OJS (Centro de Investigação em Artes e Comunicação)
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Turismo Literário de Campo de Batalha: Representações de Waterloo na Rede Intertextual de Diários de Viagem de Dorothy, Mary (1820) e Dora Wordsworth (1828)
Full text linkO presente artigo analisa as representações do campo de batalha de Waterloo por Dorothy, Mary e Dora Wordsworth em 1820 e 1828 enquanto turismo literário de guerra, bem como a forma como essa rede intertextual de textos de viagem permitiu às autoras inscreverem-se na tradição literária da glorificação britânica após a derrota de Napoleão através de temas como o turismo de massas e o consumo de relíquias.This article analyzes the representations of the Waterloo battlefield by Dorothy, Mary and Dora Wordsworth in 1820 and 1828 as literary war tourism, as well as the way in which this intertextual network of travel texts allowed the female authors to inscribe themselves in the literary tradition of British glorification after Napoleon’s defeat through themes such as mass tourism and the consumption of relics
Wordsworth, Dora, Canals, Castles and Catholics: Dora Wordsworth’s Continental Journal of 1828, ed. Cecilia Powell, Grasmere: The Wordsworth Trust, 2021, xvi + 228 pp.
Full text linkO que está por trás dos “likes”? – Desenvolvimento da autoimagem em jovens youtubers
Full text linkThe present work analyzes the impacts that fame, audience, and acting as a YouTuber can have on the formation of identity, self-esteem, and psychological well-being of the individual. To do so, a content analysis was conducted through a case study based on the audiovisual production of Whindersson Nunes, a YouTuber with significant visibility and engagement with the Brazilian public, who experienced a depression process at the peak of his fame. It was found that the relationship with followers, the impact of haters‘ actions, and practices as a YouTuber consequently produced effects on his identity. Based on the analysis of this case, the contributions of media literacy are discussed as a tool to interact with media autonomously and critically, aiming to increase awareness of its effects with the goal of safeguarding psychological well-being.The present work analyzes the impacts that fame, audience, and acting as a YouTuber can have on the formation of identity, self-esteem, and psychological well-being of the individual. To do so, a content analysis was conducted through a case study based on the audiovisual production of Whindersson Nunes, a YouTuber with significant visibility and engagement with the Brazilian public, who experienced a depression process at the peak of his fame. It was found that the relationship with followers, the impact of haters‘ actions, and practices as a YouTuber consequently produced effects on his identity. Based on the analysis of this case, the contributions of media literacy are discussed as a tool to interact with media autonomously and critically, aiming to increase awareness of its effects with the goal of safeguarding psychological well-being.The present work analyzes the impacts that fame, audience, and acting as a YouTuber can have on the formation of identity, self-esteem, and psychological well-being of the individual. To do so, a content analysis was conducted through a case study based on the audiovisual production of Whindersson Nunes, a YouTuber with significant visibility and engagement with the Brazilian public, who experienced a depression process at the peak of his fame. It was found that the relationship with followers, the impact of haters‘ actions, and practices as a YouTuber consequently produced effects on his identity. Based on the analysis of this case, the contributions of media literacy are discussed as a tool to interact with media autonomously and critically, aiming to increase awareness of its effects with the goal of safeguarding psychological well-being.O presente trabalho analisa os impactos que a fama, a audiência e a atuação como youtuber podem ter na formação da identidade, na autoestima e no bem-estar psicológico do indivíduo. Discute as contribuições da Literacia Mediática como instrumento para interagir com a mídia de forma autônoma, crítica, visando ampliar a consciência de seus efeitos sobre si mesmo e, resguardar seu bem-estar psicológico. Para isso, foi realizada uma análise de conteúdo por meio de um estudo de caso baseado na produção audiovisual de Whindersson Nunes, um youtuber com expressiva visibilidade e atuação junto ao público brasileiro, mas que no auge da fama sofreu um processo de depressão. Verificou-se que a relação com os seguidores, o impacto da atuação de haters e as práticas enquanto youtuber produziram, efeitos na sua identidade
O novo brinquedo de Edgar Pêra ou sobre a inquietude do cinema de ideias
