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Dream of Gustav von Aschenbach in Thomas Mann’s Narrative Death in Venice
No full textУ раду се тумачи сан Густава Ашенбаха, главног јунака приповетке Томаса Мана „Смрт у Венецији“. Будући да је реч о архетипском сну, који своје порекло има у колективном несвесном, примењена је Јунгова метода тумачења снова. Показано је да осим индивидуалног, Ашенбахов сан има и колективни смисао, који се не односи само на издвојену, појединачну судбину сневача већ и на шира друштвено-историјска дешавања.In the narrative Death in Venice, Thomas Mann depicts how „Apollonian”
writer Gustav von Aschenbach is overcome by the „Dionysian” principle, among
other ways, in the mythological-psychological manner, and this is significantly high-
lighted by an archetypal dream of the main character.
Apart from completing the psychological profile of the artist and shedding
light to the process evolving in his soul, this dream also provides a deeper insight
into the social and historical context of the time, i.e. anticipates certain general, col-
lective events.
Namely, the dream is the most articulate and unambiguous authentication that
for a long period of time a struggle ensued in von Aschenbach’s soul, the strug-
gle between „calm and dignified spirit” symbolised by Apollo, and Bacchanalian
procession, which celebrates, in a lewd and unrestrained manner, Dionysus, who is
adverse to the dreamer.
Since this is an archetypal dream, it does not refer solely to the dreamer and
his individual fate, but also has a general, collective meaning. Mythological pattern
of the dream reasserts that an archetypal process is taking place inside von Aschenbach’s soul; the root of this process is in the collective unconscious and refers both
to him individually and society as a whole.
The death of von Aschenbach, as well as the death spreading in Venice, an-
ticipate in a symbolical manner a much wider and much more devastating process,
which will manifest and culminate during World War I, and that would be only two
years after Death in Venice was published.
The Bacchanalian procession, which ravaged and ruined von Aschenbach’s
life, i.e. cultural and spiritual values in it, also brought war violence which overpow-
ered spiritual resistance and depleted and destroyed the European life culture
Narratological criticism
No full textУ раду се указује на главне особине савремене наратолошке критике. Полазећи од класичне, структуралистичке наратологије која је формулисана у радовима француских структуралиста седамдесетих година прошлог века, прати се генеза наратолошких идеја до данас. Успостављена је разлика између наратологије као 'чисте' теорије и практичне или примењене наратологије. Сажето су представљене главне идеје Жерара Женета, Ролана Барта, Џералда Принса, Симура Четмена и Дорит Кон.The aim of this paper is to describe the main features of contemporary narratology. The definitions of the discipline vary widely depending on various factors. There are thematological and formalist considerations of narrative, that marked the very beginnings of narratological studies; there are structuralist approaches to it as well as deconstructive or interdisciplinary ones; there are historical, sociological, and anthropological views, feminist, and political ones. But in methodological sense, we can distinguish narratology as theoretical narrative poetics and narratology as a kind of criticism, practical or interpretative narratology. The first view of narrative poetics is restrictive since it excludes semantic and contextual aspects of individual narrative texts from the investigation; the second one is expansive since it tries to apply theoretical concepts in analysis and interpretation of individual texts. Whether it is expansive or restrictive, narratology was at its best when it was define as immanent method and studied the narrativity of narrative text, i.e. its specific form and structure, as can be clearly seen from the example of Genette's, Cohn's or Chatman's works
Пракса односа с јавношћу у јавним библиотекама Србије
No full textУ развијеним библиотечко-информационим срединама библиотекари своју улогу посредника у комуникацији сматрају суштински важном у контексту понуде фондова, услуга и програма на прави начин. Ова студија случаја емпиријски истражује и сагледава праксу односа с јавношћу у јавним библиотекама Србије, те пружа препоруке за даљи развој ове области. Примарну циљну групу у истраживању чине директори јавних библиотека, њихови помоћници и руководиоци сектора и одељења, а секундарну сарадници на пословима PR-a. Методолошки приступ огледа се у спровођењу онлајн анкете којом су прикупљени подаци квантитативног и квалитативног карактера од укупно педесет испитаника. Иако је тешко говорити о развијању или стагнацији ове области, будући да у Србији до сада нису рађена слична истраживања, јасно је да се библиотеке све више окрећу интензивној комуникацији с јавношћу. Забележена су значајна запажања у погледу разумевања појма односа с јавношћу, профила запослених који се баве овим послом, важности интерне комуникације, визуелног идентитета, затим квалитета разговора са стејкхолдерима, те свести да поједини сегменти рада које библиотека обавља суштински припадају овој области.In developed library and information environments librarians consider their role of communication intermediaries to be
crucial in terms of offering collections, services and programs in the right manner. This case study empirically researches and
perceives public relations practice in public libraries in Serbia, and offers recommendations for further development of this
fi eld. Primary target group in this research included directors of public libraries, their assistants and heads of sectors and
departments, and the second group focused on associates engaged in PR tasks. Methodological approach that was used in the
study included an online survey sent out to over two hundred email addresses and gathered quantitative and qualitative data
from fi fty respondents. Even though it is not easy to comment on development or stagnation in this fi eld, since no similar
researches have been done in Serbia, it is clear that libraries are transferring their focus on intensive communication with
the public. This study showed signifi cant observations when it comes to understanding the public relations, profi le of the
employees involved in this fi eld, importance of the internal communication, visual identity, quality of communication with
stakeholders, and awareness that some of the work processes in a library essentially belong to the public relations fi eld.
