REPFF - Repository of Faculty of Philology, University of Belgrade
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Theodosios' poetics and its roots in the antiquity
No full textTeodosije Hilandarac je jedan od retkih srednjevekovnih pisaca u čijim delima možemo naći eksplicitne poetičke stavove. Oni se podudaraju sa poznatim Horacijevim mišljenjem o funkciji književnosti, ali su putevi kojima su ti stavovi dospeli u srpski srednji vek veoma specifični. Koreni su im u klasičnoj grčkoj (Aristotelovoj) poetici koju preuzimaju i razrađuju helenistički pisci, a koja preko kasnoantičke i ranovizantijske, a potom i atonske književnosti ulazi u Teodosijev vidokrug.Theodosios of Hilandar is one of the few medieval writers whose work includes explicit poetic views. These views are in line with Horatio's well-known statement on the function of literature (prodesse et delectare, utile et dulce); however, the way in which these views reached and were incorporated in the Serbian medieval literature is very specific. Theodosios' view is that the lives of exceptional people are written and read for the benefit of the readers/listeners - 'these works are beneficial to the listeners per se and that benefit is the writers' reward'. In addition, the moral instruction obtained from the reading of hagiographic works can be very pleasant. By stressing the motives of 'benefit' and 'pleasant instruction' in his prose works, Theodosios joins the advocates of the approach to literature and its function which had an undisputable legitimacy since the antiquity and throughout the Middle Ages, even in the centuries that followed. The roots of that approach can be found in the classical Greek (Aristotelian) poetics which was adopted and further developed by Hellenistic writers, particularly by Neoptolemus (3rd century BC) and which, through late antiquity (The Academy of Athens in particular) and early Byzantine period and, later, Aton literature - reached Theodosios
Pisma Vilema Zavade Jari Ribnikar
No full textSačuvana pisma iz zaostavštine Jare Ribnikar (1912-2007), srpske spisateljice češkog porekla, i češkog pesnika Vilema Zavade (1905-1982), svedoče o bliskim odnosima i plodnoj saradnji dva autora.V pozustalosti Jary Ribnikarove (1912-2007) bylo zachovano dvanact dopisu českeho basnika Vilema Zavady (1905-1982), ktery v Československu pred Druhou svetovou valkou vydal jeji prvni verše. Ribnikarova po valce prekladala basne V. Zavady. Korespodence obsahuje drahocenne informace o prekladech, ale dopisy predevšim predstavuji svědectvi o pratelstvi ktere trvalo vice než padesat let
Form as an expression of function
No full textTekst predstavlja analizu estetske kategorije to prepon, prikladnosti, od ranog antičkog perioda do savremene revitalizacije istog pojma pod novim imenom - funkcionalnost. U arhitekturi dvadesetog veka dogodio se preporod estetske kategorije koja je intonirala razumevanje lepote u pred - filozofskoj antičkoj Grčkoj, kao i u filozofiji Sokrata, Platona i Ksenofonta. Autor u tekstu nudi argumentaciju u prilog tri osnovne teze: da je arhitektura kao takva logično i prirodno mesto preporoda kategorije to prepon, da se dva dominantna pravca u savremenoj arhitekturi koji se tradicionalno tretiraju kao disparatni, mogu svesti na zajednički imenilac - kategoriju funkcionalnosti i da funkcionalnost može da se tretira kao prizma prelamanja osnovnih tokova u savremenoj umetnosti.The paper offers an analysis of the aesthetic category to prepon, suitability, from an early antique period to contemporary revitalization of the same notion under the new name - function. The twentieth century architecture is the place of rebirth of the aesthetic category that gave intonation to the concept of beauty in pre - philosophical antique Greece, as well as to the philosophy of Socrates, Plato and Xenophon. Author's main theses are that the architecture is natural and logical birthplace of to prepon, that two main streams in contemporary architecture: organicism and geometrical rationalism have the same key notion in common - function and that suitability, or function as aesthetic category can be treated as a prysm for the central currents in contemporary art
Where the whole resides: The poetics of Stevan Raičković
No full textОвај рад је део једне веће студије о Раичковићевој поезији и