Full text linkIn this interview, I propose a journey through words that, by being spoken, construct meanings and through images that fabricate utopias. The premise is the new film by Edgar Pêra, called Telepathic Letters. In this path, I don’t place myself in the shoes of a critic who judges a product or exclusively in the position of an academic who makes theoretical considerations about an object, based on a priori-analysis models. Rather, I situate myself as a researcher who opens to the investigation with a detached commitment. Immersing myself in the dialogic weaving of art, literature and philosophy, I discuss processes of adaptation for cinema, the role of Artificial Intelligence in creation, what it is like to be a cosmic spectator, like Fernando Pessoa and H. P. Lovecraft, whom Pêra (the telepathic channel) communicates with in this film. In these attempts, I present the productive methods of an artist, whose discourse is formulated in unrepeatable moments of interviews, with specific conditions of existence. Therefore, this communicative process in the form of conversations takes on an autoethnographic character (Ellis & Bochner, 2006).In this interview, I propose a journey through words that, by being spoken, construct meanings and through images that fabricate utopias. The premise is the new film by Edgar Pêra, called Telepathic Letters. In this path, I don’t place myself in the shoes of a critic who judges a product or exclusively in the position of an academic who makes theoretical considerations about an object, based on a priori-analysis models. Rather, I situate myself as a researcher who opens to the investigation with a detached commitment. Immersing myself in the dialogic weaving of art, literature and philosophy, I discuss processes of adaptation for cinema, the role of Artificial Intelligence in creation, what it is like to be a cosmic spectator, like Fernando Pessoa and H. P. Lovecraft, whom Pêra (the telepathic channel) communicates with in this film. In these attempts, I present the productive methods of an artist, whose discourse is formulated in unrepeatable moments of interviews, with specific conditions of existence. Therefore, this communicative process in the form of conversations takes on an autoethnographic character (Ellis & Bochner, 2006).In this interview, I propose a journey through words that, by being spoken, construct meanings and through images that fabricate utopias. The premise is the new film by Edgar Pêra, called Telepathic Letters. In this path, I don’t place myself in the shoes of a critic who judges a product or exclusively in the position of an academic who makes theoretical considerations about an object, based on a priori-analysis models. Rather, I situate myself as a researcher who opens to the investigation with a detached commitment. Immersing myself in the dialogic weaving of art, literature and philosophy, I discuss processes of adaptation for cinema, the role of Artificial Intelligence in creation, what it is like to be a cosmic spectator, like Fernando Pessoa and H. P. Lovecraft, whom Pêra (the telepathic channel) communicates with in this film. In these attempts, I present the productive methods of an artist, whose discourse is formulated in unrepeatable moments of interviews, with specific conditions of existence. Therefore, this communicative process in the form of conversations takes on an autoethnographic character (Ellis & Bochner, 2006).Proponho, nesta entrevista, uma viagem por palavras que, por serem ditas, constroem sentidos e por imagens que fabricam utopias. O pretexto é o novo projeto de filme do realizador Edgar Pêra, intitulado Cartas Telepáticas. Neste percurso, não me coloco no lugar do crítico que julga um produto ou exclusivamente na fala de um académico, que tece considerações teóricas sobre um objeto, baseado em modelos de análise apriorísticos. Antes, situo-me como uma investigadora que se abre aos universos que explora com um comprometimento distanciado. Mergulhando na tecitura dialogante da arte, da literatura e da filosofia, discutem-se processos de adaptação para cinema, o papel da Inteligência Artificial na criação, o que é ser um espectador cósmico, como o foram Fernando Pessoa e H. P. Lovecraft, que Pêra (o canal telepático) põe em comunicação neste filme. Apresento, nestas investidas, os modos de produção de um artista, cujo discurso se formula em momentos irrepetíveis de entrevistas, com condições específicas de existência. Por isso, este processo comunicativo em forma de conversas assume um carácter autoetnográfico (Ellis & Bochner, 2006)
Strategies to protect children from violence in artificial intelligence
Full text linkIn today’s convergent culture, children are growing up in a digital and transmedia environment in which artificial intelligence plays an increasingly important role. The risk of misuse of this artificial intelligence emphasises the importance of approaching the process of developing and implementing new technologies ethically and consciously. This study aims to identify strategies to mitigate the violence of artificial intelligence content aimed at minors. The literature on violence against children is examined through qualitative, explanatory research that focuses on analysing documents from primary and secondary sources. The documents come from recent research, European reports and laws, national and international news, materials and manuals related to the digital environment, transmedia and artificial intelligence. The results show the initiatives to raise awareness, parental control, promote dialogue, collaboration between the sector and experts, clarity of privacy and security policies of digital platforms, promotion of positive and educational content, strengthening of socio-emotional skills and psychological support for victims of violence. The research findings highlight the need for further research in the sector and conscious digital education, as well as a balance between use and action to mitigate the impact of violence against children by ensuring a safe digital environment.En la cultura convergente actual el infante crece en