Authors of the paper suggest that accepting and developing principles of an organizational culture would create a new frame
for working with public relations fi eld. One of the principles - culture of tasks is based on an assumption that people like to
work and therefore need to have certain conditions that would best stimulate their skills and knowledge. This kind of culture
favors the capability of an individual to contribute to the goals of an organization as well as rights of each employee to create
new ideas and solutions that would bring changes to the organization. Some of the most important values of such organization
include a strong feeling of affi liation, a need to connect and to work effi ciently within a team. Development of organizational
culture has its roots in these values and today it is considered to be the best solution to two fundamental problems that
challenge members of the organization: internal integration and external adaptation
Продуктивность и морфологические особенности как факторы употребительности деепричастий несовершенного вида в русском языке
No full textНастоящая работа является попыткой создания полного перечня глаголов несовершенного вида, которые либо не образуют деепричастий, либо их деепричастия неупотребительны, а также и определения причин данного явления. Глаголы сначала выявлены с помощью ряда нормативных пособий, но учитывая относительное несовпадение информации в них, а также и то, что они могут не отражать реальное состояние в языке, употребительность данных форм проверялась в Национальном корпусе русского языка. Оказалось, что данные гл. в основном характеризуются принадлежностью к непродуктивным классам или морфологическими особенностями
Hölderlin, the reality of language and restoration of the meaning of poetry
No full textU radu se, polazeći od posljedica evropskog nihilizma, nastoji, u perspektivi Hajdegerove i Benjaminove interpretacije Helderlinovog pjesništva, obnoviti razumijevanje odnosa između istoričnosti ljudskog postojanja, stvarnosti jezika i suštine poezije. Ishodište ovoga razumijevanja jeste saznanje koje se, u činjenici svoga kašnjenja, djelatno stavlja u odnos sa odgovornošću i iscjeljenjem koje utemeljuje čovjekovo istrajavanje u vremenu. Interpretacija Helderlinove poezije se, na koncu, uzima kao povratak poetičkom načinu mišljenja koji ne bi trebao ostati samo događaj književnosti nego se, i razumijevanjem smisla književnosti u istoriji, treba dokučiti u kontekstu preutemeljenja zapadne metafizike i obrta koji je sudbonosan po zapadnu kulturu.In perspectives of Heidegger's and Benjamin's interpretation of Hölderlin's poetry, this paper, referring to the consequences of European nihilism, tends to restore an understanding of the relation between the historicity of human existence, the reality of language and the essence of poetry. This understanding leads to the unity of theoretical and practical knowledge which is, in its temporality, placed in relation to the responsibility and healing that establishes persistence of humanity in time. Thus, in the epoch which dominated by the power of technology, the interpretation of Hölderlin's poetry is treated as a return to the poetical thinking that should not remain just a literary event but, in correspondence to the renewal of the experience of the value and meaning of literature in history, should be grasped in the context of deconstruction of Western metaphysics and a reversal which is crucial for Western culture
Белорусская литература как модель развития «малых» (славянских) литератур: Материалы к темати-ческому блоку на XV Международном съезде славистов: (Минск, 20– 27.08.2013 г.), сост. Гун-Бритт Колер Павел Науменко (Минск: Бизнесофсет, 2013) 131.
