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On the treatment of comma in the new edition of the Pravopis srpskoga jezika [The Serbian Language Orthography] (Matica srpska, 2010)
Since the new edition of Pravopis Srpskoga jezika [The Serbian Language Ortography] (Matica srpska, 2010) does not state explicitly the differences in relation to the previous edition (Matica srpska, 1993), the author sets out to list and comment on the differences regarding the usage of comma. The author then comments on some solutions common to both editions and, finally, on some usage's of comma that are not mentioned in either edition
E-mailing & politeness
Oslanjajući se na teorijski okvir koji obezbeđuju etnopragmatika i teorije učtivosti, ovaj članak se bavi fenomenom dvostruke percepcije imejla (elektronske poruke) kod učesnika u kompjuterski posredovanoj komunikaciji. Naime, učesnici u komunikaciji nekada imejl percipiraju kao pisani, a nekada kao govoreni medijum, što za posledicu ima razlike u registrima i stilovima ovih poruka, naročito u takozvanim izrazima proceduralnog značenja (IPZ), i to formulnog tipa.Within the broader framework of ethnopragmatics and contemporary politeness theories, the research presented attempts: 1) to show how characteristics of computer-mediated communication (CMC) render different perceptions of email as medium, which is reflected in the way message senders (writers) vary their strategies in performing speech acts such as 'request'; 2) to examine the use of ritualised (formulaic) expressions of procedural meaning (EPMs) and semi-formulaic EPMs in e-mails written by students to faculty
The problems in teaching conjunctions
Tokom procesa učenja srpskog kao stranog (drugog) jezika dolazi do grešaka u svim segmentima jezika. Njihovim blagovremenim uočavanjem i razumijevanjem pojavljivanja, predavač je u mogućnosti da ih preduprijedi naglašavanjem pogrešaka i pravilnosti tokom izlaganja nove materije. U radu će se ukazati na greške u upotrebi jedne vrlo ograničene jezičke kategorije - veznika i vezničkih konstrukcija. Već u ranom nivou učenja studenti imaju potrebu da, formirajući iskaze na srpskom jeziku, povežu sintaksičke cjeline različitih međusobnik odnosa i sintaksičkih vrijednosti. Rukovodeći se maternjim jezikom ili nepoznavanjem indoevropske strukture jezika, griješe u upotrebi veznika ili ih uopšte ne koriste. U radu će se ukazati samo na one greške koje su tipične i najčešće i predložiti neka od mogućih rješenja za njihovo prevladavanje.The presented work deals with mistakes in conjunction use in process of learning Serbian as a foreign (second) language. The mistakes are arising under influence from native language (in process of translation) with different semantically relations than in Serbian language; like result of interference or ignorance of the rules in connecting of syntaxes members. In this paper will be demonstrated only mast frequently and mast typical mistakes in the conjunctions different semantically value
Ненад Крстић. „Наполеон Бонапарта” Александра Диме у преводу Љубомира Ненадовића. Београд: САНУ, 2010, 210 стр.
Прилог представља приказ студије Ненада Крстића „Наполеон Бонапарта” Александра Диме у преводу Љубомира Ненадовића, коју је 2010. године објавило Одељење језика и књижевности САНУ
Везник quand и темпоралне релације у француском
Ce travail1 a pour but d’examiner des contraintes imposées par
la conjonction quand aux enchaînements de forme Quand P, Q. Nous
considérons notamment celles qui n’interviennent pas dans les séquences correspondantes de deux propositions indépendantes P et Q. Nous
constatons que, sous certaines conditions, la conjonction quand est à
même de modifier la relation temporelle entre deux propositions indépendantes.У раду испитујемо улогу временског везника quand у интерпретацији реченица у
којима овај везник фигурира. Посебно се усредсређујемо на семантичке разлике између
реченица типа Quand P, Q и одговарајућих низова независних клауза P, Q. Показали смо
да се употребом везника quand под одређеним условима може модификовата темпорална
релација која се успоставља у поменутим низовима независних клауза. То нам је омогућило да боље схватимо не само семантички допринос овог везника значењу реченица које
уводи, него и принуде које произилазе из употребе неких глаголских времена у таквим
реченицама
Generation of 1898 and the restoration of female contribution to an exclusively male group
A pesar de participar en el conjunto de la misma cultura, las mujeres, coetáneas de la generación del 98 y el modernismo hispano, están
prácticamente excluidas de ella. El propósito de este trabajo es ofrecer
una explicación diferente de la ausencia de los nombres propios femeninos en ese capítulo de la literatura española y subrayar la aportación
de las mujeres a una de las generaciones más importantes de novelistas y
pensadores españoles. hasta el brote de la crítica literaria feminista hace
unas décadas, no se conocía la labor tremenda de esa generación de intelectuales, escritoras y feministas españolas, coetáneas de los famosísimos
novelistas del 98. Tampoco se conocía el impacto y la importancia que su
obra tenía en el proceso de la modernización de España a principios del
siglo xx. El caso de las intelectuales españolas no es un caso aislado. de
ahí la necesidad del descubrimiento constante de escritoras olvidadas en
el canon masculino de la historia literaria y artística no sólo de España,
y no sólo del modernismo, sino de muchas otras literaturas nacionales y
épocas literarias.In spite of their tremendous intellectual effort and the fact that they participated in the same cultural and intellectual processes as their masculine counterparts, women are practically excluded from the famous group of Spanish novelists and philosophers, the Generation of 98. My intention was to emphasize the importance of the restoration of feminine contribution to this period of Spanish literature history and to the modernization of Spain after the grand crisis of the fin de siècle. Since the case of Spanish female writers is not isolated, it is important to constantly keep rediscovering women excluded from the masculine literary canons, not only in Spain, but worldwide