un entorno digital y transmedia en el que la inteligencia artificial juega un papel cada vez más importante. La amenaza del mal uso de dicha inteligencia artificial destaca la necesidad de abordar de forma ética y consciente el proceso de desarrollo e implementación de tecnologías emergentes. Este estudio tiene como objetivo identificar estrategias para mitigar la violencia de los contenidos de inteligencia artificial dirigidos a menores. La revisión de la literatura sobre violencia infantil se realiza mediante una investigación cualitativa explicativa centrada en el análisis de documentos de fuentes primarias y secundarias. Documentación extraída de investigaciones recientes, informes y leyes europeas, noticias nacionales e internacionales, materiales y manuales relacionados con el entorno digital, transmedia e inteligencia artificial. Los resultados presentan iniciativas de sensibilización, control parental, fomento del diálogo, cooperación sectorial y de expertos, así como claridad en las políticas de privacidad y seguridad de las plataformas digitales, el impulso de contenidos positivos y educativos, el refuerzo de capacidades socioemocionales y el apoyo psicológico a víctimas de la violencia. Las conclusiones sugieren la necesidad de una mayor investigación en el sector y en la enseñanza digital consciente, así como el equilibrio entre uso y medidas para mitigar los efectos de la violencia infantil garantizando un entorno digital seguro.In today’s convergent culture, children are growing up in a digital and transmedia environment in which artificial intelligence plays an increasingly important role. The risk of misuse of this artificial intelligence emphasises the importance of approaching the process of developing and implementing new technologies ethically and consciously. This study aims to identify strategies to mitigate the violence of artificial intelligence content aimed at minors. The literature on violence against children is examined through qualitative, explanatory research that focuses on analysing documents from primary and secondary sources. The documents come from recent research, European reports and laws, national and international news, materials and manuals related to the digital environment, transmedia and artificial intelligence. The results show the initiatives to raise awareness, parental control, promote dialogue, collaboration between the sector and experts, clarity of privacy and security policies of digital platforms, promotion of positive and educational content, strengthening of socio-emotional skills and psychological support for victims of violence. The research findings highlight the need for further research in the sector and conscious digital education, as well as a balance between use and action to mitigate the impact of violence against children by ensuring a safe digital environment.In today’s convergent culture, children are growing up in a digital and transmedia environment in which artificial intelligence plays an increasingly important role. The risk of misuse of this artificial intelligence emphasises the importance of approaching the process of developing and implementing new technologies ethically and consciously. This study aims to identify strategies to mitigate the violence of artificial intelligence content aimed at minors. The literature on violence against children is examined through qualitative, explanatory research that focuses on analysing documents from primary and secondary sources. The documents come from recent research, European reports and laws, national and international news, materials and manuals related to the digital environment, transmedia and artificial intelligence. The results show the initiatives to raise awareness, parental control, promote dialogue, collaboration between the sector and experts, clarity of privacy and security policies of digital platforms, promotion of positive and educational content, strengthening of socio-emotional skills and psychological support for victims of violence. The research findings highlight the need for further research in the sector and conscious digital education, as well as a balance between use and action to mitigate the impact of violence against children by ensuring a safe digital environment
Addressing Online Hate Speech: Nigeria’s National Framework and Regulations (2020-2023)
Full text linkSixty-three (63) years after independence, Nigeria has yet to recognize a national communication policy framework document that would serve as a foundation for both online and offline communication initiatives. This paper examines all four (4) drafts of the national communication policy framework in Nigeria to contextualise online hate speech within these documents. Drawing upon peace journalism theory, this qualitative content analysis reveals that there is a lack of robust legal frameworks for addressing online hate speech in all draft documents. Online hate speech is mentioned passively in the 3rd and 4th draft documents without any significant consideration for its implications on the potential escalation of national politics. Nigerian judicial system relies on global law reviews to adjudicate cases of online hate speech within the country. The study concludes that an effective framework for addressing online hate speech should be independently developed as part of the national communication policy and strategy documents established by the National Assembly, with the final draft recognized