књиге о савременом српском песништву. Други део овог истраживања закона лирике објављен је у зборнику Поетика Стевана Раичковића (Институт за
књижевност и уметност, Београд, 2010). Раичковић напомиње како није мењао
своје песме за издање Сабраних дела Стевана Раучковића, али се ту ипак откривају многе важне промене његове поетике. Реорганизовао је многе целине
и напослетку открио значај дневника, мемоара и записа за разумевање целине
његовог песништва. У његовом делу постоји преокрет од чисте лирике до поезије непосредно ослоњене на животна, свакодневна искуства, и преокрет од
стиха до записа. Тај преокрет је значајнији од промена песничке форме као
такве и других трансформација Раичковићевог стиха. У тој промени се открива
основни закон песништва који није ограничен на стих.This paper is a part of the larger work on Stevan Raičković's poems and the book on contemporary Serbian poetry. The second part of the same investigation into the law of lyric is published in the collection of essays on Raičković Poetika Stevana Raičkovića (Institut za književnost i umetnost Beograd, 2010). Raičković states that he has not changed his poems in The Collected Works of Stevan Raičković, but there are many significant changes of his poetics to be traced in this edition. He has reedited his collections of poems and established poetical value of diaries, memories and notes throughout his oeuvre. There is a shift in his poetry from the poetics of pure lyricism to the poetry of life experiences and from verses to the notes. That shift is more important than changes of the form and other alterations of the verse in Raičković's works. The most important change reveals the basic law of poetry unrestricted on verse
Understanding disaster: Postmodern age in apocalyptic perspective
No full textПолазећи од основне идеје апокалипсе као уништења на путу
спасења, аутор се осврће на историју античке књижевност и на
археологију постмодерног стања, да би затим описао неколико
важних књижевноисторијских момената у савременој српској прози од Радомира Константиновића до горана Петровића и Владимира Тасића. Питање постмодерног стања повезао је са књижевноисторијском динамиком, а код Доситеја и Његоша указује на архитрагове постмодерних стратегија.Beginning with the basic concept of the apocalypse as the one of destruction leading toward salvation, the author sets out to elaborate the history of ancient literature, as well as the archeology of the postmodern condition, with the aim of delineating a few of the relevant literary and historical moments in contemporary Serbian prose writing, ranging from Radomir Konstantinović up to Goran Petrović and Vladimir Tasić. The issue of the postmodern condition is thus brought into relation with the historical and literary dynamics, highlighting the arche-traces of postmodern strategies present with Dositej and Njegoš
Adjectives as a separate word class in the Japanese language: Features and definition problems
No full textU ovom radu bavimo se pitanjem prideva u japanskom jeziku, i to uopšte, njihovim morfološkim odlikama, funkcijom i značenjem, kao i razlikama i sličnostima između dve vrste japanskih prideva, koji se u ovom radu nazivaju pridevi 'I' i pridevi 'NA', te njihovom odnosu prema japanskim glagolim i imenicama. Naime, pošto pridevi predstavljaju posebnu vrstu reči, bilo je neophodno definisati ih u širem kontekstu vrsta reči, a u tu svrhu smo se kratko osvrnuli i na stanje u japanskoj lingvističkoj tradiciji. Ujedno smo pokazali neke od praktičnih problema koji iskrsavaju pri gramatičkoj analizi tipološki različitih jezika, kakvi su srpski i japanski. Sagledavanje ovog problema omogućava bolje upoznavanje sa pridevima i vrstama reči ne samo u japanskom jeziku već i generalno, i to kroz ukazivanje na jezičke i vanjezičke činjenice koje utiču na formulisanje termina u opisu jezika.The aim of this paper is to examine adjectives in the Japanese language in a general way: their morphological features, functions and meanings as well as the differences and similarities between the two groups of adjectives in Japanese, which will be referred to in this paper as 'I' adjectives and 'NA' adjectives. We will also be looking at their relationship with Japanese verbs and nouns. As adjectives represent a distinct word class it was necessary to define them in the wider context of word classes and to this purpose we briefly referred to the Japanese linguistic tradition. We have also uncovered some of the practical problems that arise during grammatical analysis of typologically different languages, such as the Serbian and Japanese language. Through dealing with the linguistic and non-linguistic factors that influence the choice of terminology used in the description of a language, the investigation of this problem makes possible the further understanding of adjectives and word classes, not only in the Japanese language but also in general
