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    Mies van der Rohe meets Robbrecht en Daem architecten. History of a 1:1 Model based on the Design of Mies van der Rohe

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    Mies 1:1 The Golf Club Project (Krefeld, Germany, May-October 2013) was an exhibition consisting of an architectural model on a 1:1 scale which could be viewed and accessed physically. Christiane Lange and the initiative Projekt MIK e.V. built the model together with Ghent-based architects Robbrecht en Daem according to the plans for the clubhouse at Krefeld Golf Club. These were drawn up by Mies van der Rohe in 1930, but never implemented. This article depicts the development and the course of the project as well as the conceptional involvement of the participants within the context of Mies van der Rohe’s oeuvre, the debate regarding reconstruction and the goals of the exhibitio

    New Khmer Architecture: Modern Architecture Movement in Cambodia between 1953 and 1970

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    This essay will exam the Modern Movement in Cambodia through architecture, known as New Khmer Architecture, from 1953 to 1970, that has distinct continuum characteristics from vernacular architecture, like other Modern Movement architecture in Southeast Asia, because of socio-political movements and cultural engagement

    Modern Architecture in Vietnam or Vietnamese Modern Architecture?

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    Architecture is one of the keys to the values of a society, a reflection of a people’s aspiration, and a society’s ideas and technological experiments over periods in its history. This paper will address “modern architecture in Vietnam” focusing on the general course of its development: its practice, discourse and the built environment throughout history. The guiding questions for the main content of this paper are very fundamental: How can we define modern architecture in Vietnam? How was it formed and developed through the modern history of the country? Can we call modern architecture in Vietnam “Vietnamese modern architecture”

    Porfírio Pardal Monteiro and the Global Design

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    The search for the concept and the practise of a “total project” or “global project” in architecture, in the sense of the project that integrates various artistic and technical disciplines and which reflects itself as a coherent and constructed whole, are the guiding principles to explore the relationship of architecture with works of art and with other diversified technical fields, in reference to the “total work of art” concept. The architectural concept that Porfírio Pardal Monteiro (1897–1957) will come to defend, revolves around the integration of the various fields of engineering and the integration of the plastic arts, assuming that architecture ceases to exist without the interaction of those two domains. A third domain can be added to these two, which is that of industrial (or product) and furniture design

    Revisiting Chelas. In Search of the Promised Urbanness

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    Chelas is situated in the east of Lisbon and corresponds to the third and final phase of a large-scale planning operation that began in the late 1950s, covering an area of roughly 737 hectares, equivalent to 1/10 of the city’s total area. The Master Plan for Chelas, approved in 1964, was marked by the revision of the principles of modern planning and represents a landmark in town planning in Portugal. The protracted nature of the plan’s implementation and the failure to complete all of its programs seriously compromised the success of the presented proposal. This article proposes a reading of the ideological context that influenced its conception and design, as well as of the factors that conditioned its urbanization process

    Towards a Modern Lisbon through the Work of João Guilherme Faria da Costa for the Lisbon City Council (1938-1948)

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    The urban planner João Guilherme Faria da Costa (1906–1971) is a leading figure of the generation of modern Portuguese architects, who distinguished himself by an intense professional activity in the field of urban planning since the 1930s, which is when this discipline was introduced into Portugal. In fact, with the institution of the Estado Novo regime (1933–1974), a completely new era was initiated for Portuguese urban planning, which evolved from being mostly the result of private initiative, to becoming an instrument for the public control of urban transformation. Faria da Costa, who worked for the Lisbon City Council from 1938, participated directly in some of the great urban transformations of the Portuguese capital which took place during this period

    Housing and Contemporaneity: Recent Renovations in Lisbon's Baixa Pombalina

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    The Plan of 1758 for the reconstruction of Lisbon's Baixa Pombalina followed principles of unparalleled efficiency and regularity. The grid of rectangular urban blocks with pre-designed street façades had a lasting impact on urban identity. Today, the original features of the blocks of flats allow renovation strategies that address changes in domestic life and present-day comfort demands: making use of alcoves and the enfilade to address intimacy; turning kitchens into social areas; using multiple entrances for flat division; introducing lifts according to staircase design. Recent renovations show how the flats' original features contribute to unconventional flexible layouts adapted to contemporary living

    The European Large Scale Heritage

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    Post-War Housing Complexes in Europe are symbols of architectural, technological and social aspirations. These grands ensembles of Mass Housing have nowadays begun to be appreciated by users and authorities, as integral part of the current city. Whether discussing demolition (as faced by the Smithsons' Robin Hood Gardens and Toulouse's Le Mirail, and commonly seen as a focus for social marginalization), or the growing phenomenon of heritagization (as implicit in the type of person now using the Marseille Unité d’Habitation), the debate today has mainly become centered on the question of: how to keep these large structures alive, while meeting contemporary standards of comfort? Characterized by adventurous experiments in the use of new materials and techniques, space creation and gender transformations, the obsolescence of these big complexes is determined on two different levels: the technical one (regarding comfort, such as thermal or acoustic, and the need for mechanical and safety improvements, as infrastructures, systems, elevators), and the functional one (involving space dimensions, organisation, orientation, and the introduction of new uses); all while complying with current regulatory standards. In addition, these buildings have frequently been intensively used and modified

    “EH, Evolutionary Building” Prototype Housing at Solomeo by R. Piano & P. Rice Engineers and Architects with Gruppo Isovibro Perugia: Architectural Study and Guidelines for Conservation and Reuse

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    The prototype “EH, evolutionary building” at Solomeo by the design team Piano & Rice Engineers and Architects Vibrocemento Perugia s.p.a. is an example of the experimental design of residential buildings for emergency situations and represents a crucial phase of transition from traditional prefabrication to open prefabrication. Built on the basis of the project prepared for the competition held following the disastrous 1976 earthquake in Friuli, many of the ideas tested in the prototype were later used to construct the RIGO housing estate at Corciano. The text describes the architectural study and guidelines for the protection and reuse of this significant modernist building, today abandoned

    Reloaded Corviale, a City with a Single Building (1973–84). Mario Fiorentino Architect, Rome

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    The Corviale is one of the most controversial pieces of 20th century Roman architecture, having been simultaneously debated, demonized, mythologized, loved and hated. The architecture is unquestionably extraordinary, and not only for its size. The complex, comprised of public housing and services for more than 8,000 residents, was designed between 1972 and 1974 by Mario Fiorentino, along with a large group of associates, and was built in the following ten years. As a result of deterioration due to its incompletion, lack of maintenance, continuous squatting and difficulties for diverse residents to coexist, the Corviale has, for years, represented the manifesto of disastrous public housing policies in Ital

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