as a legally binding document in the country. The study also provides recommendations for strengthening the national communication policy and addressing the issue of online hate speech in Nigeria.Sixty-three (63) years after independence, Nigeria has yet to recognize a national communication policy framework document that would serve as a foundation for both online and offline communication initiatives. This paper examines all four (4) drafts of the national communication policy framework in Nigeria to contextualise online hate speech within these documents. Drawing upon peace journalism theory, this qualitative content analysis reveals that there is a lack of robust legal frameworks for addressing online hate speech in all draft documents. Online hate speech is mentioned passively in the 3rd and 4th draft documents without any significant consideration for its implications on the potential escalation of national politics. Nigerian judicial system relies on global law reviews to adjudicate cases of online hate speech within the country. The study concludes that an effective framework for addressing online hate speech should be independently developed as part of the national communication policy and strategy documents established by the National Assembly, with the final draft recognized as a legally binding document in the country. The study also provides recommendations for strengthening the national communication policy and addressing the issue of online hate speech in Nigeria.Sixty-three (63) years after independence, Nigeria has yet to recognize a national communication policy framework document that would serve as a foundation for both online and offline communication initiatives. This paper examines all four (4) drafts of the national communication policy framework in Nigeria to contextualise online hate speech within these documents. Drawing upon peace journalism theory, this qualitative content analysis reveals that there is a lack of robust legal frameworks for addressing online hate speech in all draft documents. Online hate speech is mentioned passively in the 3rd and 4th draft documents without any significant consideration for its implications on the potential escalation of national politics. Nigerian judicial system relies on global law reviews to adjudicate cases of online hate speech within the country. The study concludes that an effective framework for addressing online hate speech should be independently developed as part of the national communication policy and strategy documents established by the National Assembly, with the final draft recognized as a legally binding document in the country. The study also provides recommendations for strengthening the national communication policy and addressing the issue of online hate speech in Nigeria.Sixty-three (63) years after independence, Nigeria has yet to recognize a national communication policy framework document that would serve as a foundation for both online and offline communication initiatives. This paper examines all four (4) drafts of the national communication policy framework in Nigeria to contextualise online hate speech within these documents. Drawing upon peace journalism theory, this qualitative content analysis reveals that there is a lack of robust legal frameworks for addressing online hate speech in all draft documents. Online hate speech is mentioned passively in the 3rd and 4th draft documents without any significant consideration for its implications on the potential escalation of national politics. Nigerian judicial system relies on global law reviews to adjudicate cases of online hate speech within the country. The study concludes that an effective framework for addressing online hate speech should be independently developed as part of the national communication policy and strategy documents established by the National Assembly, with the final draft recognized as a legally binding document in the country. The study also provides recommendations for strengthening the national communication policy and addressing the issue of online hate speech in Nigeria
O contracampo como movimento infinito: O legado fílmico e académico de Raquel Schefer
Full text linkIn June 2023, for the Podcast section of the “Speculum” project, professor and filmmaker Raquel Schefer accepted my invitation to explain her relationship with the concept of autobiographical documentary and to explain a little about her creative process, between academic writing and the realisation of eight short films, which she divides into two main and six secondary films. The hypothesis put forward here is to analyse Schefer’s work as a proposal for expanded cinema, with the idea of constructing an imaginary counterfield that materialises in words, gestures and objects, but also in academic writings and artistic presentations of her work.In June 2023, for the Podcast section of the “Speculum” project, professor and filmmaker Raquel Schefer accepted my invitation to explain her relationship with the concept of autobiographical documentary and to explain a little about her creative process, between academic writing and the realisation of eight short films, which she divides into two main and six secondary films. The hypothesis put forward here is to analyse Schefer’s work as a proposal for expanded cinema, with the idea of constructing an imaginary counterfield that materialises in words, gestures and objects, but also in academic writings and artistic