Political Aspects of Shakespeare’s History Plays: Modernist and Postmodernist Readings in a ’Conflict of Interpretations’
No full textThis paper analyzes different approaches to the political contents of Shakespeare’s history plays in the modernist and the postmodernist theoretical framework. While the modernist critics were undoubtedly aware of the complex political strategies transposed in drama, they mostly tended to analyze the presupposed dominant features of the Elizabethan ‘discursive formation’. Postmodernist approaches to the history plays, within a wide theoretical scope which includes deconstruction, new historicism, cultural materialism, feminist criticism, Bakhtinian criticism and psychoanalysis, express a more skeptical attitude in interpreting political contents and emphasize different instances of implied marginal and subversive meanings in the history plays. It is argued that the hermeneutical concept of the ‘conflict of interpretations’ developed by Paul Ricoeur in De l’interprétation: essai sur Freud (1965) has its special instance in the understanding of the political aspects of Shakespeare’s history plays in the twentieth century.
A special attention is paid to the most recent postmodernist approach, which has been emerging under the name of presentism. It tends to relate the political contents of the plays to the political context of their twenty-first century critics/ readers/spectators
Lessing's aesthetics and the idea of subjectivity
No full textTekst je posvećen analizi pojma prosvećenosti, odnosno 'prosvetljenosti' što je evropsko ime za duhovnost osamnaestog veka. U ovom kontekstu autor daje i jedno neuobičajeno tumačenje pojma prosvetljenost - kroz prizmu ideje subjektivnosti - kao snage ljudskog uma da osvetli i u isti mah intonira predmet na koji je upućen. U tekstu se upravo misao G. E. Lesinga prepoznaje kao rodno mesto ovakve konotacije pojma 'prosvetljenost'. Analizirajući ključne Lesingove teze u glasovitom spisu Laokoon, autor razvija i dokazuje svoju tezu da se kroz misao G. E. Lesinga konstituisao jedan od bitnih aspekata ideje subjektivnosti u osamnaestom veku.In the text Lessing's Aesthetics and the Idea of Subjectivity has been analysed the meaning of the term 'enlightenment'. In this context the author offers an unusual interpretation of the term enlightenment - through the prism of the idea of subjectivity - as the power of human mind to cast the light and give intonation to it's object. In this paper the thought of G. E. Lessing has been recognized as the birthplace of this connotation of the term enlightenment. Using the analysis of Lessing's key thesis in his famous Laokoon, author develops her thesis that an important aspect of the idea of subjectivity in eighteenth century has been formed within the Lessing's philosophy
La traducción serbia de las novelas cervantinas
No full textПроучавање српских превода Сервантесових дела важан је сегмент у сагледавању рецепције овог шпанског писца у српској књижевности и култури. Збирка Узорних новела (Novelas ejemplares)
најзначајнији је ауторов наслов после Дон Кихота, али њена српска
варијанта досад није била предмет темељите анализе. Наше претходне радове о верзијама Ђорђа Поповића - Даничара (1885) и Хајима
Алкалаја (1938) употпуњујемо критиком превода трећег српског
преводиоца Сервантесових новела, Душка Вртунског (1981).El analisis de las traducciones serbias de las obras cervantinas representa un segmento significativo en el estudio de la recepcion del escritor espanol en la literatura y la cultura serbias. Las Novelas ejemplares son la obra más importante de Cervantes después de Don Quijote pero su transposición serbia todavía no na sido objeto de un analisis riguroso. Completamos nuestra serie de trabajos sobre las versiones de Đorđe Popović Daničar (1885) y Hajim Alkalaj (1938) con esta crítica de la versión del tercer traductor serbio de las novelas, Duško Vrtunski (1981)
