i riflessi della stratificata articolazione di questo motivo in un sistema completamene diverso, come quello della tradizione della poesia orale, grazie ai pochi versi presenti nella raccolta di V. Karadžić
Ideology of liberalism and traditionalism in the novels of Leopoldo Alas Clarín
No full textPh.D. thesis Ideology of liberalism and traditionalism in the novels of Leopoldo Alas Clarín is based on the analysis of ideological horizons of Leopoldo Alas Clarin (1852- 1901). He was a Spanish classic of realism and naturalism, a literary critic and an intellectual with broad interests as well as a meticulous observer and witness of the époque he was creating in. His literary works, especially novels, served as a polygon for ideological fight of Clarín, the liberal, with progressive worldview, against traditionalism, paradigm of ’the Spanish problem’ and illusory socio-political consensus in the period of The Restoration of the Spanish monarchy (1875-1923). The study is based on the basic attitude that literature is social institution which represents life. This attitude doesn’t have to be true if by this we mean that literature in each given time duly reflects current social situation. However, the writer doesn’t express entirety and totality of relationships in the society of one period, but he expresses himself as an individual whose ideology can be based on biographical, cultural and social grounds. We can accept the thesis that literary work, especially the novel of the 19th century, represents a place of reflection and realization of the specific ruling ideology although it is methodologically, theoretically and philosophically more correct to thoroughly examine this assumption. In that case, literature and novel represent the scene of disclosure and revealing of ideology as something relative and reconsidered. Using pluralistic, theoretical approach, this Ph.D. thesis aims to place Leopoldo Alas Clarín on the political, social, literary-theoretical and intellectual map of Spain in the 1870s and 1880s. The aim of the study is to represent author’s dominant, liberal ideology that is present on the several levels in his literary opus and especially in the novels La Regenta and Su único hijo. His clearly liberal ideology gives ground to some opinions and worldview of ruling, dominant majority, yielding under pressure of traditionalism and clericalism..
Rečenični modifikator VÄL u švedskom jeziku i njegovi srpski ekvivalenti
No full textRečenični modifikator väl, koji se u savremenom švedskom jeziku uobičajeno
svrstava u grupu modalnih rečeničnih priloga, u različitim sintaksičko-semantičkim te pragmatičkim okruženjima može biti nosilac jednog broja modalnih značenja i pragmatičkih funkcija, zbog
čega mu u srpskom jeziku odgovara niz prevodnih ekvivalenata. U radu iznosimo sistematičan
opis najfrekventnijih modalnih značenja i pragmatičkih funkcija rečeničnog modifikatora väl u
švedskom jeziku, te ukazujemo na jezička sredstva koja u srpskom jeziku predstavljaju njegove
najzastupljenije prevodne ekvivalente
Domains of Hungarian language use in Belgrade
No full textThis paper attempts at opening a dialogue on multilingualism in the city of Belgrade today. Belgrade, like other Southeast European cities, has developed much differently over the past decades than other European capitals, e.g. during the 1990s, the city and its population experienced the break-up of Yugoslavia, the authoritarian and nationalistic regime, sanctions, NATO bombing, both large-scale out-migration and in-migration. All these changes were not stimulating for the city's multilingualism. Belgrade, however, has more than 10 percent of population whose native language is not Serbian. This paper aims to explore the use of Hungarian in the city. The analysis is based upon questionnaires that were disseminated among Hungarian speaking population in Belgrade. The results we are going to present are only preliminary, since the collected corpus is limited in terms of small numbers of respondents and insufficiently diverse sample, e.g. the majority of respondents were students of Hungarian. However, we would like to offer an overview of the Hungarian speaking population in Belgrade today and indicate possible trends and major domains of Hungarian language use. Added to that, we will take a critical stance on monolingualising tendencies of the state and its institutions as well as on the policy of the compartmentalisation of languages
Vypiska iz 'Slova bratu stolpniku' v Hilandarskom sbornike XVIII veka