presentations of her work.In June 2023, for the Podcast section of the “Speculum” project, professor and filmmaker Raquel Schefer accepted my invitation to explain her relationship with the concept of autobiographical documentary and to explain a little about her creative process, between academic writing and the realisation of eight short films, which she divides into two main and six secondary films. The hypothesis put forward here is to analyse Schefer’s work as a proposal for expanded cinema, with the idea of constructing an imaginary counterfield that materialises in words, gestures and objects, but also in academic writings and artistic presentations of her work.Em junho de 2023, para a seção Podcast do projeto “Speculum”, a professora e cineasta Raquel Schefer aceitou o meu convite feito para expor a sua relação com o conceito de documentário autobiográfico e explicar um pouco do seu processo criativo, entre a escrita académica e a realização de oito curtas-metragens, que a própria divide em 2 principais e 6 secundarias. Avança-se aqui a hipótese de analisar o trabalho de Schefer como uma proposta de cinema expandido, numa ideia de construção de um contracampo imaginário que se materializa em palavras, gestos e objetos, mas também em escritos académicos e apresentações artísticas do seu trabalho
Criadores de Conteúdo e a Ascensão dos Discursos de Ódio entre Brasileiros e Portugueses em Plataformas Digitais: Análise de um Experimento em Rede Social
Full text linkIn recent years, a notable escalation of hate discourse has emerged between Brazilians and Portuguese on various digital platforms, casting content creators as pivotal actors in this contentious phenomenon. This article purposes to explore the connection between content production on digital platforms regarding the immigration of Brazilians to Portugal and the emergence of hate speech. Employing the Case Study methodology (Yin, 2017) with a qualitative approach, the research entailed a practical experiment involving the establishment of an Instagram profile dedicated to publish content regarding immigration in Portugal. Data collected over a six-month period underwent scrutiny via Content Analysis (Bardin, 2011). The study infers that, despite the initial intent to inform and publicize content suitable to immigration and life in Portugal, hate discourses flourish organically among users, underscoring the imperative for an ethically informed editorial approach. The endorsement of educational initiatives and tools is advocated to empower both content creators and consumers in facing hate speech on digital platforms. This may encompass the establishment of digital monitoring observatories, the provision of targeted training for content creators and the creation of audiovisual awareness materials for the audiences.In recent years, a notable escalation of hate discourse has emerged between Brazilians and Portuguese on various digital platforms, casting content creators as pivotal actors in this contentious phenomenon. This article purposes to explore the connection between content production on digital platforms regarding the immigration of Brazilians to Portugal and the emergence of hate speech. Employing the Case Study methodology (Yin, 2017) with a qualitative approach, the research entailed a practical experiment involving the establishment of an Instagram profile dedicated to publish content regarding immigration in Portugal. Data collected over a six-month period underwent scrutiny via Content Analysis (Bardin, 2011). The study infers that, despite the initial intent to inform and publicize content suitable to immigration and life in Portugal, hate discourses flourish organically among users, underscoring the imperative for an ethically informed editorial approach. The endorsement of educational initiatives and tools is advocated to empower both content creators and consumers in facing hate speech on digital platforms. This may encompass the establishment of digital monitoring observatories, the provision of targeted training for content creators and the creation of audiovisual awareness materials for the audiences.In recent years, a notable escalation of hate discourse has emerged between Brazilians and Portuguese on various digital platforms, casting content creators as pivotal actors in this contentious phenomenon. This article purposes to explore the connection between content production on digital platforms regarding the immigration of Brazilians to Portugal and the emergence of hate speech. Employing the Case Study methodology (Yin, 2017) with a qualitative approach, the research entailed a practical experiment involving the establishment of an Instagram profile dedicated to publish content regarding immigration in Portugal. Data collected over a six-month period underwent scrutiny via Content Analysis (Bardin, 2011). The study infers that, despite the initial intent to inform and publicize content suitable to immigration and life in Portugal, hate discourses flourish organically among users, underscoring the imperative for an ethically informed editorial approach. The endorsement of educational initiatives and tools is advocated to empower both content creators and consumers in facing hate speech on digital platforms. This may encompass the establishment of digital monitoring observatories, the provision of targeted training for content creators and the creation of audiovisual awareness materials for the audiences.