No full textDeminutivy kak sredstva intensifikacii v češskom jazyke i ih ëkvivalenty v serbskom
No full textU radu se analiziraju deminutivi u funkciji intenzifikacije u češkom jeziku u okviru konotativne sfere upotrebe. Preciziraju se načini na koje se postižu značenja i značenjske nijanse u okviru pojačavanja osobine pojma. Utvrđuju se formalni ekvivalenti i nude rešenja u vidu drugih sredstava kod transpozicije u srpskom jeziku koja ovu funkciju najpreciznije izražavaju.V rabote analizirujutsja deminutivy v funkcii intensifikacii v ramkah konnotativnogo aspekta upotreblenija. Intensifikacija svojstva opredelennogo ponjatija, vyražennogo deminutivami, proishodit dvumja sposobami: upotrebleniem deminutiva vtoroj stupeni derivacii i modifikaciej značenija nebol'šoj, malen'kij (maly). Upotreblenie deminutiva vtoroj stupeni derivacii usilivaet ëkspressivnost' - ponjatie priobretaet značenie milee, čem milyj (milejšl než mily). V slučae modifikacii značenija nebol'šoj (maly) deminutiv bud' samostojatel'no, libo v kombinacii s drugimi slovami v usilitel'noj funkcii vyražaet: 1) polnuju vključennost' v dejstvie, 2) polnoe otricanie, 3) minimal'noe dostatočnoe ili nedostatočnoe količestvo substancii. Dalee v stat'e ustanavlivajutsja formal'nye ëkvivalenty i predlagajutsja vozmožnye rešenija v forme inyh sredstv vyraženija, naibolee podhodjaščih dlja osuščestvlenija funkcii intensifikacii, pri transpozicii v serbskom jazyke
Crisis and renewal in Serbian novel after 2000
No full textU radu se govori o ulozi istorijske tematike u savremenim srpskim romanima, prvenstveno onima koji su objavljeni posle 2000-te. Raznovrsnost istorijskih tema o kojima pripovedaju savremeni srpski romansijeri je veoma velika, a njihova interesovanja sežu i u veoma daleku i u onu nešto bližu prošlost. U vezi sa istorijskom tematikom, posebno se osvrćem na način na koji su poslednji jugoslovenski ratovi predstavljeni u srpskoj prozi. Istaknut je primer kratkog romana Đorđa Pisareva, Pod senkom zmaja, koji ne samo što predstavlja jedan od uspelijih eksperimenata u okviru takozvane ratne proze, već i najavljuje inovacije u postmodernističkom pripovednom kanonu. Pako postmodernistički po preovlađujućem načinu pripovedanja, Pisarevljev roman istovremeno preispituje neke od najvažnijih postmodernističkih romanesknih konvencija, koje su obeležile srpski roman u poslednje dve decenije, i najavljuje jednu novu vrstu romana kakva se može naslutiti i u delima nekih drugih postmodernističkih pisaca, kao što su Vladan Matijević i Svetislav Basara.The subject of this paper is the role of history in contemporary Serbian novel. The great number of novels published in Serbia since 2000 are largely invested by different historical topics, ranging from stories settled in Byzantine Empire to the ones that represent the latest conflicts in former Yugoslavia. Looking in the larger perspective, we can confidently say that transposition of the past events into the contemporary context in order to comment on them or to attribute to them some specific meaning represents the main narrative strategy of Serbian novelists writing about history or inspired by it. In dealing with the past, contemporary Serbian novelist are less archaeologist and much more engaged writers trying to impose one or other ideological view on actual events by means of historical parallels. Special attention is given to Đorđe Pisarev's novel Under the Dragon 's Shadow, an example of a new genre in Serbian fiction that have emerged since the end of the last century - war diaries or similar personal accounts of the NATO bombing of Yugoslavia. Pisarev's novel is a successful experiment that combines naturalistic narration with a kind of post-modern allegory and parody. I argue that Pisarev's novel announced some important changes in Serbian postmodern novel, which led to the reconsideration of postmodern conventions that dominated Serbian novel for more than twenty years
Noise in Belgrade and its impact on human health
No full textBuka je stvarnost savremenog čoveka. Najveća opasnost čoveku preti od komunalne buke, koja potiče najvećim delom od saobraćaja, dok su industrija, mala privreda, građevinarstvo i druge aktivnosti od manjeg značaja. Istraživanja Gradskog zavoda za zaštitu zdravlja pokazuju da je nivo dozvoljene buke u Beogradu veći u svim zonama (stambena, školska, duž saobraćajnica i drugo) i to ne samo u toku dana, već i noću. Pa iz tog razloga potrebno je preduzeti mere zaštite u skladu sa mogućnostima države. Sprovođenje odgovarajućih mera je često skupo, pa ih siromašne zemlje i ne preduzimaju, a često i vlasnici fabrika ako im je ugrožen profit. Zato je obaveza države da propiše mere zaštite i kontroliše sprovođenje istih. Potrebno je i prosvećivanje stanovništva u smislu slušanja muzike na razumnim nivoima, kao i odmor u tišini posle izlaganja buci.Noise is the reality of modern man. Communal noise is the biggest threat. This noise stems mainly from traffic, whereas industry, economy, construction and so on, are less significant sources. The City Health Protection Office research shows that the noise level in Belgrade is higher in all areas (residential, school, traffic, etc.) and this is true not only during the day but also at nigh. Having this in mind, measures should be taken according to the state's ability. Taking action is usually expensive, and so impoverished countries often do nothing, as well as factory owners if taking action means profit loss. That is why it is state's responsibility to issue and enforce these measures. Also, people should be encouraged to listen to music which is not too loud, and to rest in silence after they have been exposed to noise