No full textU radu je predstavljen i objavljen do sada nepoznati izvod iz 'Slova bratu stolpniku', dela koje se sa sve više osnova pripisuje mitropolitu kijevskom Ilarionu, ruskom književniku iz XI veka. Izvod je sačuvan u hilandarskom Zborniku pouka svetih otaca iz XVIII veka crkvenoslovenske redakcije i najranije 1754. našao se u manastiru Hilandaru. U radu se ukratko izlaže istorija pitanja autorstva 'Slova' od njegovog uvođenja u nauku do danas, ukazuje na do sada poznate sačuvane i nesačuvane srpske prepise dela i iznose rezultati tekstološkog poređenja hilandarskog izvoda i srpskih prepisa.'Slovo bratu stolpniku', vse obosnovannee pripisyvaemoe russkomu avtoru XI veka, kievskomu mitropolitu Ilarionu, v russkoj i serbskoj rukopisnyh tradicijah sohranilos' kak v polnom vide, tak i v spiskah bez predislovija i vypiskah raznogo ob''ema. V stat'e izložena istorija voprosa ob avtorstve 'Slova' i ukazany vse ego sohranivšiesja i pogibšie serbskie spiski. V rabote otoždestvljaetsja i vvoditsja v naučnyj oborot do sih por neizvestnaja vypiska iz 'Slova', nahodjaščajasja v Otečnike, točnee, v Sbornike poučenij svjatyh otcov, prinadležaščem biblioteke Hilandarskogo monastyrja (Hilandar, № 506, XVIII vek, cerkovnoslavjanskaja redakcija). V monastyre ëtot sbornik okazalsja ne ranee 1754 goda i na segodnjašnij den' javljaetsja samym pozdnim svidetel'stvom bytovanija 'Slova' v serbskoj srede. Tekstologičeskoe sravnenie hilandarskoj vypiski iz 'Slova bratu stolpniku' s sootvetstvujuščimi ej častjami serbskih spiskov proizvedenija - polnyh (BAN, Tek. post. 13, XIV vek; NBS 26, XIV vek; Sav. 22, XV vek) i s otsutstvujuščim predisloviem (Deč. 96, XIV ili samoe načalo XV veka; Peč 83, XIV vek), - pokazalo, čto vypiska blizka k pečskomu i dečanskomu spiskam, kotorye v serbskoj rukopisnoj tradicii dannogo proizvedenija tekstologičeski sostavljajut otdel'nuju gruppu. Rjad čtenij predpoložitel'no russkoj po jazyku hilandarskoj vypiski, otličajuščihsja ot čtenij serbskih spiskov, trebuet special'nogo rassmotrenija, s učetom vsej russkoj rukopisnoj tradicii 'Slova'. K stat'e priloženo izdanie teksta hilandarskoj vypiski
Češskie avtory putevyh očerkov o Belgrade
No full textNa primeru putopisa Jana Nerude, Konstantina Jirečeka i Vaclava Fijale, skicira se slika o Beogradu koju su zabeležili ovi češki putopisci u periodu od 1870. do 1941. godine. Konstatuju se žanrovske i stilske karakteristike putopisnih slika, ali i zajednički akcenat na slici Beograda kao egzotičnog grada 'na pragu Orijenta', punom protivrečnosti i sudara kultura bez obzira na promenu istorijsko-geografskog konteksta.V putevyh očerkah Jana Nerudy, Konstantina Irečka i Vaclava Fialy, napisannyh v period 1870-1914 gg., vydeljaetsja obraz Belgrada kak goroda na granice meždu Evropoj i Vostokom. Nesmotrja na to, čto dannye trudy pisalis' v različnye istoričeskie periody i različnymi stiljami putevogo očerka, ih ob''edinjaet javnoe raspoloženie i ëmocional'naja privjazannost' avtorov, kak k položitel'nym, tak i k otricatel'nym harakteristikam Belgrada. I imenno ëtim ih obrazy otličajutsja ot bol'šinstva obrazov Belgrada v proizvedenijah evropejskih putešestvennikov konca XIX i načala XX vv
Im land der lotophagen: Proust, Curtius und Slobodan Jovanović
No full textU radu se analiziraju dva prikaza Prustovog Traganja za izgubljenim vremenom, čiji su autori E. R. Kurcijus i Slobodan Jovanović. Oba su objavljena u februaru 1922. godine, dakle pre nego što je Prustov roman bio u celini štampan. I Slobodan Jovanović i Kurcijus ukazuju na neke od najznačajnijih osobina Prustovog stila, na inovativnost i originalnost njegove romansijerske umetnosti i ocenjuju ga kao jednog od najznačajnijih savremenih pisaca.In der vorliegenden Arbeit werden zwei Darstellungen des Romans Auf der Suche nach der verlorenen Zeit von Marcel Proust analysiert, deren Autoren E. R. Curtius und Slobodan Jovanović sind. Beide Darstellungen wurden im Februar 1922 veröffentlicht, also, bevor Prousts Roman in Ganzheit gedruckt wurde. Sowohl Slobodan Jovanović als auch Curtius weisen auf manche der bedeutendsten Merkmale von Prousts Stil, auf Inovation und Originalität seiner Romankunst hin und bewerten ihn als einen der bedeutendsten Gegenwartsschriftsteller. / (francuski) Le sujet de cet article est l’analyse de deux articles critiques sur À la recherche du temps perdu de Marcel Proust dont les auteurs respectifs sont E. R. Curtius et Slobodan Jovanović. Les deux articles ont été publiés pratiquement en même temps, en février 1922, l’un dans le célèbre magazine littéraire allemand Der Neue Merkur, l’autre dans Srpski književni glasnik, magazine serbe de réputation similaire. Bien que les articles de Jovanović et Curtius aient été écrits et publiés avant que les derniers tomes de Recherche ne soient imprimés, et même achevés, les deux critiques ne manquèrent pas de demonstrer une sensibilité extraordinaire pour l’art romanesque de Proust et d’indiquer infailliblement les caractéristiques les plus importantes de son style. Jovanović, aussi bien que Curtius sont parvenus à reconnaître en Proust, un grand artiste d’un talent rare et original