Nos últimos anos, temos observado um aumento significativo nos discursos de ódio entre brasileiros e portugueses em plataformas digitais, sendo os produtores de conteúdo frequentemente apontados como figuras centrais nesse fenômeno. Este artigo se propõe a examinar a interação entre a criação de conteúdo em plataformas digitais sobre a imigração de brasileiros para Portugal e a proliferação de discursos de ódio. Utilizando a metodologia de Estudo de Caso (Yin, 2017) com uma abordagem qualitativa, a pesquisa envolveu um experimento prático que consistiu na criação de um perfil no Instagram dedicado à publicação de conteúdo sobre imigração em Portugal. Os dados coletados ao longo de seis meses foram analisados por meio da Análise de Conteúdo (Bardin, 2011). O estudo sugere que, apesar da intenção inicial de informar e divulgar conteúdos relacionados à imigração e à vida em Portugal, os discursos de ódio surgem organicamente entre os usuários, destacando a necessidade de uma abordagem editorial eticamente informada. A promoção de iniciativas educacionais e ferramentas é defendida para capacitar tanto os produtores de conteúdo quanto os consumidores no enfrentamento dos discursos de ódio em plataformas digitais, incluindo o estabelecimento de observatórios de monitoramento digital, fornecimento de treinamento direcionado para influenciadores e criação de materiais audiovisuais de conscientização para o público
Os apelos sociais nos anúncios televisivos: as mensagens de Natal das marcas portuguesas
Full text linkTelevision still represents an important part of the Advertising investment of many Portuguese brands. Focusing on data about the impact of television on the brands’ Advertising budget and having the Christmas season as context, characterized by strong investment in Advertising campaigns, this study seeks to answer the following question: what kind of appeals are conveyed in the Christmas adverts of the brands that invest the most in Advertising in Portugal? Based on a qualitative methodology, this research focused on the content analysis of Christmas advertisements broadcast by generalist Portuguese televisions (public and private) in 2022 that invested the most in Advertising.The results suggest that retail brands are the protagonists of Christmas Advertising campaigns in Portugal, producing highly visible productions with expressive messages and large budgets. There were also some particularities: retailers emphasize “family” values through their products, while telecommunications companies, although maintaining a commercial focus, incorporate emotionally charged narratives, exploring themes like loneliness and mental health.Television still represents an important part of the Advertising investment of many Portuguese brands. Focusing on data about the impact of television on the brands’ Advertising budget and having the Christmas season as context, characterized by strong investment in Advertising campaigns, this study seeks to answer the following question: what kind of appeals are conveyed in the Christmas adverts of the brands that invest the most in Advertising in Portugal? Based on a qualitative methodology, this research focused on the content analysis of Christmas advertisements broadcast by generalist Portuguese televisions (public and private) in 2022 that invested the most in Advertising.The results suggest that retail brands are the protagonists of Christmas Advertising campaigns in Portugal, producing highly visible productions with expressive messages and large budgets. There were also some particularities: retailers emphasize “family” values through their products, while telecommunications companies, although maintaining a commercial focus, incorporate emotionally charged narratives, exploring themes like loneliness and mental health.Television still represents an important part of the Advertising investment of many Portuguese brands. Focusing on data about the impact of television on the brands’ Advertising budget and having the Christmas season as context, characterized by strong investment in Advertising campaigns, this study seeks to answer the following question: what kind of appeals are conveyed in the Christmas adverts of the brands that invest the most in Advertising in Portugal? Based on a qualitative methodology, this research focused on the content analysis of Christmas advertisements broadcast by generalist Portuguese televisions (public and private) in 2022 that invested the most in Advertising.The results suggest that retail brands are the protagonists of Christmas Advertising campaigns in Portugal, producing highly visible productions with expressive messages and large budgets. There were also some particularities: retailers emphasize “family” values through their products, while telecommunications companies, although maintaining a commercial focus, incorporate emotionally charged narratives, exploring themes like loneliness and mental health.A televisão continua a representar uma parte importante do investimento publicitário de muitas marcas portuguesas. Centrando-se em dados sobre o impacto da televisão no orçamento publicitário das marcas e tendo como contexto a época natalícia, caracterizada por um forte investimento em campanhas publicitárias, este estudo procura responder à seguinte questão: que tipo de apelos são veiculados nos anúncios de Natal das marcas que mais investem em publicidade em Portugal? Com base numa metodologia qualitativa, esta investigação centrou-se na análise de conteúdo dos anúncios de Natal veiculados pelas televisões portuguesas generalistas (públicas e privadas) em 2022 que mais investiram em publicidade.Os resultados sugerem as marcas de retalho como protagonistas nas campanhas publicitárias de Natal em Portugal, realizando produções de grande visibilidade, com mensagens expressivas e orçamentos avultados. Notaram-se, ainda, algumas particularidades: os retalhistas enfatizam o valor “família”, utilizando os seus próprios produtos; as empresas de telecomunicações, insistindo no valor comercial, apostam em narrativas com uma forte dimensão emocional, na medida em que são explorados temas como a solidão e a saúde mental