David Hume and the idea of hermeneutics
Tekst predstavlja jedan neuobičajen postupak kada je u pitanju Hjumova filozofska misao - autor ostavlja po strani Hjumovu gnoseologiju, a njegovu moralnu i političku filozofiju posmatra kao rodno mesto ideje hermeneutike, i to u tri njena bitna segmenta: • u tezi da je jedinstvena ljudska priroda temelj razumevanja svih duhovno-istorijskih tvorevina; • u tezi o ravnopravnosti duhovnih i prirodnih nauka (njihovom jednakom aksiološkom statusu); • u tezi o razumevanju kao otkrivanju istinskog unutrašnjeg smisla istorijskih i umetničkih tvorevina.The paper presents an unusual handling of Hume's philosophy - putting aside Hume's gnoseology and treating Hume's thought as a birthplace of the idea of hermeneutics. Author analyses the process of constitution of the idea of hermeneutics in three segments: thesis that unique human nature is the basis for understanding of all human historical and art products; thesis of equality of humanities and natural history and their equal axiological status; thesis of the understanding as revealing the inner sense of historical and art products
Analyses of Šantić's poem 'Night on the coast': An indicator of trends of linguo-stylistic development among the Serbs
U radu se pokazuje kako su analize pjesme 'Veče na školju' Alekse Šantića utirale put lingvostilistici i njenim kriterijumima u srbističkoj filologiji. Više nego pedesetogodišnje srbističko stilističko interesovanje za 'Veče na školju' ukazalo je na raznorodnost stilističkih postupaka (i tema) zastupljenih u strukturi ove pjesme. Rad daje pregled mnogobojnih i različitih interpretacija 'Večeri na školju', a zapravo stilističkih pitanja i kriterijuma kojima je povod i posljedica bila pjesma 'Veče na školju'. Analiza pokazuje da je riječ o najrelevantnijim pitanjima genetičkom nadograđene Bajijev(sk)e afektivne stilistike.Aleksa Šantić's poem 'Night on the Coast' has for more than fifty years been a topic of linguo-stylistic analyses. Numerous analyses of this poem have integrated all linguo-stylstic units and their disciplines. Certain components and/or the whole structure of 'Night on the Coast' have been subject both to phonostylistic, morphostylistic, semantic-stylistic, syntactic-stylistic, textual-stylistic and graphostylistic analyses. Those analyses included both the stylematic level (that of structural defamiliarisation) and the stylogenic level (that of functional value) of the linguistic units under discussion. Thus the analyses of 'Night on the Coast' have in the most explicit way demonstrated not only the possibilities, but the potentials of integral linguo-stylistics, which implies a simultaneous acceptance of both stylematic and of stylogenic criteria of linguistic units: from the phoneme (or even from the distinctive feature) to the connected text or discourse. Therefore we can justly conclude that the results of linguo-stylistic analyses of 'Night on the Coast' rather paved the way for Serbian linguo-stylistics than applied the generally accepted linguo-stylistic criteria in the analysis of this poem
The existential description of the body and the problems of identity: On the example of Kundera's short story The hitchhiking game
Polazeći od Sartrovog opisa tela kao fakticiteta koji je prikazan u delu Biće i ništavilo (L'Être et le néant 1943), u ovom radu nastojimo da pronađemo konstatacije i stanovišta koja bi nam pomogla u tumačenju odnosa između likova Kunderine proze, načina njihovog egzistiranja tela, a potom i u opisivanju njihovog identiteta. U vezi sa tim u tekstu predstavljamo analizu tela Kunderinih junaka koje se čitavo identifikuje sa svetom, kao sa nečim što je totalna situacija samosvesnih subjekata i istovremeno mera njihove egzistencije. Istovremeno pokazujemo kako svesnost o prisustvu tela svedoči o individualnoj motivaciji svakog subjekta, iako on nije svoj vlastiti temelj. Telom dakle, izabrane ličnosti Kunderine proze manifestuju svoju individualnost i slučajnost vlastitog izvornog odnosa sa stvarima; ali telo analiziramo i kao konekciju sa prošlošću, jer ono izvorno upućuje na rođenje, kao i na slučajnost i nužnost nekog stanovišta.The paper represents a model of existential interpretation of various topics in Kundera's prose, which we apply in the case of body description and identity problems of the chosen characters. The starting point in the research was Sartre's Being and Nothingness, from which we derived certain terminology in order to explain the relations which exist between these characters and their psychological motivation. The terminology mainly consists of expressions such as: Being- in-Itself, Bad Faith, Being- for-Others, the Look, the Body, Body-for-Others, etc. The issues of the Body description in Kundera's prose are very closely related to those of human Identity. It is sometimes very hard to separate them, so we observe both the way Kundera tries to get into the very core of what human Identity may be and the way he relates it to the Body. The most common manner of resolving the identity issues in Kundera's prose is presented in the specific existential situations in which we find literary characters acting on their own free will. They often have troubles with expressing themselves, being inhibited by Shame, Bad Faith and the Falsehood that consumes them. The subjects' mutual concrete Relations with Others in The Hitchhiking Game are recognized in Sartre's definitions of various Attitudes towards Others, which we find to be described as Love, Language, Desire, Sadism, etc. And finally, the Body description in the short story may be presented as the second and the third dimension of the Body (Being and Nothingness), in which the subjects lose the notion of what their identity was and start making their body exist as something strange and used by the Other