Sleepless Nights
Full text linkIn Nuits Blanches, the artist Pauline Le Pichon illustrates the disturbing scenarios that prevent her from sleeping at night. Narratives so unsettling and with such a realistic aspect that they become suffocating for the author. The proposal was submitted to the “Living Fiction” dossier of Rotura – Journal of Communication, Culture, and Arts (Center for Research in Arts and Communication, 2024) as a visual body responding to one of the challenges of the call: to de-automatize the gaze, with the proposal of exploring the relationship between fiction and life. If, in the gasp of a sleepless night, the voice fails and words no longer communicate, the image – a set of them – materializes the resistance to create as an artistic process and as a rebellion of life against what seems empty and absorbed. This visual essay offers, through the experience of the artist Pauline Le Pichon, the possibility to continue unraveling ‘nuits blanches’ and the force of life that also inhabits chaos (the origin of creation, according to Aristotle), as a matter of art and the sharing of possible films, through the experience of the image delivered to the eyes of others, of which this visual essay is an example.En este proyecto, Pauline Le Pichon ilustra los inquietantes escenarios que le quitan el sueño.Estas narraciones son tan In Nuits Blanches, the artist Pauline Le Pichon illustrates the disturbing scenarios that prevent her from sleeping at night. Narratives so unsettling and with such a realistic aspect that they become suffocating for the author. The proposal was submitted to the “Living Fiction” dossier of Rotura – Journal of Communication, Culture, and Arts (Center for Research in Arts and Communication, 2024) as a visual body responding to one of the challenges of the call: to de-automatize the gaze, with the proposal of exploring the relationship between fiction and life. If, in the gasp of a sleepless night, the voice fails and words no longer communicate, the image – a set of them – materializes the resistance to create as an artistic process and as a rebellion of life against what seems empty and absorbed. This visual essay offers, through the experience of the artist Pauline Le Pichon, the possibility to continue unraveling ‘nuits blanches’ and the force of life that also inhabits chaos (the origin of creation, according to Aristotle), as a matter of art and the sharing of possible films, through the experience of the image delivered to the eyes of others, of which this visual essay is an example.inquietantes y tan reales que llegan a ser asfixiantes para la autora.Dans Nuits Blanches, l’artiste Pauline Le Pichon illustre les scénarios troublants qui l’empêchent de dormir la nuit. Des récits si perturbants et avec un aspect si réel qu’ils deviennent étouffants pour l’auteure. Cette proposition a été soumise au dossier «Fiction Vivante» de Rotura – Revue de Communication, Culture et Arts (Centre de Recherche en Arts et Communication, 2024), en tant que corps visuel répondant à l’un des défis de l’appel : désautomatiser le regard, en explorant la relation entre fiction et vie. Si, dans l’étouffement d’une nuit blanche, la voix échoue et le verbe ne communique plus, l’image, un ensemble d’entre eux, matérialise la résistance à créer comme processus artistique et insurrection de la vie face à ce qui semble vide et absorbé. Cet essai visuel offre, à travers l’expérience de l’artiste Pauline Le Pichon, la possibilité de continuer à démêler les nuits blanches et la puissance de vie qui réside également dans le chaos (l’origine de la création, selon Aristote), en tant que matière artistique et partage de films possibles, à travers l’expérience de l’image livrée au regard des autres, dont cet essai visuel est un exemple.In Nuits Blanches, the artist Pauline Le Pichon illustrates the disturbing scenarios that prevent her from sleeping at night. Narratives so unsettling and with such a realistic aspect that they become suffocating for the author. The proposal was submitted to the “Living Fiction” dossier of Rotura – Journal of Communication, Culture, and Arts (Center for Research in Arts and Communication, 2024) as a visual body responding to one of the challenges of the call: to de-automatize the gaze, with the proposal of exploring the relationship between fiction and life. If, in the gasp of a sleepless night, the voice fails and words no longer communicate, the image – a set of them – materializes the resistance to create as an artistic process and as a rebellion of life against what seems empty and absorbed. This visual essay offers, through the experience of the artist Pauline Le Pichon, the possibility to continue unraveling ‘nuits blanches’ and the force of life that also inhabits chaos (the origin of creation, according to Aristotle), as a matter of art and the sharing of possible films, through the experience of the image delivered to the eyes of others, of which this visual essay is an example